Uploaded April 2025 | Updated September 2026, 2 weeks ago
From '' Fast And Furious ''
Label: Drink N Drive Records – DND080
Format: CD, Album
Country: US
Released: 2025
Tracklist
01. (Didn't Get) High With Willie Nelson
02. Die In That Trailer
03. A Forest
04. Detroit Over Houston
05. Runs Dry
06. Further Down The Line
07. California
08. Hey Bartender
09. On the Rocks
10. Nicky Done Got A Secret
11. Slip Into Heaven
12. Polaroid
13. Down In The Dust
℗ 2025 Whiskey Daredevils
💿 [SONG INFO]
"A Forest" is a song by the English rock band the Cure.
Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album Seventeen Seconds on 8 April 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Top of the Pops programme on 24 April 1980.
Recorded and mixed over seven days, along with the rest of the songs from the album, "A Forest" is representative of The Cure's 1980s gothic rock phase. The song has featured on the band's set lists for many years. Several versions have appeared on concert albums, and it was re-recorded, then subsequently remixed and released as a single from Mixed Up in 1990.
Background and recording
Mike Hedges co-produced the album Seventeen Seconds as well as "A Forest" with The Cure's Robert Smith. Hedges had first worked with the band on the track "Killing an Arab." Interviewed in 2004, he did not recall any demos existing for Seventeen Seconds; the band generally played the track in the studio before laying down a backing track to which overdubs were added. At the time of the recording of the album, bass guitarist Simon Gallup and keyboardist Matthieu Hartley had been added to the band's lineup. Gallup had replaced Michael Dempsey, who had departed to join The Associates. Gallup and Hartley joined remaining Cure members Smith (vocals, guitar) and Lol Tolhurst (drums) in late 1979 during the group's Future Pastimes tour, on which "A Forest" was one of the new songs added to their set list.
Due to budgetary restraints, Seventeen Seconds was recorded and mixed in seven days on a budget of between £2,000 and £3,000, which resulted in the band working 16 or 17 hours a day to complete the album. Hedges and Robert Smith knew the song would take more work to complete than other songs on the album, and would require more overdubs. The song was one of the last tracks recorded; the backing tracks were recorded first, followed by touch-ups to the individual parts, then Smith's vocals.
Fiction Records owner Chris Parry told Smith that the song had the potential to be a hit if they made it sound "radio-friendly", but Smith refused, stating the way the track sounded was the sound he envisioned in his head. Work on mixing "A Forest" took up much of the final day of sessions for the album.
Release and promotion
"A Forest" was released as a single on 8 April 1980. Its B-side was "Another Journey by Train," an instrumental remake of The Cure's "Jumping Someone Else's Train." The single received a mixed critical reception, though commercially its sales were an improvement for the band.
Entering the chart on 12 April, it spent eight weeks in the UK Singles Chart, peaking at No. 31 on 17 May.
It was the highest they had placed on the chart by that point in their career.
In the United States, the song reached No. 47 on the Billboard Dance Music/Club Play Singles chart.
The version included on 1986 compilation Standing on a Beach/Staring at the Sea is neither the album version (which was also on the 12" single) nor the 7" single edit (which removes a few bars between verses and fades out part-way through the guitar solo ending).
Legacy
"A Forest" has become the song most performed by the Cure, with over 1,000 live appearances.
The song was featured in the 2006 Rockstar Games video game Grand Theft Auto: Vice City Stories, which is set in 1984 and is a prequel to 2002's Grand Theft Auto: Vice City, set in 1986; in Vice City Stories, the song can be heard on the in-game new wave radio station "The Wave 103".
🔗 [LINKS]
Whiskey Daredevils' Official Page:
whiskeydaredevils.com/news
bandcamp:
whiskeydaredevils.bandcamp.com/music
and Facebook:
facebook.com/profile.php?id=100050469905436
Available on bandcamp:
whiskeydaredevils.bandcamp.com/album/fast-and-furious
#rockabilly
#rockabillycover
From '' Fast And Furious ''
Label: Drink N Drive Records – DND080
Format: CD, Album
Country: US
Released: 2025
Tracklist
01. (Didn't Get) High With Willie Nelson
02. Die In That Trailer
03. A Forest
04. Detroit Over Houston
05. Runs Dry
06. Further Down The Line
07. California
08. Hey Bartender
09. On the Rocks
10. Nicky Done Got A Secret
11. Slip Into Heaven
12. Polaroid
13. Down In The Dust
℗ 2025 Whiskey Daredevils
💿 [SONG INFO]
"A Forest" is a song by the English rock band the Cure.
Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album Seventeen Seconds on 8 April 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Top of the Pops programme on 24 April 1980.
Recorded and mixed over seven days, along with the rest of the songs from the album, "A Forest" is representative of The Cure's 1980s gothic rock phase. The song has featured on the band's set lists for many years. Several versions have appeared on concert albums, and it was re-recorded, then subsequently remixed and released as a single from Mixed Up in 1990.
Background and recording
Mike Hedges co-produced the album Seventeen Seconds as well as "A Forest" with The Cure's Robert Smith. Hedges had first worked with the band on the track "Killing an Arab." Interviewed in 2004, he did not recall any demos existing for Seventeen Seconds; the band generally played the track in the studio before laying down a backing track to which overdubs were added. At the time of the recording of the album, bass guitarist Simon Gallup and keyboardist Matthieu Hartley had been added to the band's lineup. Gallup had replaced Michael Dempsey, who had departed to join The Associates. Gallup and Hartley joined remaining Cure members Smith (vocals, guitar) and Lol Tolhurst (drums) in late 1979 during the group's Future Pastimes tour, on which "A Forest" was one of the new songs added to their set list.
Due to budgetary restraints, Seventeen Seconds was recorded and mixed in seven days on a budget of between £2,000 and £3,000, which resulted in the band working 16 or 17 hours a day to complete the album. Hedges and Robert Smith knew the song would take more work to complete than other songs on the album, and would require more overdubs. The song was one of the last tracks recorded; the backing tracks were recorded first, followed by touch-ups to the individual parts, then Smith's vocals.
Fiction Records owner Chris Parry told Smith that the song had the potential to be a hit if they made it sound "radio-friendly", but Smith refused, stating the way the track sounded was the sound he envisioned in his head. Work on mixing "A Forest" took up much of the final day of sessions for the album.
Release and promotion
"A Forest" was released as a single on 8 April 1980. Its B-side was "Another Journey by Train," an instrumental remake of The Cure's "Jumping Someone Else's Train." The single received a mixed critical reception, though commercially its sales were an improvement for the band.
Entering the chart on 12 April, it spent eight weeks in the UK Singles Chart, peaking at No. 31 on 17 May.
It was the highest they had placed on the chart by that point in their career.
In the United States, the song reached No. 47 on the Billboard Dance Music/Club Play Singles chart.
The version included on 1986 compilation Standing on a Beach/Staring at the Sea is neither the album version (which was also on the 12" single) nor the 7" single edit (which removes a few bars between verses and fades out part-way through the guitar solo ending).
Legacy
"A Forest" has become the song most performed by the Cure, with over 1,000 live appearances.
The song was featured in the 2006 Rockstar Games video game Grand Theft Auto: Vice City Stories, which is set in 1984 and is a prequel to 2002's Grand Theft Auto: Vice City, set in 1986; in Vice City Stories, the song can be heard on the in-game new wave radio station "The Wave 103".
🔗 [LINKS]
Whiskey Daredevils' Official Page:
whiskeydaredevils.com/news
bandcamp:
whiskeydaredevils.bandcamp.com/music
and Facebook:
facebook.com/profile.php?id=100050469905436
Available on bandcamp:
whiskeydaredevils.bandcamp.com/album/fast-and-furious
#rockabilly
#rockabillycover
![Cowtown - Mr. Tambourine Man (Bob Dylan Cover)
From Swamp Land In Heaven
Label: Cowtown – none
Format: Cassette, C62
Country: US
Released: 1988
Tracklist
This Side
A1 Can You Please Lend Me Your Crystal Ball?
A2 Everything Goes
A3 Swamp Land In Heaven
A4 I Want To Be A Yuppie
A5 Wholl Stop The Rain?
Featuring [With] – Walls Of Genius
Written-By – John Fogerty
Udder Side
B1 Denver (Deffer n Duller)
B2 The Stone Woman
B3 Tribute To Led Zeppelin
B4 Spank!
Featuring [With] – Walls Of Genius
B5 Mr. Tambourine Man
Featuring [With] – Walls Of Genius
Written-By – Bob Dylan
Notes
Recorded in Boulder, Colorado Feb-March, 1988 except A5 and B4, B5 with W.O.G. summer 1985.
Although this contains only approx. 40 minutes of music it was copied on a C62 white body cassette with hand-painted and -written stickers.
Released in a double-sided photocopied (on yellow paper) j-card with inner flap.
All compositions © 1988 Peter Tonks except where noted.
Copyright © – Peter Tonks
Mr. Tambourine Man is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home.
The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their first album, Mr. Tambourine Man.
The Byrds recording of the song was influential in initiating the musical subgenre of folk rock, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the singles success.
This song has been covered by many artists, including Judy Collins, Odetta, Melanie, and William Shatner.
The songs popularity led to Dylan recording it live many times, and it has been included in multiple Dylan and Byrds compilation albums.
It has been translated into other languages, and has been used or referenced in television shows, films and books.
The song has a bright, expansive melody and has become famous in particular for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini.
The lyrics call on the title character to play a song and the narrator will follow.
Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singers muse, a reflection of the audiences demands on the singer, and religious interpretations.
Dylan sings the song in four verses, of which The Byrds used only the second for their recording.
Dylans and The Byrds versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stones list of the 500 best songs ever. Both versions also received Grammy Hall of Fame Awards.
Legacy
The Byrds version of Mr. Tambourine Man was listed as the number 79 song on Rolling Stones list of the 500 Greatest Songs of All Time, and Dylans version was ranked number 106.
It is one of three songs to place twice, along with Walk This Way by both Aerosmith and Run-DMC with Perry and Tyler, and Blue Suede Shoes by both Carl Perkins and Elvis Presley.
The Byrds version was honored with a Grammy Hall of Fame Award in 1998, and Dylans version was honored with the same award in 2002.
In 1989 Rolling Stone ranked The Byrds version of Mr. Tambourine Man as the number 86 single of the prior 25 years.
That same year, music critic Dave Marsh listed it as number 207 in his list of the top 1001 singles ever made.
In 1999, National Public Radio in the United States listed this version as one of the 300 most important American records of the 20th century.
In the UK, music critic Colin Larkin listed The Byrds version as the number 1 single of all time.
Other UK publishers that have listed this song as one of the top songs or singles include Mojo, New Musical Express, and Sounds.
Australian music critic Toby Creswell included the song in his book 1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them.
In a 2005 readers poll reported in Mojo, Dylans version of Mr. Tambourine Man was listed as the number 4 all-time greatest Bob Dylan song, and a similar poll of artists ranked the song number 14.
In 2002, Uncut listed it as the number 15 all-time Dylan song.
More info about the song on wikipedia ~
http://en.wikipedia.org/wiki/Mr._Tambourine_Man
#experimentalmusic
#folkrock
#psychedelicrock
#indierock
📜 [PUBLISHING & PERMISSIONS]
Copyright music and lyrics reproduced by kind permission of Special Rider – for original, exclusive performances by Bob Dylan, check-out the official channel at https://www.youtube.com/BobDylan Cowtown - Mr. Tambourine Man (Bob Dylan Cover)](https://i.ytimg.com/vi/UFuxumjnV3A/mqdefault.jpg)
![Detroit Featuring Mitch Ryder - Rock N Roll (The Velvet Underground Cover)
From Rock N Roll / Box Of Old Roses
Label: Paramount Records – PAA-0133
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: Dec 1971
Tracklist
A Rock N Roll
Written-By – Lou Reed
B Box Of Old Roses
Written-By – W. R. Cooke
Producer – Bob Ezrin
© 2005 Warner Strategic Marketing
℗ 2005 Warner Strategic Marketing
💿 [SONG INFO]
Rock & Roll (sometimes spelled Rock n Roll) is a song by the Velvet Underground, originally appearing on their 1970 album Loaded.
The song was written by the Velvets leader Lou Reed, who continued to incorporate the song into his own live performances years later as a solo artist.
The song recounts the advent of rock and roll music, telling the story of a girl named Jenny whose ...life was saved by rock n roll.
In the liner notes to the Velvet Undergrounds box set Peel Slowly and See, Lou Reed wrote, Rock and Roll is about me. If I hadnt heard rock and roll on the radio, I would have had no idea there was life on this planet. Which would have been devastating - to think that everything, everywhere was like it was where I come from. That would have been profoundly discouraging. Movies didnt do it for me. TV didnt do it for me. It was the radio that did it.
The song also appears on the albums 1969: The Velvet Underground Live; Live MCMXCIII; Loaded: Fully Loaded Edition; American Poet; Another View; Rock n Roll Animal; Live in Italy; Rock and Roll: an Introduction to The Velvet Underground.; Rock and Roll Diary: 1967–1980.
Notable covers and pop culture uses
Rock & Roll has appeared in a number of films, including A Guide to Recognizing Your Saints, Rock n Roll High School and SLC Punk!
A clip of the Velvet Underground performing the song is played on completion of the Rock & Roll wonder in Civilization IV.
In addition, the quote about researching the technology Radio, read by Leonard Nimoy, is ...then one fine morning she puts on a New York station.... You know, her life was saved by rock & roll. The quote is credited to Lou Reed.
Mitch Ryders band Detroit, which featured Lou Reeds future guitarist Steve Hunter, performed one of the first cover versions of the song in 1971, changing the lyric New York station to Detroit station.
Other artists to cover the song include The Runaways, changing the aforementioned lyric to L.A. station.
The band Janes Addiction, though also from Los Angeles, uses Reeds original New York station in its cover version of the song.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/2xwmCqhDRnKs6V0RA6jJ3l
and Apple Music:
https://music.apple.com/gb/song/rock-n-roll/972728020 Detroit Featuring Mitch Ryder - Rock N Roll (The Velvet Underground Cover)](https://i.ytimg.com/vi/UHrG1WL04qI/mqdefault.jpg)
![Jeddah - Eleanor Rigby (NWOBHM/Metal, The Beatles Cover)
From Eleanor Rigby / Ghosts
Label: Death Records – RIP 2001
Format: Vinyl, 7, 45 RPM, Single
Country: UK
Released: 1983
Tracklist
A Eleanor Rigby
Written-By – Lennon-McCartney
B Ghosts (Never Leave You Behind)
Written-By – Jeddah
Lead Vocals [Lead Screamer] – Dean Salonga
Lead Guitar – Dave Cooke, Quirk
Drums – Paul Cooke, Ron Emms
Bass – El Sid
Engineer – Bill Buchanan, Brian Pugsley
Engineered At – Wave Studios
Notes
A NWOBHM (New Wave of British Heavy Metal) version!
🎵 [SONG INFO]
Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver.
It was also issued on a double A-side single, paired with Yellow Submarine.
Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship.
Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartneys claim to authorship.
Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band, with a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness.
It broke sharply with popular music conventions, both musically and lyrically.
The song topped singles charts in Australia, Belgium, Canada, and New Zealand.
Background and inspiration
Paul McCartney came up with the melody for Eleanor Rigby as he experimented on his piano.
Donovan recalled hearing McCartney play an early version of the song on guitar, where the character was named Ola Na Tungee. At this point, the song reflected an Indian musical influence and its lyrics alluded to drug use, with references to blowing his mind in the dark and a pipe full of clay.
The name of the protagonist that McCartney initially chose was not Eleanor Rigby, but Miss Daisy Hawkins.
In 1966, McCartney told Sunday Times journalist Hunter Davies how he got the idea for his song:
The first few bars just came to me. And I got this name in my head – Daisy Hawkins picks up the rice in the church where a wedding has been. I dont know why ... I couldnt think of much more so I put it away for a day. Then the name Father McCartney came to me – and all the lonely people. But I thought people would think it was supposed to be my dad, sitting knitting his socks. Dads a happy lad. So I went through the telephone book and I got the name McKenzie.
McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vics production of The Happiest Days of Your Life in January 1966.
He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. Eleanor Rigby sounded natural.
In an October 2021 article in The New Yorker, McCartney wrote that his inspiration for Eleanor Rigby was an old lady who lived alone and whom he got to know very well. He would go shopping for her and sit in her kitchen listening to stories and her crystal radio set. McCartney said, just hearing her stories enriched my soul and influenced the songs I would later write.
more info here:https://en.wikipedia.org/wiki/Eleanor_Rigby
#jeddah
#eleanorrigby
#nwobhm
#metal
#thebeatlescover Jeddah - Eleanor Rigby (NWOBHM/Metal, The Beatles Cover)](https://i.ytimg.com/vi/UnlGzmY80zk/mqdefault.jpg)
![Graham James - Malagueña (Folk, Ernesto Lecuona)
From What Is Me
Label: Rene Records – R-1141
Format: Vinyl, LP
Country: US
Released: 1974
Tracklist
A1 What Is Me
A2 The Superlative Life Is Free
A3 Lamora
A4 Unknown/Unnamed
A5 Love Is The Answer
B1 Obese Mama
B2 Take Me Home Little Mama
B3 Because Its Not An Easy Thing
B4 It Takes A Lot To Laugh, It Takes A Train To Cry
B5 Malaquena
Notes
Artists real name was James (Jim) Graham. He flipped it for a stage name.
🎵 [SONG INFO]
Malagueña is a song by Cuban composer Ernesto Lecuona.
It was originally the sixth movement of Lecuonas Suite Andalucía (1933), to which he added lyrics in Spanish.
The song has since become a popular, jazz, marching band, and drum and bugle corps standard and has been provided with lyrics in several languages. In general terms, malagueñas are flamenco dance styles with pasodoble elements from Málaga, in the southeast of Spain.
Origins
The melodic themes which form the basis of Malagueña were not of Ernesto Lecuonas invention, having been prominent in Spanish folk songs named malagueñas for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition Souvenirs dAndalousie (English: Memories of Andalusia).
The malagueña originates in the fandango style of Málaga, hence its name. It was also exported to the Canary Islands around the 18th century by Spanish mariners, where it has developed its own separate identity as the malagueña canaria, with a distinct style for different islands ranging from variations similar to the original fandango, to slower and more lamenting melodies such as those from the island of Tenerife. On the island of Fuerteventura the malagueña de los novios (English: of the bride and groom) is played at weddings in honour of the nuptials, and is much more elegant.
Notable vocal performances
A German-language version, sung by Caterina Valente, with Werner Müllers orchestra, was very popular in the United States (not making the Billboard chart, but charting on Cashbox, peaking at No. 42) in February 1955. Valente also sang Malagueña in Spanish.
English lyrics were written by Marian Banks and a later charting version was recorded by Connie Francis in 1960 that reached No. 42 on Billboards chart as the flip-side of her No. 1 pop hit My Heart Has a Mind of Its Own, which were included on her 1961 compilation album More Greatest Hits.
In 1962, Violetta Villas recorded Malagueña in German- and Polish-language versions. Singers Vigen Derderian and Googoosh adapted the song for Iranian pop.
Notable instrumental performances
Lecuonas Malagueña was recorded by the composer as a piano solo on the 1955 RCA Victor LP Lecuona Plays Lecuona. The recording is available on RCA/BMG CD compilations and reissues.
As a pianist, Stan Kenton first had the piece arranged for the Sketches on Standards LP in 1956, which mostly went unnoticed at that time. After the 1960 Connie Francis version, Bill Holmans 1961 arrangement for the Stan Kenton Orchestra re-imagined the song again as a fiery big band showpiece, with an even larger orchestra. Performances of this arrangement appeared on Kentons 1962 Grammy Award-winning album Adventures In Jazz and on the 1962 American TV show Jazz Scene USA.
Marco Rizos solo piano performance of Malagueña can be found in Lecuona, a Musical Legacy. Rizo, who in 1938 became the official pianist of the Havana Philharmonic, performed under the direction of Maestro Ernesto Lecuona and gave duo piano recitals with Lecuona in 1939.
Sabicas adapted it for flamenco-style guitar, and it was included on his 1957 album, Sabicas Vol. 2, on Elektra Records. This recording was influential in the piece becoming a guitar standard, even though it was originally written for piano.
An acoustic instrumental demo of Malagueña was performed by Ritchie Valens and recorded in early 1959 at his manager Bob Keanes home studio. It was to have been worked on and completed later that year, but Valens died in a plane crash on February 3 before anything further could be done. About two years later, Keane chose Valens demo as one of several unfinished tracks featured on the album Ritchie Valens in Concert at Pacoima Jr. High. Other artists as varied as Chet Atkins, Count Basie, Roy Clark, Ray Conniff, Xavier Cugat, Esquivel, Connie Francis, Ted Heath and Chico OFarrill have also performed the piece.
#acoustic
#acousticguitar
#acousticcover
#acousticmusic Graham James - Malagueña (Folk, Ernesto Lecuona)](https://i.ytimg.com/vi/Uz3iSr59NNc/mqdefault.jpg)
![گروه تکخالها - Play with Fire (The Rolling Stones Cover)
From باران بارانه - Play With Fire - مستوم مستوم - دختر دریا
Label: Ahang Rooz – AR-2094
Format: Vinyl, 7
Country: Iran
A1 باران بارانه
A2 Play With Fire
B1 دختر دریا
B2 مستوم مستوم
Arranged By – گروه تکخالها
Vocals – بهرام
Notes
Takhala ha Band (Takkhalha) was a 1960s Iranian garage band.
© 2024 Saeed
℗ 2024 Saeed
💿 [SONG INFO]
Play with Fire is a song by English rock and roll band The Rolling Stones, originally released as B-side to the song The Last Time.
It was later included on the American release of their 1965 album Out of Our Heads.
Play with Fire is credited to Nanker Phelge, a pseudonym used when tracks were composed by the entire band, even though lead singer Mick Jagger and guitarist Keith Richards are the only Rolling Stones to appear on the track.
The song was recorded late one night in January 1965 while the Stones were in Los Angeles recording with Phil Spector at the RCA Studios.
Richards performed the songs acoustic guitar opening while Jagger handled vocals and tambourine (enhanced using an echo chamber).
Spector played bass (actually a tuned-down electric guitar), and Jack Nitzsche provided the songs distinctive harpsichord arrangement and tamtams. The Stones left for a tour of Australia the following day.
The songs lyrics talk of the singers relationship with a high society girl, disparaging the lifestyle much in the same way that 19th Nervous Breakdown would in a more up-tempo feel.
In a 1995 interview with Jann Wenner for Rolling Stone entitled Jagger Remembers, Jagger said, Play with Fire sounds amazing—when I heard it last.
I mean, its a very in-your-face kind of sound and very clearly done.
You can hear all the vocal stuff on it.
And Im playing the tambourines, the vocal line. You know, its very pretty.
An unreleased version of the song, entitled Mess with Fire, was also recorded.
It featured a much more upbeat, soul-oriented feel.
Play with Fire was the b-side to The Last Time and went to no.96 on the US chart.
It was also featured on the US version of Big Hits (High Tide and Green Grass) (1966), Hot Rocks (1971) and Singles Collection: The London Years.
The song was performed in concert during the Rolling Stones tours of 1965 and 1966, and was revived on their 1989-1990 Steel Wheels/Urban Jungle Tour.
An extended live version can be found on the 1974 release Live n Kickin by West, Bruce and Laing.
Play with Fire was featured in the 2007 film The Darjeeling Limited, directed by Wes Anderson; it also appears on the soundtrack album.
In July 2008, Play with Fire became the subject of a lawsuit when ABKCO Music Inc., which owns the rights to the Rolling Stones early catalogue, filed a suit against Lil Wayne, asserting that the rappers song Playing With Fire is based on the Rolling Stones song.
In May 2011, Play with Fire was featured prominently in the season 6 finale of the show Supernatural.
Legacy
Dick Taylor, an early bass guitarist for the Stones, covered Play with Fire as a member of The Pretty Things on their 1999 album, Rage...Before Beauty.
Govt Mule covered Play with Fire in a reggae style on their 2007 album Mighty High and directly reference the Rolling Stones 1965 version in the intro.
Play with Fire was covered by Dum Dum Girls in 2009 as a B-Side to the Jail La La single and as a Japanese bonus track for their debut album I Will Be.
Jonee Earthquake Band have made this a regular part of their act, usually closing with it. They play it in a much faster punk rock style.
Tír na nÓg conceived an acoustic folk version of the song with a guitar/violin arrangement that they played live on their 2010 album Live at Sirius.
🔗 [LINKS]
Available on Deezer:
https://www.deezer.com/en/album/641192641 گروه تکخالها - Play with Fire (The Rolling Stones Cover)](https://i.ytimg.com/vi/V792RakK95A/mqdefault.jpg)
![Agitpop - Funky Town (Lipps Inc. Cover)
From The Comm3 Sessions
Label: Community 3 – C3-2090
Format: CD, Compilation
Country: US
Released: 1990
Tracklist
Back At The Plain Of Jars
01. Caught In Your Rain
02. Five Day Forecast
03. Farm Without A Phone
04. Statement From A Dead Passer By
05. Not Another Surprise
06. Backwards
07. What Am I To You?
08. More Than I Could Ask For
09. Martha
10. The Message From The Tundra
11. What Is It About
12. Ode To Mr. Average
13. His Worst Movie Ever
14. Snowdrift Over 4 Feet Tall
Feast Of The Sunfish
15. Problems Respond
16. Icicles
17. On The Hudson
18. Ability Dream
19. Reasons Of State
20. Loaded With Blanks
21. Astronauts, Cosmonauts
22. There Are Really Not...
23. Eskimo Kiss
24. Desk Set
25. Standards For Living
26. The Co-Existence
Bonus Tracks
27. Dictionary
28. Funky Town
Engineer – Albert Garzon (tracks: 15, 16, 18 to 22, 24, 25), Geoff Keehn (tracks: 1 to 14, 17, 23, 26 to 28)
Mastered By – Scott Hull
Producer – Albert Garzon
Nots
This CD combines the first two LPs and a pair of bonus tracks.
© 2016 Community 3
℗ 2016 Community 3
💿 [SONG INFO]
Funkytown is a song by the band Lipps Inc., with Cynthia Johnson as lead singer.
It appears on their 1979 debut album, Mouth to Mouth, and was released as a single in March 1980.
Written by Steven Greenberg, the song expresses the singers pining for a metaphorical place that will keep me movin, keep me groovin with some energy.
It was written while the band lived in Minneapolis, Minnesota with dreams of moving to New York.
It entered the Billboard Hot 100 on March 29, 1980 and spent four weeks at no. 1, beginning May 31. It also hit no. 1 on the Dance chart in the spring of 1980.
The single held a unique record for reaching number one in 28 countries, more than any other single release until Madonnas Hung Up hit number one in 41 countries in 2005.
It reached the top spot in the United States, Germany, Austria, Switzerland, Norway, The Netherlands, and Australia, among many others.
It also reached no. 2 in the United Kingdom, Sweden, and on the US R&B chart. Funkytown is often considered to be one of the last massive hits of the disco genre.
The song was Lipps Incs only US Top 40 hit.
In popular culture
TV shows
In the Futurama episode Amazon Women in the Mood, Morbo sings Funkytown for a karaoke performance in a restaurant aboard a space liner.
The song is referenced in The Simpsons episode Colonel Homer when Homer tells country singer Lurleen Lumpkin: I cant get your song out of my mind. I havent felt this way since Funky Town.
The song was also featured in the 229´s episode of the hit TV sitcom Friends (The One Where the Stripper Cries, season 10, episode 11).
In the South Park episode Towelie, Towelie played the tune to Funkytown on the keypad to get into a secret base after getting high.
Movies
The song is featured in several the films, among them:
Shrek 2,
Disaster Movie,
History of the World,
Part I and Alvin and the Chipmunks,
Contact,
The Dictator,
Selena,
Hollywood Homicide,
Revenge of the Nerds 2, amongst others.
Video games
The song is featured in the video games Dance Dance Revolution SuperNova, the US version of Beatmania, March Madness (2006) and Rayman Raving Rabbids 2.
Funkytown was also used in the video game for the movie Shrek 2.
The song as performed by Lipps Inc. also appears on the soundtrack of the 2010 video game Dance Central.
Miscellaneous
The 1980s version by Lipps Inc. is the official song for the Yahoo “Lung Cancer Support Family” Group.
The main riff in the song is reminiscent of 1971s The Changeling by The Doors.
Cover versions
n 1986, Funkytown was covered by Australian band Pseudo Echo.
Pseudo Echos version spent seven weeks at no. 1 in Australia (Lipps Inc.s was at no. 1 for only two weeks in Australia), and was also a no. 6 US hit in July of the following year, and in August a no. 1 hit in Canada. Despite Pseudo Echos rock-like arrangement, on the 12 single issue of this version, the song is labelled as Funkytown (Dance Mix).
In 1980, it was covered by the Spanish group Parchís.
The same year, Swedish group Flamingokvintetten covered the song.
In 1981, it was included by SNK in their licensed game Fantasy, released by Rock-Ola.
In 1984, the British post-punk band The 012 covered it at about double the original speed on rock instruments, under the title Funkytown People, on their album Lets Get Professional.
After The 012 split up, Dobson formed World Domination Enterprises, and re-recorded the song under its proper title for their 1988 album Lets Play Domination.
🔗 [LINKS]
https://www.twintonedigital.com/agitpop
Available on Spotify:
https://open.spotify.com/album/4iiupKcjE9zNK5o5WnZPH5
Apple Music:
https://music.apple.com/us/album/the-comm3-sessions/1097285157
Deezer:
https://www.deezer.com/us/album/12727080
and Amazon Music:
https://www.amazon.com/Comm3-Sessions-Agitpop/dp/B01DJPOPR6
#punkcover
#punkcovers
#alternativerock Agitpop - Funky Town (Lipps Inc. Cover)](https://i.ytimg.com/vi/VYrX5BbfPSM/mqdefault.jpg)

![Barbi And The Kens - Im Not Your Stepping Stone (Hi-NRG/Electro/Synth-Pop version)
From Mini LP
Label: O Records – OR 811, OR-811
Format: Vinyl, 7, 33 ⅓ RPM, Mini-Album
Country: US
Released: 1980
Tracklist
A1 Pay My Bills
A2 Uptown Downtown Cruising
B1 Just A Gigolo
B2 Im Not Your Stepping Stone
Vocals – Barbi Doll
Producer, Synthesizer – Klaus Voegel
Guitar [Spy] – Swing Kat Ken
Drums – Mod Top Ken
Backing Vocals [Back Up Voices] – Carol Ross, Harriet Vidal
Voice [Plastic Macho] – Bachleor Ken
Photography By – Jon Rynski
Artwork [Packaging], Creative Director – Hal Wilson
Other [Clothes] – O
Other [Hair, Make Up] – Roni
Other [Scenery] – Joyce
Executive-Producer – Bobby Orlando
Produced for O Records and Visuals.
Nots
Tracks A1, A2 published by Intersong Music.
Track B1 published by O Music.
Track B2 published by Screen Gems Music.
Record Company – O Records & Visuals
Copyright © – O Records & Visuals
© 1980 O Records and Visuals
🎵 [SONG INFO]
(Im Not Your) Steppin Stone is a rock song written by Tommy Boyce and Bobby Hart.
It was first recorded by the English band the Liverpool Five in early 1966 but remained unreleased before summer of that same year.
In the meantime, the American band Paul Revere & the Raiders recorded the song which appeared on their album Midnight Ride, released in May 1966.
The song is simple musically, with a repeating verse chord progression of E major, G major, A major, and C major, and a repeating bridge in cut time of E major, G major, A major, and G major.
Monkees version
(Im Not Your) Steppin Stone is best known as a hit for the Monkees. Released in November 1966, the song became the first Monkees B-side to chart, reaching no.20 on the Billboard Hot 100.
Musicians featured on the recording are Micky Dolenz (lead vocal), Tommy Boyce (backing vocal), Wayne Erwin and Gerry McGee (rhythm guitar), Louis Shelton (lead guitar), Bobby Hart (Vox Continental organ), Larry Taylor (bass), Billy Lewis (drums) and Henry Lewy (percussion).
The single, stereo album, and mono album versions contain several differences.
In the stereo version, the tracks title is sung just before the second verse, whereas on the single and mono album versions, this segment is left instrumental.
The stereo version has an edit in the fadeout , but the mono album version does not have this edit and therefore has a longer coda.
The single also does not have the edit, but it fades out earlier than does the mono album.
All Monkees hits compilations through the mid-1980s used the stereo version, and afterward typically used the single version.
The Monkees version is featured in the romp segments of several episodes of the groups television series.
It has also been heard in episodes of shows such as The Queens Gambit and Zoo.
Other versions
The song has been covered by many artists.
Among the more notable is Modern Rocketrys version in 1983, which reached number 7 on the U.S. Hot Dance/Disco chart, and PJ & Duncans version in 1996, which reached number 11 on the UK Singles Chart. A baggy version by The Farm was hugely popular in clubs in 1990 and eventually reached number 58 in the UK.
The punk bands the Sex Pistols, State of Alert, the Trashmen, the Queers, and Minor Threat have also recorded versions of the song.
It was also covered by Fereydoon Foroughi with Persian lyrics in a song titled Hoqqe (حقه), also known as Mashti Mashalla or Mashdi Mashalla.
#barbiandthekens
#steppingstone
#imnotyoursteppinstone
#hinrg
#synth Barbi And The Kens - Im Not Your Stepping Stone (Hi-NRG/Electro/Synth-Pop version)](https://i.ytimg.com/vi/Vt-4ZdHxY4o/mqdefault.jpg)
![The Zen Alligators - Just A Little Bit (Rosco Gordon Cover)
From Free Gift Inside
Label: AFG Records – AFG 001
Format: Vinyl, 7, Single, Limited Edition, Promo
Country: Ireland
Released: 1980
Tracklist
A1 Thrill Power/Having A Party
Written-By – Eamon Carr, Johnny Fean, Sam Cooke
B1 Just A Little Bit
Written-By – Del Gordon
Guitar, Vocals – Johnny Fean
Guitar – Philip Fay
Drums, Producer, Supervised By [Supervision] – Eamon Carr
Bass, Vocals – Gary Eglington
Booking [Booking Agent] – Sid Aughey
Producer – Kevin Moloney
Engineer – Steve Iredale
Photography By – Phil Sheehy
Sleeve [Slave Design] – Rapid Exteriors
Plated By – GERRY-O
Recorded At – Windmill Lane Studios
Published By – Emma Music
Published By – RCA
Published By – Conrad Music
Notes
Promo only freebie; as stated on back cover... a limited edition of a few hundred.... pressed.
Glossy front and back picture sleeve.
Some copies have original signatures of band members on the back cover.
On front cover, title is: FREE GIFT INSIDE
On labels, title is FREE GIFT
On back cover, SLEEVE DESIGN is misspelled as SLAVE DESIGN
Note that this release is by The Alligators ...they changed their name to either The Zen Alligators or Zen Alligators after this release.
🎵 [SONG INFO]
Just a Little Bit is an R&B-style blues song recorded by Rosco Gordon in 1959.
It was a hit in both the R&B and pop charts.
Called one of the standards of contemporary blues, Just a Little Bit has been recorded by various other artists, including Little Milton and Roy Head, who also had record chart successes with the song.
Background
Just a Little Bit was developed when Rosco Gordon was touring with West Coast blues artist Jimmy McCracklin.
According to Gordon, McCracklin started to write the song and agreed that Gordon could finish it, with both of them sharing the credit.
Gordon later presented a demo version to Ralph Bass at King Records, who was reportedly uninterested in the song.
Gordon then approached Calvin Carter at Vee-Jay Records, who agreed to record it.
Meanwhile, Federal Records, a King Records subsidiary, released a version of Just a Little Bit by R&B singer Tiny Topsy, with songwriting credit given to Ralph Bass and several others unknown to Gordon.
The Tiny Topsy song, featuring a pop-style arrangement with background singers and flute, did not reach the record charts.
Rosco Gordon song
Rosco Gordons Just a Little Bit was released in late 1959 and entered the Billboard R&B chart in February 1960.
An early review described the song as a rhymba [rhumba] blues, a reference to Gordons slightly shambolic, loping style of piano shuffle called Roscos Rhythm.
The original Vee-Jay single lists Gordon as the songwriter, although some later issues (and versions by other artists) list Bass and others as the writers.
Just a Little Bit was Rosco Gordons fourth (and last) single to enter the R&B chart, where it reached number two during a stay of seventeen weeks in 1960.
Just a Little Bit also appeared on Billboards Hot 100 at number 64, making it Gordons only song to enter the broader chart.
Renditions and influence
Several musicians have recorded Just a Little Bit.
In 1965, a version by American singer Roy Head reached numbers 39 on the Hot 100 and 18 on the Canadian singles chart.
When soul blues artist Little Milton recorded it in 1969, it peaked at number 13 on Billboards Hot R&B Sides chart and number 97 on the Hot 100.
According to music writer Steve Turner, the opening horn line of the original Roscoe Gordon version influenced Paul McCartney during the writing of the 1968 Beatles song Birthday.
#powerpop
#powerpopmusic
#powerpopcover The Zen Alligators - Just A Little Bit (Rosco Gordon Cover)](https://i.ytimg.com/vi/Vw6I0JIVgjM/mqdefault.jpg)
![Jack OFire - No Love Lost (Joy Division Cover)
From Bring Me The Head Of Jon Spencer
Label: Undone Records – UR-002
Format: Vinyl, 7, 33 ⅓ RPM
Country: US
Released: 1992
Tracklist
A Asked For Water
Written-By – Chester Burnett
B1 Meet Your Death
Written-By – Blind Willie McTell
B2 No Love Lost
Organ [Hammond] – Pepper Wilson
Written-By – Joy Division
Vocals, Harp – Walter Daniels
Guitar – Tim Kerr
Drums – Joshua Larue
Double Bass [Stand-up Bass] – Dean Gunderson
Photography – Kelly Von Plonski
Artwork [Label Design] – Dave Ficher
Sleeve Notes – Big Daddy Soul
Lacquer Cut At – K Disc Mastering
💿 [SONG INFO]
Joy Divisions No Love Lost is an early and significant track in their discography, showcasing their raw, developing sound.
Release History
First Official Release
No Love Lost was initially released on Joy Divisions debut EP, An Ideal for Living, which came out on June 3, 1978.
This EP was self-released by the band on their own Enigma Records label (7 version) and later on Anonymous Records (12 version).
It featured four songs: Warsaw, No Love Lost, Leaders of Men, and Failures.
Other Appearances
It has since been featured on various Joy Division compilation albums, most notably Substance (1988), which collects the bands non-album singles and EP tracks. This is often how new listeners discover the song.
Earlier Recording (Warsaw)
The song actually predates the official Joy Division releases. It was recorded when the band was still called Warsaw, in their 1977 demos.
Musical Style and Significance
Early Joy Division Sound
No Love Lost is a great example of Joy Divisions sound in their nascent stages, before the more refined production of Unknown Pleasures and Closer. It has a raw, energetic, and slightly punkier feel. Peter Hook, the bassist, even admitted that his guitar was out of tune on the initial recording, giving it a particular edge.
Post-Punk Blueprint
Despite its early nature, some argue it acts as an original schematic for Joy Divisions sound, showcasing the emerging post-punk elements that would define their later work.
Lyrical Content
While Joy Divisions lyrics are often open to interpretation, Ian Curtiss words in No Love Lost contribute to the bands characteristic themes of despair, inner turmoil, and alienation. Its less explicitly tied to his personal life than some of their later songs (like Love Will Tear Us Apart), but it certainly fits within the overall dark and introspective lyrical landscape of Joy Division.
In popular culture
The song was used in Anton Corbijns 2007 biopic Control, which depicted the life of Ian Curtis.
No Love Lost is a compelling track that offers a glimpse into the formative years of one of the most influential bands of the late 1970s.
🔗 [LINKS]
https://www.timkerr.net/discography_jackofire.htm
#lofi
#garagerock
#garagepunk Jack OFire - No Love Lost (Joy Division Cover)](https://i.ytimg.com/vi/WMasVlPf3ZQ/mqdefault.jpg)
![Adhi Mantra - Jealous Guy (in English and Indonesian, John Lennon) (Dangdut)
From John Lennon 10.3
Label: Swara Cipta Records – SCR-002
Format: Vinyl, 12, 33 ⅓ RPM, Promo
Country: Indonesia
Released: 1979
Tracklist
A1 John Lennon 10.3
Written By – Adhi Mantra
A2 Mari Berjoget
Written By – Adhi Mantra
A3 Imagine
Arranged By – Adhi Mantra
Written By, Composed By – John Lennon & Yoko Ono
A4 Angin Cinta
Written By – Adhi Mantra
A5 Selamat Tinggal
Written By – Adhi Mantra
B1 Teringat Selalu
Written By – Adhi Mantra
B2 Jealous Guy
Arranged By – Adhi Mantra
Written By – John Lennon
B3 Kamelia Cau
Written By – Adhi Mantra
B4 Oh My Love
Arranged By – Adhi Mantra
Written By, Composed By – John Lennon & Yoko Ono
B5 Mengapa
Written By – Adhi Mantra
🎵 [SONG INFO]
Jealous Guy is a song written and originally recorded by the English rock musician John Lennon from his second studio album Imagine (1971).
Not released as a single during Lennons lifetime, it became an international hit in a version by Roxy Music issued in early 1981; this version reached number one in the United Kingdom and Australia and was a top-10 hit in several European countries.
Lennons own version was subsequently issued as a single and charted in the United States and UK.
Lennon began writing the song in 1968, when, as Child of Nature, it was among the many songs demoed by the Beatles before they recorded their self-titled double album (also known as the White Album).
The lyrics were originally inspired by a lecture given by Maharishi Mahesh Yogi in early 1968, when the Beatles attended his spiritual retreat in Rishikesh, India.
In January 1969, the Beatles (primarily Lennon) jammed the song during their Get Back / Let It Be recording sessions, where it was referred to as On the Road to Marrakesh.
Origins
The songs inspiration came in India, after the Beatles attended a lecture by Maharishi Mahesh Yogi about a son of the mother nature. This inspired both Paul McCartney and John Lennon to write songs about the same subject. McCartneys composition, Mother Natures Son, was selected for The Beatles, but Lennon did not attempt to record Child of Nature during the sessions for the album. Both were demoed at George Harrisons Esher home in May 1968. The demo of Child of Nature featured Lennons double-tracked vocal and playing an acoustic guitar. Early the following year, Lennon revisited the song as On the Road to Marrakesh during the Get Back sessions. Eventually, the lyrics were scrapped and replaced by the now well-known Jealous Guy lyrics for Imagine.
Listening to the original Esher Demo, the song begins On the road to Rishikesh and mentions mountains. It is not referring to Marrakesh in Morocco, and there is no evidence Lennon ever visited there. In its rewritten form, the song serves as a confessional in which Lennon addresses the feelings of inadequacy that resulted in pain for those he loved.
Three recordings of Child of Nature are currently known. The first is a demo of the song recorded at the home of George Harrison in May 1968. The second, on which Harrison sings backing vocals, was recorded at Twickenham Film Studios on 2 January 1969. A third recording was made at the Beatles Apple Studio on 24 January. A snatch of the chorus from the second recording appears on the Fly on the Wall bonus disc packaged with Let It Be... Naked (2003). The first recording appears on the fiftieth anniversary release of The Beatles, which contains all of the demos recorded at Esher.
Recording
Lennon recorded Jealous Guy on 24 May 1971 at Ascot Sound Studios, where his vocals were overdubbed on 29 May 1971.
String overdubs took place on 4 July 1971 at the Record Plant, in New York City.
Musicians included Mike Pinder of the Moody Blues and Joey Molland and Tom Evans of Badfinger.
Nicky Hopkins plays the distinctive piano part that runs through the song. His performance drew praise from those attending the sessions, including Yoko Ono.
Release
Lennons recording of Jealous Guy was released on the Imagine album in 1971. It was not released as a single until November 1985, five years after Lennons murder and four-and-a-half years after Roxy Musics version was released. Accompanied on the B-side by Going Down on Love, a track from Walls and Bridges (1974), the single reached number 65 on the UK charts.
In the United States, the single reached number 80 on the Billboard Hot 100 in November 1988 in conjunction with the release of the documentary film Imagine: John Lennon.
Jealous Guy also peaked at number 22 on the Hot Adult Contemporary chart.
Other versions
Jealous Guy has been recorded by many musicians including Aslan,
Joe Cocker,
Roberto Bellarosa (2012),
Donny Hathaway,
Claudine Longet,
the Faces,
Frankie Miller,
Roxy Music,
Belinda Carlisle,
Hurray for the Riff Raff,
Peter Criss,
Elliott Smith,
Deftones,
Spector,
Yoko Miwa and the Weeknd.
Lou Reed
Jimmy Scott
Black Crowes
#adhimantra
#jealousguy
#dangdut
#johnlennoncover
#indonesiancover Adhi Mantra - Jealous Guy (in English and Indonesian, John Lennon) (Dangdut)](https://i.ytimg.com/vi/WQNUkCI7FWc/mqdefault.jpg)