Uploaded August 2019 | Updated September 2026, 1 day ago
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"Sylvia Says (Jerge remix)" by Charlotte Gainsbourg
Curated by: Brendan Boland
Spotify: bit.ly/SylviaSaysGainsbourgJerge
Genre: #techno
I have always fallen for the femme fatale. Her soft lips, alluring eyes, and the sultry movements of a siren. Mary Astor in The Matese Falcon, Lauren Bacall in The Big Sleep, or Rita Hayworth in Gilda, all stole my heart. It’s as much how they say the words as what they say - an affectation, a wry laugh, or a smirk rather than a smile. Choice encounters that lead to shadows, and often, despair.
I first fell for Charlotte Gainsborough as the quirky love interest in Michel Gondry’s "The Science of Sleep". She was the whimsical artist who inspired a lonely dreamer to love. Beyond the silver screen, Gainsborough, daughter of the legendary Serge Gainsborough, has been releasing music since the age of 12. Her latest, Rest, produced by SebastIAn, captures her feelings after the death of her father and half sister.
Told through a dream-pop fantasy, "Slyvia Says" weaves Gainsborough darkened fantasy of a narrator torn. Her sullied rendez-vous turned into a carousel of nightmarish deja vu. Tormented by her own mind, she can only seem to escape through death. The vocals are sweet. Warm. Gainsborough creates immense contrast, daring the listener to question the melodic tune against her lyrical dirge. She defines beauty as reflected through tragedy.
“I shut my eyes and all the world drops dead...Sylvia says” Jerge’s remix seems to re-create the song in it’s lyrical image. Mixing in darker synths to crisp tech house drums, he echoes Gainsoborough’s haunting vocals throughout the first half of the remix. She calls out - her words sometimes only arriving as a memory of what was once there, yet already fading away: “I lift my lids and all is born again ...Sylvia says”. Sonically, elements of the remix are reminiscent of Justice, SebastiAn, and other Ed Banger acts of the late 2000s - a raw synthesizer, a loud crash cymbal, and a dystopian techno narrative designed to illuminate a dark night sky. The effect is enticing yet ominous. While Jerge is relatively unknown, this remix showcases his ability to craft evocative mixes, especially when sampling from such lush material as Charlotte Gainsbourg.
Rock With This (http://rockwiththis.com) helps you discover your new favorite songs. We deliver the best of what's breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, it's free. ;)
Follow us on:
Instagram: instagram.com/rockwiththismusic
Spotify: bit.ly/SPRockWithThis
SoundCloud: bit.ly/SCRockWithThis
Facebook: facebook.com/rockwiththis
-----------------------------
"Sylvia Says (Jerge remix)" by Charlotte Gainsbourg
Curated by: Brendan Boland
Spotify: bit.ly/SylviaSaysGainsbourgJerge
Genre: #techno
I have always fallen for the femme fatale. Her soft lips, alluring eyes, and the sultry movements of a siren. Mary Astor in The Matese Falcon, Lauren Bacall in The Big Sleep, or Rita Hayworth in Gilda, all stole my heart. It’s as much how they say the words as what they say - an affectation, a wry laugh, or a smirk rather than a smile. Choice encounters that lead to shadows, and often, despair.
I first fell for Charlotte Gainsborough as the quirky love interest in Michel Gondry’s "The Science of Sleep". She was the whimsical artist who inspired a lonely dreamer to love. Beyond the silver screen, Gainsborough, daughter of the legendary Serge Gainsborough, has been releasing music since the age of 12. Her latest, Rest, produced by SebastIAn, captures her feelings after the death of her father and half sister.
Told through a dream-pop fantasy, "Slyvia Says" weaves Gainsborough darkened fantasy of a narrator torn. Her sullied rendez-vous turned into a carousel of nightmarish deja vu. Tormented by her own mind, she can only seem to escape through death. The vocals are sweet. Warm. Gainsborough creates immense contrast, daring the listener to question the melodic tune against her lyrical dirge. She defines beauty as reflected through tragedy.
“I shut my eyes and all the world drops dead...Sylvia says” Jerge’s remix seems to re-create the song in it’s lyrical image. Mixing in darker synths to crisp tech house drums, he echoes Gainsoborough’s haunting vocals throughout the first half of the remix. She calls out - her words sometimes only arriving as a memory of what was once there, yet already fading away: “I lift my lids and all is born again ...Sylvia says”. Sonically, elements of the remix are reminiscent of Justice, SebastiAn, and other Ed Banger acts of the late 2000s - a raw synthesizer, a loud crash cymbal, and a dystopian techno narrative designed to illuminate a dark night sky. The effect is enticing yet ominous. While Jerge is relatively unknown, this remix showcases his ability to craft evocative mixes, especially when sampling from such lush material as Charlotte Gainsbourg.



![Nyxen - Running
Rock With This (http://rockwiththis.com) helps you discover your new favorite songs. We deliver the best of whats breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, its free. ;)
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Running by Nyxen
Curated by: Maddie Swarr
Spotify: http://bit.ly/RunningNyxen
Genre: #electropop
I’m a self-described feminist. Find me screaming on the streets about how women can do everything that men can do, and it should never be assumed otherwise. So it frustrates, confuses, and ultimately kills me a little when I find myself gendering music. And what I mean by this is this subconscious habit that I have to hear a song with pulsing baselines and eardrum-blowing drops and immediately assume that there’s a dick behind it all.
I’d like to think that I make these assumptions knowing that the EDM world is dominated by mainly male producers (somewhere on the order of 90% of EDM music is produced by men), but if I’m being honest with myself I know it’s actually the deep-seated biases and internalized misogyny that have been subconsciously ingrained in me that are responsible. I could go ahead and turn this post into a thirty-page essay about the effects of systematic sexism on the music industry, but instead I’ll transition into talking about this awesome song and how it was produced by a dope-ass LADY.
As you probably could infer already, when I first heard “Running” I immediately wanted to know who this guy Nyxen was, and was extremely excited but equally angry with myself when Google presented me with pictures of Chelsea Lester, the Tokyo-born, Sydney-based producer behind it all. She’s been a musician since grade school, but, as the story often goes, stumbled into the electronic music world in her teenage years when she discovered Ableton and its ability to design sounds drafted up in one’s own imagination. Since her transition into the EDM world, Nyxen has steadily built a name for herself with a few hits, including “Running”, which bears testament to her keen musicality. To me, this song is gold. Incredibly mixed, not too long, not too repetitive, a tasteful dose of ethereal feminine vocals that are indeed her own, and that pulsing baseline that chugs the song along to perfection.
So in conclusion [insert thirty-page thesis above], the ability to create great electronic music is not an issue of gender, but as one Reddit post so elegantly puts it, “men are just more likely to spend an entire afternoon/evening clicking around on a computer”. Maybe I should be doing more of that… Nyxen - Running](https://i.ytimg.com/vi/jEZtO2mknOg/mqdefault.jpg)






