Uploaded March 2019 | Updated September 2026, 7 hours ago
Rock With This helps you discover your new favorite songs. We deliver the best of what's breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, it's free. ;) And check us out at http://rockwiththis.com.
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"Bahía" by Jarami
Curated by: Tyler Pavlas
Spotify: bit.ly/BahiaJarami
Genre: #dance
You may deem it unrealistic to transition from Soundcloud remixes to production credits on Frank Ocean songs (“Chanel”, “Lens”, “Biking”) in 2 years, but Swedish-duo Jarami have made the impossible a reality. They’ve come a long way from the since-deleted “Bitch Better Have My Money” remix, but when you listen to tracks like “Bahía,” it’s not hard to envision the Artist Autobahn they took to win a Grammy and collaborate with Frank. Ironically enough, the title of our track today, meaning “bay” in Portuguese, is symbolic to the roots of their success. Jacob Olofsson & Rami Dawod, whose first names make up Jarami, call a show on NYE 2016 at 1015 Folsom in “The Bay” (San Francisco), their first official one, one in which they opened for KAYTRANADA & Anderson Paak.
Comparisons aside, “Bahía” refers to a different bay -- the northeastern Brazilian state, home to the city of Salvador and football legends like Dani Alves. A cut off their recent EP, Sketches II, “Bahía” features the prudent blend of electronic and live instrumentation that Jarami is known for, starting with a piano chord progression that segues into an atmospherically-distorted vocal sample that should be substituted for the vuvuzelas you hear at half during a match at Arena Fonte Nova. Irresistibly groovy, Jarami makes funky, psychedelic house music, and I’m a big fan of the synth lasers fit for a rave on the Millenium Falcon that are peppered in throughout.
With clout among music’s fiercest critics, a Grammy for producing “Electricity” by Silk City, and festival billing with Disclosure in Ibiza, it is an utter shock that none of Jarami’s original tracks have yet to eclipse 5 million streams on Spotify. Do your part and throw one on repeat today.
Rock With This helps you discover your new favorite songs. We deliver the best of what's breaking and uncover the left behind tracks that need to be heard. Subscribe for more music, it's free. ;) And check us out at http://rockwiththis.com.
Follow us on:
Instagram: instagram.com/rockwiththismusic
Spotify: bit.ly/SPRockWithThis
SoundCloud: bit.ly/SCRockWithThis
Facebook: facebook.com/rockwiththis
-----------------------------
"Bahía" by Jarami
Curated by: Tyler Pavlas
Spotify: bit.ly/BahiaJarami
Genre: #dance
You may deem it unrealistic to transition from Soundcloud remixes to production credits on Frank Ocean songs (“Chanel”, “Lens”, “Biking”) in 2 years, but Swedish-duo Jarami have made the impossible a reality. They’ve come a long way from the since-deleted “Bitch Better Have My Money” remix, but when you listen to tracks like “Bahía,” it’s not hard to envision the Artist Autobahn they took to win a Grammy and collaborate with Frank. Ironically enough, the title of our track today, meaning “bay” in Portuguese, is symbolic to the roots of their success. Jacob Olofsson & Rami Dawod, whose first names make up Jarami, call a show on NYE 2016 at 1015 Folsom in “The Bay” (San Francisco), their first official one, one in which they opened for KAYTRANADA & Anderson Paak.
Comparisons aside, “Bahía” refers to a different bay -- the northeastern Brazilian state, home to the city of Salvador and football legends like Dani Alves. A cut off their recent EP, Sketches II, “Bahía” features the prudent blend of electronic and live instrumentation that Jarami is known for, starting with a piano chord progression that segues into an atmospherically-distorted vocal sample that should be substituted for the vuvuzelas you hear at half during a match at Arena Fonte Nova. Irresistibly groovy, Jarami makes funky, psychedelic house music, and I’m a big fan of the synth lasers fit for a rave on the Millenium Falcon that are peppered in throughout.
With clout among music’s fiercest critics, a Grammy for producing “Electricity” by Silk City, and festival billing with Disclosure in Ibiza, it is an utter shock that none of Jarami’s original tracks have yet to eclipse 5 million streams on Spotify. Do your part and throw one on repeat today.
