Uploaded May 2021 | Updated September 2026, 2 weeks ago
1. Moj oče / My father - 0:00
2. Slutnja / Foreboding - 7:52
3. Vodnjak / Fountain - 16:22
4. Pesem o zvezdah / A song about the stars - 23:10
Andi Koglot - guitar, piano, vocals, drums, ambient sounds, lyrics
Eva - vocals
2012
From the band's soundcloud:
"Zbogom, Ajda is a Slovenian post-rock band formed by three students. The music is guitar oriented with addition of piano, vocals and bowing guitar used in some songs. Music is many times accompanied by field recordings of dialog spoken in their native language and ambient sounds.
The band is influenced by artists like Set Fire To Flames, Gregor Samsa, Godspeed You! Black Emperor and Mono."
soundcloud.com/zbogom-ajda
Here is a review of Med Zarjo by Slovenian music website rockline.si
web.archive.org/web/20130328070524/https://www.rockline.si/podrobnosti-recenzije/med-zarjo-5602
I've had great affection for Statika, the band's first album which can be listened to here: youtube.com/watch?v=RkVzB1g9ZL4
ever since I first heard it, and I've had Med Zarjo for so long but only just got around to it. The production is almost night and day, Statika feeling like an independent work, with Med Zarjo feeling very professional, refined. It's quite a different turn, and I think it makes Med Zarjo more appreciable on repeated listens, which is something I never found myself considering until listening to these two albums back to back. The lovely Eva returns from the first album, her vocals a highlight for me. The way she and Andi duet on Slutnja is like lovers. Moj oče seems to be some sort of dirge, a true descent downward that fizzles out in static and void. It betrays what the rest of the album will sound like. I was left extremely surprised by Med Zarjo's final track, this truly uplifting piece (at least as far as my perception is going, as I cannot understand the vocals). But as with the stars, beauty is fleeting, the final moments of the track slowing down very obviously with a clock or some type of metronome. It's like being awoken from a dream. Unfortunately, this would be the end of Zbogom, Ajda, and that saddens me. As I said, I have great affection for Statika, and now I have even greater affection for Med Zarjo. I daresay I love this album. I hope the members are doing well, nearly ten years on.
Both albums are unavailable for purchase anywhere, so here are download links:
mediafire.com/file/aveuvp4ujefn5hy/Statika.7z/file
mediafire.com/file/7f3yojxrgadf6xd/Med_Zarjo.7z/file
You will need 7zip File Manager, or WinRar
1. Moj oče / My father - 0:00
2. Slutnja / Foreboding - 7:52
3. Vodnjak / Fountain - 16:22
4. Pesem o zvezdah / A song about the stars - 23:10
Andi Koglot - guitar, piano, vocals, drums, ambient sounds, lyrics
Eva - vocals
2012
From the band's soundcloud:
"Zbogom, Ajda is a Slovenian post-rock band formed by three students. The music is guitar oriented with addition of piano, vocals and bowing guitar used in some songs. Music is many times accompanied by field recordings of dialog spoken in their native language and ambient sounds.
The band is influenced by artists like Set Fire To Flames, Gregor Samsa, Godspeed You! Black Emperor and Mono."
soundcloud.com/zbogom-ajda
Here is a review of Med Zarjo by Slovenian music website rockline.si
web.archive.org/web/20130328070524/https://www.rockline.si/podrobnosti-recenzije/med-zarjo-5602
I've had great affection for Statika, the band's first album which can be listened to here: youtube.com/watch?v=RkVzB1g9ZL4
ever since I first heard it, and I've had Med Zarjo for so long but only just got around to it. The production is almost night and day, Statika feeling like an independent work, with Med Zarjo feeling very professional, refined. It's quite a different turn, and I think it makes Med Zarjo more appreciable on repeated listens, which is something I never found myself considering until listening to these two albums back to back. The lovely Eva returns from the first album, her vocals a highlight for me. The way she and Andi duet on Slutnja is like lovers. Moj oče seems to be some sort of dirge, a true descent downward that fizzles out in static and void. It betrays what the rest of the album will sound like. I was left extremely surprised by Med Zarjo's final track, this truly uplifting piece (at least as far as my perception is going, as I cannot understand the vocals). But as with the stars, beauty is fleeting, the final moments of the track slowing down very obviously with a clock or some type of metronome. It's like being awoken from a dream. Unfortunately, this would be the end of Zbogom, Ajda, and that saddens me. As I said, I have great affection for Statika, and now I have even greater affection for Med Zarjo. I daresay I love this album. I hope the members are doing well, nearly ten years on.
Both albums are unavailable for purchase anywhere, so here are download links:
mediafire.com/file/aveuvp4ujefn5hy/Statika.7z/file
mediafire.com/file/7f3yojxrgadf6xd/Med_Zarjo.7z/file
You will need 7zip File Manager, or WinRar

![Abilene - Two Guns, Twin Arrows (with download)
1. Twisting The Trinity - 0:00
2. Blanc Fix - 5:02
3. Fitch - 10:41
4. Ghost Writer - 16:15
5. Fellini - 20:14
6. Apache County - 24:32
7. Phase Four - 29:43
8. Solidarity - 33:46
Artwork – Damon Locks
Layout [Mechanics] – Craig Ackerman
Performer [Abeline Is] – Alex Dunham, Craig Ackerman, Fred Erskine, Scott Adamson
Recorded By – Scott Adamson
Recorded At – Semaphore Recording, January 2002, Chicago, IL
Manufactured By – Cinram – No. 20927Z37
https://www.mediafire.com/file/fnpu9km6dep4ff3/
Abilenes first album:
https://www.youtube.com/watch?v=1xlIzdLFZTA
Louder than its predecessor, Two Guns, Twin Arrows is an interesting followup to Abilenes self-titled. Interesting in that I cant quite make out what its about. I recognize the energy, forlorn and angry, but cant make heads or tails of the words, and will add more to this description as things come to me. I didnt want to put off publishing any longer just because I dont have a writeup yet.
Solidarity
Fate vs Faith in the final track carries separate meaningful connotations. The lyrics has it written fate outlined this morning, but the spoken lyric is faith outlined this morning. Faith has more in it to make things happen than subscribing to the notion that fate will. Faith in nearly anything can bring about wonder if the faith is strong enough to move the person. Whatever this morning is in reference to, some sort of black light, its very interesting to me the very separate connotations of fate bringing about this black light vs faith. Fate? Nothing anyone could do about it, like a force of nature. Faith? Someone took the time, and strained hard enough, to bring it. It could also just be a minor changing of words that vocalists often tend to do when singing vs the written lyrics that doesnt really mean anything in that moment. Abilene - Two Guns, Twin Arrows (with download)](https://i.ytimg.com/vi/WRPT_pkohbo/mqdefault.jpg)

![Acid Mothers Temple & The Cosmic Inferno - Hotter Than Inferno/Live in Sapporo (with download!!)
1. Master of the Cosmic Inferno ~ Heart of Earth - 0:00
2. Pink Lady Lemonade ~ including Doobie Wonder Land ~ - 26:30
Artwork – Tobi Kaori
Bass, Voice, Performer [Malatab] – Tabata Mitsuru
Drums, Performer [Latino Cool] – Shimura Koji
Drums, Voice, Performer [Cosmic Shaman] – Pikachu (Higashi Mineko)
Guitar, Performer [Speed Guru], Producer, Mastered By – Kawabata Makoto
Producer, Mastered By – Richard Horner
Synthesizer, Guitar, Performer [Dancin King] – Higashi Hiroshi
Recorded live at Counter Action, June 29, 2008.
Special thanks to Nagata Rui, Koiso Takuya, Ogawa Makoto, Maeda Aoi (kakuni), Sugawara Ayako, Yagiya.
http://www.mediafire.com/file/ca2qneh4a0hl5q1/
I dont think its any stretch to say that Acid Mothers Temple is my favorite band of all time. These guys are just endless inspiration and endless pleasure of the ears. Originally I had another AMT album in my queue of things to listen to, Chaos Unforgiven Kisses, but I mistook it for this one. I hadnt heard this one before, and what the goddamn I was fucking floored. Just totally. The riff Kawabata Makoto improvs over is absolutely infectious for the mind, and Pikachus drums/vocals just send me sky high. AMT is no stranger to vocals in their performances or studio work, but shouting akin to Boredoms is something I never knew I wanted from AMT. Its so perfect, like hot sauce AMT always needed.
There is something to be said about vocals really helping to drive, or color, longer instrumental pieces. Look at Amon Duul IIs 18 minute masterpiece, Yeti. Chris Karrer and Renate Knaup briefly trade and share vocal duties in the songs breakdown. They come out in frenzied shouts, giving the listener something to really hold on to. I wish I had a better way to describe it, but a similar and perhaps more crystal example is on Boredoms 55 minute noise piece, GO!!! Five minutes of sampling and light noises before vocalist eYe shouts GO!!! into the listeners ears. Then its cacophonic noise for...almost then on. Theres a spoiler, and I wish I didnt have to do this to illustrate my point, but around the 20 minute mark, all sound stops, like an engine sputtering out suddenly, when eYe shouts the band back in again with another GO!!! Theres an enormously different, I would say lesser, energy without eYes vocals at the beginning and 20 minute marks. The same thing is happening here, on Master of the Cosmic Inferno, and the Pink Lady Lemonade rendition. Tabata Mitsurus constant Pink Lady Lemonade! and Youre so sweet! Ooohh youre a Pink Lady Lemonade! just add oodles of fun to a classic AMT track. Factor in the noise and fuzz, either from the quality of the recording or some alterations to their instruments, and this is just a damn perfect live show. Some people might be put off by Doobie Wonderland, I know I was, but Ive learned to really love it. Disco, hey! Helps that the show doesnt end with Doobie, but with more PLL. Acid Mothers Temple & The Cosmic Inferno - Hotter Than Inferno/Live in Sapporo (with download!!)](https://i.ytimg.com/vi/ahc4SiA2Rlw/mqdefault.jpg)


![血眼 - whiteout/chimanaco - whiteout (with download)
1. 光の部屋/hikari no heya - 0:00
2. ルビースパークス/rubysparks - 3:59
3. 涙のブラウニー/namida no brownie - 8:44
4. she ”S” - 13:25
5. 八月十日/8/10 - 16:44
6. しし座流星群/leonids - 23:26
7. 青二才/aonisai - 27:46
8. ハイドランジア/hydrangea - 32:10
9. 溶ける/tokeru - 36:47
せつこ [Setsuko] (guitar, vocals), ばんどう [Bandō] (bass, vocals), きゃまだ [Kyamada] (drums, vocals)
2015
Chimanaco (Bloody Eyes) was a female threepiece from Japan. I found them by chance here on youtube at this address:
https://www.youtube.com/watch?v=UPxB5btoXBE
and immediately fell for this album. Normally I dont like to upload albums other people have with so many views, as I like to expose people to things that arent really anywhere, but I really feel that this is an absolute treasure. Chimanaco has come and gone, the band having changed their name to Shiroi asa ni saku (Blooming in the white morning) with the departure of its drummer and bassist, leaving the lead vocalist to form her own solo projects under the name Suicideblue, but Chimanaco left us with a golden piece of work. Unbridled emotion, poppy tunes, and two closers that are to die for. Please see the link aboves description for links to the bands official blog, Suicideblues youtube page, and other relevant information.
If somebody could please translate the lyrics, that would be wonderful.
https://imgur.com/a/YZ308HR
MP3 320:
http://www.mediafire.com/file/2848jkn8c6l7gkf/chimanaco whiteout_%2528MP3%2529.zip/file
Lossless (.wav):
http://www.mediafire.com/file/66nuhfmxte8lnvp/chimanaco whiteout_%2528WAV%2529.zip/file 血眼 - whiteout/chimanaco - whiteout (with download)](https://i.ytimg.com/vi/hUl_Kdi7Nmk/mqdefault.jpg)


![Dazzling Killmen - Dig Out The Switch (with download)
1. Serpentarium - 0:00
2. Dig The Hole - 2:38
3. Captain Is Dead - 4:47
4. Bottom Feeder - 7:11
5. Here Comes Mr. Big Face - 9:24
6. Spiral Mirror - 12:36
7. Reactor - 14:38
8. No - 15:38
9. Premonition - 17:37
10. Torture - 20:01
11. Ghost Limb - 23:09
12. Numb - 27:34
13. Code Blue - 31:23
Artwork [Cover Painting And Sleeve Drawing By] – Miles Rutlin
Drums – Blake Fleming
Electric Bass – Darin Gray
Photography By [Photo By] – Mark Buckheit
Producer [Produced By] – Jeff Tweedy
Recorded By – Steve Albini
Vocals, Guitar – Nick Sakes
Recorded April 1992 in Chicago.
Pressing plant identified by the matrix.
This album and all future recordings are dedicated to the memory of Miles Rutlin.
Band biography: http://www.skingraftrecords.com/bandhtmlpages/dazzkillmen.html
Download:
https://www.mediafire.com/file/ggn9ygu7sx6hcn3/1992 Dig_Out_The_Switch.zip/file
Dazzling Killmen - Face Of Collapse
https://www.youtube.com/watch?v=AI4hYND_YBI Dazzling Killmen - Dig Out The Switch (with download)](https://i.ytimg.com/vi/kKzHP2HlNsg/mqdefault.jpg)
