Uploaded November 2025 | Updated September 2026, 2 weeks ago
Live cover of 'The Hanging Garden' by The Cure recorded on 1 September 2025 at Rock Supplies Amsterdam.
Released November 19, 2025.
Written by Smith/Gallup/Tolhurst.
Mixed by by Samy Benayad at Yellow Room Mixing.
Art direction by Blev Lavoux.
Photo credit: Lavoux.
Copyright Universal Music Mgb Songs o/b/o "Fiction Songs, Ltd."
------------------------
"The Hanging Garden" is a song by English rock band the Cure, released as the sole single from their fourth studio album, Pornography.
The release is sometimes referred to as A Single.
The single reached No. 34 on the UK Singles Chart.
Release
In addition to being issued as a 7-inch single with a live version of the Cure's earlier single "Killing an Arab" on the B-side, "The Hanging Garden" was also released in a deluxe edition known as A Single, formatted both as a gatefold double pack of 7-inch singles with a total of four tracks, and also as a 10-inch EP including a live recording of "Killing an Arab" and the studio version of "A Forest" from the group’s second album.
Music video
The video shows the band playing in the York House Gardens in London, England.
The band also wears masks, which is similar to the concept of the Pornography album.
Robert Smith recalled: "For the 'Hanging Garden' video we got two people who did Madness videos but it was a really awful video. They wanted to make us look serious and we wanted them to make us look like Madness".
The video was directed by Chris Gabrin.
Reception
At the time of its release, NME writer Adrian Thrills was not impressed with the single, writing, "The Cure have drifted disappointingly and indulgently from the idyllic pop invention of their younger days".
BBC Radio 1 DJ John Peel went on to include the song at No. 25 in his Festive Fifty list for 1982.
In a retrospective review for AllMusic, Stewart Mason wrote that the song was heavily influenced by Siouxsie and the Banshees. "The urgent, thundering drums that underpin 'The Hanging Garden' are clearly some sort of homage to Budgie, who provided very similar drum patterns to years' worth of Siouxsie & the Banshees songs. Similarly, Simon Gallup's bass borrows something from Steven Severin's insistent throb, and Smith's own guitar is primarily used for drones and ornamentation, much as it was in the Banshees".
Popular culture
The live music and art precinct in central Hobart, 'In the Hanging Garden', was named after the song.
Personnel
Robert Smith – Guitar, Keyboard, Vocals
Simon Gallup – Bass
Lol Tolhurst – Drums
------------------------
@HiddenSincetheFoundation
soundcloud.com/hiddensincethefoundation
facebook.com/HiddenSinceTheFoundationOfTheWorld
instagram.com/hiddensincethefoundation
https://linktr.ee/hiddensincethefoundation
Original video here:
youtube.com/watch?v=i38ViJBvZ5I
Available on bandcamp:
Live cover of 'The Hanging Garden' by The Cure recorded on 1 September 2025 at Rock Supplies Amsterdam.
Released November 19, 2025.
Written by Smith/Gallup/Tolhurst.
Mixed by by Samy Benayad at Yellow Room Mixing.
Art direction by Blev Lavoux.
Photo credit: Lavoux.
Copyright Universal Music Mgb Songs o/b/o "Fiction Songs, Ltd."
------------------------
"The Hanging Garden" is a song by English rock band the Cure, released as the sole single from their fourth studio album, Pornography.
The release is sometimes referred to as A Single.
The single reached No. 34 on the UK Singles Chart.
Release
In addition to being issued as a 7-inch single with a live version of the Cure's earlier single "Killing an Arab" on the B-side, "The Hanging Garden" was also released in a deluxe edition known as A Single, formatted both as a gatefold double pack of 7-inch singles with a total of four tracks, and also as a 10-inch EP including a live recording of "Killing an Arab" and the studio version of "A Forest" from the group’s second album.
Music video
The video shows the band playing in the York House Gardens in London, England.
The band also wears masks, which is similar to the concept of the Pornography album.
Robert Smith recalled: "For the 'Hanging Garden' video we got two people who did Madness videos but it was a really awful video. They wanted to make us look serious and we wanted them to make us look like Madness".
The video was directed by Chris Gabrin.
Reception
At the time of its release, NME writer Adrian Thrills was not impressed with the single, writing, "The Cure have drifted disappointingly and indulgently from the idyllic pop invention of their younger days".
BBC Radio 1 DJ John Peel went on to include the song at No. 25 in his Festive Fifty list for 1982.
In a retrospective review for AllMusic, Stewart Mason wrote that the song was heavily influenced by Siouxsie and the Banshees. "The urgent, thundering drums that underpin 'The Hanging Garden' are clearly some sort of homage to Budgie, who provided very similar drum patterns to years' worth of Siouxsie & the Banshees songs. Similarly, Simon Gallup's bass borrows something from Steven Severin's insistent throb, and Smith's own guitar is primarily used for drones and ornamentation, much as it was in the Banshees".
Popular culture
The live music and art precinct in central Hobart, 'In the Hanging Garden', was named after the song.
Personnel
Robert Smith – Guitar, Keyboard, Vocals
Simon Gallup – Bass
Lol Tolhurst – Drums
------------------------
@HiddenSincetheFoundation
soundcloud.com/hiddensincethefoundation
facebook.com/HiddenSinceTheFoundationOfTheWorld
instagram.com/hiddensincethefoundation
https://linktr.ee/hiddensincethefoundation
Original video here:
youtube.com/watch?v=i38ViJBvZ5I
Available on bandcamp:
![Barbi And The Kens - Im Not Your Stepping Stone (Hi-NRG/Electro/Synth-Pop version)
From Mini LP
Label: O Records – OR 811, OR-811
Format: Vinyl, 7, 33 ⅓ RPM, Mini-Album
Country: US
Released: 1980
Tracklist
A1 Pay My Bills
A2 Uptown Downtown Cruising
B1 Just A Gigolo
B2 Im Not Your Stepping Stone
Vocals – Barbi Doll
Producer, Synthesizer – Klaus Voegel
Guitar [Spy] – Swing Kat Ken
Drums – Mod Top Ken
Backing Vocals [Back Up Voices] – Carol Ross, Harriet Vidal
Voice [Plastic Macho] – Bachleor Ken
Photography By – Jon Rynski
Artwork [Packaging], Creative Director – Hal Wilson
Other [Clothes] – O
Other [Hair, Make Up] – Roni
Other [Scenery] – Joyce
Executive-Producer – Bobby Orlando
Produced for O Records and Visuals.
Nots
Tracks A1, A2 published by Intersong Music.
Track B1 published by O Music.
Track B2 published by Screen Gems Music.
Record Company – O Records & Visuals
Copyright © – O Records & Visuals
© 1980 O Records and Visuals
🎵 [SONG INFO]
(Im Not Your) Steppin Stone is a rock song written by Tommy Boyce and Bobby Hart.
It was first recorded by the English band the Liverpool Five in early 1966 but remained unreleased before summer of that same year.
In the meantime, the American band Paul Revere & the Raiders recorded the song which appeared on their album Midnight Ride, released in May 1966.
The song is simple musically, with a repeating verse chord progression of E major, G major, A major, and C major, and a repeating bridge in cut time of E major, G major, A major, and G major.
Monkees version
(Im Not Your) Steppin Stone is best known as a hit for the Monkees. Released in November 1966, the song became the first Monkees B-side to chart, reaching no.20 on the Billboard Hot 100.
Musicians featured on the recording are Micky Dolenz (lead vocal), Tommy Boyce (backing vocal), Wayne Erwin and Gerry McGee (rhythm guitar), Louis Shelton (lead guitar), Bobby Hart (Vox Continental organ), Larry Taylor (bass), Billy Lewis (drums) and Henry Lewy (percussion).
The single, stereo album, and mono album versions contain several differences.
In the stereo version, the tracks title is sung just before the second verse, whereas on the single and mono album versions, this segment is left instrumental.
The stereo version has an edit in the fadeout , but the mono album version does not have this edit and therefore has a longer coda.
The single also does not have the edit, but it fades out earlier than does the mono album.
All Monkees hits compilations through the mid-1980s used the stereo version, and afterward typically used the single version.
The Monkees version is featured in the romp segments of several episodes of the groups television series.
It has also been heard in episodes of shows such as The Queens Gambit and Zoo.
Other versions
The song has been covered by many artists.
Among the more notable is Modern Rocketrys version in 1983, which reached number 7 on the U.S. Hot Dance/Disco chart, and PJ & Duncans version in 1996, which reached number 11 on the UK Singles Chart. A baggy version by The Farm was hugely popular in clubs in 1990 and eventually reached number 58 in the UK.
The punk bands the Sex Pistols, State of Alert, the Trashmen, the Queers, and Minor Threat have also recorded versions of the song.
It was also covered by Fereydoon Foroughi with Persian lyrics in a song titled Hoqqe (حقه), also known as Mashti Mashalla or Mashdi Mashalla.
#barbiandthekens
#steppingstone
#imnotyoursteppinstone
#hinrg
#synth Barbi And The Kens - Im Not Your Stepping Stone (Hi-NRG/Electro/Synth-Pop version)](https://i.ytimg.com/vi/Vt-4ZdHxY4o/mqdefault.jpg)
![The Zen Alligators - Just A Little Bit (Rosco Gordon Cover)
From Free Gift Inside
Label: AFG Records – AFG 001
Format: Vinyl, 7, Single, Limited Edition, Promo
Country: Ireland
Released: 1980
Tracklist
A1 Thrill Power/Having A Party
Written-By – Eamon Carr, Johnny Fean, Sam Cooke
B1 Just A Little Bit
Written-By – Del Gordon
Guitar, Vocals – Johnny Fean
Guitar – Philip Fay
Drums, Producer, Supervised By [Supervision] – Eamon Carr
Bass, Vocals – Gary Eglington
Booking [Booking Agent] – Sid Aughey
Producer – Kevin Moloney
Engineer – Steve Iredale
Photography By – Phil Sheehy
Sleeve [Slave Design] – Rapid Exteriors
Plated By – GERRY-O
Recorded At – Windmill Lane Studios
Published By – Emma Music
Published By – RCA
Published By – Conrad Music
Notes
Promo only freebie; as stated on back cover... a limited edition of a few hundred.... pressed.
Glossy front and back picture sleeve.
Some copies have original signatures of band members on the back cover.
On front cover, title is: FREE GIFT INSIDE
On labels, title is FREE GIFT
On back cover, SLEEVE DESIGN is misspelled as SLAVE DESIGN
Note that this release is by The Alligators ...they changed their name to either The Zen Alligators or Zen Alligators after this release.
🎵 [SONG INFO]
Just a Little Bit is an R&B-style blues song recorded by Rosco Gordon in 1959.
It was a hit in both the R&B and pop charts.
Called one of the standards of contemporary blues, Just a Little Bit has been recorded by various other artists, including Little Milton and Roy Head, who also had record chart successes with the song.
Background
Just a Little Bit was developed when Rosco Gordon was touring with West Coast blues artist Jimmy McCracklin.
According to Gordon, McCracklin started to write the song and agreed that Gordon could finish it, with both of them sharing the credit.
Gordon later presented a demo version to Ralph Bass at King Records, who was reportedly uninterested in the song.
Gordon then approached Calvin Carter at Vee-Jay Records, who agreed to record it.
Meanwhile, Federal Records, a King Records subsidiary, released a version of Just a Little Bit by R&B singer Tiny Topsy, with songwriting credit given to Ralph Bass and several others unknown to Gordon.
The Tiny Topsy song, featuring a pop-style arrangement with background singers and flute, did not reach the record charts.
Rosco Gordon song
Rosco Gordons Just a Little Bit was released in late 1959 and entered the Billboard R&B chart in February 1960.
An early review described the song as a rhymba [rhumba] blues, a reference to Gordons slightly shambolic, loping style of piano shuffle called Roscos Rhythm.
The original Vee-Jay single lists Gordon as the songwriter, although some later issues (and versions by other artists) list Bass and others as the writers.
Just a Little Bit was Rosco Gordons fourth (and last) single to enter the R&B chart, where it reached number two during a stay of seventeen weeks in 1960.
Just a Little Bit also appeared on Billboards Hot 100 at number 64, making it Gordons only song to enter the broader chart.
Renditions and influence
Several musicians have recorded Just a Little Bit.
In 1965, a version by American singer Roy Head reached numbers 39 on the Hot 100 and 18 on the Canadian singles chart.
When soul blues artist Little Milton recorded it in 1969, it peaked at number 13 on Billboards Hot R&B Sides chart and number 97 on the Hot 100.
According to music writer Steve Turner, the opening horn line of the original Roscoe Gordon version influenced Paul McCartney during the writing of the 1968 Beatles song Birthday.
#powerpop
#powerpopmusic
#powerpopcover The Zen Alligators - Just A Little Bit (Rosco Gordon Cover)](https://i.ytimg.com/vi/Vw6I0JIVgjM/mqdefault.jpg)
![Jack OFire - No Love Lost (Joy Division Cover)
From Bring Me The Head Of Jon Spencer
Label: Undone Records – UR-002
Format: Vinyl, 7, 33 ⅓ RPM
Country: US
Released: 1992
Tracklist
A Asked For Water
Written-By – Chester Burnett
B1 Meet Your Death
Written-By – Blind Willie McTell
B2 No Love Lost
Organ [Hammond] – Pepper Wilson
Written-By – Joy Division
Vocals, Harp – Walter Daniels
Guitar – Tim Kerr
Drums – Joshua Larue
Double Bass [Stand-up Bass] – Dean Gunderson
Photography – Kelly Von Plonski
Artwork [Label Design] – Dave Ficher
Sleeve Notes – Big Daddy Soul
Lacquer Cut At – K Disc Mastering
💿 [SONG INFO]
Joy Divisions No Love Lost is an early and significant track in their discography, showcasing their raw, developing sound.
Release History
First Official Release
No Love Lost was initially released on Joy Divisions debut EP, An Ideal for Living, which came out on June 3, 1978.
This EP was self-released by the band on their own Enigma Records label (7 version) and later on Anonymous Records (12 version).
It featured four songs: Warsaw, No Love Lost, Leaders of Men, and Failures.
Other Appearances
It has since been featured on various Joy Division compilation albums, most notably Substance (1988), which collects the bands non-album singles and EP tracks. This is often how new listeners discover the song.
Earlier Recording (Warsaw)
The song actually predates the official Joy Division releases. It was recorded when the band was still called Warsaw, in their 1977 demos.
Musical Style and Significance
Early Joy Division Sound
No Love Lost is a great example of Joy Divisions sound in their nascent stages, before the more refined production of Unknown Pleasures and Closer. It has a raw, energetic, and slightly punkier feel. Peter Hook, the bassist, even admitted that his guitar was out of tune on the initial recording, giving it a particular edge.
Post-Punk Blueprint
Despite its early nature, some argue it acts as an original schematic for Joy Divisions sound, showcasing the emerging post-punk elements that would define their later work.
Lyrical Content
While Joy Divisions lyrics are often open to interpretation, Ian Curtiss words in No Love Lost contribute to the bands characteristic themes of despair, inner turmoil, and alienation. Its less explicitly tied to his personal life than some of their later songs (like Love Will Tear Us Apart), but it certainly fits within the overall dark and introspective lyrical landscape of Joy Division.
In popular culture
The song was used in Anton Corbijns 2007 biopic Control, which depicted the life of Ian Curtis.
No Love Lost is a compelling track that offers a glimpse into the formative years of one of the most influential bands of the late 1970s.
🔗 [LINKS]
https://www.timkerr.net/discography_jackofire.htm
#lofi
#garagerock
#garagepunk Jack OFire - No Love Lost (Joy Division Cover)](https://i.ytimg.com/vi/WMasVlPf3ZQ/mqdefault.jpg)
![Adhi Mantra - Jealous Guy (in English and Indonesian, John Lennon) (Dangdut)
From John Lennon 10.3
Label: Swara Cipta Records – SCR-002
Format: Vinyl, 12, 33 ⅓ RPM, Promo
Country: Indonesia
Released: 1979
Tracklist
A1 John Lennon 10.3
Written By – Adhi Mantra
A2 Mari Berjoget
Written By – Adhi Mantra
A3 Imagine
Arranged By – Adhi Mantra
Written By, Composed By – John Lennon & Yoko Ono
A4 Angin Cinta
Written By – Adhi Mantra
A5 Selamat Tinggal
Written By – Adhi Mantra
B1 Teringat Selalu
Written By – Adhi Mantra
B2 Jealous Guy
Arranged By – Adhi Mantra
Written By – John Lennon
B3 Kamelia Cau
Written By – Adhi Mantra
B4 Oh My Love
Arranged By – Adhi Mantra
Written By, Composed By – John Lennon & Yoko Ono
B5 Mengapa
Written By – Adhi Mantra
🎵 [SONG INFO]
Jealous Guy is a song written and originally recorded by the English rock musician John Lennon from his second studio album Imagine (1971).
Not released as a single during Lennons lifetime, it became an international hit in a version by Roxy Music issued in early 1981; this version reached number one in the United Kingdom and Australia and was a top-10 hit in several European countries.
Lennons own version was subsequently issued as a single and charted in the United States and UK.
Lennon began writing the song in 1968, when, as Child of Nature, it was among the many songs demoed by the Beatles before they recorded their self-titled double album (also known as the White Album).
The lyrics were originally inspired by a lecture given by Maharishi Mahesh Yogi in early 1968, when the Beatles attended his spiritual retreat in Rishikesh, India.
In January 1969, the Beatles (primarily Lennon) jammed the song during their Get Back / Let It Be recording sessions, where it was referred to as On the Road to Marrakesh.
Origins
The songs inspiration came in India, after the Beatles attended a lecture by Maharishi Mahesh Yogi about a son of the mother nature. This inspired both Paul McCartney and John Lennon to write songs about the same subject. McCartneys composition, Mother Natures Son, was selected for The Beatles, but Lennon did not attempt to record Child of Nature during the sessions for the album. Both were demoed at George Harrisons Esher home in May 1968. The demo of Child of Nature featured Lennons double-tracked vocal and playing an acoustic guitar. Early the following year, Lennon revisited the song as On the Road to Marrakesh during the Get Back sessions. Eventually, the lyrics were scrapped and replaced by the now well-known Jealous Guy lyrics for Imagine.
Listening to the original Esher Demo, the song begins On the road to Rishikesh and mentions mountains. It is not referring to Marrakesh in Morocco, and there is no evidence Lennon ever visited there. In its rewritten form, the song serves as a confessional in which Lennon addresses the feelings of inadequacy that resulted in pain for those he loved.
Three recordings of Child of Nature are currently known. The first is a demo of the song recorded at the home of George Harrison in May 1968. The second, on which Harrison sings backing vocals, was recorded at Twickenham Film Studios on 2 January 1969. A third recording was made at the Beatles Apple Studio on 24 January. A snatch of the chorus from the second recording appears on the Fly on the Wall bonus disc packaged with Let It Be... Naked (2003). The first recording appears on the fiftieth anniversary release of The Beatles, which contains all of the demos recorded at Esher.
Recording
Lennon recorded Jealous Guy on 24 May 1971 at Ascot Sound Studios, where his vocals were overdubbed on 29 May 1971.
String overdubs took place on 4 July 1971 at the Record Plant, in New York City.
Musicians included Mike Pinder of the Moody Blues and Joey Molland and Tom Evans of Badfinger.
Nicky Hopkins plays the distinctive piano part that runs through the song. His performance drew praise from those attending the sessions, including Yoko Ono.
Release
Lennons recording of Jealous Guy was released on the Imagine album in 1971. It was not released as a single until November 1985, five years after Lennons murder and four-and-a-half years after Roxy Musics version was released. Accompanied on the B-side by Going Down on Love, a track from Walls and Bridges (1974), the single reached number 65 on the UK charts.
In the United States, the single reached number 80 on the Billboard Hot 100 in November 1988 in conjunction with the release of the documentary film Imagine: John Lennon.
Jealous Guy also peaked at number 22 on the Hot Adult Contemporary chart.
Other versions
Jealous Guy has been recorded by many musicians including Aslan,
Joe Cocker,
Roberto Bellarosa (2012),
Donny Hathaway,
Claudine Longet,
the Faces,
Frankie Miller,
Roxy Music,
Belinda Carlisle,
Hurray for the Riff Raff,
Peter Criss,
Elliott Smith,
Deftones,
Spector,
Yoko Miwa and the Weeknd.
Lou Reed
Jimmy Scott
Black Crowes
#adhimantra
#jealousguy
#dangdut
#johnlennoncover
#indonesiancover Adhi Mantra - Jealous Guy (in English and Indonesian, John Lennon) (Dangdut)](https://i.ytimg.com/vi/WQNUkCI7FWc/mqdefault.jpg)


![The Free-Men - Eleanor Rigby (The Beatles Cover)
From Cookin / Eleanor Rigby
Label: MGM Records – K14093
Format: Vinyl, 7, 45 RPM, Single, Promo
Country: US
Released: Nov 1969
Tracklist
A Cookin
Written By – Shimberg-Goldberg-White
B Eleanor Rigby
Written-By – Lennon-McCartney
Producer – King B. Prod.
🎵 [SONG INFO]
Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver.
It was also issued on a double A-side single, paired with Yellow Submarine.
Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship.
Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartneys claim to authorship.
Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band, with a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness.
It broke sharply with popular music conventions, both musically and lyrically.
The song topped singles charts in Australia, Belgium, Canada, and New Zealand.
Background and inspiration
Paul McCartney came up with the melody for Eleanor Rigby as he experimented on his piano.
Donovan recalled hearing McCartney play an early version of the song on guitar, where the character was named Ola Na Tungee. At this point, the song reflected an Indian musical influence and its lyrics alluded to drug use, with references to blowing his mind in the dark and a pipe full of clay.
The name of the protagonist that McCartney initially chose was not Eleanor Rigby, but Miss Daisy Hawkins.
In 1966, McCartney told Sunday Times journalist Hunter Davies how he got the idea for his song:
The first few bars just came to me. And I got this name in my head – Daisy Hawkins picks up the rice in the church where a wedding has been. I dont know why ... I couldnt think of much more so I put it away for a day. Then the name Father McCartney came to me – and all the lonely people. But I thought people would think it was supposed to be my dad, sitting knitting his socks. Dads a happy lad. So I went through the telephone book and I got the name McKenzie.
McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vics production of The Happiest Days of Your Life in January 1966.
He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. Eleanor Rigby sounded natural.
In an October 2021 article in The New Yorker, McCartney wrote that his inspiration for Eleanor Rigby was an old lady who lived alone and whom he got to know very well. He would go shopping for her and sit in her kitchen listening to stories and her crystal radio set. McCartney said, just hearing her stories enriched my soul and influenced the songs I would later write.
more info here:https://en.wikipedia.org/wiki/Eleanor_Rigby
#instrumentalcover
#thebeatlescover
#funkcover The Free-Men - Eleanor Rigby (The Beatles Cover)](https://i.ytimg.com/vi/XnuGE66lOQc/mqdefault.jpg)

![Los Agnis - Lunes, Lunes (Monday Monday in Spanish, The Mamas & The Papas)
From Muchacho De Nuestra Época / Lunes, Lunes
Label: Marfer – M.20.028
Format: Vinyl, 7, 45 RPM
Country: Spain
Released: 1966
Tracklist
A Muchacho De Nuestra Epoca / Child Of Our Times
Written-By – P.F. Sloan
B Lunes, Lunes / Monday, Monday
Written-By – John Phillips
Manufactured By – Iberofon, S.A.
© 2014 Discos Lollipop S.L.
℗ 1966 Discos Marfer
💿 [SONG INFO]
Monday, Monday is a 1966 song written by John Phillips and recorded by the Mamas & the Papas, using background instruments played by members of the Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears.
Denny Doherty was the lead vocalist.
It was the groups only no. 1 hit on the U.S. Billboard Hot 100.
Phillips said that he wrote the song quickly, in about 20 minutes.
The song includes a pregnant pause before the coda, which modulates up a semitone.
Succeeding Good Lovin by the Young Rascals in the number one position, the event marked the first time in the history of the Billboard Hot 100 two songs with pregnant pauses were consecutive number one hits.
On March 2, 1967, the Mamas & the Papas won a Grammy Award for this song, in the category Best Pop Performance by a Duo or Group with Vocal.
The song was performed at the Monterey Pop Festival (California) in 1967.
The performance was filmed for the movie of the festival, but not included in the final print.
The song appears on the soundtrack of Michael Apteds film Stardust.
Personnel
According to the AFM contract sheet, the following musicians played on the track.[13]
Hal Blaine - session leader
Bones Howe
Larry Knechtel
Joe Osborn
John Phillips
P.F. Sloan
Denny Doherty - lead vocal
Chart history
Weekly charts
Chart (1966) / Peak position
Australia / 4
Canada RPM Top Singles / 1
Ireland (IRMA) / 4
New Zealand (Listener) / 4
South Africa (Springbok Radio) / 1
Italy (Musica e Dischi / 39
UK (The Official Charts Company) / 3
U.S. Billboard Hot 100 / 1
U.S. Cash Box Top 100 / 1
Year-end charts
Chart (1966) / Rank
UK / 35
U.S. Billboard Hot 100 / 7
U.S. Cash Box / 31
Cover versions
Petula Clark on her album I Couldnt Live Without Your Love (1966)
The Beau Brummels on their album Beau Brummels 66 (1966)
Neil Diamond on The Feel of Neil Diamond (1966)
Jay and the Americans on their album Livin Above Your Head (1966)
Sérgio Mendes on his instrumental album The Great Arrival (1966)
Marianne Faithfull on Faithfull Forever (1966)
Mrs. Miller on her album Will Success Spoil Mrs Miller?! (1966)
Dee Dee Warwick B-side of Ill Be Better Off (Without You) (1968)
Lenny Breau on his debut album Guitar Sounds from Lenny Breau (1968)
Herb Alpert and the Tijuana Brass on their album The Beat of the Brass (1968)
Ed Ames from the album Who Will Answer? and Other Songs of our Time (1968)
Circus from the album Circus (1969)
The Cowsills on The Johnny Cash Show
The 5th Dimension on their album The 5th Dimension/Live!! (1971)
Dionne Warwick on Only Love Can Break A Heart [previously unreleased recording] (1977)
Galenskaparna och After Shave, Swedish parodic text Bandy, Bandy about bandy (1988)
The Adventures on Lions and Tigers and Bears (1993)
HearSay on Popstars (2001)
Wilson Phillips three times: a modern rock take on their album California (2004), an a cappella single version the same year, and a straightforward take paying tribute to the original on the album Dedicated (2012)
Matthew Sweet and Susanna Hoffs on their album Under the Covers, Vol. 1 (2006)
Rick Price and Jack Jones covered the song on their album California Dreaming (2017)
In popular culture
ESPN announcer Chris Berman referred to Rick Monday as Monday, Monday.
The Mamas and the Papas version of Monday, Monday is heard in a chase scene in the 2010 movie The Other Guys.
The song is used in one of the Discovery Channels promos for the reality TV series Dirty Jobs, which ran for eight seasons.
The Daredevil villain, Typhoid Mary, sings this song when in her Typhoid personality.
ESPN uses the Mamas and the Papas version in a 2017 TV commercial to promote Monday Night Football.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/3X0V7VS1cGvVv4YWp2md6R
and Apple Music:
https://music.apple.com/us/album/lunes-lunes-monday-monday/814389932?i=814389965
#beat Los Agnis - Lunes, Lunes (Monday Monday in Spanish, The Mamas & The Papas)](https://i.ytimg.com/vi/YNh7X4Z94nw/mqdefault.jpg)
![Morgana King - Eleanor Rigby (The Beatles Cover)
From I Know How It Feels To Be Lonely
Label: Verve Records – V6-5061
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1968
Tracklist
A1 Tomorrow Never Knows
Written-By – Lennon-McCartney
A2 Since I Fell For You
Written-By – Buddy Johnson
A3 Sunshine Superman
Written-By – Donovan Phillips Leitch
A4 Warm Eyes And Bright
Written-By – Joe J. Williams, Walter Smollen
A5 Didnt We
Written-By – Jimmy Webb
A6 The 59th Street Bridge Song (Feelin Groovy)
Written-By – Paul Simon
B1 I Know How It Feels To Be Lonely
Written By – Gilbert-Guardino
Written-By – Louis Guardino, Phillips Gilbert
B2 Eleanor Rigby
Written-By – Lennon-McCartney
B3 I Can Do A Trick
Written-By – Arthur Hamilton
B4 Where Am I Going?
Written-By – Cy Coleman, Dorothy Fields
B5 Got To Get You Into My Life
Written-By – Lennon-McCartney
B6 Only Know I Loved You
Arranged By, Conductor – Richard Hazard
Written-By – Anthony Scibetta, John Wallowitch
Arranged By, Conductor – Jimmie Haskell (tracks: A1 to B5)
Design [Direction] – Acy Lehman
Photography By [Cover] – Don Ornitz
Photography By [Liner] – John Engstead
Liner Notes – Charles A. Pomerantz
Engineer – Lee Herschberg
Engineer [Director Of Engineering] – Val Valentin
Engineer [Remix] – David Greene
Producer – Pete Spargo
© 2017 Hallmark
🎵 [SONG INFO]
Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver.
It was also issued on a double A-side single, paired with Yellow Submarine.
Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship.
Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartneys claim to authorship.
Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band, with a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness.
It broke sharply with popular music conventions, both musically and lyrically.
The song topped singles charts in Australia, Belgium, Canada, and New Zealand.
Background and inspiration
Paul McCartney came up with the melody for Eleanor Rigby as he experimented on his piano.
Donovan recalled hearing McCartney play an early version of the song on guitar, where the character was named Ola Na Tungee. At this point, the song reflected an Indian musical influence and its lyrics alluded to drug use, with references to blowing his mind in the dark and a pipe full of clay.
The name of the protagonist that McCartney initially chose was not Eleanor Rigby, but Miss Daisy Hawkins.
In 1966, McCartney told Sunday Times journalist Hunter Davies how he got the idea for his song:
The first few bars just came to me. And I got this name in my head – Daisy Hawkins picks up the rice in the church where a wedding has been. I dont know why ... I couldnt think of much more so I put it away for a day. Then the name Father McCartney came to me – and all the lonely people. But I thought people would think it was supposed to be my dad, sitting knitting his socks. Dads a happy lad. So I went through the telephone book and I got the name McKenzie.
McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vics production of The Happiest Days of Your Life in January 1966.
He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. Eleanor Rigby sounded natural.
In an October 2021 article in The New Yorker, McCartney wrote that his inspiration for Eleanor Rigby was an old lady who lived alone and whom he got to know very well. He would go shopping for her and sit in her kitchen listening to stories and her crystal radio set. McCartney said, just hearing her stories enriched my soul and influenced the songs I would later write.
more info here:https://en.wikipedia.org/wiki/Eleanor_Rigby
#thebeatlescover
#vocaljazz
#eleanorrigby
#morganaking Morgana King - Eleanor Rigby (The Beatles Cover)](https://i.ytimg.com/vi/Yrz610ZEmuY/mqdefault.jpg)
![derpferdheissthorst - Ziggy Stardust (David Bowie Cover)
👥 [BAND INFO]
Members:
Martin Thielen, Christoph Altenburg, Stefan Piepe
Big In Japan, Blasphemous Rumours, Funkytown and Pop Muzik cover versions are also available on their website!
🎵 [SONG INFO]
Ziggy Stardust is a song by the English singer-songwriter David Bowie from his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars.
The song was recorded at Trident Studios in London in November 1971 with his backing band the Spiders from Mars, comprising Mick Ronson, Trevor Bolder and Mick Woodmansey.
It was co-produced by Bowie and Ken Scott.
Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
Since its release, Ziggy Stardust has received widespread acclaim from music critics, with the majority praising its story, guitar riff and the bands performance.
The song has since been included on lists of Bowies greatest songs, and by some as one of the greatest songs of all time.
Bowie performed the song frequently on the Ziggy Stardust and 1978 Stage tours, and again during his tours in the 2000s.
The song was covered by the English gothic rock band Bauhaus in 1982; their version peaked at number 15 on the UK Singles Chart. While Bowies original recording was never released as a single, a live version from 1972 was released as a single in France in 1994 to promote the bootleg album Santa Monica 72. The song has since appeared on multiple compilation albums and has been remastered several times, including in 2012 for its 40th anniversary; this remaster was included in the box set Five Years (1969–1973) in 2015.
Release and reception
In the wake of Bowies death in 2016, the song peaked at number 86 on the Portuguese AFP chart, number 75 on the Billboard Japan Hot 100 and at number 17 on the US Billboard Hot Rock Songs chart.
Since its release, Ziggy Stardust has received widespread acclaim from music critics, with the majority praising its story, guitar riff and the bands performance.
In a review for Ziggy Stardust on release, Richard Cromelin of Rolling Stone praised Bowies imagery and storytelling, calling it some of his most adventuresome up to that point.
Ned Raggett of AllMusic noted the songs restraint compared to other songs on the album: Rather than being one of the albums quick, stone-cold rockers, its measured, takes its time, is as acoustic as it is electric. Raggett described the bands performance as crisp and explosive praising Ronsons guitar work, believing his riffs and their distortion could signal ... where rock could go as any of Hendrixs big hits. He also complimented Bowies vocal performance and called the song a total classic.
Ultimate Classic Rock ranked Ziggy Stardust second on their list of the ten best glam rock songs of the 1970s, behind 20th Century Boy by T. Rex, which was written by Marc Bolan, one of the influencers of Ziggy Stardust. The same publication, on their list of Bowies ten best songs, listed Ziggy Stardust at number six, praising Ronsons guitar hook, writing, [it] gives the song as much of its personality as Bowies lyrics do.
Ultimate Classic Rock placed the song on their list of the top 200 songs of the 1970s, writing that as the centrepiece of Bowies greatest album, in a way, its also Bowies story turbocharged through the cosmos, ready for whatever the decade offered him.
Ian Fortnam of Classic Rock ranked every track on the album from worst to best placing the song at number four, praising its storytelling, Ronsons guitar work and Bowies vocal performance.
In 2018, NME, on their list of Bowies 40 greatest songs, ranked Ziggy Stardust at number 20, calling Ronsons guitar riff one of rocks greatest.
Rolling Stone described the song as one of rocks earliest, and best, power ballads.
In 2010, the song ranked at number 282 on their list of The 500 Greatest Songs of All Time.
The song is one of four of Bowies songs included on the Rock and Roll Hall of Fames list of The Songs That Shaped Rock and Roll.
🔗 [LINKS]
http://www.derpferdheissthorst.de/
https://www.facebook.com/derpferdheissthorst
Available on their site:
http://www.derpferdheissthorst.de/c_audio.html
#derpferdheissthorst
#ziggystardust
#acoustic
#davidbowiecover derpferdheissthorst - Ziggy Stardust (David Bowie Cover)](https://i.ytimg.com/vi/ZItQT1LyIcM/mqdefault.jpg)