Uploaded July 2019 | Updated September 2026, 2 days ago
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"Take Me" by Phil Fuldner
Curator: Austin Meyer Whitlock
Spotify: bit.ly/TakeMePhilFuldner
Genre: #nudisco
Growing up, my dad always loved this real odd, albeit stupid-funny movie called Mystery Men. Debuting in 1999, starring Ben Stiller and William H. Macy, the movie featured a ragtag bunch of wannabe superheroes that band together to thwart the return of an evil villain called Casanova Frankenstein and his band of Disco-fueled henchmen. In it, there’s a scene where Casanova has been granted his freedom from prison after decades of detainment and rejoins with his crew “The Disco Boys.” As he is walking around his old lair, Casanova remarks to Tony P, the leader of his henchmen, “It must have been hard for you, Tony, the way times and styles have changed... hearing the people say that disco is dead…” Tony P snaps back “Disco is not dead! Disco is LIFE!”
While there are so many well known disco records that have stood the test of time, there are many more that came and went, only to sit on dusty record shelves across the world. Luckily, we’ve seen a bit of a vinyl revival of late, and with that comes some re-discoveries. Falling firmly in that realm is Mary Clark’s “Take Me I’m Yours.” Originally released in 1980 by the little known New York record label “La Shawn records. Since its original printing on 12” vinyl, estimates are that no more than 200 copies of the original exist.
In comes Phil Fuldner, German-born DJ and Producer why an ear for talent. Fuldner is no stranger to the disco sound as showcased in his suave super stylized house tracks. But perhaps none take the cake like his recent release of “Take Me,” which breathes new life into the original track by Mary Clark. The additions and changes to the track are subtle and smooth, speeding up the beat from a foot-tapping 107 BPM to the full groove of 122. On top of that he amplifies the rich vocals of Mary Clark herself and adds some other flair in the form of fades, stutters and added drumlines. While some could argue that there may not be enough differentiation between “Take Me,” and the original, this release showcases a masterful take on the long-forgotten track to the point where Mary Clark can live on through this definitive version.
Now thinking about it, I have no doubt that we’d find one of those 200 original pressings sitting on the record shelf in the old Disco Room of Frankenstein’s lair.
Rock With This (http://rockwiththis.com) helps you discover your new favorite songs. We deliver the best of what's breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, it's free. ;)
Follow us on:
Instagram: instagram.com/rockwiththismusic
Spotify: bit.ly/SPRockWithThis
SoundCloud: bit.ly/SCRockWithThis
Facebook: facebook.com/rockwiththis
-----------------------------
"Take Me" by Phil Fuldner
Curator: Austin Meyer Whitlock
Spotify: bit.ly/TakeMePhilFuldner
Genre: #nudisco
Growing up, my dad always loved this real odd, albeit stupid-funny movie called Mystery Men. Debuting in 1999, starring Ben Stiller and William H. Macy, the movie featured a ragtag bunch of wannabe superheroes that band together to thwart the return of an evil villain called Casanova Frankenstein and his band of Disco-fueled henchmen. In it, there’s a scene where Casanova has been granted his freedom from prison after decades of detainment and rejoins with his crew “The Disco Boys.” As he is walking around his old lair, Casanova remarks to Tony P, the leader of his henchmen, “It must have been hard for you, Tony, the way times and styles have changed... hearing the people say that disco is dead…” Tony P snaps back “Disco is not dead! Disco is LIFE!”
While there are so many well known disco records that have stood the test of time, there are many more that came and went, only to sit on dusty record shelves across the world. Luckily, we’ve seen a bit of a vinyl revival of late, and with that comes some re-discoveries. Falling firmly in that realm is Mary Clark’s “Take Me I’m Yours.” Originally released in 1980 by the little known New York record label “La Shawn records. Since its original printing on 12” vinyl, estimates are that no more than 200 copies of the original exist.
In comes Phil Fuldner, German-born DJ and Producer why an ear for talent. Fuldner is no stranger to the disco sound as showcased in his suave super stylized house tracks. But perhaps none take the cake like his recent release of “Take Me,” which breathes new life into the original track by Mary Clark. The additions and changes to the track are subtle and smooth, speeding up the beat from a foot-tapping 107 BPM to the full groove of 122. On top of that he amplifies the rich vocals of Mary Clark herself and adds some other flair in the form of fades, stutters and added drumlines. While some could argue that there may not be enough differentiation between “Take Me,” and the original, this release showcases a masterful take on the long-forgotten track to the point where Mary Clark can live on through this definitive version.
Now thinking about it, I have no doubt that we’d find one of those 200 original pressings sitting on the record shelf in the old Disco Room of Frankenstein’s lair.





![Nyxen - Running
Rock With This (http://rockwiththis.com) helps you discover your new favorite songs. We deliver the best of whats breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, its free. ;)
Follow us on:
Instagram: http://instagram.com/rockwiththismusic
Spotify: http://bit.ly/SPRockWithThis
SoundCloud: http://bit.ly/SCRockWithThis
Facebook: http://facebook.com/rockwiththis
Running by Nyxen
Curated by: Maddie Swarr
Spotify: http://bit.ly/RunningNyxen
Genre: #electropop
I’m a self-described feminist. Find me screaming on the streets about how women can do everything that men can do, and it should never be assumed otherwise. So it frustrates, confuses, and ultimately kills me a little when I find myself gendering music. And what I mean by this is this subconscious habit that I have to hear a song with pulsing baselines and eardrum-blowing drops and immediately assume that there’s a dick behind it all.
I’d like to think that I make these assumptions knowing that the EDM world is dominated by mainly male producers (somewhere on the order of 90% of EDM music is produced by men), but if I’m being honest with myself I know it’s actually the deep-seated biases and internalized misogyny that have been subconsciously ingrained in me that are responsible. I could go ahead and turn this post into a thirty-page essay about the effects of systematic sexism on the music industry, but instead I’ll transition into talking about this awesome song and how it was produced by a dope-ass LADY.
As you probably could infer already, when I first heard “Running” I immediately wanted to know who this guy Nyxen was, and was extremely excited but equally angry with myself when Google presented me with pictures of Chelsea Lester, the Tokyo-born, Sydney-based producer behind it all. She’s been a musician since grade school, but, as the story often goes, stumbled into the electronic music world in her teenage years when she discovered Ableton and its ability to design sounds drafted up in one’s own imagination. Since her transition into the EDM world, Nyxen has steadily built a name for herself with a few hits, including “Running”, which bears testament to her keen musicality. To me, this song is gold. Incredibly mixed, not too long, not too repetitive, a tasteful dose of ethereal feminine vocals that are indeed her own, and that pulsing baseline that chugs the song along to perfection.
So in conclusion [insert thirty-page thesis above], the ability to create great electronic music is not an issue of gender, but as one Reddit post so elegantly puts it, “men are just more likely to spend an entire afternoon/evening clicking around on a computer”. Maybe I should be doing more of that… Nyxen - Running](https://i.ytimg.com/vi/jEZtO2mknOg/mqdefault.jpg)




