Uploaded November 2025 | Updated September 2026, 1 week ago
Have a mic., that you wish sounded like another? With Pro-Q 4 EQ Match, you can shape the sound of a mic you already have to sound like a different microphone. This video walks through how I used EQ Match inside FabFilter Pro-Q 4, to make a @shure MV7+ sound like an out of the box, SM7B.
Setting Up Your DAW for EQ Matching:
Start by dropping two audio files—one from the mic you want to match, and one from the mic you’re matching to—onto separate tracks. I’m using Adobe Audition, but this works in any DAW that supports (VST, AU, VST3) plugins.
Level-Matching Before You Start
This step is important. Without level matching, the louder clip will almost always sound “better,” which makes the EQ Match process less accurate. If you want to learn more about the leveling process, check out this more in-depth tutorial youtu.be/_vecHTGK7Yo.
Sections:
00:00 - Does the MV7+ sound like SM7B?
00:30 - The Difference between MV7+ and SM7B
00:38 - Matching the MV7+ to SM8B by ear
00:35 - Intro to Pro-Q 4
02:11 - Pro-Q 4 EQ Match tutorial
03:20 - Audio Level Matching
05:10 - Creating a Pro-Q 4 EQ Match preset
05:17 - Will I use Pro-Q 4 EQ Match?
06:20 - Who is Pro-Q 4 EQ Match for?
How to use FabFilter Pro-Q 4 EQ Match
- Add Pro-Q to each track
- Pull up the EQ Match window (click Pro-Q at the bottom of the plugin UI, this is not at all obvious) and select the Reference pulldown.
- Choose “Other Instance” as your reference and select the Pro-Q version that is on the other track, the microphone you are trying to match aka sound like.
Play the audio over both tracks, long enough for the analyzer (the top white line) to settle (it's only moving a little).
Apply the match and review the suggested curve
If you’re new to EQ Match, the suggested curve can look a little wild (many bands/control points), try reducing these with the slider to as few as possible but use as many as you need for it to sound the way you want.
Once the match is applied, you can still adjust the points, clean up the curve, or reduce the number of bands. When you get something that sounds right, you can save it as a preset and reuse it anytime you record with that mic. or use it to match a different mic. to your reference mic.
Results: The match that I did by ear sounds really close if not the same as the software but that's because the MV7+ is already so close to sounding like the SM7B. I think most people using the plugin will be trying to match very different microphones and, not in this video, but I did test with some other handhelds (Rode PodMic and Sennheiser E835) and FabFilter's EQ Match did a great job matching those as well.
You can get the plugin for a free 30 day trial so it's definitely worth trying bit.ly/4o8TCob
🎥 🖥 📱🎤 GEAR USED TO MAKE THIS VIDEO 🤘
► Shure MV7+ Podcast Microphone:
B&H: podhelp.me/mv7plusBH | Amazon: amzn.to/44ADnIt
► Zhiyun FIVERAY M20C: amzn.to/3UC35rp
► Rodecaster Pro: podhelp.me/rodecasterBH
► Shure SM7B: podhelp.me/sm7bZon
► Elgato Key Light: amzn.to/44G86nh
► Aputure Light Storm LS C120d Kit: podhelp.me/120dKitvmountBH
► SmallHD Sony kit: podhelp.me/smallHDfocusbundleSonyBH
► Sony FX30: amzn.to/4ifQyFF
► OC White Boom Arm Gen2: podhelp.me/OCWhiteBoomGen2
► K&M Boom Arm Mic Stand: podhelp.me/KMboomstandZon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks!
#FabFilter #EQMatch #ProQ #MV7+ #SM7B #podcasting #microphone #audioproduction #audiorecording
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INSTAGRAM: instagram.com/podcasthelper
Bluesky: https://rayortega.bsky.social/
Have a mic., that you wish sounded like another? With Pro-Q 4 EQ Match, you can shape the sound of a mic you already have to sound like a different microphone. This video walks through how I used EQ Match inside FabFilter Pro-Q 4, to make a @shure MV7+ sound like an out of the box, SM7B.
Setting Up Your DAW for EQ Matching:
Start by dropping two audio files—one from the mic you want to match, and one from the mic you’re matching to—onto separate tracks. I’m using Adobe Audition, but this works in any DAW that supports (VST, AU, VST3) plugins.
Level-Matching Before You Start
This step is important. Without level matching, the louder clip will almost always sound “better,” which makes the EQ Match process less accurate. If you want to learn more about the leveling process, check out this more in-depth tutorial youtu.be/_vecHTGK7Yo.
Sections:
00:00 - Does the MV7+ sound like SM7B?
00:30 - The Difference between MV7+ and SM7B
00:38 - Matching the MV7+ to SM8B by ear
00:35 - Intro to Pro-Q 4
02:11 - Pro-Q 4 EQ Match tutorial
03:20 - Audio Level Matching
05:10 - Creating a Pro-Q 4 EQ Match preset
05:17 - Will I use Pro-Q 4 EQ Match?
06:20 - Who is Pro-Q 4 EQ Match for?
How to use FabFilter Pro-Q 4 EQ Match
- Add Pro-Q to each track
- Pull up the EQ Match window (click Pro-Q at the bottom of the plugin UI, this is not at all obvious) and select the Reference pulldown.
- Choose “Other Instance” as your reference and select the Pro-Q version that is on the other track, the microphone you are trying to match aka sound like.
Play the audio over both tracks, long enough for the analyzer (the top white line) to settle (it's only moving a little).
Apply the match and review the suggested curve
If you’re new to EQ Match, the suggested curve can look a little wild (many bands/control points), try reducing these with the slider to as few as possible but use as many as you need for it to sound the way you want.
Once the match is applied, you can still adjust the points, clean up the curve, or reduce the number of bands. When you get something that sounds right, you can save it as a preset and reuse it anytime you record with that mic. or use it to match a different mic. to your reference mic.
Results: The match that I did by ear sounds really close if not the same as the software but that's because the MV7+ is already so close to sounding like the SM7B. I think most people using the plugin will be trying to match very different microphones and, not in this video, but I did test with some other handhelds (Rode PodMic and Sennheiser E835) and FabFilter's EQ Match did a great job matching those as well.
You can get the plugin for a free 30 day trial so it's definitely worth trying bit.ly/4o8TCob
🎥 🖥 📱🎤 GEAR USED TO MAKE THIS VIDEO 🤘
► Shure MV7+ Podcast Microphone:
B&H: podhelp.me/mv7plusBH | Amazon: amzn.to/44ADnIt
► Zhiyun FIVERAY M20C: amzn.to/3UC35rp
► Rodecaster Pro: podhelp.me/rodecasterBH
► Shure SM7B: podhelp.me/sm7bZon
► Elgato Key Light: amzn.to/44G86nh
► Aputure Light Storm LS C120d Kit: podhelp.me/120dKitvmountBH
► SmallHD Sony kit: podhelp.me/smallHDfocusbundleSonyBH
► Sony FX30: amzn.to/4ifQyFF
► OC White Boom Arm Gen2: podhelp.me/OCWhiteBoomGen2
► K&M Boom Arm Mic Stand: podhelp.me/KMboomstandZon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks!
#FabFilter #EQMatch #ProQ #MV7+ #SM7B #podcasting #microphone #audioproduction #audiorecording
SUBSCRIBE: youtube.com/rayortega
INSTAGRAM: instagram.com/podcasthelper
Bluesky: https://rayortega.bsky.social/






![Zoom L-12 Review & Setup - Audio Interface and Recorder!
Zoom L-12 lets you record & stream at the same time! See my complete write up along with gear http://thepodcastersstudio.com/L-12
The number one feature of the L-12 that impresses me most is its ability to both record to the SD card (multi-channel) while also being an audio interface, sending multi-channel audio to your computer at the very same time. Most mixers with built in recorders or even recorders that are also interfaces, make you choose which function you want to use, not allowing you to do both at the same time.
You get eight combo (XLR/Line In) inputs which provide you with the ability to connect up to eight microphones, each with its own preamp with 60db of gain. Channels one and two have Hi-Z power while three through eight provide a pad (-20db) for line in inputs. All channels provide 48 volts of phantom power for condenser microphones. And the preamps themselves are nice. I can easily power a dynamic mic like the Sennhieser e835 (as heard in the video), using ~75% of the gain. After this point, it sounds like the preamps might introduce a little bit of noise but overall they are clean.
Below the gain/trim knob, each microphone channel includes one-knob compression. This does a really nice job of preventing clipping while also helping to maintain a consistent audio level. Important to note that as you raise the compression you’ll also raise the gain because the compressor includes make-up gain. So as you increase the amount of compression, I found that about more than half way was a nice balance for preventing peaking, you’ll want to decrease your gain in order to maintain the same level and gain staging as when you are not using any compression.
With this digital mixer, your channel stops actually represent six different custom setups. In addition to the master mix, you get five custom setups which allow you to create five different “scenes” that can all be routed to their own output. For podcasters this means that you can create up to five different mix-minus setups! The setup is a little different than using aux-sends on an analog mixer but the result is the same. See the video for how to achieve a mix-minus setup. Each of these channels also includes the ability to setup a custom EQ.
The five separate headphone outputs also replace another piece of gear that podcasters with multiple people in studio often use, a headphone amplifier. Each of the five headphone outputs on the L-12 has it’s own gain knob so each person connected to one of the five outputs can control the level of audio going to their own headphones. The headphone preamps are also clean (without added noise) unlike the Zoom F8 that I have which has one headphone output and creates noise when turned up higher than 75%. I was happy to hear that the L-12 headphone preamps were clean and allowed me hear exactly the audio that was going into the mixer.
Each channel also includes a mute button. However, this does not work the way I’d want it to. The mute only follows through to the master mix. So when you press mute on any channel, the individual tracks being recorded to the SD card as well as the audio going out of the USB is not affected by the mute. Because of this the mute has little value, at least to me.
If you’re looking for a multichannel audio interface, the Zoom L-12 is a device I would seriously consider. The addition of a recorder built-in really makes this device worth the price. The recorder provides you with the ability to record a backup which for me is critical in any recording setup. Other mixers that provide you with this many aux sends (most only go up to 4) cost just as much as the L-12 and don’t provide as much functionality.
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*Gear used to make this video:
► Zoom L-12 http://podhelp.me/zoomL12BH
► Sony a6500: http://podhelp.me/a6500BodyBH
► Sony 28mm F2 lens http://bit.ly/sonyfe28f2BH
► Tokina 11-16mm lens http://podhelp.me/tokina11-16CanonAPSCBH
► SD Card http://podhelp.me/trans32gbC10Ultim600_32GBU1
► Aspen Mics Stereo Lav mic kit http://amzn.to/2j66TDL
► Sennheiser e835 microphone http://podhelp.me/SennE825BH
PICTURE PROFILE: PP7: S-Log2
EDITED AND GRADED: Adobe Premiere Pro CC using Lumetri Color Presets (tweaked to my liking).
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! Zoom L-12 Review & Setup - Audio Interface and Recorder!](https://i.ytimg.com/vi/gbvtGJiRbTw/mqdefault.jpg)
![Colorful Video Backgrounds - LIFX LED Multicolored Light bulb - Boring Test Video
I bought the LIFX bulb not for all its colors but so I could control my lights when I wasnt home. And they were on sale.
I wasnt even thinking about the fact that they could be programmed to turn any color I wanted. But when I realized this, I immediately thought this might make for a fun, colorful background in a video. So I tried it. These were the results.
This isnt a review of the lightbulb or even an endorsement; just a simple test to see what it would look like if I used the one I bought as a backdrop for a video. Its fun to play with but you could accomplish this with much cheaper bulbs. However, the app if very handy and these LIFX bulbs give you a lot of control via their app. Features such as integration with your Nest, Amazon, Google and other devices to give you visual prompts when events are occurring.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Blazin” by Wolves
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*Gear used to make this video:
• LIFX Smart LED Bulb http://podhelp.me/LIFXA191000Zon
• Gary Fong Color Reference Kit http://podhelp.me/GFongColorRefKitZon
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens http://podhelp.me/tokina11-16Canon
• HQ-M MONO LAV MIC http://aspenmics.com/products/hq-m
• Editrol audio recorder http://podhelp.me/r-05bh
• Transcend SD card 16 and 32GB Class 10 http://podhelp.me/trans32gbC10Ultim600_32GBU1
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#dslrvideo Colorful Video Backgrounds - LIFX LED Multicolored Light bulb - Boring Test Video](https://i.ytimg.com/vi/gxGlRn_LZRo/mqdefault.jpg)


