Uploaded July 2015 | Updated September 2026, 1 week ago
View all my gear at thepodcastersstudio.com/gear. Using a boom microphone indoors can be tricky depending on which kind of mic you use. In this case, I had the Rode NTG3 and AT4053b available for review and so I put them on the boom pole and compared how the audio sounded when used indoors.
The room this was recorded in presents a lot of challenges as far as reverb and echo getting back into the microphones goes. You'll hear how each microphone handles this as well as a comparison to the sound coming from the Canon 60D's on-board camera microphone.
When using a shotgun microphone like the Rode NTG3 indoors, the reflections you get from audio bouncing off of close, hard surfaces can produce unwanted issues in your audio. It just doesn't sound right because the side rejection capabilities of the shotgun mic are trying to pick up while at the same time cancel your voice that is returning to the microphone.
This phenomena along with the fact that I rarely see a long shotgun microphone being used on Hollywood films and TV shot indoors, led to search for the "proper" type of dialog boom mic.
The answer is the hyerpcardioid, condenser microphone. In this case, I'm using the Audio Technica AT4053b. More affordable than the Rode NTG3 but still expensive. However, compared to the price of boom mic they use in Hollywood, the AT4053b is a steal.
The idea is that without the long rejection tube actively trying to cancel out the noises that are reflecting back at the mic, you can avoid some of the weird issues you can get with a shotgun mic.
In this case I didn't notice a lot of difference in terms of how the reflections were handled. You can hear that the NTG3 has a much deeper low end frequency response and that that AT4053b is a bit "brighter" creating a more natural sounding replication of my voice.
However, one key factor in my own test was that I wanted to know if I could buy the Rode NTG3 and be able to use it both indoors and out. For me, I think the answer is yes. It's a great mic that I think would work in most indoor situations but could run into issues here and there.
That said, I ended up purchasing the AT4053b because I most often film indoors and this is the proper microphone for that. And at almost half the price and the fact that I bought it used, I saved a great deal of money. I still want to get the NTG3 but I'm very happy with my 4053b as it has a very clean sound, low noise floor and has a few extra interesting features like interchangeable mic capsules.
Did you hear a difference? Let me know below!
Sign up via thepodcastersstudio.com/join to make sure you see all future tests.
Music licensed from premiumbeat.com: bit.ly/1BJbspm
Track: “Making Music” by Max Brodie
*Gear used to make this video:
► Rode NTG3 podhelp.me/ntg3oldbh
► AT4053b Hypercardiod condenser microphone B&H: podhelp.me/at4053bBH
► Tascam DR-60D podhelp.me/tdr60d
► Strut STR-DR60D Field Case for Tascam DR-60D podhelp.me/dr60dstrutbagbh
► Impact Multiboom Light Stand and Reflector Holder - 13' podhelp.me/impactmultiboom
► Pearstone PM XLR cable - 10' B&H: podhelp.me/pstonePMXLR10BH Amazon: podhelp.me/pstonePMXLR10Amazon
► Manfrotto 394 Quick Release Plate and Base podhelp.me/394plate
► Canon 60D podhelp.me/60dkit
► Transcend SD card 16 and 32GB Class 10 podhelp.me/tr16gb10
► Manfrotto 701 HDV Tripod podhelp.me/701hdv055xbkit
► Sigma 30mm 1.4 podhelp.me/30mmsigma
*all links should be considered affiliates. Purchases made using these links help support this channel. Please read my ethics statement at thepodcastersstudio.com/ethics
View all my gear at thepodcastersstudio.com/gear. Using a boom microphone indoors can be tricky depending on which kind of mic you use. In this case, I had the Rode NTG3 and AT4053b available for review and so I put them on the boom pole and compared how the audio sounded when used indoors.
The room this was recorded in presents a lot of challenges as far as reverb and echo getting back into the microphones goes. You'll hear how each microphone handles this as well as a comparison to the sound coming from the Canon 60D's on-board camera microphone.
When using a shotgun microphone like the Rode NTG3 indoors, the reflections you get from audio bouncing off of close, hard surfaces can produce unwanted issues in your audio. It just doesn't sound right because the side rejection capabilities of the shotgun mic are trying to pick up while at the same time cancel your voice that is returning to the microphone.
This phenomena along with the fact that I rarely see a long shotgun microphone being used on Hollywood films and TV shot indoors, led to search for the "proper" type of dialog boom mic.
The answer is the hyerpcardioid, condenser microphone. In this case, I'm using the Audio Technica AT4053b. More affordable than the Rode NTG3 but still expensive. However, compared to the price of boom mic they use in Hollywood, the AT4053b is a steal.
The idea is that without the long rejection tube actively trying to cancel out the noises that are reflecting back at the mic, you can avoid some of the weird issues you can get with a shotgun mic.
In this case I didn't notice a lot of difference in terms of how the reflections were handled. You can hear that the NTG3 has a much deeper low end frequency response and that that AT4053b is a bit "brighter" creating a more natural sounding replication of my voice.
However, one key factor in my own test was that I wanted to know if I could buy the Rode NTG3 and be able to use it both indoors and out. For me, I think the answer is yes. It's a great mic that I think would work in most indoor situations but could run into issues here and there.
That said, I ended up purchasing the AT4053b because I most often film indoors and this is the proper microphone for that. And at almost half the price and the fact that I bought it used, I saved a great deal of money. I still want to get the NTG3 but I'm very happy with my 4053b as it has a very clean sound, low noise floor and has a few extra interesting features like interchangeable mic capsules.
Did you hear a difference? Let me know below!
Sign up via thepodcastersstudio.com/join to make sure you see all future tests.
Music licensed from premiumbeat.com: bit.ly/1BJbspm
Track: “Making Music” by Max Brodie
*Gear used to make this video:
► Rode NTG3 podhelp.me/ntg3oldbh
► AT4053b Hypercardiod condenser microphone B&H: podhelp.me/at4053bBH
► Tascam DR-60D podhelp.me/tdr60d
► Strut STR-DR60D Field Case for Tascam DR-60D podhelp.me/dr60dstrutbagbh
► Impact Multiboom Light Stand and Reflector Holder - 13' podhelp.me/impactmultiboom
► Pearstone PM XLR cable - 10' B&H: podhelp.me/pstonePMXLR10BH Amazon: podhelp.me/pstonePMXLR10Amazon
► Manfrotto 394 Quick Release Plate and Base podhelp.me/394plate
► Canon 60D podhelp.me/60dkit
► Transcend SD card 16 and 32GB Class 10 podhelp.me/tr16gb10
► Manfrotto 701 HDV Tripod podhelp.me/701hdv055xbkit
► Sigma 30mm 1.4 podhelp.me/30mmsigma
*all links should be considered affiliates. Purchases made using these links help support this channel. Please read my ethics statement at thepodcastersstudio.com/ethics




![Canon 40mm f2.8 Unboxing
Get more behind the scenes videos like this at http://instagram.com/podcasthelper. ► All gear linked below*.
I bought the Canon 40mm f2.8 STM Macro pancake lens because it was so cheap. That doesnt mean its a bad lens and from the reviews Ive seen its quite the opposite, it looks like a really good lens.
It certainly is a great way to stay very compact and small as possible if you need your camera to be lighter or more travel-friendly.
Things I like about the lens upon first opening the box is of course its size, its really small and it feels well built. It has a metal mounting ring for durability and I was surprised how tightly it went on to my camera body. Probably the best connection Ive had on any lens.
I like that its macro but its not that macro. You still have to be about 11 inches from your subject but its nice that it can focus in tight spots. The aperture of 2.8 is great for low-light and the bokeh or out of focus shots look great. At 40mm its even easier than the 24mm version to get out blurry backgrounds.
It has an STM motor which would be great for continuous auto-focus shots on camera that support it like the Canon 70D and 80D but this is on my 60D so I cant test that.
It doesnt have manual focus override so if you want to switch from AF to Manual, you need to do that via the switch on the lens itself. The focus ring is very small and its very likely that you will get your finger in the shot when manually focusing, just something to be aware of.
This is just an unboxing and initial impressions so I cant tell how sharp the lens is or its other features but I will do a more in-depth review once I have spent more time using it.
Another reason I bought the 40mm over the 24mm is because the 40mm is an EF lens. Meaning it covers the sensor of a full frame camera whereas the 24 only covers crop sensors. Not a big deal if you have a crop sensor camera but one of the other things this does is the EF will mount to the Sigma MC11 adapter and if I move to Sony cameras, this lens, with that adapter, can go with me.
For the price, its hard not to own one of these extremely compact lenses.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Blazin” by Wolves
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*Gear used to make this video:
• Canon 40mm f2.8 Lens http://podhelp.me/Canon40mmf2_8Zon
Check here for cheaper price http://podhelp.me/Canon40mmF2_8BH (no tax)
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Sigma 30mm f1.4 (old version). This is new version: http://podhelp.me/sig30mm1-4bh
• HQ-M MONO LAV MIC http://aspenmics.com/products/hq-m
• Transcend SD card 16 and 32GB Class 10 http://podhelp.me/trans32gbC10Ultim600_32GBU1
• Editrol audio recorder http://podhelp.me/r-05bh
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#dslrvideo #lenses Canon 40mm f2.8 Unboxing](https://i.ytimg.com/vi/cnqT4fQG9Mg/mqdefault.jpg)





