Uploaded July 2019 | Updated September 2026, 1 week ago
How do you make your microphone go to both sides of your audio track in your camera? Here's how to fix it before and after any recording. Gear used linked below & all my gear at kit.co/rayortega
UPDATE 2026! What About TRS? Answered! youtu.be/6Fv2iHl5Xoo
If you have a microphone that is only sending audio to one side of the stereo track in your video camera (DLSR, mirrorless, etc.) then you probably have a mono microphone. That is, a microphone, most likely a lavalier/lapel (lav.) mic., that is mono and when you plug it into a microphone input on a camera which records a stereo track, then you only get audio to the left side of the audio track.
To fix this, you can buy a cheap adapter that will send audio to both the left and right side (dual mono) or if you have already recorded the audio and need to fix it in your video editor, then here's how to do that in both Premiere Pro and FCPX.
In Premiere Pro, you can use the effect, "fill right with left" on your audio track and this will send the audio that was recorded only on the left channel to the right channel making your audio dual mono which means it will come out of both speakers or both sides of your headphones when played back.
The better way to do this in Premiere Pro is to right-click on the audio track – audio channels – select Left in the right channel box. I prefer this method because it's faster but also because now your waveform that shows in your timeline will display waveforms on both the left and right of your audio track.
In FCPX, select the audio track to be fixed, navigate to the audio settings and change the track from stereo to dual mono. That's it.
One cool feature having a stereo track to record to, is the ability to buy a stereo splitter and insert two microphones allowing you to record two tracks of audio, one on the left and one on the right. In post production you can break this stereo track apart into two mono tracks and now you have to separate tracks of audio which can be individually processed.
WHAT IF your mic has two black rings (TRS)?? I answered that here: youtu.be/6Fv2iHl5Xoo
SUBSCRIBE: youtube.com/rayortega
INSTAGRAM: instagram.com/podcasthelper
TWITTER: twitter.com/podcasthelper
🎥 🖥 📱🎤 GEAR USED TO MAKE THIS VIDEO 🤘
► Mono to Stereo adapter: amzn.to/2LCuKH0
► Sony a6500: podhelp.me/a6500kit1BH
► LENS: Sony FE 28mm f/2 bit.ly/sonyfe28f2BH
► Mic: Aspen Mics HQ-M Mono Lavalier podhelp.me/AspenMicsMonoLav
► Stereo Breakout cable for recording two mics into a single stereo channel podhelp.me/HOSAYMM261-3_5TRStoDual3_5TSF
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
► VO mic: Shure SM7B: podhelp.me/sm7bZon
► SmallRig Cage for Sony a6500/a6300 podhelp.me/smallriga65006300BH
► Adobe Creative Cloud podhelp.me/CC1yearBHdownload
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!
How do you make your microphone go to both sides of your audio track in your camera? Here's how to fix it before and after any recording. Gear used linked below & all my gear at kit.co/rayortega
UPDATE 2026! What About TRS? Answered! youtu.be/6Fv2iHl5Xoo
If you have a microphone that is only sending audio to one side of the stereo track in your video camera (DLSR, mirrorless, etc.) then you probably have a mono microphone. That is, a microphone, most likely a lavalier/lapel (lav.) mic., that is mono and when you plug it into a microphone input on a camera which records a stereo track, then you only get audio to the left side of the audio track.
To fix this, you can buy a cheap adapter that will send audio to both the left and right side (dual mono) or if you have already recorded the audio and need to fix it in your video editor, then here's how to do that in both Premiere Pro and FCPX.
In Premiere Pro, you can use the effect, "fill right with left" on your audio track and this will send the audio that was recorded only on the left channel to the right channel making your audio dual mono which means it will come out of both speakers or both sides of your headphones when played back.
The better way to do this in Premiere Pro is to right-click on the audio track – audio channels – select Left in the right channel box. I prefer this method because it's faster but also because now your waveform that shows in your timeline will display waveforms on both the left and right of your audio track.
In FCPX, select the audio track to be fixed, navigate to the audio settings and change the track from stereo to dual mono. That's it.
One cool feature having a stereo track to record to, is the ability to buy a stereo splitter and insert two microphones allowing you to record two tracks of audio, one on the left and one on the right. In post production you can break this stereo track apart into two mono tracks and now you have to separate tracks of audio which can be individually processed.
WHAT IF your mic has two black rings (TRS)?? I answered that here: youtu.be/6Fv2iHl5Xoo
SUBSCRIBE: youtube.com/rayortega
INSTAGRAM: instagram.com/podcasthelper
TWITTER: twitter.com/podcasthelper
🎥 🖥 📱🎤 GEAR USED TO MAKE THIS VIDEO 🤘
► Mono to Stereo adapter: amzn.to/2LCuKH0
► Sony a6500: podhelp.me/a6500kit1BH
► LENS: Sony FE 28mm f/2 bit.ly/sonyfe28f2BH
► Mic: Aspen Mics HQ-M Mono Lavalier podhelp.me/AspenMicsMonoLav
► Stereo Breakout cable for recording two mics into a single stereo channel podhelp.me/HOSAYMM261-3_5TRStoDual3_5TSF
► Transcend 65GB SDXC card for 4K podhelp.me/Trans64U3zon
► VO mic: Shure SM7B: podhelp.me/sm7bZon
► SmallRig Cage for Sony a6500/a6300 podhelp.me/smallriga65006300BH
► Adobe Creative Cloud podhelp.me/CC1yearBHdownload
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!

![Whats Wrong With the Behringer Q802USB Mixer and How to Fix It
When using the USB as your input and output, you cant hear audio in both directions. Lets fix it! ► All gear linked below*.
The good news is I found a few ways to use this mixer to monitor both the incoming and the outgoing audio. Despite this limitation, its still possible to monitor both sides!
Option 1 - Mix-Minus
The first solution would be to remove the USB from the audio chain. One of the nice features of the Q802USB is that it provides you with an auxiliary channel (labeled FX Send). Using the mixer in a classic mix-minus setup enables you to monitor the audio in both directions because you are not relying on the USB connection.
Audio from the computer is being sent into an available channel on the mixer and audio from the mixer is being sent out the FX Send, minus the channel that has the computer audio on it. To understand how this works and to setup a mix-minus for yourself, see my complete guide and video.
There is another nice advantage of going with a mix-minus setup that actually brings the USB back into play. because you are not using the USB for Skype or other VOIP software, you can record all the audio from your mixer into audio recording software (Audition, Audacity, etc.) using the USB connection. This is great option for recording your interviews, podcasts, etc., on the very same computer that you are using Skype on.
Option 2 - Splitting the Headphones
The next option is sort of a hack but I was very happy that it worked. If you still want to use the USB as your input and output for Skype, you can monitor both directions by using a Y-cable to split the 1/8 connection of your headphones to 2 1/4 leads that will pull audio from the phones (Skype) while at the same time send your own audio into your headphones via the Main Out.
The Main Out on the Q802USB always receives all analog inputs. Therefore, by plugging one lead of your headphones into the Main Out, you will be able to hear yourself. At first it may feel strange to have yourself in one ear and your guest in the other but with time you may actually come to prefer monitoring the audio this way. You can more easily pick out which side contains any audio issues.
To create this split headphones setup, youll need a female to female adapter that fits the size of your cabling. In my case, my headphones have a 1/8 male lead and the Y-cable has the same. The adapter allows me to make the connection between the headphones and the Y-cable.
Once youve created your split headphone cabling, place one 1/4 lead into the Phones output and one into the left side Main Out.
In the USB routing section, leave both buttons in the up position if you want to also use the USB to record into software.
Option 3 - Splitting to a Recorder
Another option is much like the last except in this setup, you dont need the female to female adapter.
Use a Y-cable like before, plugged into the mixer the same way (one lead into Phones, one into Main Out) and plug the 1/8 lead of the Y-cable into an audio recorder.
From there you would monitor the audio on the recorder itself which is receiving both sides of the audio.
Option 4 - Software Monitoring
The final option is the least favorable. If you are using Skype recording software that allows you to monitor the incoming audio such as Audio Hijack, you monitor both sides of the Skype call.
When you enable monitoring in Audio Hijack, it sends back your own audio albeit with some latency.
See the full post including images at http://thepodcastersstudio.com/Q802USB
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► INSTAGRAM: https://www.instagram.com/podcasthelper
► PATREON: https://patreon.com/ray
**GEAR USED TO MAKE THIS VIDEO**
• Q802USB mixer http://podhelp.me/Q802USB
• Y-Cable: http://podhelp.me/hosayinsert3ft
• Female to female adapter: http://podhelp.me/35mmfemaletofemaleadaptBH (I used an old one from Radio Shack).
• Edirol/Roland audio recorder: http://podhelp.me/r-05bh
• ATR2100 microphone: http://podhelp.me/ATR2100
• Canon 80D http://podhelp.me/80DbodyBH
• Canon 28mm f2.8. http://podhelp.me/Canon28mmf28ISBH
• Eneloop (pro) rechargeable batteries (non pro seen in video) http://podhelp.me/enelooppro4AAwChargerZon
• Transcend SD card 32GB Class 10 UHS1 http://podhelp.me/trans32uhs145zon
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! Whats Wrong With the Behringer Q802USB Mixer and How to Fix It](https://i.ytimg.com/vi/QHly7Vu2w-k/mqdefault.jpg)



![Sony a6500: A First (4K!) Video - Testing clean HDMI to Monitor
Testing out the Sony a6500 to Ikan vk7i monitor with clean hdmi output. Shot in 4K. ► All gear linked below*.
I made the switch! Well sort of. I bought the Sony a6500 but I dont have a Sony lens. Because I still have plenty of Canon EF glass, I also bought the Sigma MC-11 converter and Im using it in this video with the Canon 40mm 2.8 lens.
On my Canon 60D I could not use my Ikan monitor to its fullest because the 60D did not send its full resolution or even an HD image and the HDMI was also not clean, in other words, the image on the monitor contained all the info you see on the LCD.
Now with my Sony a6500, I get only the image and full HD output so I can use it to accurately monitor focus as well as color. I havent however, figured out how to actually make the HDMI not clean. I also need to view the LCD info but havent found that option in the deep Sony menus, hopefully it exists.
This is my first 4K video and while its mostly just me in front of the camera, it gave me a great first look at the image which looks fantastic and also taught me some things about editing in 4K. Essentially, on my six-year-old iMac, I need to use proxies in Premiere Pro to be able to edit. Once I make those, it works wonderfully.
I also used the Rode VideoMic pro with the audio levels on the Sony set to 15.
Music licensed from premiumbeat.com: http://bit.ly/1BJbspm
Track: “Blazin” by Wolves
🎉 Join The Podcasters Studio [free]: http://thepodcastersstudio.com/join
► SUBSCRIBE http://youtube.com/thepodcasterssstudio
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► TWITTER: http://twitter.com/podcasthelper
► FACEBOOK: http://facebook.com/podcasthelper
► Support this channel on PATREON: https://patreon.com/ray
*Gear used to make this video:
• Sony a6500: http://podhelp.me/Sonya6500bodyZon
• Sigma MC-11 EF to E Lens adapter: http://podhelp.me/SigmaMC11adaptZon
• IkanVK7i 7 monitor (discontinued) http://podhelp.me/ikanvk7i7BH
replaced by: http://podhelp.me/ikandh77BH
• Canon 40mm f2.8 Lens http://podhelp.me/Canon40mmf2_8Zon
Check here for cheaper price http://podhelp.me/Canon40mmF2_8BH (no tax)
• Canon 60D DSLR camera http://podhelp.me/80DbodyBH
• Sigma 30mm f1.4 (old version). This is new version: http://podhelp.me/sig30mm1-4bh
• Rode VideoMic Pro: http://podhelp.me/VideoMicProRzon
• Transcend 65GB SD card for 4K http://podhelp.me/Trans64U3zon
*all links should be considered affiliate links. I encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks!
#a6500 #sony Sony a6500: A First (4K!) Video - Testing clean HDMI to Monitor](https://i.ytimg.com/vi/ThgZ57dJ8gM/mqdefault.jpg)




