Uploaded June 2022 | Updated September 2026, 2 weeks ago
I met a Suffragette protesting in the park, and we talked about intersectional feminism and womens rights. It went, well, about as one would expect if they knew the true history of the Suffragette movement and why those white Edwardian dresses and striped sashes look the way they do!
We're all in a feminist rage over the Supreme Court leak that might overturn Roe vs Wade, but the Suffragette movement is not the feminist icon we should look to : the Suffragettes white feminism and racism showed through in their protest outfits of lacy Edwardian dresses and a distinctive striped sash. Fashion history isn't just pretty historical dresses, it's learning what clothes mean, and there is a whole lot of meaning and ugliness under all that lace.
Suffragette white is idolized as a form of womens' rights protest to the present day, but the Suffragette clothes we remember were carefully chosen political symbols. White Edwardian clothing was popular for everyone, so an Edwardian white dress or blouse made for an accessible and sometimes sneaky uniform. Suffragette dress was aggressively feminine, relying on Western gender norms of "pure" and "virtuous" and "delicate" femininity to subvert criticisms of the Votes for Women movement. As in the Suffragette movie, these women's rights protestors could be militant and aggressive, but leveraging gender roles changed the political narrative by showing that they had no intention to truly smash the patriarchy, they simply wanted to hold onto their own power as the social order changed.
The suffragette sash and colors had carefully chosen political messaging too. While the UK purple and green sash is slightly better recognized, the US Suffragette movement more often used purple and gold. The gold represented the Kansas sunflower and a failed womens' suffrage bill in 1867 where Elizabeth Cady Stanton and Susan B. Anthony worked with a racist politician who was supporting womens rights to keep Black people disenfranchised. Womens rights history is full of similar instances of intersectional feminism being ignored as white suffragettes touted limited women's suffrage in the South as a way to further racist political goals. The Suffragette sashes colors weren't chosen in spite of this, they were a reflection of this historical womens rights movement failing to fight for anyone but white, upper- or middle-class women who were largely comfortable in patriarchal gender roles. We cannot separate these Suffragette dresses from their meaning, from the amount of white feminism from the Suffragettes, and from the Suffragette movement's racism. Angry as we may be at the Supreme Court and this Roe v Wade news, we can find better forms of womens rights protest.
The Suffragette brooch is from the Glasgow Womens' Library, licensed CC BY-SA 4.0, creativecommons.org/licenses/by-sa/4.0/deed.en
My pearls, which I bought specifically for moments that require pearl-clutching, are from In The Long Run Designs : etsy.com/shop/inthelongrun
Join my Patreon for behind-the-scenes updates, pattern diagrams, research lists, monthly video chats, and more! patreon.com/snappydragonstudios
Or, you can buy me some Ko-Fi : ko-fi.com/snappydragon
Follow me on IG for more stitchy business : @missSnappyDragon
For business inquiries, send an e-mail to : SnappyDragon at TBHonestSocial dot Com
I do not take personal costume/sewing or research commissions.
Want to send me letters? Send mail to PO Box 3884, Berkeley CA, 94703! Letters and cards only please 💚
I met a Suffragette protesting in the park, and we talked about intersectional feminism and womens rights. It went, well, about as one would expect if they knew the true history of the Suffragette movement and why those white Edwardian dresses and striped sashes look the way they do!
We're all in a feminist rage over the Supreme Court leak that might overturn Roe vs Wade, but the Suffragette movement is not the feminist icon we should look to : the Suffragettes white feminism and racism showed through in their protest outfits of lacy Edwardian dresses and a distinctive striped sash. Fashion history isn't just pretty historical dresses, it's learning what clothes mean, and there is a whole lot of meaning and ugliness under all that lace.
Suffragette white is idolized as a form of womens' rights protest to the present day, but the Suffragette clothes we remember were carefully chosen political symbols. White Edwardian clothing was popular for everyone, so an Edwardian white dress or blouse made for an accessible and sometimes sneaky uniform. Suffragette dress was aggressively feminine, relying on Western gender norms of "pure" and "virtuous" and "delicate" femininity to subvert criticisms of the Votes for Women movement. As in the Suffragette movie, these women's rights protestors could be militant and aggressive, but leveraging gender roles changed the political narrative by showing that they had no intention to truly smash the patriarchy, they simply wanted to hold onto their own power as the social order changed.
The suffragette sash and colors had carefully chosen political messaging too. While the UK purple and green sash is slightly better recognized, the US Suffragette movement more often used purple and gold. The gold represented the Kansas sunflower and a failed womens' suffrage bill in 1867 where Elizabeth Cady Stanton and Susan B. Anthony worked with a racist politician who was supporting womens rights to keep Black people disenfranchised. Womens rights history is full of similar instances of intersectional feminism being ignored as white suffragettes touted limited women's suffrage in the South as a way to further racist political goals. The Suffragette sashes colors weren't chosen in spite of this, they were a reflection of this historical womens rights movement failing to fight for anyone but white, upper- or middle-class women who were largely comfortable in patriarchal gender roles. We cannot separate these Suffragette dresses from their meaning, from the amount of white feminism from the Suffragettes, and from the Suffragette movement's racism. Angry as we may be at the Supreme Court and this Roe v Wade news, we can find better forms of womens rights protest.
The Suffragette brooch is from the Glasgow Womens' Library, licensed CC BY-SA 4.0, creativecommons.org/licenses/by-sa/4.0/deed.en
My pearls, which I bought specifically for moments that require pearl-clutching, are from In The Long Run Designs : etsy.com/shop/inthelongrun
Join my Patreon for behind-the-scenes updates, pattern diagrams, research lists, monthly video chats, and more! patreon.com/snappydragonstudios
Or, you can buy me some Ko-Fi : ko-fi.com/snappydragon
Follow me on IG for more stitchy business : @missSnappyDragon
For business inquiries, send an e-mail to : SnappyDragon at TBHonestSocial dot Com
I do not take personal costume/sewing or research commissions.
Want to send me letters? Send mail to PO Box 3884, Berkeley CA, 94703! Letters and cards only please 💚









![Historical Costume vs Catcalling : Feminist fashion trends men hated
Fashion Trends Men Hate isnt a new thing. Nor is street harassment or catcalling. Hoopskirts, hat pins, and more of these feminist historical fashion trends helped fight unwanted advances and catcalls by maintaining personal space, keeping men at a distance, symbolizing womens power, and even LITERALLY STABBING men who grabbed women on the street. Lets chat about the fashion history and gender politics behind Elizabethan puffy sleeves, 18th century hoopskirts, Victorian crinolines and bustles, huge Regency bonnets and Edwardian hats, and the Hatpin Peril that led to bans all over the world! But most importantly, in the era of #MeToo and Times Up, what this dive into the feminism of historical dress will show us that sexual harassment has NEVER been about what the victim was wearing.
Men have been writing about womens fashion for centuries, and youd be surprised how many 18th century and Victorian magazines have articles that read like a modern list of fashion trends men hate. This goes back to the early 18th century with the resurgence of hoopskirts, and continued into the 20th century with the Hatpin Peril— a supposed epidemic of mashers (Edwardian slang for creeps) stabbed with hatpins for bothering women out in public. Inspired by a quote in The Cut Of Womens Clothes by Nora Waugh, and a tumblr post about how no one actually thought bustles were fake butts, I combed through dozens of ancient magazines and newspapers to figure out why men of the past couldnt handle Women Wearing Clothes. Dress history tells us a fascinating story about how historical dresses prevented men grabbing arms, kept unwanted male advances at a distance, and in a pinch defended against violence. They also empowered women! From Queen Elizabeth I dazzling her courtiers in huge dresses, to 18th century women flirting on purpose with their hoopskirts, Victorian working-class women breaking down class barriers with fashionable clothes, and Edwardian women going places on their own, safe in the knowledge they carried concealed weapons, fashion and feminism have always worked together in some ways.
#MashersBeware #HatpinPeril
Join my Patreon for behind-the-scenes updates, pattern diagrams, research lists, monthly video chats, and more! https://www.patreon.com/snappydragonstudios
Or, you can buy me some Ko-Fi : https://ko-fi.com/snappydragon
Follow me on IG for more stitchy business : @missSnappyDragon
For business inquiries, send an e-mail to : SnappyDragonStitches at Gmail dot Com
I do not take personal costume/sewing or research commissions.
Want to send me letters? Send mail to PO Box 3884, Berkeley CA, 94703! Letters and cards only please 💚
0:00 Why not to catcall historical costumers
0:28 What fashion has to do with harassment
2:01 Gendered terms
2:55 Giant Elizabethan sleeves
4:56 18th century hoopskirts
8:02 Satirical Regency bonnets
10:05 : Victorian bustles and crinolines
12:40 The Hatpin Peril
15:47 The Point
Works Sighted (a highly informal bibliography)
Gilded Age Garbage Fires post that started it all : https://marzipanandminutiae.tumblr.com/post/175188840617/its-hilarious-to-me-when-people-call-historical
The Cut of Womens Clothes by Nora Waugh
Internet Archive copy of Fynes Morysons Itinerary : https://archive.org/stream/fynesmorysons04moryuoft/fynesmorysons04moryuoft_djvu.txt
the Cecil Papers, including Jones Bill for the Q[ueens] Gown. : https://www.british-history.ac.uk/cal-cecil-papers/vol14/pp31-49
Kimberly Chrismans paper Unhoop the Fair Sex: The Campaign Against the Hoop Petticoat in Eighteenth-Century England. : https://www.jstor.org/stable/30053852?seq=1
Project Gutenberg copy of The Tatler containing the Trial Of The Hooped Petticoat : https://www.gutenberg.org/files/31645/31645-h/31645-h.htm
Project Gutenberg copy of The Spectator, no. 127 contains a letter about hooped petticoats : https://www.gutenberg.org/files/12030/12030-h/SV1/Spectator1.html
Hathi Trust copy of the London Magazine from January 1741, containing one Mr. Stonecastles letter on page 84 : https://babel.hathitrust.org/cgi/pt?id=mdp.39015021277838&view=1up&seq=84&q1=petticoat
Crinoline for domestic use cartoon from the Hathi Trust Digital Library and the University of Michigan : https://victorianweb.org/periodicals/punch/clothing/12.html
Archive.org copy of Routledges Manual of Etiquette : https://archive.org/stream/routledgesmanual12426gut/12426.txt
The New York Evening World article about Leoti Blaker : https://chroniclingamerica.loc.gov/lccn/sn83030193/1903-05-27/ed-1/seq-3/
The San Francisco Call article about a hatpin and a train robbery : https://chroniclingamerica.loc.gov/lccn/sn85066387/1898-01-11/ed-1/seq-6/
Vomit emoji by Twitter/Twemoji, lisenced under Creative Commons : https://creativecommons.org/licenses/by/4.0/deed.en
Music from EpidemicSound. Historical Costume vs Catcalling : Feminist fashion trends men hated](https://i.ytimg.com/vi/fSPa402MRPc/mqdefault.jpg)
