Uploaded May 2009 | Updated September 2026, 2 weeks ago
"It feels like it's rushing you along for some reason, but there's no real reason to hurry, and everyone's acting carefree."
-ZUN about Last Remote
High Quality (Highly recommended):
youtube.com/watch?v=oVNKXiGHBqg&fmt=18
A video of me rushing through Subterranean Animism Extra Stage, the 11th installment of the Touhou Project, a series of danmaku shooters. Danmaku is a term that can be translated into "bullet hell", depicting how bullet density prevails over enemy density. However, only the fact that there are thousand of bullets is hellish. The bullets themselves form beautiful patterns that cannot be called hellish at all.
The back story of the extra stage in SA is as follow: After Reimu/Marisa went down to the Blazing Hell, they discovered, probably while having tea with Orin/Utsuho, that Utsuho gained the power over nuclear fusion from the god of the mountain. This narrows the list down to the confident chessmaster, Kanako Yasaka, and the carefree, happy-go-lucky Suwako Moriya. Guess who the perpetrator was.
Therefore, our heroines fly up to the Moriya shrine to confront the god. In the way there, they found the shrine maiden (Sanae Kotiya), who tried to block their path for no real reason. Apparently Sanae received a power-up for no apparent reason too (similar to Chen) and start beating the crap out of our heroines (in my case)
No, seriously, SANAE IS FRIKKIN HARD FOR NO REAL REASON AT ALL. Same goes for Chen. I mean, Patchy was feeling better in Eosd Extra stage (which I have to post someday), Keine was in her hakutaku form and Kanako is actually easier. But both Chen and Sanae are like suddenly good at danmaku. Hell, Sanae is suddenly better than Kanako at danmaku. Sigh, at least she isn't as hard as Patchy or Keine, since I can capture Sanae's card, with a little of luck, and I can't capture Patchy's last two or Keine's last one (not even with a decent amount of luck). This is by far one of the toughest extra stages I had faced. The patterns involved are pretty hard to pull off. I think EoSD's extra stage beats it only because EoSD's lacks any pattern whatsoever.
However, despite the stage being challenging and fun, the real jewel in this piece of game is the music. Last Remote has to be one of my favorite compositions in the entire series. This and Lullaby of a Demonic Hell are tied in first place for my favorite Stage music. Just hear it. It has a certain feel to it, like if you're arriving to a climax and you're fighting your way up to it as quickly and stylish as possible. Or something like that... is just that awesome. No wonder I asked for a metal remix of this song when I won that one contest.
Speaking of contests, I'm going to give a small trivia in Koishi's video where this video and Koishi's will be involved. No real price actually, but I guess it will be fun. Maybe I can satisfy someone's wish to see me fighting something in any of the Touhou games, like maybe me vs. Suika in IaMP =P
More info about the Touhou series can be found in this wiki page:
touhou.wikia.com
P.S: I like how I say Koishi is next and the video ends with Koishi entering from the left side.
"It feels like it's rushing you along for some reason, but there's no real reason to hurry, and everyone's acting carefree."
-ZUN about Last Remote
High Quality (Highly recommended):
youtube.com/watch?v=oVNKXiGHBqg&fmt=18
A video of me rushing through Subterranean Animism Extra Stage, the 11th installment of the Touhou Project, a series of danmaku shooters. Danmaku is a term that can be translated into "bullet hell", depicting how bullet density prevails over enemy density. However, only the fact that there are thousand of bullets is hellish. The bullets themselves form beautiful patterns that cannot be called hellish at all.
The back story of the extra stage in SA is as follow: After Reimu/Marisa went down to the Blazing Hell, they discovered, probably while having tea with Orin/Utsuho, that Utsuho gained the power over nuclear fusion from the god of the mountain. This narrows the list down to the confident chessmaster, Kanako Yasaka, and the carefree, happy-go-lucky Suwako Moriya. Guess who the perpetrator was.
Therefore, our heroines fly up to the Moriya shrine to confront the god. In the way there, they found the shrine maiden (Sanae Kotiya), who tried to block their path for no real reason. Apparently Sanae received a power-up for no apparent reason too (similar to Chen) and start beating the crap out of our heroines (in my case)
No, seriously, SANAE IS FRIKKIN HARD FOR NO REAL REASON AT ALL. Same goes for Chen. I mean, Patchy was feeling better in Eosd Extra stage (which I have to post someday), Keine was in her hakutaku form and Kanako is actually easier. But both Chen and Sanae are like suddenly good at danmaku. Hell, Sanae is suddenly better than Kanako at danmaku. Sigh, at least she isn't as hard as Patchy or Keine, since I can capture Sanae's card, with a little of luck, and I can't capture Patchy's last two or Keine's last one (not even with a decent amount of luck). This is by far one of the toughest extra stages I had faced. The patterns involved are pretty hard to pull off. I think EoSD's extra stage beats it only because EoSD's lacks any pattern whatsoever.
However, despite the stage being challenging and fun, the real jewel in this piece of game is the music. Last Remote has to be one of my favorite compositions in the entire series. This and Lullaby of a Demonic Hell are tied in first place for my favorite Stage music. Just hear it. It has a certain feel to it, like if you're arriving to a climax and you're fighting your way up to it as quickly and stylish as possible. Or something like that... is just that awesome. No wonder I asked for a metal remix of this song when I won that one contest.
Speaking of contests, I'm going to give a small trivia in Koishi's video where this video and Koishi's will be involved. No real price actually, but I guess it will be fun. Maybe I can satisfy someone's wish to see me fighting something in any of the Touhou games, like maybe me vs. Suika in IaMP =P
More info about the Touhou series can be found in this wiki page:
touhou.wikia.com
P.S: I like how I say Koishi is next and the video ends with Koishi entering from the left side.
![Concealed the Conclusion: Extra Boss
Broken Dream
High Definition (A gathered reality)
http://www.youtube.com/watch?v=oVyyG8cXpRE&fmt=22
High Quality (A shattered dream)
http://www.youtube.com/watch?v=oVyyG8cXpRE&fmt=18
A video of me fighting against gathering pandemonium, Suika Ibuki
Suika Ibuki (the true savior of Gensokyo) is the Extra Boss of the game Concealed the Conclusion, a fangame of the Touhou series made by Danmaq. Danmaq is ZUNs heir to the Touhou Empire. Dont believe? It is true. Just ask the bottom half of my imagination. The Touhou Project is a series of danmaku shooters were epic tells are told, grandiose music is played, and beautiful visages come and go as fast as pure magnificence.
Suika serves as the Extra Boss of Concealed the Conclusion. Like I said in the last video, I love CtC. Danmaq previously made a game called The Alternative Age. Im going to be truthful, I havent played it. I havent heard is good. I have heard is bad, at least the artwork. The patterns I had seen dont seem to indicate so. The artwork I had seen is worst than ZUNs. The game is obviously overshadowed by CtC. I should be a judge to that later on. There is a patch to improve the artwork proportionally by a coefficient of around 200, but moving on...
During this semester, there was this writing competition. It was worth bonus, English, easily the difference between A and B. Not that it mattered much since the strike froze the class. Case is I wrote for two of the three categories, a poem and a short story. The third category was Essay and like hell I was going to do something I love to do but hate to be told how to do, since winning meant a prize. The poem was actually the lyrics for a hypothetical arrangement of the instrumental song Broken Moon from the game Scarlet Weather Rhapsody by Junya Ota, a videogame programmer widely known as ZUN.
Yeah, that was the beginning of my entry. Yeah, I made that. No, I will not post it. Each stanza practically told the story of each game (remember I see Broken Moon as Gensokyos theme). Well... the third and second to last stanzas actually meshed SWR and UNL together and MoF, SA, and UFO together, respectively. It was both a practical and symbolic decision.
But the important part werent those stanzas telling the tale, but the stanzas inviting you to hear it. While they were different from each other, they served the same role as a chorus, since they had the same structure, rhythm, and basic role. In each of those, I referred to everything else in the poem as a dream that became reality: myths [that] become true, a dream from the likes you will never leave (A jab at my obsession), a paradise from the likes you had never heard, and, more importantly, fantasies [that] exist.
Why am I telling all this? Well, if you know the story behind CtC, you should have a good idea. If not, there are still two videos left. I need to leave something for that, dont I?
Suikas battle is fairly hard in my opinion. Objectively speaking, it is pretty easy once you figure the tricks and knobs of her spells. The hard part is figuring that and since most of her spellcards require flash reflexes and/or pinpoint accuracy, they can get tricky. Thankfully Suikas attacks are weak against the Hakurei orbs and Marisa C brokenness makes some of them a breeze, or at least less tedious. Overall, a fun fight, although the song, while fitting, feels jaded and lackadaisical after you had heard the Phantasm Bosss song. But Missing Power does have a more Ex-boss feeling than Broken Moon, although nothing a good arrangement cannot fix. Hopefully.
BTW, my other entry was originally going to be like a diary written by Flan, but I discovered that is not so much Flan perse, but the theme of insanity which interests me. It has always interested me. The protagonist only ended up having three things similar to Flan: slept in a basement (but not lived), was slightly childish (but was a grown woman, probably around 18-20), and, if we go by fanon, has a friend she loved a lot (as a friend). Didnt won, but you know who did win third place? The story I helped proofread. More or less.
Oh, and the poetic voice in the Broken Phantasm song is Reimu, but you dont know that until the very last stanza and is only implied. Implied even more heavily if you had read Border of Phantasm, Border of Shrine by RED-SIGHT. Although to be fair most of the things I think are original are actually influenced subconsciously by another thing, even if in my life I had ever heard of the other thing. So chances are the same apply for when I think I know where I got my inspiration. Whatever, I already filled by doujin quota.
I encourage you give a check to the translated script of the game in Touhou Wikia:
http://touhou.wikia.com/wiki/Concealed_the_Conclusion:_Translation
For more info on the series, check the wiki:
http://touhou.wikia.com Concealed the Conclusion: Extra Boss](https://i.ytimg.com/vi/oVyyG8cXpRE/mqdefault.jpg)






![Spoiler Playthrough: Yuugi & Suika (Scene 6)
Drink up, me hearties, yo ho!
-ZUN (Probably)
High Definition (For Boob of Steel quality)
http://www.youtube.com/watch?v=pooM2Dx0-sU&fmt=22
High Quality (For pettanko quality[Im so offensive =v])
http://www.youtube.com/watch?v=pooM2Dx0-sU&fmt=18
A video of me photographing the two (former) Devas of the mountain, Yuugi Hoshiguma and Suika Ibuki.
Yuugi and Suika (mmm, watermelons) are the Scene 6 bosses of the game Double Spoiler, the 12.5th installment of the Touhou Project and sequel to Shoot the Bullet. The Touhou Project is a danmaku shooter series composed by the drunken master of the East, ZUN. HEY ZUN, there you have it, your next title for a Touhou game.
Let us start with something: this video marks the sporadic start of my first video recorded using the EVGA GeForce 9800 gtx+ video card and the first video rendered in 60fps. Doesnt the game already runs at 60fps? Yes, yes it does, I think. Maybe ZUN is lying. Whatever is the truth, for some reason when you record with Fraps and render with Vegas, the videos are in 30fps. I dont know the logistic behind this wizardry, but whatever. I feel this video looks smoother and overall nicer than the other vids, recorded at 30fps, even if Fraps says the contrary. Maybe Im doubling the frames and it is actually running at 120 or 90fps. Case being, it looks nicer... but at a cost.
These are:
1) Longer rendering time. I will only render at 60fps when I think the video deserves it (like Scene 8 & 9)
2) Space. This practically doubles the size of videos. This video is a pretty decent size (400~MB). However, for some ungodly reason, Scene 8 & 9 are 800~ wooping megabytes. So yeah.
3)Having no reason three is bad luck.
And when I finally get around doing RKS, I NEED to use 60fps. No way around it. Game has 1frame animations =o
About the character: Two drunken oni. Yuugi is the big one, Suika the little one. Yuugi uses curvy lasers; Suikas spellcards are AMAZING and BUCKETS of FUN. Yuugis not. Not really much to say. Other than SUIKA, I WUB YOU. Yuugi, I wub you as much as I can wub Gensokyos manliest woman, which makes you peculiar, in a good way, but not very wubable. Also, most good pics of them feature them facing against each other with psychotic smiles... so yeah.
As for the songs: The first song is a placeholder. The second song is the main dish. Hardcore fans will instantly recognize it, since is one of the most well known arranges of Oriental Memory of Forgathering Dream. Hmm... I still think this and Broken Moon and the other forgathering song are the same thing, definitely interchangeable. And I still think they are Gensokyos theme. Actually the reason I like to think of them as Gensokyos theme rather than Suika is not only IaMPs general tone. No, even more, is mainly because of the reason that makes this song one of the most famous Touhou arranges out there. That brings delightful memories. :)
Fun fact:
-Suika is the only character to appear in both StB and DS, excluding Aya of course. I smell corruption, probably bribed ZUN with alcohol.
Title: 大江山呑んべぇ音頭 (Drunkard Ondo of Mt. Ooe)
Artist: panoman -Vocal: aki -Lyrics: Blue
Circle: SOUND HOLIC
Album: KUNI
Original: Walking the Streets of a Former Hell
Title: 東方萃夢想 (hatsunetsu mix.)
Artist: Tim Vegas-Vocal/Lyrics: capo
Circle: Hatsunetsumikus
Album: A Foreign Sound
Original: Oriental Memory of Forgathering Dream
Artwork by Aとし (Warning, pixiv account contents NSFW material)
For more information on the Touhou Project, check the wiki:
http://touhou.wikia.com/ Spoiler Playthrough: Yuugi & Suika (Scene 6)](https://i.ytimg.com/vi/pooM2Dx0-sU/mqdefault.jpg)
![Mountain Playthrough: Nitori Kawashiro (MoF Stage 3 Lunatic + Plus)
This is the Gensokyo I love.
High Definition (With kappa technology. Only for the advanced)
http://www.youtube.com/watch?v=ppxho9YyLUg&fmt=22
High Quality (With human technology. Not so advance)
http://www.youtube.com/watch?v=ppxho9YyLUg&fmt=18
A video of me fighting against the mechanical genius, Nitori Kawashiro.
Nitori Kawashiro (Always reminds me of water), is the third boss of the game Mountain of Faith, the 10th installment of the Touhou Project. The Touhou project is a series of the manliest games in existence. At least as manly a game about cute little girls throwing lasers at each other can be
Nitori, Nitori, Nitori I love her =3
Nitori was originally a character I disliked. Then again, all the characters from MoF and SA were in my dislike list at the beginning (except Suwako and Koishi, but they are extra bosses). However, as time passed, I started getting used to Nitoris existence, but I was far from liking her. The only thing I liked about her was that she is an engineer (since I too aspire to be one =p) and the name of her stages song, The Gensokyo the Gods Loved. That has to be one of my favorite phrases ever pronounced in the canon Touhouverse, alongside
THE GLOOMY POWER OF LOVE. -Koishi Komeiji
Sleep with a trauma so deep it will wake you up. -Satori Komeiji
Genocide is just another game. It doesnt matter if its humans or Makai residents. -Yuka Kazami
Among others.
However, sometimes something happens in your life that changes your perspective over certain things, whether is insignificant or not. No matter how small it is, is strong enough to completely change your opinion without any basis. There are two things that changed my opinion towards Nitori: engineering and Water Imp. Engineering is simple: Ive been brainwashed in university, period. However Water Imp is a little more profound. Water Imp is the name of the Candid Friend arrange I used in this video. Composed by Kota-Rock, the first time I heard this arrange in ChaosAngels channel, it simply shocked me. I couldnt stop listening. It was amazing, it was excellent, it was outstanding, and it was, above all, epic in so many levels. Nitori has the power to control water. Now imagine fighting her in a dark, thunderous, rainy night at the beat of this song. She is now throwing her Hyperspace Arsenal of rockets, bullets (real ones), and danmaku at you. Shes also manipulating the raining water actively. See what I mean? The moment I heard this song I knew I had to use it somewhere. To this day there are a group of songs that Ive been anxious to use and patiently await for the right time to use them. This is one of those songs.
Is hard to locate Nitori in my list of fav characters. I like her a lot, but when I seriously think about it, characters that I immediately liked, like Flandre, Aya, and Yukari, instantly top her in a favorite list. However, shes the only character with the exception of Kourin who I wouldnt mind paired with Marisa.
My vision of Nitori is that of a very energetic and enthusiastic kappa that hangs out with Aya when Aya isnt working (and sometimes when she is) and works on some shenanigans with Hina when the latter feels like acting mischievous (read, psychopath). However, she can take it easy if the situation requires it. Winter Scenery doujins kind of depict the Nitori in my head, very loosely. There was this other doujing where Aya and Nitori go around taking photos of the gods. It was very amusing since the Aki sisters were emo with no autumn, Hina was rather revealing when shes alone, Suwako was weird and Kanako was a Magnificent (lolicon) Bastard. And Sanae is boring. Good times.
Conclusion: I love you Nitori. Youre one of the best characters in MoF. I can just imagine you unleashing technological hell to your opponent, with rockets being shot from your backpack and all. I even put a surprise towards the end of the video ^_^
Music:
... *shrugs*
http://hikarisyuyo.web.infoseek.co.jp
Original Song: The Gensokyo the Gods Loved
Title: Water Imp
Circle: Kota-rocK
Album: 風の音塊 ~ボス編~
Artist: 鼓太蝋
Original: 芥川龍之介の河童 [Akutagawa Ryuunosukes] Kappa ~ Candid Friend
For more info on the Touhou series, check the wiki:
www.touhou.wikia.com Mountain Playthrough: Nitori Kawashiro (MoF Stage 3 Lunatic + Plus)](https://i.ytimg.com/vi/ppxho9YyLUg/mqdefault.jpg)

