Uploaded October 2024 | Updated September 2026, 3 days ago
00:05 I. Allegro vivo
07:55 II. (no marking)
15:11 III. Moderato
21:22 IV. Allegro
Deutsche Staatsphilharmonie Rheinland-Pfalz (German State Philharmonic of Rhineland-Palatinate) conducted by Ari Rasilainen
The fourth movement starts extremely softly, so turn up your volume as needed if you can't hear.
Ahmet Adnan Saygun (1907-1991) was a Turkish composer, the most famous of the "Turkish Five" who combined the Western classical tradition with Turkish folk music. During Saygun's lifetime, his work was widely performed across Turkey, Europe, and North America by leading ensembles like the NBC Symphony, Vienna Philharmonic, and Juilliard String Quartet. Read more about Saygun on my blog: unknowncomposers.org/2020/08/15/ahmet-adnan-saygun-a-pioneer-who-brought-together-romanticism-western-modernism-and-turkish-folk-song
I find Saygun's second symphony of 1958 to be a kind of bridge between his earlier works, such as the string quartet or first symphony, and his subsequent symphonies and concerti. While some parts of this symphony retain a rather vivacious and energetic quality, Saygun starts to lean into the dense, meticulous and sometimes sparkling orchestration that would become characteristic of his later period. Historical context aside, this is a terrific, totally engrossing symphonic work and certainly deserves far more recordings and international performances than it's received in the recent past - I hope orchestras and conductors who see this video might be inspired to take it up in the future!
00:05 I. Allegro vivo
07:55 II. (no marking)
15:11 III. Moderato
21:22 IV. Allegro
Deutsche Staatsphilharmonie Rheinland-Pfalz (German State Philharmonic of Rhineland-Palatinate) conducted by Ari Rasilainen
The fourth movement starts extremely softly, so turn up your volume as needed if you can't hear.
Ahmet Adnan Saygun (1907-1991) was a Turkish composer, the most famous of the "Turkish Five" who combined the Western classical tradition with Turkish folk music. During Saygun's lifetime, his work was widely performed across Turkey, Europe, and North America by leading ensembles like the NBC Symphony, Vienna Philharmonic, and Juilliard String Quartet. Read more about Saygun on my blog: unknowncomposers.org/2020/08/15/ahmet-adnan-saygun-a-pioneer-who-brought-together-romanticism-western-modernism-and-turkish-folk-song
I find Saygun's second symphony of 1958 to be a kind of bridge between his earlier works, such as the string quartet or first symphony, and his subsequent symphonies and concerti. While some parts of this symphony retain a rather vivacious and energetic quality, Saygun starts to lean into the dense, meticulous and sometimes sparkling orchestration that would become characteristic of his later period. Historical context aside, this is a terrific, totally engrossing symphonic work and certainly deserves far more recordings and international performances than it's received in the recent past - I hope orchestras and conductors who see this video might be inspired to take it up in the future!


![JULIUS JUZELIŪNAS - Symphony No. 5 Lygumų giesmės/Songs of the Plains (Score Video)
00:00 1. Sėdauto
14:20 2. Kalnuti
Lithuanian Chamber Orchestra conducted by Saulius Sondeckis
Liepaitės Girls Choir conducted by Liucija Palinauskaitė and Petras Vailionis
This recording is from a 1987 Melodiya LP. Many thanks to Ben Lunn for the score and to the YouTube channel Obscure Little Beasties for the original audio (https://www.youtube.com/watch?v=a6oETPyEI0Y).
Julius Juzeliūnas (1916-2001) was a Lithuanian composer and teacher, one of the most influential in his country during the 20th century. In the 1960s, Juzeliūnas adapted his style from national romanticism to a more modernist idiom rooted in Lithuanian folk music with elements of minimalism. Many of his most important works, including Lygumų giesmės - composed in 1982 - date from this later period.
It was Miroslav Buček, Professor at the Department of Music of Brno University, a choirmaster and organist, who proposed an idea to write a composition for girls’ choir and chamber orchestra. First of all I was drawn by the combination of performers he had proposed. Then I had an aural image of the whole timbral palette, a ‘universe of colours’ for my future composition, according to which I selected the onomatopoeic words from the ancient Lithuanian folk songs [sutartinės].
What I particularly admired during my stay in Czechoslovakia was the scenic alpine landscape. I am from the plains of Northern Lithuania, so why can’t I think about plains while looking at the mountains? I tried to evoke that ‘plain-like’ image in music, without any conspicuous tidal waves and dramatic climaxes. When writing this composition I felt spiritual affinity to the nature and history of my homeland.
-Julius Juzeliūnas (quote courtesy of Lithuanian Music Information Centre) JULIUS JUZELIŪNAS - Symphony No. 5 Lygumų giesmės/Songs of the Plains (Score Video)](https://i.ytimg.com/vi/CrdNrmIaa00/mqdefault.jpg)







