Uploaded January 2018 | Updated September 2026, 1 week ago
The difference in the mic preamps across 3 different cameras using a mic with no gain controls. See my gear at kit.co/rayortega
1:39 Rode Videomicro on Sony a6500
2:45 Rode Videomicro on Canon M6
3:10 Rode Videomicro on Canon 60D
3:18 Rode Videomic Pro on Canon 60D
I had the Rode VideoMicro for a demo and just before I had to send it back, I had an idea see what the difference would be between the microphone preamps on three different cameras, the Sony a6500 (clean), Canon M6 (has hiss), and the Canon 60D (noisy preamp).
Since the VideoMicro has no preamp of its own like the Rode VideoMic Pro that I use, I thought it would be a good test to see how this very compact, handy microphone would work in vlogging type setups where you are a few feet from the camera and want better audio than what the built-in mic will give you.
With the VideoMicro, you definitely much better results. On the a6500, the preamp is quite good and you can hear there is virtually no added noise. The Canon preamps are not as good, not really even close, but the good news is they are getting better. I noticed improvement from the 60D to the M6.
Although the difference in loudness measurement is not that much, I think what you are actually hearing is that core difference in the preamps themselves. In other words, I don't think that there is a huge difference between -47LUFS and -49LUFS. That change shouldn't be enough to hear the big difference in the noise floors between the a6500 and the M6 but instead you are just hearing the difference in the quality of the preamp itself.
And while the M6 has a decent amount of noise in it, if you were using this setup for vlogging, which I did in multiple videos, you would be a lot less likely to notice the noise over using it in a studio setup like you see here. That's because you are more likely to be outside or in environments where there is a decent amount of background noise and in those cases the mic would perform very well, isolating your voice and giving you better audio for your video.
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🎥 🖥 GEAR USED TO MAKE THIS VIDEO 🎤 🤘 (affiliate links)
► Canon M6 w/ 15-45mm kit lens podhelp.me/CanonM6w15-45BH
► Rode VideoMicro podhelp.me/RodeVideoMicroBH
► Canon 22mm F2 podhelp.me/Canon22mmF2BH
► Sony a6500: podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: podhelp.me/sonyfe28f2BH
► Rode VideoMic Pro: podhelp.me/VideoMicProRzon
► IkanVK7i 7" monitor (discontinued) podhelp.me/ikanvk7i7BH
replaced by: podhelp.me/ikandh77BH
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
► Canon 60D DSLR camera podhelp.me/60DbodyBH
► Sigma 30mm 1.4 podhelp.me/30mmsigma
► Tokina 11-16mm lens podhelp.me/tokina11-16CanonAPSCBH
► SD Card podhelp.me/trans32gbC10Ultim600_32GBU1
► Aspen Mics Stereo Lav mic kit amzn.to/2j66TDL
► Sennheiser e835 microphone podhelp.me/SennE825BH
► Rode RodeLink Wireless podhelp.me/rodelinkwirelesslavBH
Sony PICTURE PROFILE: PP7: S-Log2
EDITED AND GRADED: Adobe Premiere Pro CC using Lumetri Color Presets (tweaked to my liking).
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!
The difference in the mic preamps across 3 different cameras using a mic with no gain controls. See my gear at kit.co/rayortega
1:39 Rode Videomicro on Sony a6500
2:45 Rode Videomicro on Canon M6
3:10 Rode Videomicro on Canon 60D
3:18 Rode Videomic Pro on Canon 60D
I had the Rode VideoMicro for a demo and just before I had to send it back, I had an idea see what the difference would be between the microphone preamps on three different cameras, the Sony a6500 (clean), Canon M6 (has hiss), and the Canon 60D (noisy preamp).
Since the VideoMicro has no preamp of its own like the Rode VideoMic Pro that I use, I thought it would be a good test to see how this very compact, handy microphone would work in vlogging type setups where you are a few feet from the camera and want better audio than what the built-in mic will give you.
With the VideoMicro, you definitely much better results. On the a6500, the preamp is quite good and you can hear there is virtually no added noise. The Canon preamps are not as good, not really even close, but the good news is they are getting better. I noticed improvement from the 60D to the M6.
Although the difference in loudness measurement is not that much, I think what you are actually hearing is that core difference in the preamps themselves. In other words, I don't think that there is a huge difference between -47LUFS and -49LUFS. That change shouldn't be enough to hear the big difference in the noise floors between the a6500 and the M6 but instead you are just hearing the difference in the quality of the preamp itself.
And while the M6 has a decent amount of noise in it, if you were using this setup for vlogging, which I did in multiple videos, you would be a lot less likely to notice the noise over using it in a studio setup like you see here. That's because you are more likely to be outside or in environments where there is a decent amount of background noise and in those cases the mic would perform very well, isolating your voice and giving you better audio for your video.
🎉 Join The Podcasters' Studio [free]: thepodcastersstudio.com/join
► SUBSCRIBE youtube.com/thepodcasterssstudio
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► Support this channel on PATREON: patreon.com/ray Much ❤️ ❗️
🎥 🖥 GEAR USED TO MAKE THIS VIDEO 🎤 🤘 (affiliate links)
► Canon M6 w/ 15-45mm kit lens podhelp.me/CanonM6w15-45BH
► Rode VideoMicro podhelp.me/RodeVideoMicroBH
► Canon 22mm F2 podhelp.me/Canon22mmF2BH
► Sony a6500: podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: podhelp.me/sonyfe28f2BH
► Rode VideoMic Pro: podhelp.me/VideoMicProRzon
► IkanVK7i 7" monitor (discontinued) podhelp.me/ikanvk7i7BH
replaced by: podhelp.me/ikandh77BH
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
► Canon 60D DSLR camera podhelp.me/60DbodyBH
► Sigma 30mm 1.4 podhelp.me/30mmsigma
► Tokina 11-16mm lens podhelp.me/tokina11-16CanonAPSCBH
► SD Card podhelp.me/trans32gbC10Ultim600_32GBU1
► Aspen Mics Stereo Lav mic kit amzn.to/2j66TDL
► Sennheiser e835 microphone podhelp.me/SennE825BH
► Rode RodeLink Wireless podhelp.me/rodelinkwirelesslavBH
Sony PICTURE PROFILE: PP7: S-Log2
EDITED AND GRADED: Adobe Premiere Pro CC using Lumetri Color Presets (tweaked to my liking).
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!







![Sony a6500 and a6300 Picture Profiles - What Are Their Names?
Do you know the names of each Sony a6500 picture profile? These are the official names and how they look. ► All gear linked below*.
The a6500 has 9 picture profiles (PP1-PP9). Its not obvious what each of these is named by Sony. I found some videos and info online but nothing that was a definite confirmation of each profiles factory default name. Here they are, as listed by Sony:
PP1: Movie
PP2: Still
PP3: Natural
PP4: Faithful
PP5: Cine1
PP6: Cine2
PP7: S-Log2
PP8: S-Log3 [S-Gamut3.Cine]
PP9: S-Log3 [S-Gamut3]
This seems like it should be obvious but it does not list these in the camera itself or in the manual that comes with the camera.
Only when I scanned the QR code on the front of the included users manual, did I find each picture profile listed with additional details.
You can see these for yourself via:
http://helpguide.sony.net/ilc/1640/v1/en/contents/TP0001211745.html
These are also the same picture profiles for the Sony a6300.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Whiskey Drag Race” by Flash Fluharty
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► Support this channel on PATREON: https://patreon.com/ray
*Gear used to make this video:
• Sony a6500: http://podhelp.me/Sonya6500bodyZon
• Sigma MC-11 EF to E Lens adapter: http://podhelp.me/SigmaMC11adaptZon
• Tokina 11-16mm Canon mount, APS-C http://podhelp.me/tokina11-16CanonAPSCBH
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Rode VideoMic Pro: http://podhelp.me/VideoMicProRzon
• Transcend 65GB SD card for 4K http://podhelp.me/Trans64U3zon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#a6500 #sony #pictureprofile #mirrorless #filmmaking #video Sony a6500 and a6300 Picture Profiles - What Are Their Names?](https://i.ytimg.com/vi/ZkMhITYrdjE/mqdefault.jpg)

![Canon 40mm F2.8 Lens Review - Why Im Returning It
Canon 40mm pancake lens is an affordable powerhouse of a lens. You wont go wrong buying one. ► All gear* linked below & available at https://kit.co/rayortega
This prime lens gives you a nice large aperture at f2.8, allowing in lots of native light to the sensor so that you get clean images in low-light.
Its an EF lens so it fits full size Canon sensors as well as crop sensors like the Canon 70D, 80D, etc. Its extremely affordable so it can be a great first lens and its so small that it barely adds any size or weight to your camera. So why am I sending it back?
I dont need it. I bought this lens to adapt to my Sony a6500 using the Sigma MC-11 adapter and in that setup I did not get all the functionality that I would want such as continuous auto-focus in video mode. So even though I like the lens a lot, its better for me to return the lens and apply that money towards a native Sony lens.
Other than that, I would definitely keep this lens and you can see the results show just how well the 40mm performs. There is also a 28mm version of this lens but its crop sensor only. However that focal length might be better suited to what you are shooting and a better buy especially if you dont plan to upgrade to a full sensor camera like the Canon 6D or 5D series.
The focus ring is tiny and could lead to getting your finger in the shot but that is about the only negative.
It is an STM lens so when its paired with a Canon camera with an STM motor, the lens is almost silent while focusing.
Its a plastic body but still feels sturdy and the mount is made of metal so its not likely to break unlike some of the cheaper plastic mounts.
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► SUBSCRIBE http://youtube.com/thepodcasterssstudio
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► FACEBOOK: http://facebook.com/podcasthelper
► Support this channel on PATREON: https://patreon.com/ray Much ❤️ ❗️
*Gear used to make this video:
► Canon 40mm f2.8 Lens http://podhelp.me/Canon40mmf2_8Zon
Check here for cheaper price http://podhelp.me/Canon40mmF2_8BH (no tax)
► CAMERA: Sony a6500: http://podhelp.me/Sonya6500bodyZon
► ADAPTER: Sigma MC-11: http://podhelp.me/SigmaMC11adaptZon
► SD CARD FOR 4K 100MBPS: http://podhelp.me/Trans64U3zon
► HQ-M MONO LAV MIC http://aspenmics.com/products/hq-m
► SD CARD FOR 4K 100MBPS: http://podhelp.me/Trans64U3zon
► Edirol audio recorder http://podhelp.me/r-05bh
► Canon 24mm f2.8 pancake for crop sensor cams http://podhelp.me/canon24mm2_8BH I would prefer this focal length on a crop sensor. Will be equivalent to this 40mm on a full frame
PICTURE PROFILE: PP7: S-Log2
EDITED AND GRADED: Adobe Premiere Pro CC using Lumetri Color Presets (tweaked to my liking).
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! Canon 40mm F2.8 Lens Review - Why Im Returning It](https://i.ytimg.com/vi/_kK_8KZEfYM/mqdefault.jpg)
