Uploaded February 2026 | Updated September 2026, 2 weeks ago
From '' Smokestack Lightning ''
Label: ATCO Records β 45-6642
Format: Vinyl, 7"
Country: US
Released: Jan 1969
Tracklist
A Smokestack Lightning
Written-By β Charles Hardin (Buddy Holly), Norman Petty
B Not Fade Away
Written-By β Chester Burnett (Howlin' Wolf)
Producer β Norman Petty
π΅ [SONG INFO]
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.
Background
Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh don't you hear me cryin'", similar to the Mississippi Sheiks' lyric "A-ah, smokestack lightnin', that bell shine just like gold, now don't you hear me talkin'".
Original song
At Chess' studio in Chicago in January 1956, Howlin' Wolf recorded "Smokestack Lightning". The song takes the form of "a propulsive, one-chord vamp, nominally in E major but with the flatted blue notes that make it sound like E minor", and lyrically it is "a pastiche of ancient blues lines and train references, timeless and evocative". Longtime Wolf guitarist Hubert Sumlin is credited with the distinctive guitar line. Howlin' Wolf sang and played harmonica, backed by pianist Hosea Lee Kennard, guitarists Willie Johnson and Hubert Sumlin, bassist Willie Dixon, and drummer Earl Phillips.
In 1956, "Smokestack Lightning" reached number 11 on the Billboard R&B chart. As the UK experienced an R&B boom in the early 1960s, British R&B groups regularly covered "Smokestack Lightning" in their live acts. Due to the song's renewed popularity, Pye International Records issued it in the UK on a moderately successful EP in late 1963 and then on a single the following year, where it peaked at number 42 in the singles chart. It was later included on the albums Moanin' in the Moonlight and The Howlin' Wolf Album.
Recognition
In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues ... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."
In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.
Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time" and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".
In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress.
Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".
Clapton identifies the Yardbirds' performances of the song as the group's most popular live number. They played it almost every show, and sometimes it could last up to 30 minutes. One version lasting 5 mins and 35 secs is included on the Yardbirds UK debut album, Five Live Yardbirds (1964) and the US split studio/live album Having a Rave Up with The Yardbirds (1965). Howlin' Wolf reportedly referred to the group's interpretation as "the definitive version of his song".
Other versions
"Smokestack Lightning" has been interpreted numerous times by a variety of artists.
In the early to mid 1960s, it became a live staple of British beat groups, including:
The Yardbirds,
Manfred Mann,
The Animals,
The Groundhogs
and The Who
as well as American groups:
Grateful Dead,
Quicksilver Messenger Service,
The Electric Prunes
and The Wailers.
The song has also been performed and/or recorded by:
Muddy Waters,
Jimmy Rogers,
Fenton Robinson,
Lucky Peterson,
John Lee Hooker,
John Mayer,
Bob Dylan,
Soundgarden,
Widespread Panic,
moe.,
Gov't Mule,
Lester Butler,
George Thorogood,
Aerosmith
and Big Head Todd and the Monsters.
#howlinwolf
#garagepsych
#smokestacklighting
#groupaxis
From '' Smokestack Lightning ''
Label: ATCO Records β 45-6642
Format: Vinyl, 7"
Country: US
Released: Jan 1969
Tracklist
A Smokestack Lightning
Written-By β Charles Hardin (Buddy Holly), Norman Petty
B Not Fade Away
Written-By β Chester Burnett (Howlin' Wolf)
Producer β Norman Petty
π΅ [SONG INFO]
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.
Background
Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh don't you hear me cryin'", similar to the Mississippi Sheiks' lyric "A-ah, smokestack lightnin', that bell shine just like gold, now don't you hear me talkin'".
Original song
At Chess' studio in Chicago in January 1956, Howlin' Wolf recorded "Smokestack Lightning". The song takes the form of "a propulsive, one-chord vamp, nominally in E major but with the flatted blue notes that make it sound like E minor", and lyrically it is "a pastiche of ancient blues lines and train references, timeless and evocative". Longtime Wolf guitarist Hubert Sumlin is credited with the distinctive guitar line. Howlin' Wolf sang and played harmonica, backed by pianist Hosea Lee Kennard, guitarists Willie Johnson and Hubert Sumlin, bassist Willie Dixon, and drummer Earl Phillips.
In 1956, "Smokestack Lightning" reached number 11 on the Billboard R&B chart. As the UK experienced an R&B boom in the early 1960s, British R&B groups regularly covered "Smokestack Lightning" in their live acts. Due to the song's renewed popularity, Pye International Records issued it in the UK on a moderately successful EP in late 1963 and then on a single the following year, where it peaked at number 42 in the singles chart. It was later included on the albums Moanin' in the Moonlight and The Howlin' Wolf Album.
Recognition
In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues ... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."
In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.
Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time" and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".
In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress.
Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".
Clapton identifies the Yardbirds' performances of the song as the group's most popular live number. They played it almost every show, and sometimes it could last up to 30 minutes. One version lasting 5 mins and 35 secs is included on the Yardbirds UK debut album, Five Live Yardbirds (1964) and the US split studio/live album Having a Rave Up with The Yardbirds (1965). Howlin' Wolf reportedly referred to the group's interpretation as "the definitive version of his song".
Other versions
"Smokestack Lightning" has been interpreted numerous times by a variety of artists.
In the early to mid 1960s, it became a live staple of British beat groups, including:
The Yardbirds,
Manfred Mann,
The Animals,
The Groundhogs
and The Who
as well as American groups:
Grateful Dead,
Quicksilver Messenger Service,
The Electric Prunes
and The Wailers.
The song has also been performed and/or recorded by:
Muddy Waters,
Jimmy Rogers,
Fenton Robinson,
Lucky Peterson,
John Lee Hooker,
John Mayer,
Bob Dylan,
Soundgarden,
Widespread Panic,
moe.,
Gov't Mule,
Lester Butler,
George Thorogood,
Aerosmith
and Big Head Todd and the Monsters.
#howlinwolf
#garagepsych
#smokestacklighting
#groupaxis
![Hexedene w/ Jude Graham - You Never Can Tell (Chuck Berry Cover)
From CyberPunk Fiction - A Synthcore Soundtrack
Label: Re-constriction Records β REC-031
Format: CD, Compilation
Country: US
Released: 1998
Tracklist
1.1. No Artist - CyberPumpkin And Energizer Honey Bunny
Voice [Cyberpumpkin] β Kyle Cottengim
Voice [Energizer Honey Bunny] β Kait Ellen Cottengim
1.2. Tinfed - Misirlou
Written-By β Fred Wise, JosΓ© C. PiΓ±a, Milton Leeds, Nicholas Roubanis, Sidney Keith Russell
2. No Artist - Electro Body Music
Voice [Jules Win-chen] β Roman Greene
Voice [Tetsuo Vega] β Dave Creadeau
3. Killing Floor w/ Arjan McNamara - Jungle Boogie
Effects [Tones] β Scott Mickelson
Engineer β Arjan McNamara
Percussion, Effects [Loops] β Lynn Farmer
Producer β Arjan McNamara, Killing Floor
Turntables [Dexterity] β Jack Dangers
Written-By β Claydes Smith, Dennis D.T. Thomas, Don Boyce, George Brown, Richard Westfield, Robert Kool Bell, Robert Spike Mickens, Ronald Bell
4. Christ Analogue - Lets Stay Together
Written-By β Al Green, Al Jackson Jr., Willie Mitchell
5. Society Burning - Bustin Surfboards
Written-By β Gerald Sanders, Jesse Sanders, Leonard Delaney, Norman Sanders
6. Collide - Son Of A Preacher Man
Written-By β John Hurley, Ronnie Wilkins
7.1. No Artist - Chemlabs Dead, Baby
Voice [Box] β DJ Twitch
Voice [Cassiopia] β D.V.S. Twitch
7.2. Society Burning - Bullwinkle Part II
Written-By β Dennis Rose, Ernie Furrow
8. No Artist - Mos Eisley Download Contest
Voice [Akira Wallace] β Kari Beth Hodson
Voice [Mos] β Dave Creadeau
9. Hotbox - You Never Can Tell
Written-By β Chuck Berry
10. Nimpf - Lonesome Town
Written-By β Baker Knight
11. Purr Machine - Girl, Youll Be A Woman Soon
Written-By β Neil Diamond
12. Society Burning - If Love Is A Red Dress (Hang Me In Rags)
Written-By β Maria McKee
13.1. No Artist - Bring Out The Hack
Voice [Francis] β John Holder
Voice [Logan] β Satan Ferrell
13.2. Society Burning - Comanche
Written-By β Robert John Hafner
14. Non-Aggression Pact - Flowers On The Wall
Written-By β Lewis De Witt
15. No Artist - User Friendliness Goes A Long Way
Voice [Jules Win-chen] β Roman Greene
Voice [Tetsuo Vega] β Dave Creadeau
16. Society Burning - Surf Rider
Written-By β Don Wilson, Nokie Edwards, Robert Lenard Bogle
17. No Artist - FAQ 25.17
Voice [Jules Win-chen] β Roman Greene
Bonus Versions
18. 16 Volt - Girl, Youll Be A Woman Soon
Written-By β Neil Diamond
19. Hexedene w/ Jude Graham - You Never Can Tell
Vocals β Jude Graham
Written-By β Chuck Berry
20. Society Burning - Flowers On The Wall
Written-By β Lewis De Witt
Concept By β Chase
Script By β Chase, Dave Creadeau, John Holder
Cover β Kevin Marburg
Mastered By β Josquin Turenne Des PrΓ©s, Scott Gorham
Notes
Cover of the entire Pulp Fiction motion picture soundtrack including parodies of the dialogue excerpts on tracks 1, 2, 7, 8, 13, 15 and 17.
πΏ [SONG INFO]
You Never Can Tell, also known as Cest La Vie or Teenage Wedding, is a song written by Chuck Berry.
It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act. Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berrys final Top Ten hit of the 1960s: No Particular Place to Go, You Never Can Tell reached number 14, becoming Berrys final Top 40 hit until My Ding-a-Ling, a number 1 in October 1972.
The song performed slightly better in Canada, and also reached the Top 40 in the United Kingdom.
Berrys recording features an iconic piano hook played by Johnnie Johnson.
Description
The song tells of the wedding of two teenagers and their lifestyle afterward.
Living in a modest apartment furnished with items bought on sale at Sears, Roebuck, and Co., including a Coolerator brand refrigerator, the young man finds work and they begin to enjoy relative prosperity. Eventually, they purchase a souped-up jitney and travel to New Orleans, where their wedding had taken place, to celebrate their anniversary.
Each verse ends with the refrain, Cest la vie, say the old folks, it goes to show you never can tell. The piano melody was influenced by Mitchell Toroks 1953 hit Caribbean.
Pulp Fiction
The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino.
The music was played for a Twist contest in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film).
Other versions
1975 John Prine
1975 Loggins and Messina
1977 Emmylou Harris
1980 Daddy Cool
1993 Aaron Neville
1994 Bob Seger
2019 Jerry Garcia Band
The song has also been recorded or performed by Chely Wright, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, Coldplay and Buster Shuffle.
π [LINKS]
http://www.ssmodk.com/recon/index2.htm
#industrialmusic
#electro
#electrocover Hexedene w/ Jude Graham - You Never Can Tell (Chuck Berry Cover)](https://i.ytimg.com/vi/QpUc22xs7Z8/mqdefault.jpg)
![Frosty - Mongoloid (Devo Cover)
From Harry Pussy And Frosty
Label: Menlo Park Recordings β MPK 7010
Format: Vinyl, 7, 45 RPM
Country: US
Released: 1997
Tracklist
A1 Harry Pussy - Ice Cream Man
A2 Harry Pussy - Stop
A3 Harry Pussy - Smash In The Mirror
A4 Harry Pussy - Drop The Bomb
B1 Frosty - Mongoloid
Producer β Tom Smith
Notes
Mastered At β Europadisk β 22364
Direct Metal Mastering.
π΅ [SONG INFO]
Mongoloid is the first single released by Devo in 1977, on the Booji Boy label.
It was backed with the song Jocko Homo.
Mongoloid had one of the first music videos made using collage.
The song would later be re-recorded by Devo and appear on the album Q: Are We Not Men? A: We Are Devo! in 1978.
It is also a staple of Devos live shows.
Song description
Mongoloid, like many of Devos early songs, was built on a motorik beat.
The song opens with a 4/4 electric bass line, which is then joined by drums, and electric guitar. Over this, a swooping synthesizer line is played on Minimoog, using the pitch bend to create a spooky effect. The synth is not used as a lead instrument during the song, but only the opening and closing. The vocals of the song are sung as a duet by Gerald V. Casale and Bob 1 (Bob Mothersbaugh). On the original single, the vocals are deliberately sung in a nasal fashion.
The lyrics discuss an individual afflicted with Down Syndrome, formerly known as Mongolism. Despite his affliction, he is able to live a normal life so that nobody knows of his extra chromosome. Despite being a positive song, it has received much criticism due to its controversial title.
Music video
Mongoloid was Devos second music video, after The Truth About De-Evolution.
It was not actually made by the band, but by experimental filmmaker Bruce Conner. Conner combined 1950s television advertisements, science fiction film clips (Including a scene from It Came From Outer Space!), and scientific documentaries with abstract animation and original film work. Devo marketed the film as A documentary film exploring the manner in which a determined young man overcame a basic mental defect and became a useful member of society. Insightful editing techniques reveal the dreams, ideals and problems that face a large segment of the American male population. Educational. Background music written and performed by the DEVO orchestra.
Mongoloid appears as a bonus feature on The Complete Truth About Devolution DVD.
Discography
Mongoloid was originally recorded as a single released on the Booji Boy Records imprint of Man-Ray Music in 1977. The original single was a triple gatefold, held together with stickers. The inside of the gatefold displayed the lyrics of the two songs in either blue or black ink, depending on the pressing. The back cover of the single was an image of Booji Boy with the text Were all Devo! Booji Boy XO.
As Devo gained fame, Stiff Records in the UK agreed to release the single on their label. There were several pressings of the Mongoloid single with varying packages, ranging from a full triple gatefold, to a simple picture sleeve, to a generic Stiff Records paper sleeve. The Stiff Records releases are marked by the Stiff logo in the lower left hand corner of the front cover.
Other versions
For Devos debut album Q: Are We Not Men? A: We Are Devo!, Mongoloid was re-recorded. This version contains much more involved synthesizer playing throughout the song rather than during the opening and closing.
An E-Z Listening version of Mongoloid was made for playing before concerts and appears in the 1987 E-Z Listening Disc.
In 2002, Devo performed a techno version of the song at a special show for the writers and producers of the cartoon Rugrats (whose theme song Mark Mothersbaugh composed).
It has more recently been sampled by electronic outfit Layo & Bushwacka, on the track titled Love Story which was rather successful in Europe and Australia.
Australian ska band the Porkers also covered this song for their 1994 album, Grunt!
There is also a bluegrass version of the song, recorded in Cleveland, Ohio, by the Hotfoot Quartet in 1980 and released as a 45 rpm single on the Black Snake label.
A choral version of the song, both a cappella and with instrumental accompaniment, was released by the German band Popchor Berlin in 2002 on their EP-1 album.
Power Metal group Demolition Hammer also covers the song on their 1994 album Timebomb.
#alternativerock
#noise Frosty - Mongoloid (Devo Cover)](https://i.ytimg.com/vi/RUFo68HcBNo/mqdefault.jpg)
![Daniel Sentacruz Ensemble - A Hard Days Night (The Beatles Cover)
From Soleado
Label: Odeon β 3C 064 - 18037 / 3 C064-18037
Format: Vinyl, LP, Album
Country: Italy
Released: 1974
Tracklist
A1 Ballero
Written-By β Jerry Goldstein
A2 Soleado
Written-By β Zacar
A3 Autunno
Written-By β Ciro Dammicco
A4 A Hard Days Night
Written-By β Lennon-McCartney
A5 Sangriando
Written-By β Savino Grieco, Zacar
A6 Per Elisa
Arranged By [Rielab.] β Zacar
Written-By β Ludwig van Beethoven
B1 Working In The Hacienda
Written-By β Zacar
B2 Corazon
Written-By β Carole King
B3 Un Sospero
Written-By β Bruno Santori, Zacar
B4 I Dont Know How To Love Him
Written-By β Andrew Lloyd Webber And Tim Rice
B5 Junk
Written-By β Paul McCartney
B6 Abra - Kad - Abra
Written-By β Umberto Decimo
A Hard Days Night is a song by the English rock band the Beatles.
Credited to LennonβMcCartney, it was primarily written by John Lennon, with some minor collaboration from Paul McCartney.
It was released on the soundtrack album A Hard Days Night in 1964.
It was also released as a single in the UK (with Things We Said Today as its B-side), and in the US (with I Should Have Known Better as its B-side.)
The song featured prominently in the Beatles first feature film, A Hard Days Night.
The song topped the charts in both the United Kingdom and United States when it was released as a single.
The American and British singles of A Hard Days Night, as well as both the American and British albums of the same title, held the top position in their respective charts simultaneously for a couple of weeks in August 1964, the first time any artist had accomplished this feat.
Title
The songs title originated from something said by Ringo Starr. Starr described it this way in an interview with disc jockey Dave Hull in 1964: We went to do a job, and wed worked all day and we happened to work all night. I came up still thinking it was day I suppose, and I said, Its been a hard day β¦ and I looked around and saw it was dark so I said, β¦ night! So we came to A Hard Days Night.
Release and reception
A Hard Days Night was first released to the United States, coming out on 26 June 1964 on the album A Hard Days Night, the soundtrack to the film, and released by United Artists.
The United Kingdom first heard A Hard Days Night when it was released there on 10 July 1964, both on the album A Hard Days Night, and as a single, backed with Things We Said Today on the B-side. Both the album and single were released by Parlophone Records. The single began charting on 18 July 1964, a week later ousting the Rolling Stones Its All Over Now from the top spot on the British charts on 25 July 1964, coincidentally the day when both the American and British albums too hit the peak of their respective charts. The single stayed on top for three weeks, and lasted another nine weeks in the charts afterwards.
The American single on 1 August started a two-week-long run at the top, setting a new record β nobody before had ever held the number one position on both the album and singles charts in the United Kingdom and the United States at the same time. The Beatles were the only ones who had done this until 1970 when Simon and Garfunkel achieved the same feat with their album Bridge over Troubled Water and its title track.
The song was the fifth of seven songs by the Beatles to hit number 1 in a one-year period, an all-time record on the US charts. In order, these were I Want to Hold Your Hand, She Loves You, Cant Buy Me Love, Love Me Do, A Hard Days Night, I Feel Fine and Eight Days a Week. It was also the sixth of seven songs written by Lennon-McCartney to hit number 1 in 1964, an all-time record on the US charts for writing the most songs to hit number 1 in the same calendar year.
The songs opening chord and closing arpeggios were highly influential on the Byrds. After watching the film A Hard Days Night and seeing Harrisons choice of guitar, Roger McGuinn adopted the Rickenbacker as his and the Byrds signature instrument.
In this way, according to author Andrew Grant Jackson, A Hard Days Night birthed the folk-rock sound that the Byrds popularised in 1965.
That same year, A Hard Days Night won the Grammy Award for Best Performance by a Vocal Group.
In 2004, Rolling Stone magazine ranked the song at number 153 on its list of the 500 Greatest Songs of All Time.
In 2000, the 1964 recording of A Hard Days Night on the United Artists label was inducted into the Grammy Hall of Fame. Daniel Sentacruz Ensemble - A Hard Days Night (The Beatles Cover)](https://i.ytimg.com/vi/RZHirdgscb0/mqdefault.jpg)
![Ornament & Verbrechen - Pablo Picasso (Art Punk/Avantgarde/Post-Punk, The Modern Lovers Cover)
From Live In Paradise DDR
Label: Good Noise β VGNS 2028
Format: Vinyl, LP, Compilation
Country: Germany
Released: 1985
Tracklist
A1 Happy Straps - Live In Paradise
A2 Aufruhr Zur Liebe - Side F
A3 Ornament & Verbrechen & Aufruhr Zur Liebe - Damned
A4 Happy Straps - Steal Myself
A5 Happy Straps - Regentag/ On Waves Of Love
B1 Der Demokratische Konsum - Sturm Im GepΓ€ck
B2 Ornament & Verbrechen - Pablo Picasso
B3 Aufruhr Zur Liebe & Ornament & Verbrechen - Energy
B4 Aufruhr Zur Liebe - Berlin Rain
Notes
Philips Tonstudio - 7m unter der Hauptstadt der DDR
Cover Art von HEBERLEIN
Danke an Mary, Barkasse und Steuermann, Die MΓΌtter, S.C.P.A., Phi KO
Phonographic Copyright β β Zickzack
Copyright Β© β Zickzack
Phonographic Copyright β β Goethe-Institut
Copyright Β© β Goethe-Institut
π΅ [SONG INFO]
Pablo Picasso is a song written by Jonathan Richman for the proto punk group the Modern Lovers.
The song was recorded in 1972 at Whitney Studios in Los Angeles, and produced by John Cale, but was not released until 1976, on the Modern Lovers self-titled debut album.
The recording featured Richman (lead guitar, vocals), Ernie Brooks (second guitar), Jerry Harrison (bass) and David Robinson (drums), with Cale playing the repetitive hammered piano part.
The central character of the song is the charismatic 20th century artist Pablo Picasso.
With dry wit, the lyrics suggest that women never rejected Picassos romantic advances, despite his short stature.
Well he was only five foot three but girls could not resist his stare / Pablo Picasso was never called an asshole / Not in New York.
In a 1980 interview, Richman stated that the song was inspired by his own adolescent self-consciousness with women.
Cover versions
On recordings
1975
John Cale, on his album Helen of Troy (released before the original version)
1979
Catholic Discipline on album Underground Babylon a collection of live recordings.
1984
Burning Sensations on the Repo Man soundtrack
1991
Phrancs version of the song substitutes Gertrude Stein as the central character; it appears on her album Positively Phranc
1998
Television Personalities on Dont Cry Baby... Its Only a Movie
1999
The Mentally Ill on the album Strike the Bottom Red
2003
David Bowie, on his album Reality; a live version recorded at Riverside Studios, Hammersmith, London on 8 September 2003 was released on the Tour Edition of Reality
2007
Blue Peter, on their album Burning Bridges, recorded live in 1980
Four Year Beard on the album Hero: The Main Man Records Tribute to David Bowie (2007)
2012
The Tellers on the album A Tribute to Repo Man
2018
Jack White for a live Spotify Singles release
2024
Chatterbox on the album When the Creatures Crawl
Live performances
1976
Talking Heads live at Maxs Kansas City.
1998
Siouxsie - the Creatures with John Cale during their 1998 US double bill tour.
π [LINKS]
https://www.facebook.com/profile.php?id=100063503350460
#ornamentandverbrechen
#pablopicasso
#artpunk
#avantgardemusic
#themodernlovers Ornament & Verbrechen - Pablo Picasso (Art Punk/Avantgarde/Post-Punk, The Modern Lovers Cover)](https://i.ytimg.com/vi/RzKHFvRWf14/mqdefault.jpg)
![The J Ann C Trio - Jambalaya (Hank Williams Cover)
From At Tan-Tar-A
Label: Burdland Records β LP 3300, 695-B-5926, 695B-5926
Format: Vinyl, LP
Country: US
Released: 1966
Tracklist
A1 Jambalaya
A2 Night Train
A3 More
A4 Hey Bo Diddely
A5 If I Had A Hammer
A6 Voo Doo Doll
B1 Cheatin Heart
B2 Cherry Pink
B3 Girl From Ipanema
B4 The Tide
B5 Funnel Of Love
B6 Moon River
Vocals, Bass β Ann Delrene
Guitar β Carl Russell
Drums β Jerry Dugan
Pressed By β RCA Records Pressing Plant, Indianapolis
Β© 2021 Modern Harmonic
β 2021 Modern Harmonic
π΅ [SONG INFO]
Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952.
It is Williams most recorded song.
Named for a Creole and Cajun dish, jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres.
In 2002, the 1952 Hank Williams recording of the song on MGM Records was inducted into the Grammy Hall of Fame.
Composition
Williams began writing the song while listening to the Cajuns talk about food on the Hadacol Caravan bus.
With a melody based on the Cajun song Grand Texas, some sources, including AllMusic, claim that the song was co-written by Williams and Moon Mullican, with Williams credited as sole author and Mullican receiving ongoing royalties.
Williams biographer Colin Escott speculates that it is likely Mullican wrote at least some of the song and Hanks music publisher Fred Rose paid him surreptitiously so that he wouldnt have to split the publishing with Moons label King Records.
Williams song resembles Grand Texas in melody only.
Grand Texas is a song about a lost love, a woman who left the singer to go with another man to Big Texas; Jambalaya, while maintaining a Cajun theme, is about life, parties and stereotypical food of Cajun cuisine.
The narrator leaves to pole a pirogue down the shallow water of the bayou, to attend a party with his girlfriend Yvonne and her family. At the feast they have Cajun cuisine, notably Jambalaya, crawfish pie and filé gumbo, and drink liquor from fruit jars. Yvonne is his [ma] chère amie, which is Cajun French for my dear (female) friend or more likely to mean my girlfriend.
Recording and release
Williams recorded the song on June 13, 1952, his first recording session in six months, at Castle Studio in Nashville with backing provided by Jerry Rivers (fiddle), Don Helms (steel guitar), Chet Atkins (lead guitar), Chuck Wright (bass) and probably Ernie Newton (bass).
The recording Williams made differs significantly from Mullicans, which was released in the same month as Williams version but with a different order of verses and extra rhyming couplets.
Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:
Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafontes calypsos, Paul Simons Graceland... the list is endless). The broader audience related to Jambalaya in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.
Released in July 1952, it reached number one on the U.S. country charts for fourteen non-consecutive weeks.
Williams performed Jambalaya at the Louisiana Hayride as part of his homecoming in fall, 1952 (after being fired from the Grand Ole Opry).
A live recording released as part of a series of Hayride performances includes outbursts of applause.
Another unreleased version is included in the 2017 CD set, At the Louisiana Hayride Tonight.
After Williams released his version, Cajuns recorded the song again using Cajun instruments. However, they used Williams lyrics translated into the Cajun French language. Jambalaya remains one of Hank Williams most popular songs today. International, translated or derived versions exist at least in Chinese, Dutch, Finnish, French, Italian, Polish, German, Spanish, Estonian and Swedish.
A demo version of Williams singing Jambalaya (On the Bayou) with just his guitar, likely recorded in 1951, is also available.
Williams composed a sequel to the song from the female perspective, Im Yvonne (Of the Bayou), recorded by Goldie Hill.
It was not as popular.
As with Jambalaya there is speculation that Williams may have written this song with Mullican and their friend Jimmy Rule.
Other versions
Jo Stafford in 1952, reaching number 3 on the Billboard pop charts.
Brenda Lee performed the song in 1956 for Decca Records at the age of eleven.
Fats Domino released the song in late 1961.
The Nitty Gritty Dirt Band
John Fogerty hit number 16 in 1973 under the name of the Blue Ridge Rangers, and reached number 5 in Canada.
The Carpenters featured the song on their 1973 album Now & Then.
π [LINKS]
Available on bandcamp:
https://thejannctrio.bandcamp.com/album/at-tan-tar-a The J Ann C Trio - Jambalaya (Hank Williams Cover)](https://i.ytimg.com/vi/S-vGIBdxgp0/mqdefault.jpg)

![The Vipers - Im Not Like Everybody Else (Garage Punk, The Kinks Cover)
From How About Somemore?
Label: Midnight Records β MIR LP 139 + MID 4520
Format: Vinyl, LP, Album, Limited Edition, Autographed + Vinyl, 7, 45 RPM
Country: US
Released: 1988
Tracklist
A1 Youre Doin It Well
A2 Rules Of Love
A3 Dont Try To Mend It
A4 That Aint Fair!
A5 Need Some Lovin
A6 Try Me
B1 How About Somemore?
B2 Too Bad
B3 Silver Linings
B4 Talking To Stone
B5 Shes Comin Home
β Bonus vinyl
A Psycho
B1 All I Want
B2 Im Not Like Everybody Else
Notes
Limited collectors edition of 1800 copies plus a 7 EP with three bonus tracks & insert.
Area Pirata Prod.
π΅ [SONG INFO]
Im Not Like Everybody Else is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of Sunny Afternoon.
The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the bands usual lead singer.
The song is a defiant anthem of non-conformity, and it has been covered by various artists.
History
Davies had written the song for the Animals, but it was turned down, so the Kinks released their own version with guitarist Dave Davies on lead vocals.
This went against the norm where each brother usually sang songs they had written themselves. Later performances of the song were sung by Ray, with Dave providing backing vocals and Eric Clapton-influenced guitar solos. Both the Davies brothers continue to perform the song in their solo concerts.
Dave Davies described the song as a Kinks fans favourite.
He also said, It was never a hit for the Kinks, but over the years every true Kinks fan relates to that particular song, and its funny, because that particular version is one of the only songs where Ray and I actually swap lead vocals. Elsewhere, when he sings lead I do the octave harmonies, or where I sing lead hes doing background vocals. Ray and I have very different ranges, fortunately, and our textures are different, which really helps for distinctive harmonies.
Music and lyrics
The song is a defiant anthem of non-conformity, and its lyrics exhibit sentiments of frustration, accompanied by the outsider perception of being different from the rest, while yearning to seek and find, as well as assert, ones own individual identity.
The song begins with an opening signature played somewhat menacingly on a twelve-string electric guitar in the key of A minor, punctuated by subtle drum beats, which then shifts into the key of G major when the lyrics begin, highlighting the songs angry stance.
I wont take all that they hand me down
And make out a smile though I wear a frown
And Im not gonna take this all lying down
Cause once I get started I go to town
Cause Im not like everybody else
Yet the mood also conveys a sense of sadness, and in the second verse expresses love and a sense of remorse, but with a cautious warning:
But darling, you know that I love you true
Do anything that you want me to
Confess all my sins like you want me to
Theres one thing I will say to you
Im not like everybody else
As the song progresses into its last bars, it builds up to a cathartic finale with intense playing from all of the members of the Kinks and then comes to a crashing close.
Release and reception
The song was first released as the B-side to their single Sunny Afternoon but soon became a favourite and was often part of the Kinks live act. Ray Davies continues to play the song regularly and used the song as an opening number in his 2006β2008 solo live appearances. Cash Box said that it is a rhythmic ode about a highly individual type of guy.
The song has been included on many compilations including Sunny Afternoon in the UK in 1967, The Great Lost Kinks Album in the US in 1973 and the 2002 greatest hits release The Ultimate Collection. It also appears as a bonus track on the 1998 CD reissue of Face to Face, the 2011 deluxe edition of The Kink Kontroversy, and the compilation The Anthology 1964β1971.
Personnel
According to band researcher Doug Hinman:
Dave Davies β Lead Vocal, Electric Guitar
Ray Davies β backing Vocal, Electric Guitar
Pete Quaife β Bass
Mick Avory β Drums
An organ part is audible on the recording, although no organist is credited in contemporary documentation
Cover versions
Notable covers of the song include renditions by the Chocolate Watchband in 1968, by the Australian band Jimmy and the Boys as their debut single in 1979, and by the Damned on their covers album Not Like Everybody Else in 2026.
Jimmy and the Boys
Chris Spedding
Camper Van Beethoven
Boss Hog for the soundtrack to Richard Linklaters 1996 film subUrbia
The Chesterfield Kings
Human Drama
The Finchley Boys
The Sacred Mushroom
π [LINKS]
https://www.areapirata.com/
https://areapiratarec.bandcamp.com/
Available on bandcamp:
https://areapiratarec.bandcamp.com/album/how-about-some-more
#thevipers
#imnotlikeeverybodyelse
#garagepunk
#garagerock
#thekinkscover The Vipers - Im Not Like Everybody Else (Garage Punk, The Kinks Cover)](https://i.ytimg.com/vi/SLsHHMjsSQE/mqdefault.jpg)
![La Libre Expresion - Ella No Esta Ahi (Shes Not There in Spanish, The Zombies)
From La Libre Expresion
Label: Discos Zave β LPZ-40
Format: Vinyl, LP, Album
Country: Mexico
Released: 1969
Tracklist
A1 Ella No Esta Ahi (Shes Not There)
Written-By β El Camino
A2 Orgullosa Maria (Proud Mary)
A3 Tiempo De Olvidar (Time Of The Season)
Written-By β The Zombies
A4 Como Yo (Come On Up)
Written-By β The Young Rascals
A5 Sookie Sookie (Steppenwolf)
Written-By β Don Covay
A6 Acercate (Join Me)
Written By β Corro
Written-By β Juan Jose Pavon, Lalo Duarte, RenΓ© Sotelo
B1 Joven Amante (Little Miss Love)
Written-By β Jimi Hendrix
B2 Que Dolor Que Dolor (I Get So Exited)
Written-By β The Equals
B3 Amor Por Nadie (To Love Somebody)
Written-By β Bee Gees
B4 No Me Abandones (Dont Let Me Down)
Written-By β Lennon-McCartney
B5 Pides Amor (You Better Run)
Written-By β The Young Rascals
B6 Fuera De Foco (Out Of Focus)
Written-By β Blue Cheer
Lyrics By, Vocals β Lalo Duarte
Lyrics By, Lead Guitar β Ricardo Valencia
Rhythm Guitar β Jesus Corona
Organ β MartΓn Caballero
Bass β RenΓ© Sotelo
Drums β Juan Jose Pavon
Producer β Edgar Zamudio
π΅ [SONG INFO]
Shes Not There is the debut single by the English rock band the Zombies, written by keyboardist Rod Argent.
It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964.
In Canada, it reached No. 2.
Rolling Stone magazine ranked Shes Not There No. 297 on its list of the 500 Greatest Songs of All Time.
In 2016, the song by The Zombies was inducted into the Grammy Hall of Fame.
Song profile
Rod Argent built the lyrics of Shes Not There from a John Lee Hooker song, whose title β No One Told Me β became a part of the opening phrase of Shes Not There.
Following an 29 April 1964 performance by the Zombies at St Albans Market Hall, Argent played the one verse he had written of the song for Ken Jones who was set to produce the bands first recording session. Jones encouraged Argent to write a second verse, intending the band to record it. Argent recalls: I wrote the song for Colins range β referring to Zombies vocalist Colin Blunstone β I could hear him singing it in my mind. The songs genres and musical styles are described by authors and music journalists as jazz rock, beat and pop rock.
Shes Not There was the second of four songs recorded by the Zombies at a 22 June 1964 recording session at Deccas West Hampstead Studio 2.
The backing tracks needed seven takes.
One of the songs most distinctive features is Argents electric piano sound; the instrument used was a Hohner Pianet.
The backing vocals are in a folk-influenced close-harmony style.
To make the single sound stronger for single release, Ken Jones organised Hugh Grundy to record a strident drum line overdub which only appears on the original mono single mix.
This minor key, jazz-tinged single was first aired in the United States during the first week in August 1964, on New York City rock radio station WINS by Stan Z. Burns, who debuted it on his daily noontime Hot Spot segment, during which new songs were played.
The tune began to catch on in early autumn and eventually reached No. 2 on the Billboard Hot 100 in December 1964.
Personnel
Colin Blunstone β Lead Vocals and Backing Vocals
Rod Argent β Hohner Pianet Electric Piano
Paul Atkinson β Electric Guitar
Chris White β Backing Vocals, Bass
Hugh Grundy β Drums, Additional Overdubbed Drums
Album releases
The song was later included both on the Zombies debut album Begin Here, released in the UK in December 1964, and the US album The Zombies issued January 1965.
It was also included on the soundtrack to the 1979 feature film More American Graffiti and the 2021 feature film Titane.
Cover versions
Santana cover
Shes Not There was a hit for Santana when it appeared on their 1977 album Moonflower.
Their version peaked at No. 11 in the UK.
It was also a hit in the US, spending 14 weeks on the Billboard Hot 100 and peaking at No. 27, as well as reaching No. 20 on the Cash Box Top 100 chart.
Their take on it features Greg Walker as the lead vocalist.
Other notable covers
In February 1965, Swedish pop group Ola & the Janglers released the song as their second single, backed by Manfred Manns Dont Ask Me What I Say. It became their breakthrough hit, reaching No. 10 on Tio i Topp for a week before being voted off.
Airing September 1965, the episode Sting in the Tail, of the British TV series Danger Man, featured a French version of the song by Jeanne Roland with French version Te VoilΓ lyrics by Jacques Chaumelle.
Vanilla Fudge covered the song on their 1967 self-titled debut album.
Colin Blunstone, under the pseudonym Neil McArthur, released a solo version in 1969, reaching No. 34 in the UK.
UK Subs 1979 cover has reached No. 36 in UK.
Version by Neko Case (duet with Nick Cave), used at the end of the 2011 Shes Not There episode of True Blood.
#lalibreexpresion
#ellanoestaahi
#shesnotthere
#spanishcover
#thezombies La Libre Expresion - Ella No Esta Ahi (Shes Not There in Spanish, The Zombies)](https://i.ytimg.com/vi/SklJV9Gk9ZY/mqdefault.jpg)
![Richard Ace - Stayin Alive (Rocksteady/Dub/Reggae, Bee Gees Cover)
From Richard Ace
Label: Atlantic β ATL 50 607
Format: Vinyl, LP, Album, Stereo
Country: Europe
Released: 1979
Tracklist
A1 Stayin Alive
Written-By β Robin Gibb, Barry Gibb & Maurice Gibb
A2 If I Cant Have You
Written-By β Robin Gibb, Barry Gibb & Maurice Gibb
A3 Ghetto Nation
Written-By β Tony Robinson
A4 Youre The One That I Want
Written-By β John Farrar
B1 Substitute
Written-By β Willie Harry Wilson
B2 Shes Gone
Written-By β Bob Marley
B3 I Need You
Written-By β Mike Tinsley, Peter Yellowstone
B4 I Forgive You
Written-By β Ken Boothe
Designed At β Over The Top Productions
Lacquer Cut At β Tonstudio Pfanz
Producer β Tony Robinson
Record Company β Warner Communications
Phonographic Copyright β β Blue Inc. Records Ltd.
Copyright Β© β Blue Inc. Records Ltd.
βΒ© 1979 Blue Inc. Records Ltd.
Made in Germany by WEA Musik GmbH - A Warner Communications Company.
π΅ [SONG INFO]
Stayin Alive is a song by the pop group Bee Gees from the Saturday Night Fever motion picture soundtrack.
The song was written by the Bee Gees (Barry, Robin and Maurice Gibb) and produced by the Bee Gees, Albhy Galuten and Karl Richardson. It was released on 13 December 1977, as the second single from the Saturday Night Fever soundtrack.
It is one of their signature songs.
Cover versions
In 1979 Paul Weston and Jo Stafford released a cover of the song as Jonathan and Darlene Edwards. It was backed with I Am Woman.
In 1980, the American Singer and Ukulele player Tiny Tim (musician) covered it and released it on his album entitled Chameleon.
In 1991, the indie group Happy Mondays covered it in two different versions for the non-album single Judge Fudge.
N-Trance covered a dance version of the song with new rap and lyrics in 1995.
In 1999, British Death metal band Ten Masked Men recorded a death metal cover of the song in their self-titled first album.
In 2000, the group Baila released a turbo-charged cover of the song (with the lyrics changed to replace the reference to the New York Times with the Internets effect on man).
Ozzy Osbourne covered the song and it appeared on CD 3 of his 2005 box set, Prince Of Darkness.
Dimension Zero did a death metal cover of the song on their 2007 He Who Shall Not Bleed album.
In 2007, the French band Electro Deluxe recorded a jazz fusion version of this song in their album Hopeful.
In 2010 Jovanotti covered it for his live US album, OYEAH!.
Anal Cunt
The Sleeping
Sugarland
Bitch
A short part of the refrain is used in the end of the movie Shrek, sung by Lord Farquaad (John Lithgow) in the Dragons stomach.
Anna Tsuchiya
Appearances in other media
Though Stayin Alive is heavily guarded by the Bee Gees for licensing, it has appeared in numerous movies and television shows including.
The 1978 Chevy Chase/Goldie Hawn film Foul Play.
A 1978 episode of Hawaii Five-O entitled Number One With A Bullet, along with Night Fever and More Than a Woman.
Two 1979 episodes of Mork & Mindy
A speeded up version (with permission) was used in the 1980 comedy Airplane!.
The 1981 John Belushi comedy Neighbors.
The movie Look Whos Talking featuring John Travolta.
The 1991 David Tyler CKBE-FM.
The 1992 Rick Moranis comedy Honey I Shrunk the Kids.
A 1994 episode of The Simpsons entitled Barts Girlfriend. Homer also performs a parody version of the song highlighting Table Five in a neighbourhood garage sale in the episode Two Bad Neighbours.
Used in a flashback scene in the 1994 comedy Naked Gun 33β
: The Final Insult.
Five movies in 1995 used the song: A Goofy Movie, Bushwhacked, Virtuosity, Let It Be Me, and Grumpier Old Men.
During the Swamp Karaoke Dance Party which tied into the Shrek film, Lord Farquaad was heard singing this song in the Dragons stomach since he was eaten by her.
The Jack Nicholson and Glenn Close 1996 action/comedy Mars Attacks!.
A 1997 episode of the BBC drama This Life.
The 1998 comedy A Night at the Roxbury.
The 2005 animated feature Madagascar.
Episodes of CSI: NY and Entourage in 2007.
Was the ringtone of Jim Moriarty in the BBC show Sherlock in its series two premiere on New Years Day, 2012. Had a darker reprisal in the series two finale, when Moriarty tells Sherlock that their final problem is Stayin Alive, whilst playing the song on his phone.
A 1987 Disney special DTV Doggone Valentine set to clips featuring the cats of Disney.
It was released as DLC for Rock Band 3.
#richardace
#stayinalive
#rocksteady
#dub
#beegeescover Richard Ace - Stayin Alive (Rocksteady/Dub/Reggae, Bee Gees Cover)](https://i.ytimg.com/vi/Sth7YMThwoE/mqdefault.jpg)
![Max Bygraves - [Medley] And I Love You So / Fly Me To The Moon / Quando Quando Quando
From Viva! Congalongamax Vol.10
Label: Pye Records β NSPL 18458
Format: Vinyl, LP, Album
Country: UK
Released: 1975
Tracklist
Medley
A1a Enjoy Yourself (Its Later Than You Think)
A1b Manana
A1c The Coffee Song
Medley
A2a And I Love You So
A2b Fly Me To The Moon
A2c Quando Quando Quando
A3 Y Viva Espana
Medley
A4a Blue Skies
A4b Jealous
A4c Am I Blue
A5 Singalongaconga
Medley
B1a Yours
B1b Besame Mucho (Kiss Me)
B1c Amor
Medley
B2a Spanish Eyes
B2b Always In My Heart
B2c Marie Elena
Medley
B3a Wedding Samba
B3b Brazil
B3c The Laughing Samba
B3d Hava Nagila
Medley
B4a Yellow Bird
B4b Island In The Sun
B4c Jamaica Farewell
Arranged By, Conductor β Frank Barber
Producer β Norrie Paramor
And I Love You So is a song written by folk singer and guitarist Don McLean and released on his 1970 debut album, Tapestry.
Its chorus features an unusual rhyming scheme for a popular song: ABBA versus the usual AB(C or A)B.
The song was the B-side to McLeans debut single Castles in the Air, released in January 1971.
In 1973, And I Love You So was released as an A-side with If We Try as its B-side on United Artists Records.
Cover versions
And I Love You So was a 1973 hit for singer Perry Como on his RCA Victor album of the same name, And I Love You So, reaching No. 29 on the Billboard Hot 100 chart. It would be the last of his many popular recordings, dating back to 1943, to reach the top 40. It also spent one week at No. 1 on the Easy Listening chart. It reached No. 2 in South Africa and No. 3 on the UK Singles Chart on RCA Records and remained on the chart for 35 weeks (the longest of his hits in the UK).
Como also recorded a Spanish version, titled Y te quiero asΓ.
Bobby Goldsboro
Shirley Bassey
Bobby Vinton
Elvis Presley
Sergio Franchi
Glen Campbell
Rick Astley
Harry Connick, Jr.
George Lam
Roch Voisine
Claude FranΓ§ois performed a French version, Et je taime tellement, in 1977.
Other performers who have recorded the song include: Harry Belafonte, Tom T. Hall, Emmylou Harris, Engelbert Humperdinck, Howard Keel, Johnny Mathis, Nana Mouskouri, Olivia Newton-John, Jim Nabors, and Helen Reddy.
Fly Me to the Moon, originally titled In Other Words, is a song written in 1954 by Bart Howard.
The first recording of the song was made in 1954 by Kaye Ballard.
Frank Sinatras 1964 version was closely associated with the Apollo missions to the Moon.
In 1999, the Songwriters Hall of Fame honored Fly Me to the Moon by inducting it as a Towering Song.
Background and composition
In 1954, when Fly Me to the Moon was first presented to the public, Bart Howard had been pursuing a career in music for over 20 years.
He played piano to accompany cabaret singers, but also wrote songs with Cole Porter, his idol, in mind.
In the book Intimate Nights: The Golden Age of New York Cabaret James Gavin noted that Howard wrote the song in response to his publishers plea for a simpler song: why did he have to write such grandiloquent lyrics? In Other Words talked about the verbosity of poets who use many words to say a simple thing; hold my hand, Kiss me. In response, Howard wrote a cabaret ballad. A publisher tried to make him change some words from fly me to the Moon to take me to the Moon, but Howard refused. Many years later Howard commented that ... it took me 20 years to find out how to write a song in 20 minutes.
He used his position as a piano accompanist and presenter at the Blue Angel cabaret venue to promote the song, and it was soon introduced in cabaret performances by Felicia Sanders.
Cover versions
Early recordings
Kaye Ballard
Chris Connor
Johnny Mathis
Portia Nelson
Nancy Wilson
Eydie GormΓ©
Subsequent recordings
Peggy Lee
Connie Francis
Joe Harnell
Julie London
Paul Anka
Brenda Lee
Frank Sinatra included the song on his 1964 album It Might as Well Be Swing, accompanied by Count Basie. The music for this album was arranged by Quincy Jones.
Bobby Womack
Alamgir
Quando quando quando (or Quando, Quando, Quando) is an Italian pop song from 1962, in the bossa nova style, with music written by Tony Renis and lyrics by Alberto Testa. The song, originally recorded in two different versions by Tony Renis and Emilio Pericoli, competed in the Sanremo Music Festival in 1962, where it placed fourth, and later became a commercial success in Italy, topping the Musica e dischi singles chart.
American entertainer Pat Boone, who recorded the song in 1962, sang the English lyrics written by Ervin Drake.
English-language versions
Engelbert Humperdinck
Michael BublΓ© performed the song as a duet with Nelly Furtado
Edgardo Cintron and The Tiempos Noventa Orchestra
Fergie and will.i.am covered the song for the soundtrack to the 2009 musical film Nine, based on the stage musical based on Federico Fellinis 8Β½.
Notable cover versions
Bobby Curtola
#latin
#rumba
#samba
#weddingsongs Max Bygraves - [Medley] And I Love You So / Fly Me To The Moon / Quando Quando Quando](https://i.ytimg.com/vi/Swf10ZtArzY/mqdefault.jpg)
![Artie MacLaren And The Mustangs - Ring Of Fire (Anita Carter / Johnny Cash Cover)
From May The Bird Of Paradise Fly Up Your Nose
Label: Arc Records β 663
Format: Vinyl, LP, Album
Country: Canada
Tracklist
A1 May The Bird Of Paradise Fly Up Your Nose
A2 Shes Gone Gone Gone
A3 This Ole Heart
A4 I Havent Got The Right To Love You
A5 I Guess Its Too Late
A6 Its All Wrong
B1 Lose Love
Written-By β Percy Mayfield
B2 Green Green Grass Of Home
B3 Another Day Another Dollar
B4 Ring Of Fire
Written-By β June Carter, Merle Kilgore
B5 Pick Me Up On Your Way Down
Written-By β Harlan Howard
B6 Kentucky
Vocals β Artie MacLaren
Lead Guitar β Mickey McGivern
Steel Guitar β Bob Lucier
Rhythm Guitar β George Pasher
Piano β Rick Lamoureux
Drums β Tony DiMaria
Bass [Base] β Bill Gibbs
Producer, A&R [Direction] β Ben Weatherby
Record Company β Arc Sound Ltd.
Notes
A product of Arc Sound Ltd., Toronto, Ont.
Ring of Fire is a song written by June Carter Cash and Merle Kilgore and popularized by Johnny Cash in 1963.
The single appears on Cashs 1963 album, Ring of Fire: The Best of Johnny Cash.
The song was originally recorded by Junes sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as (Loves) Ring of Fire.
Ring of Fire was ranked No.4 on CMTs 100 Greatest Songs of Country Music in 2003 and No.87 on Rolling Stones list of The 500 Greatest Songs of All Time.
In June 2014, Rolling Stone ranked the song No.27 on its list of the 100 greatest country songs of all time.
The song was recorded on March 25, 1963, and became one of the biggest hits of Cashs career, staying at number one on the country chart for seven weeks.
It was certified gold on January 21, 2010, by the RIAA and has also sold over 1.2 million digital downloads.
Conception
Some sources claim that Carter had seen the phrase Love is like a burning ring of fire, underlined in an Elizabethan poetry book owned by her uncle A. P. Carter.
She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. She had written: There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns.
The song was originally recorded by Junes sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as (Loves) Ring of Fire.
Mercury released Anitas version as a single and it was a featured pick hit in Billboard magazine. After hearing Anitas version, Cash claimed he had a dream where he heard the song accompanied by Mexican horns. Cash said, [...] Ill give you about five or six more months, and if you dont hit with it, Im gonna record it the way I feel it.
Cash noted that adding trumpets was a change to his basic sound.
When the song failed to become a major hit for Anita, Cash recorded it his own way, adding the mariachi-style horns from his dream. This sound was later used in the song It Aint Me Babe, which was recorded around the same time. Mother Maybelle and the Carter sisters are prominently featured in the Cash recording singing harmony. Cash tinkered with a few of the original phrases in Anita Carters version of the song. Cashs daughter Rosanne Cash said, The song is about the transformative power of love and thats what it has always meant to me and thats what it will always mean to the Cash children.
Cashs first wife Vivian Cash (Liberto) states in her autobiography: One day in early 1963, while gardening in the yard, Johnny told me about a song he had just written with Merle Kilgore and Curly while out fishing on Lake Casitas. Iβm gonna give June half credit on a song I just wrote, Johnny said. Itβs called Ring of Fire. Why? I asked, wiping dirt from my hands. The mere mention of her name annoyed me. I was sick of hearing about her. She needs the money, he said, avoiding my stare. And I feel sorry for her. Vivian Cash also states: To this day, it confounds me to hear the elaborate details June told of writing that song for Johnny. She didnβt write that song any more than I did. The truth is, Johnny wrote that song, while pilled up and drunk, about a certain private female body part. All those years of her claiming she wrote it herself, and she probably never knew what the song was really about.
#countrymusic Artie MacLaren And The Mustangs - Ring Of Fire (Anita Carter / Johnny Cash Cover)](https://i.ytimg.com/vi/TX8exmiy43s/mqdefault.jpg)