Uploaded December 2025 | Updated September 2026, 2 weeks ago
Many people, especially young people, love superheroes. Spider-Man consistently remains the most popular hero in the world by almost every metric. Batman is arguably more popular with adults due to his darker, more grounded stories, while Superman maintains his status as the definitive classic. Wonder Woman is the most popular female superhero by a wide margin—particularly among girls—and Iron Man’s legacy and merch remain top-tier, despite his cinematic death.
But there’s one thing all these icons have in common. Leave it to our taxpayer-funded, race-baiting ABC to point it out: “Not everyone sees themselves in superheroes that are ‘mostly white men’.” Yes, despite their global popularity, the fact that these characters are usually portrayed as white is apparently some kind of cosmic injustice. Thank you to the viewer who sent this in a while back.
This is not some kind of blip; the ABC has been doing this sort of thing for years.
In 2016, we had: “‘Diversity not tokenistic’: Darwin artist taking Indigenous superhero to next stage of animation,” and “Meet the teenage artist from Jabiru blending bark painting with superheroes.” In 2017: “It’s a bird, it’s a plane: it’s a superhero with Down syndrome,” and “Wonder Woman becomes biggest blockbuster directed by a female.”
By 2018, they covered a certain “superhero” shown on screen. Her name: “Blackie Blackie Brown: The Traditional Owner of Death.” And what is her mission? “A woman dressed as a superhero is on a mission to kill 400 descendants of the white colonialists who killed her great-great grandmother.” Of course.
In 2019: “Indigenous superhero Kyle fights stereotypes — just in time for Australia Day.” Not only does he fight stereotypes, he “fights drugs in rural towns.” So watch out drug dealers, Australian superhero Kyle is coming to get you.
In 2020: “Meet the DC Universe’s newest Aboriginal superhero with ‘total badass’ Thylacine, a Pilbara hunter and Suicide Squad’s newest recruit.” They also discussed “The rise of the Aboriginal superhero,” focusing on characters such as Condoman. I just don’t understand why he isn’t as popular as, say, Batman. It must be racism.
Although, the ABC doesn’t give up. In 2024, they published: “How First Nations superhero ‘Condoman’ became a world leader in HIV prevention.” I honestly hadn’t heard of him, but perhaps I’ve been living under a rock.
In 2021, they reported: “In the NT community of Wadeye, a new superhero joins the fight against coronavirus.” I wish I was joking, but this is actually the hero the ABC was promoting: Captain Sanitiser: Health Hero, who carries around rolls of toilet paper while spreading COVID-safety messages.
I’m surprised they didn’t have a superhero named Jab-Man: Make sure to get your jab today! Although, in 2022, Marvel actually partnered with Pfizer to create a comic called Everyday Heroes, promoting vaccination. Truth is indeed stranger than fiction.
Last year, they promoted Scott Wilson, who couldn’t see Aboriginal superheroes in the comics he loved, so he created his own titled Dark Heart: “Though the season may change, the fire remains strong. He must protect the fire and the lore from evil beyond this place and time.”
And that brings us back full circle to the initial article where they declare: “teens want to be the hero, but the characters they see are mostly white men.” They state that “Indigenous comic creators are taking ownership of First Nations superheroes.” They promote a whole bunch of non-white comic books such as Dreamwalker and the Indigenous superhero Zero Point who “smashes boundaries,” and interview comic book creator Molly Hunt who said, “We all grew up wanting someone that looked like us and had our stories and something we can relate to.”
Well, I don’t think that’s true. I don’t think people need a character to have the same skin colour as them to find them relatable. For example, Spider-Man is remarkably popular in China, often cited as the most beloved Western superhero in the country. Obviously, it’s simply not true that only white people can love Spider-Man.
Ultimately, the big film studios have one major goal: to make money. They produce characters that will be popular. Of course, people are free to make an Indigenous character—nobody is stopping you. But ultimately, they need to be relatable emotionally, not just physically.
Clearly, the ABC is just race-baiting as usual, giving a billion-dollar taxpayer-funded platform—one of Australia’s largest news sites—to a select group of people to promote their comic books for free. The only condition? That you’re not a white male.
MUSIC
Allégro by Emmit Fenn
Many people, especially young people, love superheroes. Spider-Man consistently remains the most popular hero in the world by almost every metric. Batman is arguably more popular with adults due to his darker, more grounded stories, while Superman maintains his status as the definitive classic. Wonder Woman is the most popular female superhero by a wide margin—particularly among girls—and Iron Man’s legacy and merch remain top-tier, despite his cinematic death.
But there’s one thing all these icons have in common. Leave it to our taxpayer-funded, race-baiting ABC to point it out: “Not everyone sees themselves in superheroes that are ‘mostly white men’.” Yes, despite their global popularity, the fact that these characters are usually portrayed as white is apparently some kind of cosmic injustice. Thank you to the viewer who sent this in a while back.
This is not some kind of blip; the ABC has been doing this sort of thing for years.
In 2016, we had: “‘Diversity not tokenistic’: Darwin artist taking Indigenous superhero to next stage of animation,” and “Meet the teenage artist from Jabiru blending bark painting with superheroes.” In 2017: “It’s a bird, it’s a plane: it’s a superhero with Down syndrome,” and “Wonder Woman becomes biggest blockbuster directed by a female.”
By 2018, they covered a certain “superhero” shown on screen. Her name: “Blackie Blackie Brown: The Traditional Owner of Death.” And what is her mission? “A woman dressed as a superhero is on a mission to kill 400 descendants of the white colonialists who killed her great-great grandmother.” Of course.
In 2019: “Indigenous superhero Kyle fights stereotypes — just in time for Australia Day.” Not only does he fight stereotypes, he “fights drugs in rural towns.” So watch out drug dealers, Australian superhero Kyle is coming to get you.
In 2020: “Meet the DC Universe’s newest Aboriginal superhero with ‘total badass’ Thylacine, a Pilbara hunter and Suicide Squad’s newest recruit.” They also discussed “The rise of the Aboriginal superhero,” focusing on characters such as Condoman. I just don’t understand why he isn’t as popular as, say, Batman. It must be racism.
Although, the ABC doesn’t give up. In 2024, they published: “How First Nations superhero ‘Condoman’ became a world leader in HIV prevention.” I honestly hadn’t heard of him, but perhaps I’ve been living under a rock.
In 2021, they reported: “In the NT community of Wadeye, a new superhero joins the fight against coronavirus.” I wish I was joking, but this is actually the hero the ABC was promoting: Captain Sanitiser: Health Hero, who carries around rolls of toilet paper while spreading COVID-safety messages.
I’m surprised they didn’t have a superhero named Jab-Man: Make sure to get your jab today! Although, in 2022, Marvel actually partnered with Pfizer to create a comic called Everyday Heroes, promoting vaccination. Truth is indeed stranger than fiction.
Last year, they promoted Scott Wilson, who couldn’t see Aboriginal superheroes in the comics he loved, so he created his own titled Dark Heart: “Though the season may change, the fire remains strong. He must protect the fire and the lore from evil beyond this place and time.”
And that brings us back full circle to the initial article where they declare: “teens want to be the hero, but the characters they see are mostly white men.” They state that “Indigenous comic creators are taking ownership of First Nations superheroes.” They promote a whole bunch of non-white comic books such as Dreamwalker and the Indigenous superhero Zero Point who “smashes boundaries,” and interview comic book creator Molly Hunt who said, “We all grew up wanting someone that looked like us and had our stories and something we can relate to.”
Well, I don’t think that’s true. I don’t think people need a character to have the same skin colour as them to find them relatable. For example, Spider-Man is remarkably popular in China, often cited as the most beloved Western superhero in the country. Obviously, it’s simply not true that only white people can love Spider-Man.
Ultimately, the big film studios have one major goal: to make money. They produce characters that will be popular. Of course, people are free to make an Indigenous character—nobody is stopping you. But ultimately, they need to be relatable emotionally, not just physically.
Clearly, the ABC is just race-baiting as usual, giving a billion-dollar taxpayer-funded platform—one of Australia’s largest news sites—to a select group of people to promote their comic books for free. The only condition? That you’re not a white male.
MUSIC
Allégro by Emmit Fenn





![UniMelb: Did Aboriginals Actually Invent Highways?
Did you know that highways were actually invented by Australian Aboriginal people? It’s true! Well, kind of—at least according to some of our finest universities.
The University of Melbourne—consistently ranked among the finest in Australia and the world—publishes a steady stream of content on its YouTube page. You’ll find videos like:
• Celebrating the Hindu festival of Holi at UniMelb, which features the quote: “It’s purple. It’s mystery. Law is mystery.” I’ll tell you what’s a mystery: how someone actually gets a law degree saying things like that.
• Wominjeka 2026—essentially an Aboriginal Welcome to Country that is plastered on their buildings in both standard colours and, of course, the LGBT rainbow version.
• The Chinese Year of the Horse, with the quote: “It means moving forward and being brave.” At least that one makes sense. And…
• The Midsumma Pride March 2026, just to name a few.
As they say, “If it ain’t woke, don’t fix it.” Or is it: “If it ain’t woke, make sure it becomes woke and rub it in everyone’s faces—especially the students.”
But the one University of Melbourne video I’d like to look at today (and thank you to the viewer who sent this in) is titled: “Cultural and Indigenous Astronomy.”
They introduce the video by noting: “Cool things we’ve learnt from Indigenous astronomers.” They then pivot to what I hinted at earlier: “Our roads and cities come from star maps.” Yes, apparently our urban planning is actually an Aboriginal-inspired intergalactic grid. It definitely had nothing to do with surveyors, civil engineers, or, you know, British colonisation.
Back to the video: “Aboriginal people mapped out trade routes. These routes are called Songlines, which are encoded in song.” Yes, the roads you drive on actually double as a musical score, which is great news for anyone whose car radio is broken.
A quick Google search reveals that “Songlines, also known as Dreaming tracks or footprints of the ancestors, are intricate, oral-tradition paths spanning Australia that map the routes taken by Creator Beings during the Dreamtime.” Yes, when you drive along the M1, you’re not just stuck in gridlock; you’re following the pathways of the gods! Though, judging by the traffic at 5:00 PM, even the gods probably would’ve taken a backstreet.
But they’re not just roads. According to ABC News: “In Aboriginal culture, Songlines are like libraries—and they store knowledge.” They’re like some sort of ancient Wikipedia—only with more singing and less fact-checking. I’m not sure how this is ‘news,’ but trust our national broadcaster to treat a traditional oral history like it’s a breaking discovery from Silicon Valley.
The Indigenous website Deadly Story, which aims to help Aboriginal young people “connect to Country,” of course teaches them all about Songlines—providing realistic and highly practical scientific facts like: “Songlines act as a ‘Cultural Passport’,” and “Songlines contain information” such as which “types of food are safe to eat.”
Naturally, it also dives into grievance culture: “When the British invaded, the colonists [mercilessly] used Aboriginal Songlines for their horse-drawn vehicles,” and “One of the great tragedies of colonisation was the eradication and white-washing of the carefully curated use of Country by Aboriginal people. Songlines were diminished as mere ‘animal tracks’.”
I suppose the British should’ve just wandered aimlessly through the bush instead of using the most efficient routes available. Clearly, the greatest crime of the Empire wasn’t the mismanagement of a continent; it was the audacity to use an existing road.
And finally, the university’s video concludes that: “These Songlines eventually became roads and highways.” So there you go. That’s how Aboriginal people supposedly invented highways—or, if we want to be accurate, that’s how the colonising British Empire acquired existing footpaths and turned them into the dual-carriageway arterial roads that helped kick-start one of the world’s most successful modern economies.
MUSIC
Allégro by Emmit Fenn UniMelb: Did Aboriginals Actually Invent Highways?](https://i.ytimg.com/vi/U5WBuZuM-Ys/mqdefault.jpg)




