Uploaded May 2026 | Updated September 2026, 2 weeks ago
1. Acid Mothers Prayer - 0:00
2. Speed Guru - 0:28
3. From The Melting Paraiso U.F.O. I - 18:36
4. The Top Head Pixies - 20:36
5. Zen Feedbacker - 21:41
6. Mach D is Bon • A • Roo - 24:13
7. Coloradoughnut - 25:05
8. From The Melting Paraiso U.F.O. II - 27:05
9. Amphetamine A Go Go - 30:01
10. Pink Lady Lemonade - 35:15
11. Satori LSD - 43:37
12. Hawaiian Brownie - 49:47
13. Acid Mothers Temple For All! - 51:01
Makoto Kawabata: Guitar, Synthesizer, Sarangi, Alto Recorder, Oriental Clarinet, Cosmic Ring Modulator, Speed Guru
Hiroshi Higashi: Guitar, Synthesizer, Effects, Finishing Rod
Hajime Koizumi: Drums, Percussion, Soprano Saxophone, Monk
Atsuki Takahashi: Drums, Penguin
Keizo Suhara: Bass
Cotton: Voice, Sitar, Synthesizer
Chisen Suzuki: Voice
Kazuhiko Manno: Tenor Saxophone, Bass Clarinet, Percussion
Daiji Sakakibara: Didgeridoo, Earth Spirit
Hisashi Yasuda: Piano, Magic Cane
Johan Wellens: Cosmic Narration, Freak Power
Yoko: Violin, Cheesecake
Ichi: Dog
JiJiJi: Synthesizer
Produced by Hideo Ikeezumi & Makoto Kawabata
Recorded at Acid Mothers Temple Jun. ’96 – April ’97
Engineering by Makoto Kawabata
Assistant engineering Hiroshi Higashi
Original Cover Concept by Acid Mothers Temple
Original released by P.S.F. Records on CD in 1997, PSFD-93
2019 remaster credits:
Produced by Hideo Ikeezumi & Makoto Kawabata
Recorded at Acid Mothers Temple Jun. ’96 – April ’97
Engineering by Makoto Kawabata
Assistant engineering Hiroshi Higashi
Original Cover Concept by Acid Mothers Temple
Black Editions Graphic Design by Darryl Norsen
Digital Mastering by Matthew Azevedo
Vinyl Mastering by Pete Lyman, Infrasonic Sound
This upload is of the 1997 CD rip. The album was remastered in 2019, and is available for purchase. Give AMT some money, they still tour!
acidmotherstemples.bandcamp.com/album/acid-mothers-temple-the-melting-paraiso-ufo
Said remaster is also on Spotify:
open.spotify.com/album/3UdbRdzpRRX7hHEbGfy4Dt?si=Y0-bHCCqRpODSkUhMlS14A
I've been listening to Acid Mothers Temple for years and years now, but it's only in the last few months have I decided to sit down and write about their 1997 album. The violence of Speed Guru, the middle section of experiments and detours, the harsh noise of Satori LSD; AMT never again would AMT sound like this. It's wonderful to listen to; and Acid Mothers Temple For All! makes a great alarm clock sound - you'll never miss a needed wake up again if you use that. I have a longer review here:
docs.google.com/document/d/14jVLFgOt6SMBcfQRHWgHU574d6LlmUqlLZfJuhPq5ik/edit?usp=sharing
I'll truncate it quite a bit here:
Acid Mothers Prayer to Speed Guru is so damn good. The drumming on Speed Guru sounds like glass being made and broken in the same moment. Amphetamine A Go Go is awesome, Satori LSD is even harsher than both Speed Guru and Amphetamine A Go Go, Pink Lady Lemonade is awesome, I think I figured out what Mach D Is Bon-A-Roo means, and it means "speeding is a damn good time". Cotton Casino is awesome, whole album is awesome, you should listen to it.
1. Acid Mothers Prayer - 0:00
2. Speed Guru - 0:28
3. From The Melting Paraiso U.F.O. I - 18:36
4. The Top Head Pixies - 20:36
5. Zen Feedbacker - 21:41
6. Mach D is Bon • A • Roo - 24:13
7. Coloradoughnut - 25:05
8. From The Melting Paraiso U.F.O. II - 27:05
9. Amphetamine A Go Go - 30:01
10. Pink Lady Lemonade - 35:15
11. Satori LSD - 43:37
12. Hawaiian Brownie - 49:47
13. Acid Mothers Temple For All! - 51:01
Makoto Kawabata: Guitar, Synthesizer, Sarangi, Alto Recorder, Oriental Clarinet, Cosmic Ring Modulator, Speed Guru
Hiroshi Higashi: Guitar, Synthesizer, Effects, Finishing Rod
Hajime Koizumi: Drums, Percussion, Soprano Saxophone, Monk
Atsuki Takahashi: Drums, Penguin
Keizo Suhara: Bass
Cotton: Voice, Sitar, Synthesizer
Chisen Suzuki: Voice
Kazuhiko Manno: Tenor Saxophone, Bass Clarinet, Percussion
Daiji Sakakibara: Didgeridoo, Earth Spirit
Hisashi Yasuda: Piano, Magic Cane
Johan Wellens: Cosmic Narration, Freak Power
Yoko: Violin, Cheesecake
Ichi: Dog
JiJiJi: Synthesizer
Produced by Hideo Ikeezumi & Makoto Kawabata
Recorded at Acid Mothers Temple Jun. ’96 – April ’97
Engineering by Makoto Kawabata
Assistant engineering Hiroshi Higashi
Original Cover Concept by Acid Mothers Temple
Original released by P.S.F. Records on CD in 1997, PSFD-93
2019 remaster credits:
Produced by Hideo Ikeezumi & Makoto Kawabata
Recorded at Acid Mothers Temple Jun. ’96 – April ’97
Engineering by Makoto Kawabata
Assistant engineering Hiroshi Higashi
Original Cover Concept by Acid Mothers Temple
Black Editions Graphic Design by Darryl Norsen
Digital Mastering by Matthew Azevedo
Vinyl Mastering by Pete Lyman, Infrasonic Sound
This upload is of the 1997 CD rip. The album was remastered in 2019, and is available for purchase. Give AMT some money, they still tour!
acidmotherstemples.bandcamp.com/album/acid-mothers-temple-the-melting-paraiso-ufo
Said remaster is also on Spotify:
open.spotify.com/album/3UdbRdzpRRX7hHEbGfy4Dt?si=Y0-bHCCqRpODSkUhMlS14A
I've been listening to Acid Mothers Temple for years and years now, but it's only in the last few months have I decided to sit down and write about their 1997 album. The violence of Speed Guru, the middle section of experiments and detours, the harsh noise of Satori LSD; AMT never again would AMT sound like this. It's wonderful to listen to; and Acid Mothers Temple For All! makes a great alarm clock sound - you'll never miss a needed wake up again if you use that. I have a longer review here:
docs.google.com/document/d/14jVLFgOt6SMBcfQRHWgHU574d6LlmUqlLZfJuhPq5ik/edit?usp=sharing
I'll truncate it quite a bit here:
Acid Mothers Prayer to Speed Guru is so damn good. The drumming on Speed Guru sounds like glass being made and broken in the same moment. Amphetamine A Go Go is awesome, Satori LSD is even harsher than both Speed Guru and Amphetamine A Go Go, Pink Lady Lemonade is awesome, I think I figured out what Mach D Is Bon-A-Roo means, and it means "speeding is a damn good time". Cotton Casino is awesome, whole album is awesome, you should listen to it.

![血眼 - whiteout/chimanaco - whiteout (with download)
1. 光の部屋/hikari no heya - 0:00
2. ルビースパークス/rubysparks - 3:59
3. 涙のブラウニー/namida no brownie - 8:44
4. she ”S” - 13:25
5. 八月十日/8/10 - 16:44
6. しし座流星群/leonids - 23:26
7. 青二才/aonisai - 27:46
8. ハイドランジア/hydrangea - 32:10
9. 溶ける/tokeru - 36:47
せつこ [Setsuko] (guitar, vocals), ばんどう [Bandō] (bass, vocals), きゃまだ [Kyamada] (drums, vocals)
2015
Chimanaco (Bloody Eyes) was a female threepiece from Japan. I found them by chance here on youtube at this address:
https://www.youtube.com/watch?v=UPxB5btoXBE
and immediately fell for this album. Normally I dont like to upload albums other people have with so many views, as I like to expose people to things that arent really anywhere, but I really feel that this is an absolute treasure. Chimanaco has come and gone, the band having changed their name to Shiroi asa ni saku (Blooming in the white morning) with the departure of its drummer and bassist, leaving the lead vocalist to form her own solo projects under the name Suicideblue, but Chimanaco left us with a golden piece of work. Unbridled emotion, poppy tunes, and two closers that are to die for. Please see the link aboves description for links to the bands official blog, Suicideblues youtube page, and other relevant information.
If somebody could please translate the lyrics, that would be wonderful.
https://imgur.com/a/YZ308HR
MP3 320:
http://www.mediafire.com/file/2848jkn8c6l7gkf/chimanaco whiteout_%2528MP3%2529.zip/file
Lossless (.wav):
http://www.mediafire.com/file/66nuhfmxte8lnvp/chimanaco whiteout_%2528WAV%2529.zip/file 血眼 - whiteout/chimanaco - whiteout (with download)](https://i.ytimg.com/vi/hUl_Kdi7Nmk/mqdefault.jpg)


![Dazzling Killmen - Dig Out The Switch (with download)
1. Serpentarium - 0:00
2. Dig The Hole - 2:38
3. Captain Is Dead - 4:47
4. Bottom Feeder - 7:11
5. Here Comes Mr. Big Face - 9:24
6. Spiral Mirror - 12:36
7. Reactor - 14:38
8. No - 15:38
9. Premonition - 17:37
10. Torture - 20:01
11. Ghost Limb - 23:09
12. Numb - 27:34
13. Code Blue - 31:23
Artwork [Cover Painting And Sleeve Drawing By] – Miles Rutlin
Drums – Blake Fleming
Electric Bass – Darin Gray
Photography By [Photo By] – Mark Buckheit
Producer [Produced By] – Jeff Tweedy
Recorded By – Steve Albini
Vocals, Guitar – Nick Sakes
Recorded April 1992 in Chicago.
Pressing plant identified by the matrix.
This album and all future recordings are dedicated to the memory of Miles Rutlin.
Band biography: http://www.skingraftrecords.com/bandhtmlpages/dazzkillmen.html
Download:
https://www.mediafire.com/file/ggn9ygu7sx6hcn3/1992 Dig_Out_The_Switch.zip/file
Dazzling Killmen - Face Of Collapse
https://www.youtube.com/watch?v=AI4hYND_YBI Dazzling Killmen - Dig Out The Switch (with download)](https://i.ytimg.com/vi/kKzHP2HlNsg/mqdefault.jpg)



![Ida - Tales Of Brave Ida (lyrics in comments)
1. F. Boyfriend - 0:00
2. Temping - 4:32
3. Post Prom Disorder - 10:31
4. Slow Dance - 14:29
5. Coupons - 18:54
6. Shotgun - 24:54
7. Dollface - 30:00
8. Accidents - 34:45
9. Dog Show - 39:33
10. Nick Drake - 42:42
11. Equator - 45:14
12. Looking Through The Glass - 50:31
13. Vacation - 56:48
14. Baroque Boyfriend - 58:30
Artwork [Collage] – Brian Selznick
Cello – Julia Kent
Double Bass [Stand-up] – Rick Lassiter
Engineer – Bruce Hathaway
Guitar, Vocals, Drums [Imaginary] – Daniel Littleton
Guitar, Vocals, Piano [Virtuostic] – Elizabeth Mitchell
Layout – Ida, Kristin Thomson
Mastered By – Chris Master Brewer Herles
Painting – Erin Courtney
Photography By – Rebecca Jane Gleason
Producer – Bruce Fancy Pants Went To France, Daniel Littleton, Elizabeth Mitchell
Written-By – Ida
Recorded at Excello, Brooklyn NY Spring 1994.
Album art and inside: https://imgur.com/a/7DkxvC8
Listen on Spotify so that someone might get paid: https://open.spotify.com/album/6K9LOioFDMxeF7onNdfYEo
Working, getting older, losing friends, losing lovers. Elizabeth Mitchell, and Daniel Littleton, hit these marks with finesse, passion, and really great harmony. Theres something pulling me back under your covers/But a woman who knows better sees that its time to leave is a wonderful couplet in F. Boyfriend/Baroque Boyfriend that says just enough about the relationship and the narrator, presumably Elizabeth Mitchell: Its not the best relationship, and that theyre too immature to leave it. But we have to go through these things to become that someone who knows better. Especially when were losing friends because were so busy with other things (Temping) that they cant help us.
And then theres Dollface and Dog Show. Perhaps Im missing something, but I think they interrupt the flow of the album more than anything else. More so Dog Show.
I hadnt really been much for music, lately. My last upload was a month ago with 33.3s self-titled. But this just really swept me away. One of my most enjoyed discoveries in a long time; I really do adore this album. Im almost sad that Ive nearly got all I can out of it and will eventually look for new albums to absorb. Coupons is incredible, ditto for Looking Through The Glass. What a work. Ida - Tales Of Brave Ida (lyrics in comments)](https://i.ytimg.com/vi/wv3LDtpLYpg/mqdefault.jpg)

