Uploaded February 2021 | Updated September 2026, 3 days ago
Soloist Georgi Badev with the Bulgarian Radio Symphony Orchestra, conducted by Alexander Vladigerov
Pancho Vladigerov (1899-1978) was a Bulgarian composer, arguably the most influential composer in his country's history. For more on Vladigerov, see my blog: unknowncomposers.org/2018/12/18/pancho-vladigerov-and-the-bulgarian-classical-tradition
Vladigerov wrote his first violin concerto in 1922, at the age of just 23, during his studies in Berlin. The concerto embodies late Romanticism at the peak of its powers, coupled with the innovative harmonic ideas that were sweeping through Europe at the time; it consists of three sections played attacca. The first movement is lively and vibrant, making extensive use of augmented harmonies; the second, marked "andante cantabile", is shaped by a beautiful violin melody played over a delicate harp part; and the third is a sort of wonderfully catchy burlesque, with themes from the first movement returning at the very end. The orchestral score, as well as a violin/piano reduction, can be found on IMSLP, under "Violin Concerto No. 1" (public domain US only:) imslp.org/wiki/Category:Vladigerov,_Pancho_Haralanov
If you enjoyed this or any of the other score videos or original compositions on my channel, please don't forget to leave a like and subscribe. Thank you for listening!
Soloist Georgi Badev with the Bulgarian Radio Symphony Orchestra, conducted by Alexander Vladigerov
Pancho Vladigerov (1899-1978) was a Bulgarian composer, arguably the most influential composer in his country's history. For more on Vladigerov, see my blog: unknowncomposers.org/2018/12/18/pancho-vladigerov-and-the-bulgarian-classical-tradition
Vladigerov wrote his first violin concerto in 1922, at the age of just 23, during his studies in Berlin. The concerto embodies late Romanticism at the peak of its powers, coupled with the innovative harmonic ideas that were sweeping through Europe at the time; it consists of three sections played attacca. The first movement is lively and vibrant, making extensive use of augmented harmonies; the second, marked "andante cantabile", is shaped by a beautiful violin melody played over a delicate harp part; and the third is a sort of wonderfully catchy burlesque, with themes from the first movement returning at the very end. The orchestral score, as well as a violin/piano reduction, can be found on IMSLP, under "Violin Concerto No. 1" (public domain US only:) imslp.org/wiki/Category:Vladigerov,_Pancho_Haralanov
If you enjoyed this or any of the other score videos or original compositions on my channel, please don't forget to leave a like and subscribe. Thank you for listening!







![JULIUS JUZELIŪNAS - Symphony No. 5 Lygumų giesmės/Songs of the Plains (Score Video)
00:00 1. Sėdauto
14:20 2. Kalnuti
Lithuanian Chamber Orchestra conducted by Saulius Sondeckis
Liepaitės Girls Choir conducted by Liucija Palinauskaitė and Petras Vailionis
This recording is from a 1987 Melodiya LP. Many thanks to Ben Lunn for the score and to the YouTube channel Obscure Little Beasties for the original audio (https://www.youtube.com/watch?v=a6oETPyEI0Y).
Julius Juzeliūnas (1916-2001) was a Lithuanian composer and teacher, one of the most influential in his country during the 20th century. In the 1960s, Juzeliūnas adapted his style from national romanticism to a more modernist idiom rooted in Lithuanian folk music with elements of minimalism. Many of his most important works, including Lygumų giesmės - composed in 1982 - date from this later period.
It was Miroslav Buček, Professor at the Department of Music of Brno University, a choirmaster and organist, who proposed an idea to write a composition for girls’ choir and chamber orchestra. First of all I was drawn by the combination of performers he had proposed. Then I had an aural image of the whole timbral palette, a ‘universe of colours’ for my future composition, according to which I selected the onomatopoeic words from the ancient Lithuanian folk songs [sutartinės].
What I particularly admired during my stay in Czechoslovakia was the scenic alpine landscape. I am from the plains of Northern Lithuania, so why can’t I think about plains while looking at the mountains? I tried to evoke that ‘plain-like’ image in music, without any conspicuous tidal waves and dramatic climaxes. When writing this composition I felt spiritual affinity to the nature and history of my homeland.
-Julius Juzeliūnas (quote courtesy of Lithuanian Music Information Centre) JULIUS JUZELIŪNAS - Symphony No. 5 Lygumų giesmės/Songs of the Plains (Score Video)](https://i.ytimg.com/vi/CrdNrmIaa00/mqdefault.jpg)


