Uploaded May 2017 | Updated September 2026, 1 week ago
Is the ZEDi10 by Allen & Heath the most affordable, multichannel mixer available? Yes. Check prices here: podhelp.me/ZEDi10BH but is it any good? In this video I find out.
Highlights:
The build quality is durable, not as good as a Mackie (the knobs could be better) but for the price, a nice experience and its size is small enough not to be prohibitive to travel with if necessary. It's not backpack sized but still portable enough and even seems to have a handy handle on the side for easy carrying.
The preamps are clean all the way through the entire 60db of gain. This is 🔑. With clean preamps, we have the foundation we need to have a great audio mixer.
The resolution of the audio meters is pretty good with an 8 LED meter that allows you to get a decent idea of where your peak level is at any given time.
It has a power switch on back and although it seems like it's in reverse with up being off and down being on, it's a really nice feature that not all lower priced mixers have. Better than having to unplug it and plug it back in every time you want to use it.
Standard EQ options which can be nice if you are using the mixer in a live setup.
Each channel can be "soloed" so that it's easy to properly gain stage each channel of audio. See my video on how to do this with or without "soloing" options: youtu.be/dRa26Xxe1EM
As it pertains to podcasting, you have two auxiliary sends (aux and FX). The first is labeled aux send and it's prefader, the second is the fx send and its post-fader or in our case knob. This will allow you to create a mix-minus setup for bringing in remote guests via Skype, Hangouts, phone, while also sending the caller all the audio in your mixer except themselves. See my video on how to setup a mix-minus: youtu.be/au47Ferbxfc
Here's the best way to connect a smartphone to your mixer for taking phone calls on your podcast: youtu.be/9rqPiXpcd1I
Headphone output with its own volume control. This seems like it adds a little noise at the upper levels which is disappointing because you want to hear exactly the quality of the audio that you are sending into the mixer. Just know that if you are hearing in the headphone output, it's not translating into the recording.
You'll want to pick up a headphone amp if you have more than one person in studio which is likely why you purchased a multichannel mixer. This will provide each person who is connected to the mixer, to control his or her own audio monitoring levels. This is an affordable option: podhelp.me/HA400amazon
4 in, 4 out 24bit/96khz USB 2.0 with true multichannel output to your DAW including bi-directional audio (audio in and out). This means you can connect up to four XLR microphones and input those mics into audio recording software such as Audition or Audacity with each channel of audio onto its own track. This allows you to edit each channel of audio, each microphone, independently in post production.
Also very importantly, you can hear the audio you are sending into the ZEDi10 while also monitoring the audio that is coming into the mixer at the same time. Not all mixers allow for this two way (bi-directional) monitoring.
Plug and play for Mac and iOS. You'll want to get the latest drivers if using this with Windows. You can get those here: allen-heath.com/ahproducts/zedi-10
Overall, as the most affordable, multichannel mixer on the market at $199 (U.S.), I was happy with this mixer's performance. I wasn't happy with how much gain the mixer requires in order to push a good signal through the USB to the computer however I was very impressed with the dynamic range of the preamps in that you can record at relatively low levels into your software (peaks around -26db) and bring up that audio to Loudness standards (-19LUFS mono), essentially raising the audio more than 20db in post and still get incredibly clean audio.
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🎥 🖥 GEAR USED TO MAKE THIS VIDEO 🎤 🤘 (affiliate links)
► Allen & Heath ZEDi10: podhelp.me/ZEDi10BH
► Heil PR40 mic: podhelp.me/PR40Zon
► Sony a6500: podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: podhelp.me/sonyfe28f2BH
► Rode VideoMic Pro: podhelp.me/VideoMicProRzon
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks!
#ZEDi10 #AllenandHeath #mixer #audio #Sony #a6500
Is the ZEDi10 by Allen & Heath the most affordable, multichannel mixer available? Yes. Check prices here: podhelp.me/ZEDi10BH but is it any good? In this video I find out.
Highlights:
The build quality is durable, not as good as a Mackie (the knobs could be better) but for the price, a nice experience and its size is small enough not to be prohibitive to travel with if necessary. It's not backpack sized but still portable enough and even seems to have a handy handle on the side for easy carrying.
The preamps are clean all the way through the entire 60db of gain. This is 🔑. With clean preamps, we have the foundation we need to have a great audio mixer.
The resolution of the audio meters is pretty good with an 8 LED meter that allows you to get a decent idea of where your peak level is at any given time.
It has a power switch on back and although it seems like it's in reverse with up being off and down being on, it's a really nice feature that not all lower priced mixers have. Better than having to unplug it and plug it back in every time you want to use it.
Standard EQ options which can be nice if you are using the mixer in a live setup.
Each channel can be "soloed" so that it's easy to properly gain stage each channel of audio. See my video on how to do this with or without "soloing" options: youtu.be/dRa26Xxe1EM
As it pertains to podcasting, you have two auxiliary sends (aux and FX). The first is labeled aux send and it's prefader, the second is the fx send and its post-fader or in our case knob. This will allow you to create a mix-minus setup for bringing in remote guests via Skype, Hangouts, phone, while also sending the caller all the audio in your mixer except themselves. See my video on how to setup a mix-minus: youtu.be/au47Ferbxfc
Here's the best way to connect a smartphone to your mixer for taking phone calls on your podcast: youtu.be/9rqPiXpcd1I
Headphone output with its own volume control. This seems like it adds a little noise at the upper levels which is disappointing because you want to hear exactly the quality of the audio that you are sending into the mixer. Just know that if you are hearing in the headphone output, it's not translating into the recording.
You'll want to pick up a headphone amp if you have more than one person in studio which is likely why you purchased a multichannel mixer. This will provide each person who is connected to the mixer, to control his or her own audio monitoring levels. This is an affordable option: podhelp.me/HA400amazon
4 in, 4 out 24bit/96khz USB 2.0 with true multichannel output to your DAW including bi-directional audio (audio in and out). This means you can connect up to four XLR microphones and input those mics into audio recording software such as Audition or Audacity with each channel of audio onto its own track. This allows you to edit each channel of audio, each microphone, independently in post production.
Also very importantly, you can hear the audio you are sending into the ZEDi10 while also monitoring the audio that is coming into the mixer at the same time. Not all mixers allow for this two way (bi-directional) monitoring.
Plug and play for Mac and iOS. You'll want to get the latest drivers if using this with Windows. You can get those here: allen-heath.com/ahproducts/zedi-10
Overall, as the most affordable, multichannel mixer on the market at $199 (U.S.), I was happy with this mixer's performance. I wasn't happy with how much gain the mixer requires in order to push a good signal through the USB to the computer however I was very impressed with the dynamic range of the preamps in that you can record at relatively low levels into your software (peaks around -26db) and bring up that audio to Loudness standards (-19LUFS mono), essentially raising the audio more than 20db in post and still get incredibly clean audio.
🎉 Join The Podcasters' Studio:
thepodcastersstudio.com/join
► SUB youtube.com/rayortega
► INSTAGRAM: instagram.com/podcasthelper
► TWITTER: twitter.com/podcasthelper
► FACEBOOK: facebook.com/podcasthelper
► Support this channel on PATREON: patreon.com/ray
🎥 🖥 GEAR USED TO MAKE THIS VIDEO 🎤 🤘 (affiliate links)
► Allen & Heath ZEDi10: podhelp.me/ZEDi10BH
► Heil PR40 mic: podhelp.me/PR40Zon
► Sony a6500: podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: podhelp.me/sonyfe28f2BH
► Rode VideoMic Pro: podhelp.me/VideoMicProRzon
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks!
#ZEDi10 #AllenandHeath #mixer #audio #Sony #a6500

![Sony a6500 and a6300 Picture Profiles - What Are Their Names?
Do you know the names of each Sony a6500 picture profile? These are the official names and how they look. ► All gear linked below*.
The a6500 has 9 picture profiles (PP1-PP9). Its not obvious what each of these is named by Sony. I found some videos and info online but nothing that was a definite confirmation of each profiles factory default name. Here they are, as listed by Sony:
PP1: Movie
PP2: Still
PP3: Natural
PP4: Faithful
PP5: Cine1
PP6: Cine2
PP7: S-Log2
PP8: S-Log3 [S-Gamut3.Cine]
PP9: S-Log3 [S-Gamut3]
This seems like it should be obvious but it does not list these in the camera itself or in the manual that comes with the camera.
Only when I scanned the QR code on the front of the included users manual, did I find each picture profile listed with additional details.
You can see these for yourself via:
http://helpguide.sony.net/ilc/1640/v1/en/contents/TP0001211745.html
These are also the same picture profiles for the Sony a6300.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Whiskey Drag Race” by Flash Fluharty
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*Gear used to make this video:
• Sony a6500: http://podhelp.me/Sonya6500bodyZon
• Sigma MC-11 EF to E Lens adapter: http://podhelp.me/SigmaMC11adaptZon
• Tokina 11-16mm Canon mount, APS-C http://podhelp.me/tokina11-16CanonAPSCBH
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Rode VideoMic Pro: http://podhelp.me/VideoMicProRzon
• Transcend 65GB SD card for 4K http://podhelp.me/Trans64U3zon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#a6500 #sony #pictureprofile #mirrorless #filmmaking #video Sony a6500 and a6300 Picture Profiles - What Are Their Names?](https://i.ytimg.com/vi/ZkMhITYrdjE/mqdefault.jpg)

![Canon 40mm F2.8 Lens Review - Why Im Returning It
Canon 40mm pancake lens is an affordable powerhouse of a lens. You wont go wrong buying one. ► All gear* linked below & available at https://kit.co/rayortega
This prime lens gives you a nice large aperture at f2.8, allowing in lots of native light to the sensor so that you get clean images in low-light.
Its an EF lens so it fits full size Canon sensors as well as crop sensors like the Canon 70D, 80D, etc. Its extremely affordable so it can be a great first lens and its so small that it barely adds any size or weight to your camera. So why am I sending it back?
I dont need it. I bought this lens to adapt to my Sony a6500 using the Sigma MC-11 adapter and in that setup I did not get all the functionality that I would want such as continuous auto-focus in video mode. So even though I like the lens a lot, its better for me to return the lens and apply that money towards a native Sony lens.
Other than that, I would definitely keep this lens and you can see the results show just how well the 40mm performs. There is also a 28mm version of this lens but its crop sensor only. However that focal length might be better suited to what you are shooting and a better buy especially if you dont plan to upgrade to a full sensor camera like the Canon 6D or 5D series.
The focus ring is tiny and could lead to getting your finger in the shot but that is about the only negative.
It is an STM lens so when its paired with a Canon camera with an STM motor, the lens is almost silent while focusing.
Its a plastic body but still feels sturdy and the mount is made of metal so its not likely to break unlike some of the cheaper plastic mounts.
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*Gear used to make this video:
► Canon 40mm f2.8 Lens http://podhelp.me/Canon40mmf2_8Zon
Check here for cheaper price http://podhelp.me/Canon40mmF2_8BH (no tax)
► CAMERA: Sony a6500: http://podhelp.me/Sonya6500bodyZon
► ADAPTER: Sigma MC-11: http://podhelp.me/SigmaMC11adaptZon
► SD CARD FOR 4K 100MBPS: http://podhelp.me/Trans64U3zon
► HQ-M MONO LAV MIC http://aspenmics.com/products/hq-m
► SD CARD FOR 4K 100MBPS: http://podhelp.me/Trans64U3zon
► Edirol audio recorder http://podhelp.me/r-05bh
► Canon 24mm f2.8 pancake for crop sensor cams http://podhelp.me/canon24mm2_8BH I would prefer this focal length on a crop sensor. Will be equivalent to this 40mm on a full frame
PICTURE PROFILE: PP7: S-Log2
EDITED AND GRADED: Adobe Premiere Pro CC using Lumetri Color Presets (tweaked to my liking).
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! Canon 40mm F2.8 Lens Review - Why Im Returning It](https://i.ytimg.com/vi/_kK_8KZEfYM/mqdefault.jpg)

![Zoom Lens Apertures - Constant vs Variable
Zoom lenses have two types of apertures; constant and variable. Whats the difference and why does it matter? ► All gear linked below*. ► INSTAGRAM: https://www.instagram.com/podcasthelper
One of the decisions to make when choosing a lens for your DSLR camera is what kind of aperture do you want or need. Cheaper zoom lenses, sometimes referred to as kit lenses because they come packaged with a camera body, have a variable aperture. That means that as you zoom in, increasing your focal length, your aperture, the hole in the lens that controls how much light hits your sensor, gets smaller. For example, a 18-100mm zoom lens may have an aperture range of 3.5 to 5.6. Which means you will be able to open your aperture all the way to its maximum range (3.5 in this example) when then lens is at 18mm. When the lens is zoomed all the way to 100mm, the aperture can only open as wide as f5.6. The results are that you will get less natural light into your camera, may have to increase you ISO, potentially causing more noise in your image and your depth of field will not be as shallow—your backgrounds will not be as out of focus as they would be with a wide aperture.
With a constant aperture lens, your aperture will remain the same, going as wide as your lenses maximum constant aperture, throughout the entire zoom range. Youll be able to get wider aperture at longer focal lengths which can produce a shallow depth of field and allow more natural light to reach the sensor.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Blazin” by Wolves
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*Gear used to make this video:
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Canon EF 24-105mm f/4L IS USM Lens http://podhelp.me/canon24-105f4IS
• HQ-M MONO LAV MIC http://aspenmics.com/products/hq-m
• Transcend SD card 16 and 32GB Class 10 http://podhelp.me/trans32gbC10Ultim600_32GBU1
• F&V LED Ring Light: http://podhelp.me/fvring300day
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#dslrvideo #lenses Zoom Lens Apertures - Constant vs Variable](https://i.ytimg.com/vi/_wQutJ16lgU/mqdefault.jpg)




