Uploaded April 2016 | Updated September 2026, 6 days ago
Adjusting your aperture manually on your DSLR when shooting video is the best way to get the right exposure. ► All the gear is linked below.
This is the second video in my three part series about getting the right exposure for your video by using the exposure triangle which shows us that when you make a change to one setting (shutter speed, aperture, ISO) you need to make a change in another.
In our case, when setting the aperture, after you decide which f-stop (aperture number) you want to use based on available light and your desired depth of field (shallow, deep on in between), you'll likely need to make an change in your ISO to get the right amount of light for your image.
When you use smaller aperture numbers (f3.5, 2.8, 1.4..) you'll get more natural light hitting your camera's sensor which means a brighter image. At the same time, you'll notice that the background of your image likely changes in how blurry it is and as your image gets brighter, you'll need to adjust your ISO so that you can get the proper exposure.
Higher aperture numbers (f7.1, 11, 14...) will produce two results. Your overall image will have more things in focus and your video will be darker. As a result of this dark exposure, you'll need to use higher ISO numbers to get back to the right exposure.
You can see that by using the exposure triangle (one setting affects the other) we can set our DSLR video camera to get the proper exposure (lighter or darker).
As you are using aperture to get the right exposure, you've also seen that we affect the depth of field of our image. Smaller numbers mean blurrier backgrounds (shallow DOF) while larger numbers will put more things in focus. This will vary based on your focal length and distance to your subject but in general the wider your aperture the more of your background will fall out of focus.
Aperture is the key setting in the exposure triangle and having a lens that provides you more aperture options is best. That is one of the reasons I most often shoot with prime lenses, they provide wider apertures like f2.8, 1.4, etc.
Having a wider aperture allows you more control over your exposure in that you get more "real" light into the camera than the artificial light created by using ISO which will create more noise and grain in your image.
The gotcha however is that when you use a larger f-stop (aperture number) like 1.4, you'll get a cleaner image but it will be really difficult to hold your subject in focus because your plain of focus will likely be very shallow. Because of this like to shoot closer to f2.8 and above which has the added benefit of giving you a sharper image because most lenses at their extreme's start to have a softer focus.
Chose a lens for your needs. If you are in low light environments, you'll want a lens with a larger aperture so that you can get more light into your camera before having to raise your ISO. A great option is the very unique, wider aperture zoom lens from Sigma podhelp.me/sigma18-351-8-1Zon which I demo in this video: youtube.com/watch?v=hRvrPIVhVR0
If you need a wider aperture and you plan to shoot handheld, then you'll want a lens with image stabilization and for that I like this Canon podhelp.me/Canon35f2ISBH which I demo in this video: youtube.com/watch?v=4M57AoCZeeY
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• Music licensed from premiumbeat.com: bit.ly/1BJbspm
Track: "Making Music" by Max Brodie
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**Gear used in the making of this video**
• Canon 60D DSLR Camera podhelp.me/60DbodyBH
• Canon t2i with Canon 24-105mm lens for b-roll podhelp.me/canon24-105f4IS
• Sigma 30mm 1.4 ART APS-C Canon (new, better version) B&H: podhelp.me/30mmsigma Amazon: podhelp.me/S30mm1-4ArtAmazon
• F&V R-300 LED Ring Light podhelp.me/fvring300day
• Manfrotto 701 HDV Tripod podhelp.me/701hdv055xbkit (discontinued)
• Manfrotto 394 Quick Release Plate and Base podhelp.me/394plate
• Sennheiser ew100 G2 Wireless Lapel Microphone podhelp.me/Sennkit
A good alternative that is more affordable is the Rode Wireless system: podhelp.me/rodelinkwirelesslavBH
• Canon EF 50mm f/1.4 USM Lens: podhelp.me/canon501point4
• Fader ND for large aperture in bright light: podhelp.me/fadernd77 (discontinued)
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!
Adjusting your aperture manually on your DSLR when shooting video is the best way to get the right exposure. ► All the gear is linked below.
This is the second video in my three part series about getting the right exposure for your video by using the exposure triangle which shows us that when you make a change to one setting (shutter speed, aperture, ISO) you need to make a change in another.
In our case, when setting the aperture, after you decide which f-stop (aperture number) you want to use based on available light and your desired depth of field (shallow, deep on in between), you'll likely need to make an change in your ISO to get the right amount of light for your image.
When you use smaller aperture numbers (f3.5, 2.8, 1.4..) you'll get more natural light hitting your camera's sensor which means a brighter image. At the same time, you'll notice that the background of your image likely changes in how blurry it is and as your image gets brighter, you'll need to adjust your ISO so that you can get the proper exposure.
Higher aperture numbers (f7.1, 11, 14...) will produce two results. Your overall image will have more things in focus and your video will be darker. As a result of this dark exposure, you'll need to use higher ISO numbers to get back to the right exposure.
You can see that by using the exposure triangle (one setting affects the other) we can set our DSLR video camera to get the proper exposure (lighter or darker).
As you are using aperture to get the right exposure, you've also seen that we affect the depth of field of our image. Smaller numbers mean blurrier backgrounds (shallow DOF) while larger numbers will put more things in focus. This will vary based on your focal length and distance to your subject but in general the wider your aperture the more of your background will fall out of focus.
Aperture is the key setting in the exposure triangle and having a lens that provides you more aperture options is best. That is one of the reasons I most often shoot with prime lenses, they provide wider apertures like f2.8, 1.4, etc.
Having a wider aperture allows you more control over your exposure in that you get more "real" light into the camera than the artificial light created by using ISO which will create more noise and grain in your image.
The gotcha however is that when you use a larger f-stop (aperture number) like 1.4, you'll get a cleaner image but it will be really difficult to hold your subject in focus because your plain of focus will likely be very shallow. Because of this like to shoot closer to f2.8 and above which has the added benefit of giving you a sharper image because most lenses at their extreme's start to have a softer focus.
Chose a lens for your needs. If you are in low light environments, you'll want a lens with a larger aperture so that you can get more light into your camera before having to raise your ISO. A great option is the very unique, wider aperture zoom lens from Sigma podhelp.me/sigma18-351-8-1Zon which I demo in this video: youtube.com/watch?v=hRvrPIVhVR0
If you need a wider aperture and you plan to shoot handheld, then you'll want a lens with image stabilization and for that I like this Canon podhelp.me/Canon35f2ISBH which I demo in this video: youtube.com/watch?v=4M57AoCZeeY
Join The Podcasters' Studio: thepodcastersstudio.com/join
• Music licensed from premiumbeat.com: bit.ly/1BJbspm
Track: "Making Music" by Max Brodie
► Subscribe youtube.com/thepodcasterssstudio
► TWITTER: twitter.com/podcasthelper
► FACEBOOK: facebook.com/podcasthelper
► SNAPCHAT: PodcastHelper
https://www.snapchat.com/add/podcasth...
► INSTAGRAM: instagram.com/podcasthelper
► PATREON: patreon.com/ray
**Gear used in the making of this video**
• Canon 60D DSLR Camera podhelp.me/60DbodyBH
• Canon t2i with Canon 24-105mm lens for b-roll podhelp.me/canon24-105f4IS
• Sigma 30mm 1.4 ART APS-C Canon (new, better version) B&H: podhelp.me/30mmsigma Amazon: podhelp.me/S30mm1-4ArtAmazon
• F&V R-300 LED Ring Light podhelp.me/fvring300day
• Manfrotto 701 HDV Tripod podhelp.me/701hdv055xbkit (discontinued)
• Manfrotto 394 Quick Release Plate and Base podhelp.me/394plate
• Sennheiser ew100 G2 Wireless Lapel Microphone podhelp.me/Sennkit
A good alternative that is more affordable is the Rode Wireless system: podhelp.me/rodelinkwirelesslavBH
• Canon EF 50mm f/1.4 USM Lens: podhelp.me/canon501point4
• Fader ND for large aperture in bright light: podhelp.me/fadernd77 (discontinued)
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via thepodcastersstudio.com/ethics. Thanks for the support!





![How to Record Skype for Interviews Using Call Recorder for Mac
The easiest way to record Skype on a Mac is using Ecamms Call Recorder. Heres how you set that up. For an up to date list of Skype recorders on Mac & Windows, see below or visit http://thepodcastersstudio.com/recskype
If you want to record a Skype interview on a Mac, maybe for a podcast, the super simple way to get that accomplished is to use Call Recorder from ecamm.
Not only does ecamm record separated audio tracks for the most control over your audio in post production but it also does HD video to separate tracks as well. However, in this tutorial the focus is recording audio only and how to create the separate tracks for you to edit after the interview.
This video also shows you how to setup Skype audio preferences to get the best audio for both you and your guest.
Ecamm Call Recorder for Mac: http://ecamm.com/mac/callrecorder/
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► Support this channel on PATREON: https://patreon.com/ray
⚙️ GEAR* USED TO MAKE THIS VIDEO 🎤 🤘
► Ecamm Call Recorder for Mac: http://ecamm.com/mac/callrecorder/
► Sony a6500: http://podhelp.me/Sonya6500bodyZon
► Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens http://podhelp.me/tokina11-16Canon
► Rode VideoMic Pro: http://podhelp.me/VideoMicProRzon
► IkanVK7i 7 monitor (discontinued) http://podhelp.me/ikanvk7i7BH
replaced by: http://podhelp.me/ikandh77BH
► Transcend 65GB SDXC card for 4K (used in the Sony a6500) http://podhelp.me/Trans64U3zon
Picture Profile: Slog2
Graded in Adobe Premiere
Audio recorded with a Aspen Mics mono lavalier: http://amzn.to/2x4SVUC plugged into a separate audio recorder http://amzn.to/2ikaoVA and post processed in Adobe Audition.
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! How to Record Skype for Interviews Using Call Recorder for Mac](https://i.ytimg.com/vi/sX54K_zDJ9I/mqdefault.jpg)




![Audio/Video Q&A | 80D vs 60D ISO | Focusing DSLRs | Zoom H6 Levels | AVQA001
Questions about audio and video gear, lots of answers and lots of gear linked below 🔻 or see my AV Kits @http://kit.co/rayortega
How does the Canon 80D ISO compare to the Canon 60D, the camera that youve seen most on my channel? Great. I can get double the ISO capabilities from the 80D.
How do you stay in focus while moving in front of the camera with no camera person? Get a cam with really good AF like the Canon 70D or dont move.
Do I shoot in RAW or jpeg...for video? With cams like the Canon 60D and most others, you dont have an option; thats a photo setting.
Should I turn off image stabilization? If youre shot is already stabilized, yes.
Do you need an external microphone for filmmaking? Yes. In most cases, microphones inside the camera are not enough. The microphone in all cases needs to be close to the person talking. An external microphone, close to the person speaking is the best way to get good audio.
Do my Canon tutorial apply to all Canon cameras? Actually, sorta. With all my tutorials, my goal is to provide the kind of info that will allow you to not only setup your specific camera but also apply the principles taught to any video camera you use.
What lens can capture at least half of a body without being too far away? On a crop sensor camera like the 60D, 80D, a6500, etc., using a 30mm lens is a good start.
What if Im too new to use manual camera settings? Try. You cant learn to truly shoot manual until you try and make mistakes. Film a bunch of video that you never intend to publish and edit the video for practice and make sure to make mistakes so you know when you have gone too far. And have fun doing it!
Im having trouble focusing my DSLR. Is my camera broken? Maybe but probably not. Stop shooting at f2.8, 1.8, 1.4 etc. and choose an f-stop that places more of your image in focus like f4. You might be surprised how much better you actually like this.
How do I get good audio with a lens that has loud auto-focus? Get the microphone away from the camera, focusing manually or get an STM lens that is silent.
Whats the best setting for dialog on the Zoom H6? I try not to go past 7 on the gain dial but learning how to setup the gain properly is the important first step.
Should I use auto settings for vlogs? Yes. Use shutter priority. Set your shutter to 1/50 for 24p video, aperture, white balance, audio and ISO set to auto.
🎉 Join The Podcasters Studio [free]: http://thepodcastersstudio.com/join
✔️ SUBSCRIBE http://youtube.com/rayortega
📷 INSTAGRAM: https://www.instagram.com/podcasthelper
🐦 TWITTER: http://twitter.com/podcasthelper
👊 Support this channel on PATREON: https://patreon.com/ray
⚙️ GEAR* MENTIONED IN THIS VIDEO 🤘
► Canon 80D http://podhelp.me/80DbodyBH
► Canon 70D http://podhelp.me/70DBodyBH
► Canon 60D, 70D, 80D, Remote trigger http://podhelp.me/canonremoteamazon
► Sony A7s low-light monster! http://podhelp.me/sonya7sbodyBH
► Canon 22mm F2 http://podhelp.me/Canon22mmF2BH
► Sony a6500: http://podhelp.me/Sonya6500bodyZon
► Sony FE 28mm F2: http://podhelp.me/sonyfe28f2BH
► Zoom H6 http://podhelp.me/zoomh6
► Rode Filmmaker Kit Wireless Lav http://amzn.to/2rQ2L8Z
► Rode VideoMicro http://podhelp.me/RodeVideoMicroBH
► Canon 50mm 1.8 STM Lens http://amzn.to/2rysbZq
► Sigma 30mm 1.4 kit for Canon http://amzn.to/2sRdbtF
► Canon EF-M 15-45mm http://podhelp.me/Canon15-45mmM-STMBH
*all links should be considered affiliate links. Using these links helps support this content. I always encourage you to shop around for the best prices at the time you are viewing this. You can read my ethics statement via http://thepodcastersstudio.com/ethics. Thanks for the support! Audio/Video Q&A | 80D vs 60D ISO | Focusing DSLRs | Zoom H6 Levels | AVQA001](https://i.ytimg.com/vi/ukwx2Na0GZ0/mqdefault.jpg)