Uploaded May 2018 | Updated September 2026, 1 week ago
The two best ways to convert high frame rate video (120fps and 60fps) in both Adobe Premiere Pro and FCPX. The gear I use to film smooth slow motion kit.co/rayortega/sony-a6500-vlogging.
0:00 Intro/slow motion samples
2:00 Premiere Pro slow motion tutorial:
7:55 FCPX slow motion tutorial:
Music by PremiumBeat.com.
License this music: bit.ly/1BJbspm
Tracks:
Time Flies by Soulish
Best Life by Soulish
A great way to get super smooth slow motion video is to shoot at a high frame rate (60fps, 120fps, etc.) and then convert those clips into slow motion inside your editing software. Premiere Pro CC and FCPX make this an easy process and both provide more than one way to turn your footage into slow motion.
I shot all this footage at 120fps on a Sony a6500 amzn.to/2rvbIXg (see below for complete gear*). When filming for slow motion, make sure to set your shutter speed at 2x your frame rate. So in my case, the shutter speed was 1/250 because that is the closest setting on my camera to double 120fps. If you are filming at 60fps then your shutter speed would be 1/120.
Beginning with Premiere Pro, I first used the "Interpret Footage" option which will convert the entire clip into whatever frame rate you specify. In my case, I told Premiere to assume each clip was 24fps. Then, when played back on a 24p timeline, the 120fps footage is slowed down to 20% of its original speed giving us super slow motion. To do this, go to your clip inside Premiere, right-click and select "Modify - Interpret Footage - Assume This Frame Rate" and type in the frame rate you want.
A couple interesting notes. One, it doesn't seem that Interpreting Footage effects your native clip. The original clip that I shot was still full speed when played from it's folder. However, you may want to duplicate your clips before using the Interpret option for a couple of reasons.
The first reason, in case the clip is permanently changed you'll still have the original. The second reason is that you can then use the original speed along with your slowed down clip inside your timeline in cases where you want some parts of your edit to be full speed and others to be in slow motion.
The other method inside Premiere, is to right-click on your clip and select "Speed/Duration." Using this option, you can slow down your clip by any percentage you want. However, whereas Interpreting footage does the math for you, slowing down your clip to the frame you want, if using Speed/Duration, you need to know some math in order to get the full benefit of all the frames you shot. The equation is simple: frame rate of your sequence (24p) divided by the frame rate you filmed at (120fps) multiplied by 100 equals the maximum percentage you can slow down your clip which in this case is 20%. 60fps on a 24p timeline would be 40%.
Another interesting note which I looked hard to find: it doesn't seem that there is any technical difference between using Interpret footage and Speed/Duration at least from a quality standpoint. Either method, all things being equal, will produce the same quality of slow motion.
In Final Cut Pro X, you also have two options for converting slow motion. The first is similar to Interpret Footage but even easier. Put a clip in your timeline, navigate to the retiming options then select "Automatic Speed." Again the math will be done for you and your clip will be slowed to it's maximum percentage.
The other option in FCPX is to enter your own percentage just like in Premiere. In FCPX you would again go to the retiming options and select "Custom." Then enter the value you want to slow down your footage to. This is another case where you would need to use the above equation if you don't know how far you can slow down your footage before quality loss.
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🎥 🖥 GEAR USED TO MAKE THIS VIDEO 🎤 🤘 (affiliate links)
► Sony a6500: podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: podhelp.me/sonyfe28f2BH
► Adobe Creative Cloud podhelp.me/CC1yearBHdownload
► Final Cut ProX
► IkanVK7i 7" monitor (discontinued) podhelp.me/ikanvk7i7BH
replaced by: podhelp.me/ikandh77BH
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
► Tascam DR-10L: amzn.to/2vymx07
B&H (check both for sales): podhelp.me/TascamDR10LBH
► 32GB micro SD podhelp.me/SanDiscMicroSD32GBBH
► Aputure 120D keylight: podhelp.me/C120dZon
► Aputure Light Dome Mini: podhelp.me/LightDomeMiniZon
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!
The two best ways to convert high frame rate video (120fps and 60fps) in both Adobe Premiere Pro and FCPX. The gear I use to film smooth slow motion kit.co/rayortega/sony-a6500-vlogging.
0:00 Intro/slow motion samples
2:00 Premiere Pro slow motion tutorial:
7:55 FCPX slow motion tutorial:
Music by PremiumBeat.com.
License this music: bit.ly/1BJbspm
Tracks:
Time Flies by Soulish
Best Life by Soulish
A great way to get super smooth slow motion video is to shoot at a high frame rate (60fps, 120fps, etc.) and then convert those clips into slow motion inside your editing software. Premiere Pro CC and FCPX make this an easy process and both provide more than one way to turn your footage into slow motion.
I shot all this footage at 120fps on a Sony a6500 amzn.to/2rvbIXg (see below for complete gear*). When filming for slow motion, make sure to set your shutter speed at 2x your frame rate. So in my case, the shutter speed was 1/250 because that is the closest setting on my camera to double 120fps. If you are filming at 60fps then your shutter speed would be 1/120.
Beginning with Premiere Pro, I first used the "Interpret Footage" option which will convert the entire clip into whatever frame rate you specify. In my case, I told Premiere to assume each clip was 24fps. Then, when played back on a 24p timeline, the 120fps footage is slowed down to 20% of its original speed giving us super slow motion. To do this, go to your clip inside Premiere, right-click and select "Modify - Interpret Footage - Assume This Frame Rate" and type in the frame rate you want.
A couple interesting notes. One, it doesn't seem that Interpreting Footage effects your native clip. The original clip that I shot was still full speed when played from it's folder. However, you may want to duplicate your clips before using the Interpret option for a couple of reasons.
The first reason, in case the clip is permanently changed you'll still have the original. The second reason is that you can then use the original speed along with your slowed down clip inside your timeline in cases where you want some parts of your edit to be full speed and others to be in slow motion.
The other method inside Premiere, is to right-click on your clip and select "Speed/Duration." Using this option, you can slow down your clip by any percentage you want. However, whereas Interpreting footage does the math for you, slowing down your clip to the frame you want, if using Speed/Duration, you need to know some math in order to get the full benefit of all the frames you shot. The equation is simple: frame rate of your sequence (24p) divided by the frame rate you filmed at (120fps) multiplied by 100 equals the maximum percentage you can slow down your clip which in this case is 20%. 60fps on a 24p timeline would be 40%.
Another interesting note which I looked hard to find: it doesn't seem that there is any technical difference between using Interpret footage and Speed/Duration at least from a quality standpoint. Either method, all things being equal, will produce the same quality of slow motion.
In Final Cut Pro X, you also have two options for converting slow motion. The first is similar to Interpret Footage but even easier. Put a clip in your timeline, navigate to the retiming options then select "Automatic Speed." Again the math will be done for you and your clip will be slowed to it's maximum percentage.
The other option in FCPX is to enter your own percentage just like in Premiere. In FCPX you would again go to the retiming options and select "Custom." Then enter the value you want to slow down your footage to. This is another case where you would need to use the above equation if you don't know how far you can slow down your footage before quality loss.
SUBSCRIBE youtube.com/thepodcasterssstudio
INSTAGRAM: instagram.com/podcasthelper
TWITTER: twitter.com/podcasthelper
🎥 🖥 GEAR USED TO MAKE THIS VIDEO 🎤 🤘 (affiliate links)
► Sony a6500: podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: podhelp.me/sonyfe28f2BH
► Adobe Creative Cloud podhelp.me/CC1yearBHdownload
► Final Cut ProX
► IkanVK7i 7" monitor (discontinued) podhelp.me/ikanvk7i7BH
replaced by: podhelp.me/ikandh77BH
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
► Tascam DR-10L: amzn.to/2vymx07
B&H (check both for sales): podhelp.me/TascamDR10LBH
► 32GB micro SD podhelp.me/SanDiscMicroSD32GBBH
► Aputure 120D keylight: podhelp.me/C120dZon
► Aputure Light Dome Mini: podhelp.me/LightDomeMiniZon
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!
![Sony a6500 Vlogging Setup and Settings
I vlogged with my Sony a6500 and this was how I set it up and the gear I used. All the gear for vlogging w/ the a6500 👉 https://kit.co/rayortega/sony-a6500-vlogging
Shooting vlogs requires a much different setup than Id normally use for filming videos on my Sony a6500 or any camera. In almost any other case, I would shoot video in full manual mode. Not the case for vlogging.
Vlogging usually means moving fast through very different environments. Your focus will change, the lighting will change, the audio will change, just about every thing in front of the camera will constantly change and half the time you wont even be behind the camera to make the necessary adjustments. So this is a great use case for auto settings. Fortunately the a6500 does great at handling most of the functions youll need it to do when vlogging. Heres how I set mine up:
• 1080p 24fps (use 60fps for slow mo) - file size is much smaller and easier to edit fast.
• Auto White Balance - youll be changing lighting conditions too many times to worry about WB
• Movie mode set to Shutter Priority - This allows you to choose a constant shutter while letting the camera choose the appropriate aperture.
• Shutter: 1/50 - 1/125 - personal choice. Have fun but set it and leave it.
• ISO: Auto
• Image stabilization: On
• PP5 - picture profile. This is what I used but experiment for the one that works best for you. I still havent decided which I like best.
• Auto-focus: Continuous
• Focus mode: Wide
• Exposure compensation: -1.3 - I find this helps the auto ISO to better expose for skin. Probably change this if shooting in low-light.
• Audio level: 15 with Rode VideoMic Pro set to: 0
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► Support this channel on PATREON: https://patreon.com/ray
🎥 🖥 📱🎤 GEAR USED TO MAKE THIS VIDEO 🤘*
► Sony a6500: http://podhelp.me/Sonya6500bodyZon
► LENS: Sony FE 28mm F2: http://podhelp.me/sonyfe28f2BH
► Rode VideoMic Pro: http://podhelp.me/VideoMicProRzon
► Transcend 65GB SDXC card for 4K http://podhelp.me/Trans64U3zon
► Canon 60D DSLR camera http://podhelp.me/60DbodyBH
► Sigma 30mm 1.4 http://podhelp.me/30mmsigma
► See my a6500 vlogging Kit for other recommended gear for this setup https://kit.co/rayortega/sony-a6500-vlogging
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#a6500 #vlog #sony #HD #Handheld #IBIS #28mm #mirrorless #Rode #VideoMicPro Sony a6500 Vlogging Setup and Settings](https://i.ytimg.com/vi/PcIQpkA20X4/mqdefault.jpg)


![Whats Wrong With the Behringer Q802USB Mixer and How to Fix It
When using the USB as your input and output, you cant hear audio in both directions. Lets fix it! ► All gear linked below*.
The good news is I found a few ways to use this mixer to monitor both the incoming and the outgoing audio. Despite this limitation, its still possible to monitor both sides!
Option 1 - Mix-Minus
The first solution would be to remove the USB from the audio chain. One of the nice features of the Q802USB is that it provides you with an auxiliary channel (labeled FX Send). Using the mixer in a classic mix-minus setup enables you to monitor the audio in both directions because you are not relying on the USB connection.
Audio from the computer is being sent into an available channel on the mixer and audio from the mixer is being sent out the FX Send, minus the channel that has the computer audio on it. To understand how this works and to setup a mix-minus for yourself, see my complete guide and video.
There is another nice advantage of going with a mix-minus setup that actually brings the USB back into play. because you are not using the USB for Skype or other VOIP software, you can record all the audio from your mixer into audio recording software (Audition, Audacity, etc.) using the USB connection. This is great option for recording your interviews, podcasts, etc., on the very same computer that you are using Skype on.
Option 2 - Splitting the Headphones
The next option is sort of a hack but I was very happy that it worked. If you still want to use the USB as your input and output for Skype, you can monitor both directions by using a Y-cable to split the 1/8 connection of your headphones to 2 1/4 leads that will pull audio from the phones (Skype) while at the same time send your own audio into your headphones via the Main Out.
The Main Out on the Q802USB always receives all analog inputs. Therefore, by plugging one lead of your headphones into the Main Out, you will be able to hear yourself. At first it may feel strange to have yourself in one ear and your guest in the other but with time you may actually come to prefer monitoring the audio this way. You can more easily pick out which side contains any audio issues.
To create this split headphones setup, youll need a female to female adapter that fits the size of your cabling. In my case, my headphones have a 1/8 male lead and the Y-cable has the same. The adapter allows me to make the connection between the headphones and the Y-cable.
Once youve created your split headphone cabling, place one 1/4 lead into the Phones output and one into the left side Main Out.
In the USB routing section, leave both buttons in the up position if you want to also use the USB to record into software.
Option 3 - Splitting to a Recorder
Another option is much like the last except in this setup, you dont need the female to female adapter.
Use a Y-cable like before, plugged into the mixer the same way (one lead into Phones, one into Main Out) and plug the 1/8 lead of the Y-cable into an audio recorder.
From there you would monitor the audio on the recorder itself which is receiving both sides of the audio.
Option 4 - Software Monitoring
The final option is the least favorable. If you are using Skype recording software that allows you to monitor the incoming audio such as Audio Hijack, you monitor both sides of the Skype call.
When you enable monitoring in Audio Hijack, it sends back your own audio albeit with some latency.
See the full post including images at http://thepodcastersstudio.com/Q802USB
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**GEAR USED TO MAKE THIS VIDEO**
• Q802USB mixer http://podhelp.me/Q802USB
• Y-Cable: http://podhelp.me/hosayinsert3ft
• Female to female adapter: http://podhelp.me/35mmfemaletofemaleadaptBH (I used an old one from Radio Shack).
• Edirol/Roland audio recorder: http://podhelp.me/r-05bh
• ATR2100 microphone: http://podhelp.me/ATR2100
• Canon 80D http://podhelp.me/80DbodyBH
• Canon 28mm f2.8. http://podhelp.me/Canon28mmf28ISBH
• Eneloop (pro) rechargeable batteries (non pro seen in video) http://podhelp.me/enelooppro4AAwChargerZon
• Transcend SD card 32GB Class 10 UHS1 http://podhelp.me/trans32uhs145zon
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! Whats Wrong With the Behringer Q802USB Mixer and How to Fix It](https://i.ytimg.com/vi/QHly7Vu2w-k/mqdefault.jpg)



![Sony a6500: A First (4K!) Video - Testing clean HDMI to Monitor
Testing out the Sony a6500 to Ikan vk7i monitor with clean hdmi output. Shot in 4K. ► All gear linked below*.
I made the switch! Well sort of. I bought the Sony a6500 but I dont have a Sony lens. Because I still have plenty of Canon EF glass, I also bought the Sigma MC-11 converter and Im using it in this video with the Canon 40mm 2.8 lens.
On my Canon 60D I could not use my Ikan monitor to its fullest because the 60D did not send its full resolution or even an HD image and the HDMI was also not clean, in other words, the image on the monitor contained all the info you see on the LCD.
Now with my Sony a6500, I get only the image and full HD output so I can use it to accurately monitor focus as well as color. I havent however, figured out how to actually make the HDMI not clean. I also need to view the LCD info but havent found that option in the deep Sony menus, hopefully it exists.
This is my first 4K video and while its mostly just me in front of the camera, it gave me a great first look at the image which looks fantastic and also taught me some things about editing in 4K. Essentially, on my six-year-old iMac, I need to use proxies in Premiere Pro to be able to edit. Once I make those, it works wonderfully.
I also used the Rode VideoMic pro with the audio levels on the Sony set to 15.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Blazin” by Wolves
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► Support this channel on PATREON: https://patreon.com/ray
*Gear used to make this video:
• Sony a6500: http://podhelp.me/Sonya6500bodyZon
• Sigma MC-11 EF to E Lens adapter: http://podhelp.me/SigmaMC11adaptZon
• IkanVK7i 7 monitor (discontinued) http://podhelp.me/ikanvk7i7BH
replaced by: http://podhelp.me/ikandh77BH
• Canon 40mm f2.8 Lens http://podhelp.me/Canon40mmf2_8Zon
Check here for cheaper price http://podhelp.me/Canon40mmF2_8BH (no tax)
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Sigma 30mm f1.4 (old version). This is new version: http://podhelp.me/sig30mm1-4bh
• Rode VideoMic Pro: http://podhelp.me/VideoMicProRzon
• Transcend 65GB SD card for 4K http://podhelp.me/Trans64U3zon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#a6500 #sony Sony a6500: A First (4K!) Video - Testing clean HDMI to Monitor](https://i.ytimg.com/vi/ThgZ57dJ8gM/mqdefault.jpg)


