Uploaded May 2022 | Updated September 2026, 3 days ago
Andrej Bielow, violin
Oliver Triendl, piano
00:00 I. Allegro con fuoco
06:14 II. Adagio
11:53 III. Allegro molto vivace
Dora Pejačević (1885-1923) was a Croatian composer, considered one of the founders of modern Croatian classical music. You can find much more about Pejačević's short yet colorful life on my blog: unknowncomposers.org/2019/05/18/dora-pejacevic-the-matriarch-of-croatian-composers
The "Slavic" or "Slavonic" sonata, written in 1917 and dedicated to violinist Zlatko Baloković, is one of Pejačević's finest works, one that I believe belongs in the violin standard repertoire. The intense writing for both instruments, unexpected harmonic shifts, and rhythmic groove of the final movement are hard to resist!
Andrej Bielow, violin
Oliver Triendl, piano
00:00 I. Allegro con fuoco
06:14 II. Adagio
11:53 III. Allegro molto vivace
Dora Pejačević (1885-1923) was a Croatian composer, considered one of the founders of modern Croatian classical music. You can find much more about Pejačević's short yet colorful life on my blog: unknowncomposers.org/2019/05/18/dora-pejacevic-the-matriarch-of-croatian-composers
The "Slavic" or "Slavonic" sonata, written in 1917 and dedicated to violinist Zlatko Baloković, is one of Pejačević's finest works, one that I believe belongs in the violin standard repertoire. The intense writing for both instruments, unexpected harmonic shifts, and rhythmic groove of the final movement are hard to resist!




![JULIUS JUZELIŪNAS - Symphony No. 5 Lygumų giesmės/Songs of the Plains (Score Video)
00:00 1. Sėdauto
14:20 2. Kalnuti
Lithuanian Chamber Orchestra conducted by Saulius Sondeckis
Liepaitės Girls Choir conducted by Liucija Palinauskaitė and Petras Vailionis
This recording is from a 1987 Melodiya LP. Many thanks to Ben Lunn for the score and to the YouTube channel Obscure Little Beasties for the original audio (https://www.youtube.com/watch?v=a6oETPyEI0Y).
Julius Juzeliūnas (1916-2001) was a Lithuanian composer and teacher, one of the most influential in his country during the 20th century. In the 1960s, Juzeliūnas adapted his style from national romanticism to a more modernist idiom rooted in Lithuanian folk music with elements of minimalism. Many of his most important works, including Lygumų giesmės - composed in 1982 - date from this later period.
It was Miroslav Buček, Professor at the Department of Music of Brno University, a choirmaster and organist, who proposed an idea to write a composition for girls’ choir and chamber orchestra. First of all I was drawn by the combination of performers he had proposed. Then I had an aural image of the whole timbral palette, a ‘universe of colours’ for my future composition, according to which I selected the onomatopoeic words from the ancient Lithuanian folk songs [sutartinės].
What I particularly admired during my stay in Czechoslovakia was the scenic alpine landscape. I am from the plains of Northern Lithuania, so why can’t I think about plains while looking at the mountains? I tried to evoke that ‘plain-like’ image in music, without any conspicuous tidal waves and dramatic climaxes. When writing this composition I felt spiritual affinity to the nature and history of my homeland.
-Julius Juzeliūnas (quote courtesy of Lithuanian Music Information Centre) JULIUS JUZELIŪNAS - Symphony No. 5 Lygumų giesmės/Songs of the Plains (Score Video)](https://i.ytimg.com/vi/CrdNrmIaa00/mqdefault.jpg)





