Uploaded August 2019 | Updated September 2026, 1 day ago
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"I Don't Like 'Em (feat. Cousin Fik & Laroo)" by E-40
Curated by: Natalie Silver
Spotify: bit.ly/IDontLikeEmE40
Genre: #rap
I knew as soon as I prophesied the reality we both wanted--to kick this Tel Aviv cafe into the next gear--through a game of Odds, it was game over. I knew that because she chose one in three; because deep down she wanted to do it.
“One, two, three...TWO,” and smiling in defeat, Becca walked up to the young Israeli barista who had been playing Old Kanye, 21 Savage, and 2Pac deep tracks for the past 45 minutes which totally didn’t fit the mood of the quaint outdoor coffee bar he was manning. “You have great taste in music,” she said to him as she held out her phone with an open Spotify track at the ready, “but are you down with the Hyphy Movement?”
I grimaced as he swatted away her hand, at first thinking that we had offended the poor dude--but then Kanye’s “Spaceship” was cut short and “Tell Me When To Go” surged in, daring this happy hour to start rocking.
As I watched the crowd’s reaction, my synapses were exploding in utter amazement. How can E-40--the artist whose music unfailingly turns up the Cal football locker room and makes every Spring Ball playlist (trust me, I worked there for a year), the guy who is a defacto God in the eyes of every Warriors fan, and the face who can be seen repped through art and fashion on Telegraph Ave every First Friday--also apparently be capable of having middle-aged Israeli women dancing in their chairs while drinking espresso and smoking cigarettes?
My dude behind the bar nodded at us, and called out in broken English that E-40’s new album, “Practice Makes Paper,” would be coming out at the end of the month.
When late July came around and I skimmed the titles, I correctly predicted that my sleeper favorite would be “I Don’t Like Em,” a phrase that I happen to use a lot, particularly when someone mentions fraternities, White Claw, people who drink White Claw, or many of my former housemates. I knew this song would would yield kind of the most relatable content of all time in the rapper’s iconic, matter-of-fact diction. I was right.
The song sounds exactly how it reads. It’s a harsh intolerance to phoniness, cowardice, selfishness, lies--you know, absolute fucking bullshit. It’s a perfect example of E-40’s trademark of geniusly turning blunt truths into both musical, comic and hyphy GOLD.
Maybe it’s dramatic to say there’s a little hyphy dormant in all of us--that it’s a predestined characteristic encoded into human DNA--but I stand by it.
Is it too much to call it the Great Equalizer?
Nope.
Does it transcend cultural, lingual and geographic differences within the human experience?
Yup.
Must I go on?
Rock With This (http://rockwiththis.com) helps you discover your new favorite songs. We deliver the best of what's breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, it's free. ;)
Follow us on:
Instagram: instagram.com/rockwiththismusic
Spotify: bit.ly/SPRockWithThis
SoundCloud: bit.ly/SCRockWithThis
Facebook: facebook.com/rockwiththis
-----------------------------
"I Don't Like 'Em (feat. Cousin Fik & Laroo)" by E-40
Curated by: Natalie Silver
Spotify: bit.ly/IDontLikeEmE40
Genre: #rap
I knew as soon as I prophesied the reality we both wanted--to kick this Tel Aviv cafe into the next gear--through a game of Odds, it was game over. I knew that because she chose one in three; because deep down she wanted to do it.
“One, two, three...TWO,” and smiling in defeat, Becca walked up to the young Israeli barista who had been playing Old Kanye, 21 Savage, and 2Pac deep tracks for the past 45 minutes which totally didn’t fit the mood of the quaint outdoor coffee bar he was manning. “You have great taste in music,” she said to him as she held out her phone with an open Spotify track at the ready, “but are you down with the Hyphy Movement?”
I grimaced as he swatted away her hand, at first thinking that we had offended the poor dude--but then Kanye’s “Spaceship” was cut short and “Tell Me When To Go” surged in, daring this happy hour to start rocking.
As I watched the crowd’s reaction, my synapses were exploding in utter amazement. How can E-40--the artist whose music unfailingly turns up the Cal football locker room and makes every Spring Ball playlist (trust me, I worked there for a year), the guy who is a defacto God in the eyes of every Warriors fan, and the face who can be seen repped through art and fashion on Telegraph Ave every First Friday--also apparently be capable of having middle-aged Israeli women dancing in their chairs while drinking espresso and smoking cigarettes?
My dude behind the bar nodded at us, and called out in broken English that E-40’s new album, “Practice Makes Paper,” would be coming out at the end of the month.
When late July came around and I skimmed the titles, I correctly predicted that my sleeper favorite would be “I Don’t Like Em,” a phrase that I happen to use a lot, particularly when someone mentions fraternities, White Claw, people who drink White Claw, or many of my former housemates. I knew this song would would yield kind of the most relatable content of all time in the rapper’s iconic, matter-of-fact diction. I was right.
The song sounds exactly how it reads. It’s a harsh intolerance to phoniness, cowardice, selfishness, lies--you know, absolute fucking bullshit. It’s a perfect example of E-40’s trademark of geniusly turning blunt truths into both musical, comic and hyphy GOLD.
Maybe it’s dramatic to say there’s a little hyphy dormant in all of us--that it’s a predestined characteristic encoded into human DNA--but I stand by it.
Is it too much to call it the Great Equalizer?
Nope.
Does it transcend cultural, lingual and geographic differences within the human experience?
Yup.
Must I go on?










![Nyxen - Running
Rock With This (http://rockwiththis.com) helps you discover your new favorite songs. We deliver the best of whats breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, its free. ;)
Follow us on:
Instagram: http://instagram.com/rockwiththismusic
Spotify: http://bit.ly/SPRockWithThis
SoundCloud: http://bit.ly/SCRockWithThis
Facebook: http://facebook.com/rockwiththis
Running by Nyxen
Curated by: Maddie Swarr
Spotify: http://bit.ly/RunningNyxen
Genre: #electropop
I’m a self-described feminist. Find me screaming on the streets about how women can do everything that men can do, and it should never be assumed otherwise. So it frustrates, confuses, and ultimately kills me a little when I find myself gendering music. And what I mean by this is this subconscious habit that I have to hear a song with pulsing baselines and eardrum-blowing drops and immediately assume that there’s a dick behind it all.
I’d like to think that I make these assumptions knowing that the EDM world is dominated by mainly male producers (somewhere on the order of 90% of EDM music is produced by men), but if I’m being honest with myself I know it’s actually the deep-seated biases and internalized misogyny that have been subconsciously ingrained in me that are responsible. I could go ahead and turn this post into a thirty-page essay about the effects of systematic sexism on the music industry, but instead I’ll transition into talking about this awesome song and how it was produced by a dope-ass LADY.
As you probably could infer already, when I first heard “Running” I immediately wanted to know who this guy Nyxen was, and was extremely excited but equally angry with myself when Google presented me with pictures of Chelsea Lester, the Tokyo-born, Sydney-based producer behind it all. She’s been a musician since grade school, but, as the story often goes, stumbled into the electronic music world in her teenage years when she discovered Ableton and its ability to design sounds drafted up in one’s own imagination. Since her transition into the EDM world, Nyxen has steadily built a name for herself with a few hits, including “Running”, which bears testament to her keen musicality. To me, this song is gold. Incredibly mixed, not too long, not too repetitive, a tasteful dose of ethereal feminine vocals that are indeed her own, and that pulsing baseline that chugs the song along to perfection.
So in conclusion [insert thirty-page thesis above], the ability to create great electronic music is not an issue of gender, but as one Reddit post so elegantly puts it, “men are just more likely to spend an entire afternoon/evening clicking around on a computer”. Maybe I should be doing more of that… Nyxen - Running](https://i.ytimg.com/vi/jEZtO2mknOg/mqdefault.jpg)