Uploaded April 2026 | Updated September 2026, 2 weeks ago
From '' How About Somemore? ''
Label: Midnight Records – MIR LP 139 + MID 4520
Format: Vinyl, LP, Album, Limited Edition, Autographed + Vinyl, 7", 45 RPM
Country: US
Released: 1988
Tracklist
A1 You're Doin' It Well
A2 Rules Of Love
A3 Don't Try To Mend It
A4 That Ain't Fair!
A5 Need Some Lovin'
A6 Try Me
B1 How About Somemore?
B2 Too Bad
B3 Silver Linings
B4 Talking To Stone
B5 She's Comin' Home
– Bonus vinyl
A Psycho
B1 All I Want
B2 I'm Not Like Everybody Else
Notes
Limited collector's edition of 1800 copies plus a 7" EP with three bonus tracks & insert.
Area Pirata Prod.
🎵 [SONG INFO]
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon".
The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer.
The song is a defiant anthem of non-conformity, and it has been covered by various artists.
History
Davies had written the song for the Animals, but it was turned down, so the Kinks released their own version with guitarist Dave Davies on lead vocals.
This went against the norm where each brother usually sang songs they had written themselves. Later performances of the song were sung by Ray, with Dave providing backing vocals and Eric Clapton-influenced guitar solos. Both the Davies brothers continue to perform the song in their solo concerts.
Dave Davies described the song as "a Kinks fans favourite".
He also said, " It was never a hit for the Kinks, but over the years every true Kinks fan relates to that particular song, and it's funny, because that particular version is one of the only songs where Ray and I actually swap lead vocals. Elsewhere, when he sings lead I do the octave harmonies, or where I sing lead he's doing background vocals. Ray and I have very different ranges, fortunately, and our textures are different, which really helps for distinctive harmonies. "
Music and lyrics
The song is a defiant anthem of non-conformity, and its lyrics exhibit sentiments of frustration, accompanied by the outsider perception of being different from the rest, while yearning to seek and find, as well as assert, one's own individual identity.
The song begins with an opening signature played somewhat menacingly on a twelve-string electric guitar in the key of A minor, punctuated by subtle drum beats, which then shifts into the key of G major when the lyrics begin, highlighting the song's angry stance.
''I won't take all that they hand me down
And make out a smile though I wear a frown
And I'm not gonna take this all lying down
Cause once I get started I go to town
Cause I'm not like everybody else''
Yet the mood also conveys a sense of sadness, and in the second verse expresses love and a sense of remorse, but with a cautious warning:
''But darling, you know that I love you true
Do anything that you want me to
Confess all my sins like you want me to
There's one thing I will say to you
I'm not like everybody else''
As the song progresses into its last bars, it builds up to a cathartic finale with intense playing from all of the members of the Kinks and then comes to a crashing close.
Release and reception
The song was first released as the B-side to their single "Sunny Afternoon" but soon became a favourite and was often part of the Kinks live act. Ray Davies continues to play the song regularly and used the song as an opening number in his 2006–2008 solo live appearances. Cash Box said that it is a "rhythmic ode about a highly individual type of guy".
The song has been included on many compilations including Sunny Afternoon in the UK in 1967, The Great Lost Kinks Album in the US in 1973 and the 2002 greatest hits release The Ultimate Collection. It also appears as a bonus track on the 1998 CD reissue of Face to Face, the 2011 deluxe edition of The Kink Kontroversy, and the compilation The Anthology 1964–1971.
Personnel
According to band researcher Doug Hinman:
Dave Davies – Lead Vocal, Electric Guitar
Ray Davies – backing Vocal, Electric Guitar
Pete Quaife – Bass
Mick Avory – Drums
An organ part is audible on the recording, although no organist is credited in contemporary documentation
Cover versions
Notable covers of the song include renditions by the Chocolate Watchband in 1968, by the Australian band Jimmy and the Boys as their debut single in 1979, and by the Damned on their covers album Not Like Everybody Else in 2026.
Jimmy and the Boys
Chris Spedding
Camper Van Beethoven
Boss Hog for the soundtrack to Richard Linklater's 1996 film subUrbia
The Chesterfield Kings
Human Drama
The Finchley Boys
The Sacred Mushroom
🔗 [LINKS]
areapirata.com
areapiratarec.bandcamp.com
Available on bandcamp:
areapiratarec.bandcamp.com/album/how-about-some-more
#thevipers
#imnotlikeeverybodyelse
#garagepunk
#garagerock
#thekinkscover
From '' How About Somemore? ''
Label: Midnight Records – MIR LP 139 + MID 4520
Format: Vinyl, LP, Album, Limited Edition, Autographed + Vinyl, 7", 45 RPM
Country: US
Released: 1988
Tracklist
A1 You're Doin' It Well
A2 Rules Of Love
A3 Don't Try To Mend It
A4 That Ain't Fair!
A5 Need Some Lovin'
A6 Try Me
B1 How About Somemore?
B2 Too Bad
B3 Silver Linings
B4 Talking To Stone
B5 She's Comin' Home
– Bonus vinyl
A Psycho
B1 All I Want
B2 I'm Not Like Everybody Else
Notes
Limited collector's edition of 1800 copies plus a 7" EP with three bonus tracks & insert.
Area Pirata Prod.
🎵 [SONG INFO]
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon".
The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer.
The song is a defiant anthem of non-conformity, and it has been covered by various artists.
History
Davies had written the song for the Animals, but it was turned down, so the Kinks released their own version with guitarist Dave Davies on lead vocals.
This went against the norm where each brother usually sang songs they had written themselves. Later performances of the song were sung by Ray, with Dave providing backing vocals and Eric Clapton-influenced guitar solos. Both the Davies brothers continue to perform the song in their solo concerts.
Dave Davies described the song as "a Kinks fans favourite".
He also said, " It was never a hit for the Kinks, but over the years every true Kinks fan relates to that particular song, and it's funny, because that particular version is one of the only songs where Ray and I actually swap lead vocals. Elsewhere, when he sings lead I do the octave harmonies, or where I sing lead he's doing background vocals. Ray and I have very different ranges, fortunately, and our textures are different, which really helps for distinctive harmonies. "
Music and lyrics
The song is a defiant anthem of non-conformity, and its lyrics exhibit sentiments of frustration, accompanied by the outsider perception of being different from the rest, while yearning to seek and find, as well as assert, one's own individual identity.
The song begins with an opening signature played somewhat menacingly on a twelve-string electric guitar in the key of A minor, punctuated by subtle drum beats, which then shifts into the key of G major when the lyrics begin, highlighting the song's angry stance.
''I won't take all that they hand me down
And make out a smile though I wear a frown
And I'm not gonna take this all lying down
Cause once I get started I go to town
Cause I'm not like everybody else''
Yet the mood also conveys a sense of sadness, and in the second verse expresses love and a sense of remorse, but with a cautious warning:
''But darling, you know that I love you true
Do anything that you want me to
Confess all my sins like you want me to
There's one thing I will say to you
I'm not like everybody else''
As the song progresses into its last bars, it builds up to a cathartic finale with intense playing from all of the members of the Kinks and then comes to a crashing close.
Release and reception
The song was first released as the B-side to their single "Sunny Afternoon" but soon became a favourite and was often part of the Kinks live act. Ray Davies continues to play the song regularly and used the song as an opening number in his 2006–2008 solo live appearances. Cash Box said that it is a "rhythmic ode about a highly individual type of guy".
The song has been included on many compilations including Sunny Afternoon in the UK in 1967, The Great Lost Kinks Album in the US in 1973 and the 2002 greatest hits release The Ultimate Collection. It also appears as a bonus track on the 1998 CD reissue of Face to Face, the 2011 deluxe edition of The Kink Kontroversy, and the compilation The Anthology 1964–1971.
Personnel
According to band researcher Doug Hinman:
Dave Davies – Lead Vocal, Electric Guitar
Ray Davies – backing Vocal, Electric Guitar
Pete Quaife – Bass
Mick Avory – Drums
An organ part is audible on the recording, although no organist is credited in contemporary documentation
Cover versions
Notable covers of the song include renditions by the Chocolate Watchband in 1968, by the Australian band Jimmy and the Boys as their debut single in 1979, and by the Damned on their covers album Not Like Everybody Else in 2026.
Jimmy and the Boys
Chris Spedding
Camper Van Beethoven
Boss Hog for the soundtrack to Richard Linklater's 1996 film subUrbia
The Chesterfield Kings
Human Drama
The Finchley Boys
The Sacred Mushroom
🔗 [LINKS]
areapirata.com
areapiratarec.bandcamp.com
Available on bandcamp:
areapiratarec.bandcamp.com/album/how-about-some-more
#thevipers
#imnotlikeeverybodyelse
#garagepunk
#garagerock
#thekinkscover
![La Libre Expresion - Ella No Esta Ahi (Shes Not There in Spanish, The Zombies)
From La Libre Expresion
Label: Discos Zave – LPZ-40
Format: Vinyl, LP, Album
Country: Mexico
Released: 1969
Tracklist
A1 Ella No Esta Ahi (Shes Not There)
Written-By – El Camino
A2 Orgullosa Maria (Proud Mary)
A3 Tiempo De Olvidar (Time Of The Season)
Written-By – The Zombies
A4 Como Yo (Come On Up)
Written-By – The Young Rascals
A5 Sookie Sookie (Steppenwolf)
Written-By – Don Covay
A6 Acercate (Join Me)
Written By – Corro
Written-By – Juan Jose Pavon, Lalo Duarte, René Sotelo
B1 Joven Amante (Little Miss Love)
Written-By – Jimi Hendrix
B2 Que Dolor Que Dolor (I Get So Exited)
Written-By – The Equals
B3 Amor Por Nadie (To Love Somebody)
Written-By – Bee Gees
B4 No Me Abandones (Dont Let Me Down)
Written-By – Lennon-McCartney
B5 Pides Amor (You Better Run)
Written-By – The Young Rascals
B6 Fuera De Foco (Out Of Focus)
Written-By – Blue Cheer
Lyrics By, Vocals – Lalo Duarte
Lyrics By, Lead Guitar – Ricardo Valencia
Rhythm Guitar – Jesus Corona
Organ – Martín Caballero
Bass – René Sotelo
Drums – Juan Jose Pavon
Producer – Edgar Zamudio
🎵 [SONG INFO]
Shes Not There is the debut single by the English rock band the Zombies, written by keyboardist Rod Argent.
It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964.
In Canada, it reached No. 2.
Rolling Stone magazine ranked Shes Not There No. 297 on its list of the 500 Greatest Songs of All Time.
In 2016, the song by The Zombies was inducted into the Grammy Hall of Fame.
Song profile
Rod Argent built the lyrics of Shes Not There from a John Lee Hooker song, whose title – No One Told Me – became a part of the opening phrase of Shes Not There.
Following an 29 April 1964 performance by the Zombies at St Albans Market Hall, Argent played the one verse he had written of the song for Ken Jones who was set to produce the bands first recording session. Jones encouraged Argent to write a second verse, intending the band to record it. Argent recalls: I wrote the song for Colins range – referring to Zombies vocalist Colin Blunstone – I could hear him singing it in my mind. The songs genres and musical styles are described by authors and music journalists as jazz rock, beat and pop rock.
Shes Not There was the second of four songs recorded by the Zombies at a 22 June 1964 recording session at Deccas West Hampstead Studio 2.
The backing tracks needed seven takes.
One of the songs most distinctive features is Argents electric piano sound; the instrument used was a Hohner Pianet.
The backing vocals are in a folk-influenced close-harmony style.
To make the single sound stronger for single release, Ken Jones organised Hugh Grundy to record a strident drum line overdub which only appears on the original mono single mix.
This minor key, jazz-tinged single was first aired in the United States during the first week in August 1964, on New York City rock radio station WINS by Stan Z. Burns, who debuted it on his daily noontime Hot Spot segment, during which new songs were played.
The tune began to catch on in early autumn and eventually reached No. 2 on the Billboard Hot 100 in December 1964.
Personnel
Colin Blunstone – Lead Vocals and Backing Vocals
Rod Argent – Hohner Pianet Electric Piano
Paul Atkinson – Electric Guitar
Chris White – Backing Vocals, Bass
Hugh Grundy – Drums, Additional Overdubbed Drums
Album releases
The song was later included both on the Zombies debut album Begin Here, released in the UK in December 1964, and the US album The Zombies issued January 1965.
It was also included on the soundtrack to the 1979 feature film More American Graffiti and the 2021 feature film Titane.
Cover versions
Santana cover
Shes Not There was a hit for Santana when it appeared on their 1977 album Moonflower.
Their version peaked at No. 11 in the UK.
It was also a hit in the US, spending 14 weeks on the Billboard Hot 100 and peaking at No. 27, as well as reaching No. 20 on the Cash Box Top 100 chart.
Their take on it features Greg Walker as the lead vocalist.
Other notable covers
In February 1965, Swedish pop group Ola & the Janglers released the song as their second single, backed by Manfred Manns Dont Ask Me What I Say. It became their breakthrough hit, reaching No. 10 on Tio i Topp for a week before being voted off.
Airing September 1965, the episode Sting in the Tail, of the British TV series Danger Man, featured a French version of the song by Jeanne Roland with French version Te Voilà lyrics by Jacques Chaumelle.
Vanilla Fudge covered the song on their 1967 self-titled debut album.
Colin Blunstone, under the pseudonym Neil McArthur, released a solo version in 1969, reaching No. 34 in the UK.
UK Subs 1979 cover has reached No. 36 in UK.
Version by Neko Case (duet with Nick Cave), used at the end of the 2011 Shes Not There episode of True Blood.
#lalibreexpresion
#ellanoestaahi
#shesnotthere
#spanishcover
#thezombies La Libre Expresion - Ella No Esta Ahi (Shes Not There in Spanish, The Zombies)](https://i.ytimg.com/vi/SklJV9Gk9ZY/mqdefault.jpg)
![Richard Ace - Stayin Alive (Rocksteady/Dub/Reggae, Bee Gees Cover)
From Richard Ace
Label: Atlantic – ATL 50 607
Format: Vinyl, LP, Album, Stereo
Country: Europe
Released: 1979
Tracklist
A1 Stayin Alive
Written-By – Robin Gibb, Barry Gibb & Maurice Gibb
A2 If I Cant Have You
Written-By – Robin Gibb, Barry Gibb & Maurice Gibb
A3 Ghetto Nation
Written-By – Tony Robinson
A4 Youre The One That I Want
Written-By – John Farrar
B1 Substitute
Written-By – Willie Harry Wilson
B2 Shes Gone
Written-By – Bob Marley
B3 I Need You
Written-By – Mike Tinsley, Peter Yellowstone
B4 I Forgive You
Written-By – Ken Boothe
Designed At – Over The Top Productions
Lacquer Cut At – Tonstudio Pfanz
Producer – Tony Robinson
Record Company – Warner Communications
Phonographic Copyright ℗ – Blue Inc. Records Ltd.
Copyright © – Blue Inc. Records Ltd.
℗© 1979 Blue Inc. Records Ltd.
Made in Germany by WEA Musik GmbH - A Warner Communications Company.
🎵 [SONG INFO]
Stayin Alive is a song by the pop group Bee Gees from the Saturday Night Fever motion picture soundtrack.
The song was written by the Bee Gees (Barry, Robin and Maurice Gibb) and produced by the Bee Gees, Albhy Galuten and Karl Richardson. It was released on 13 December 1977, as the second single from the Saturday Night Fever soundtrack.
It is one of their signature songs.
Cover versions
In 1979 Paul Weston and Jo Stafford released a cover of the song as Jonathan and Darlene Edwards. It was backed with I Am Woman.
In 1980, the American Singer and Ukulele player Tiny Tim (musician) covered it and released it on his album entitled Chameleon.
In 1991, the indie group Happy Mondays covered it in two different versions for the non-album single Judge Fudge.
N-Trance covered a dance version of the song with new rap and lyrics in 1995.
In 1999, British Death metal band Ten Masked Men recorded a death metal cover of the song in their self-titled first album.
In 2000, the group Baila released a turbo-charged cover of the song (with the lyrics changed to replace the reference to the New York Times with the Internets effect on man).
Ozzy Osbourne covered the song and it appeared on CD 3 of his 2005 box set, Prince Of Darkness.
Dimension Zero did a death metal cover of the song on their 2007 He Who Shall Not Bleed album.
In 2007, the French band Electro Deluxe recorded a jazz fusion version of this song in their album Hopeful.
In 2010 Jovanotti covered it for his live US album, OYEAH!.
Anal Cunt
The Sleeping
Sugarland
Bitch
A short part of the refrain is used in the end of the movie Shrek, sung by Lord Farquaad (John Lithgow) in the Dragons stomach.
Anna Tsuchiya
Appearances in other media
Though Stayin Alive is heavily guarded by the Bee Gees for licensing, it has appeared in numerous movies and television shows including.
The 1978 Chevy Chase/Goldie Hawn film Foul Play.
A 1978 episode of Hawaii Five-O entitled Number One With A Bullet, along with Night Fever and More Than a Woman.
Two 1979 episodes of Mork & Mindy
A speeded up version (with permission) was used in the 1980 comedy Airplane!.
The 1981 John Belushi comedy Neighbors.
The movie Look Whos Talking featuring John Travolta.
The 1991 David Tyler CKBE-FM.
The 1992 Rick Moranis comedy Honey I Shrunk the Kids.
A 1994 episode of The Simpsons entitled Barts Girlfriend. Homer also performs a parody version of the song highlighting Table Five in a neighbourhood garage sale in the episode Two Bad Neighbours.
Used in a flashback scene in the 1994 comedy Naked Gun 33⅓: The Final Insult.
Five movies in 1995 used the song: A Goofy Movie, Bushwhacked, Virtuosity, Let It Be Me, and Grumpier Old Men.
During the Swamp Karaoke Dance Party which tied into the Shrek film, Lord Farquaad was heard singing this song in the Dragons stomach since he was eaten by her.
The Jack Nicholson and Glenn Close 1996 action/comedy Mars Attacks!.
A 1997 episode of the BBC drama This Life.
The 1998 comedy A Night at the Roxbury.
The 2005 animated feature Madagascar.
Episodes of CSI: NY and Entourage in 2007.
Was the ringtone of Jim Moriarty in the BBC show Sherlock in its series two premiere on New Years Day, 2012. Had a darker reprisal in the series two finale, when Moriarty tells Sherlock that their final problem is Stayin Alive, whilst playing the song on his phone.
A 1987 Disney special DTV Doggone Valentine set to clips featuring the cats of Disney.
It was released as DLC for Rock Band 3.
#richardace
#stayinalive
#rocksteady
#dub
#beegeescover Richard Ace - Stayin Alive (Rocksteady/Dub/Reggae, Bee Gees Cover)](https://i.ytimg.com/vi/Sth7YMThwoE/mqdefault.jpg)
![Max Bygraves - [Medley] And I Love You So / Fly Me To The Moon / Quando Quando Quando
From Viva! Congalongamax Vol.10
Label: Pye Records – NSPL 18458
Format: Vinyl, LP, Album
Country: UK
Released: 1975
Tracklist
Medley
A1a Enjoy Yourself (Its Later Than You Think)
A1b Manana
A1c The Coffee Song
Medley
A2a And I Love You So
A2b Fly Me To The Moon
A2c Quando Quando Quando
A3 Y Viva Espana
Medley
A4a Blue Skies
A4b Jealous
A4c Am I Blue
A5 Singalongaconga
Medley
B1a Yours
B1b Besame Mucho (Kiss Me)
B1c Amor
Medley
B2a Spanish Eyes
B2b Always In My Heart
B2c Marie Elena
Medley
B3a Wedding Samba
B3b Brazil
B3c The Laughing Samba
B3d Hava Nagila
Medley
B4a Yellow Bird
B4b Island In The Sun
B4c Jamaica Farewell
Arranged By, Conductor – Frank Barber
Producer – Norrie Paramor
And I Love You So is a song written by folk singer and guitarist Don McLean and released on his 1970 debut album, Tapestry.
Its chorus features an unusual rhyming scheme for a popular song: ABBA versus the usual AB(C or A)B.
The song was the B-side to McLeans debut single Castles in the Air, released in January 1971.
In 1973, And I Love You So was released as an A-side with If We Try as its B-side on United Artists Records.
Cover versions
And I Love You So was a 1973 hit for singer Perry Como on his RCA Victor album of the same name, And I Love You So, reaching No. 29 on the Billboard Hot 100 chart. It would be the last of his many popular recordings, dating back to 1943, to reach the top 40. It also spent one week at No. 1 on the Easy Listening chart. It reached No. 2 in South Africa and No. 3 on the UK Singles Chart on RCA Records and remained on the chart for 35 weeks (the longest of his hits in the UK).
Como also recorded a Spanish version, titled Y te quiero así.
Bobby Goldsboro
Shirley Bassey
Bobby Vinton
Elvis Presley
Sergio Franchi
Glen Campbell
Rick Astley
Harry Connick, Jr.
George Lam
Roch Voisine
Claude François performed a French version, Et je taime tellement, in 1977.
Other performers who have recorded the song include: Harry Belafonte, Tom T. Hall, Emmylou Harris, Engelbert Humperdinck, Howard Keel, Johnny Mathis, Nana Mouskouri, Olivia Newton-John, Jim Nabors, and Helen Reddy.
Fly Me to the Moon, originally titled In Other Words, is a song written in 1954 by Bart Howard.
The first recording of the song was made in 1954 by Kaye Ballard.
Frank Sinatras 1964 version was closely associated with the Apollo missions to the Moon.
In 1999, the Songwriters Hall of Fame honored Fly Me to the Moon by inducting it as a Towering Song.
Background and composition
In 1954, when Fly Me to the Moon was first presented to the public, Bart Howard had been pursuing a career in music for over 20 years.
He played piano to accompany cabaret singers, but also wrote songs with Cole Porter, his idol, in mind.
In the book Intimate Nights: The Golden Age of New York Cabaret James Gavin noted that Howard wrote the song in response to his publishers plea for a simpler song: why did he have to write such grandiloquent lyrics? In Other Words talked about the verbosity of poets who use many words to say a simple thing; hold my hand, Kiss me. In response, Howard wrote a cabaret ballad. A publisher tried to make him change some words from fly me to the Moon to take me to the Moon, but Howard refused. Many years later Howard commented that ... it took me 20 years to find out how to write a song in 20 minutes.
He used his position as a piano accompanist and presenter at the Blue Angel cabaret venue to promote the song, and it was soon introduced in cabaret performances by Felicia Sanders.
Cover versions
Early recordings
Kaye Ballard
Chris Connor
Johnny Mathis
Portia Nelson
Nancy Wilson
Eydie Gormé
Subsequent recordings
Peggy Lee
Connie Francis
Joe Harnell
Julie London
Paul Anka
Brenda Lee
Frank Sinatra included the song on his 1964 album It Might as Well Be Swing, accompanied by Count Basie. The music for this album was arranged by Quincy Jones.
Bobby Womack
Alamgir
Quando quando quando (or Quando, Quando, Quando) is an Italian pop song from 1962, in the bossa nova style, with music written by Tony Renis and lyrics by Alberto Testa. The song, originally recorded in two different versions by Tony Renis and Emilio Pericoli, competed in the Sanremo Music Festival in 1962, where it placed fourth, and later became a commercial success in Italy, topping the Musica e dischi singles chart.
American entertainer Pat Boone, who recorded the song in 1962, sang the English lyrics written by Ervin Drake.
English-language versions
Engelbert Humperdinck
Michael Bublé performed the song as a duet with Nelly Furtado
Edgardo Cintron and The Tiempos Noventa Orchestra
Fergie and will.i.am covered the song for the soundtrack to the 2009 musical film Nine, based on the stage musical based on Federico Fellinis 8½.
Notable cover versions
Bobby Curtola
#latin
#rumba
#samba
#weddingsongs Max Bygraves - [Medley] And I Love You So / Fly Me To The Moon / Quando Quando Quando](https://i.ytimg.com/vi/Swf10ZtArzY/mqdefault.jpg)
![Artie MacLaren And The Mustangs - Ring Of Fire (Anita Carter / Johnny Cash Cover)
From May The Bird Of Paradise Fly Up Your Nose
Label: Arc Records – 663
Format: Vinyl, LP, Album
Country: Canada
Tracklist
A1 May The Bird Of Paradise Fly Up Your Nose
A2 Shes Gone Gone Gone
A3 This Ole Heart
A4 I Havent Got The Right To Love You
A5 I Guess Its Too Late
A6 Its All Wrong
B1 Lose Love
Written-By – Percy Mayfield
B2 Green Green Grass Of Home
B3 Another Day Another Dollar
B4 Ring Of Fire
Written-By – June Carter, Merle Kilgore
B5 Pick Me Up On Your Way Down
Written-By – Harlan Howard
B6 Kentucky
Vocals – Artie MacLaren
Lead Guitar – Mickey McGivern
Steel Guitar – Bob Lucier
Rhythm Guitar – George Pasher
Piano – Rick Lamoureux
Drums – Tony DiMaria
Bass [Base] – Bill Gibbs
Producer, A&R [Direction] – Ben Weatherby
Record Company – Arc Sound Ltd.
Notes
A product of Arc Sound Ltd., Toronto, Ont.
Ring of Fire is a song written by June Carter Cash and Merle Kilgore and popularized by Johnny Cash in 1963.
The single appears on Cashs 1963 album, Ring of Fire: The Best of Johnny Cash.
The song was originally recorded by Junes sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as (Loves) Ring of Fire.
Ring of Fire was ranked No.4 on CMTs 100 Greatest Songs of Country Music in 2003 and No.87 on Rolling Stones list of The 500 Greatest Songs of All Time.
In June 2014, Rolling Stone ranked the song No.27 on its list of the 100 greatest country songs of all time.
The song was recorded on March 25, 1963, and became one of the biggest hits of Cashs career, staying at number one on the country chart for seven weeks.
It was certified gold on January 21, 2010, by the RIAA and has also sold over 1.2 million digital downloads.
Conception
Some sources claim that Carter had seen the phrase Love is like a burning ring of fire, underlined in an Elizabethan poetry book owned by her uncle A. P. Carter.
She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. She had written: There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns.
The song was originally recorded by Junes sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as (Loves) Ring of Fire.
Mercury released Anitas version as a single and it was a featured pick hit in Billboard magazine. After hearing Anitas version, Cash claimed he had a dream where he heard the song accompanied by Mexican horns. Cash said, [...] Ill give you about five or six more months, and if you dont hit with it, Im gonna record it the way I feel it.
Cash noted that adding trumpets was a change to his basic sound.
When the song failed to become a major hit for Anita, Cash recorded it his own way, adding the mariachi-style horns from his dream. This sound was later used in the song It Aint Me Babe, which was recorded around the same time. Mother Maybelle and the Carter sisters are prominently featured in the Cash recording singing harmony. Cash tinkered with a few of the original phrases in Anita Carters version of the song. Cashs daughter Rosanne Cash said, The song is about the transformative power of love and thats what it has always meant to me and thats what it will always mean to the Cash children.
Cashs first wife Vivian Cash (Liberto) states in her autobiography: One day in early 1963, while gardening in the yard, Johnny told me about a song he had just written with Merle Kilgore and Curly while out fishing on Lake Casitas. I’m gonna give June half credit on a song I just wrote, Johnny said. It’s called Ring of Fire. Why? I asked, wiping dirt from my hands. The mere mention of her name annoyed me. I was sick of hearing about her. She needs the money, he said, avoiding my stare. And I feel sorry for her. Vivian Cash also states: To this day, it confounds me to hear the elaborate details June told of writing that song for Johnny. She didn’t write that song any more than I did. The truth is, Johnny wrote that song, while pilled up and drunk, about a certain private female body part. All those years of her claiming she wrote it herself, and she probably never knew what the song was really about.
#countrymusic Artie MacLaren And The Mustangs - Ring Of Fire (Anita Carter / Johnny Cash Cover)](https://i.ytimg.com/vi/TX8exmiy43s/mqdefault.jpg)
![Carlos Mejuto - Long Black Veil (Rockabilly, Lefty Frizzell Cover)
From I Aint Givin Up Nothin
Label: Foot Tapping Records – FT 009
Format: CD, Album
Country: UK
Released: 2003
Tracklist
01. Great Shakin Fever
02. If I Really Bug Yo
03. I Aint Givin Up Nothin
04. Warm Love
05. Take And Give
06. Cry Me A River
07. Cold Cold Woman
08. Long Black Veil
09. Stop The World
10. Crash The Party
11. Skeleton Fight
12. Pop Let Me Borrow The Car
13. Black Smoke Blue Tears
14. Wolfbait
15. Way Down On My Knees
Guitar – Darrel Higham
🎵 [SONG INFO]
Long Black Veil is a 1959 country ballad, written by Danny Dill and Marijohn Wilkin and originally recorded by Lefty Frizzell.
In 2019, Frizzells version of Long Black Veil was selected by the Library of Congress for preservation in the National Recording Registry for being culturally, historically, or aesthetically significant.
Background
The writers later stated that they drew on three sources for their inspiration: Red Foleys recording of God Walks these Hills with Me, a contemporary newspaper report about the unsolved murder of a priest, and the legend of a mysterious veiled woman who regularly visited Rudolph Valentinos grave. Dill himself called it an instant folksong.
Wilkin played piano on the original recording by Frizzell. The song was a departure from Frizzells previous honky tonk style and was a deliberate move toward the then-current popularity of folk-styled material and the burgeoning Nashville sound.
Success
Recorded in Nashville in 1959 by Lefty Frizzell and produced by Don Law, the single reached no.6 on Billboard Hot C&W Sides chart. In the process, the song became Frizzells best-performing single in five years.
Cover versions
The highest charting cover version was a no.26 country hit by Sammi Smith in 1974.
Johnny Cash performed the song on the first episode of The Johnny Cash Show in 1969, duetting with Joni Mitchell.
The song has also appeared on landmark albums by Johnny Cash and The Band in 1968, and charted again in 1999 with the Dave Matthews Band, who performed the song live with Emmylou Harris at a Johnny Cash tribute concert. Early in her career, Joan Baez incorporated the song into her live repertoire, and recorded it twice.
The Band performed the song at the 1969 Woodstock Festival, and it appears on their first studio album, Music From Big Pink.
Bob Dylan performed a version of the song in 1970, as an outtake to the Self Portrait/New Morning sessions. This version was finally officially released on the Bob Dylan 1970 compilation in 2020, 50 years after the recording. Dylan also played the song in a live performance in 1997.
The song appears on David Allan Coes 1984 compilation 20 Greatest Hits and on Marianne Faithfulls Rich Kid Blues, recorded in 1971 but shelved until 1985.
Nick Cave and the Bad Seeds recorded a version for the 1986 covers album Kicking Against the Pricks.
Bruce Springsteen performed the song on his 2006 Seeger Sessions Band Tour.
In 1992 Diesel Park West covered the song on their series of ‘God Only Knows’ EPs that were released on the EMI/Food record label.
Mick Jagger recorded a version with The Chieftains for that groups 1995 album The Long Black Veil.
Mike Ness covered the song on his 1999 debut solo album Cheating at Solitaire.
Jerry Garcia, David Grisman and Tony Rice covered the song on the 2000 Pizza Tapes recordings.
It has been covered by Harry Manx, including a version on the compilation Johnnys Blues: A Tribute to Johnny Cash, and in October 2009, by Rosanne Cash on her album The List.
A version by Nazareth was never released on an album, but is played at live concerts.
On the 2011 album Rancho Alto by Jason Boland & the Stragglers, the song False Accusers Lament is a follow-up to Long Black Veil, describing a witnesss view of the events and the role that he played.
Other versions
Carl Mann
The Country Gentlemen
Burl Ives
Johnny Rivers
Jerry & Sara
Johnny Williams and The Jokers
The Move
The Wolfe Tones
The Byrds
The Small Faces
Bill Monroe and his Blue Grass Boys
Hank Williams, Jr.
Jimmy Orion Ellis
Zelenáči (Greenhorns) as Dlouhý černý závoj
Baby Opaque, featuring Ian Mackaye.
Michael Nesmith
Don Walser
Don Williams
Sally Timms
Daryle Singletary
Jason & the Scorchers
Bastard Sons of Johnny Cash
Deadstring Brothers
Jon Langford and The Pine Valley Cosmanauts
Rob Coffinshaker
Dave Gunning and Charlie ACourt
Tim OBrien
Richard Hawley
Bruce Hornsby
Charming Hostess
Crooked Fingers
The Proclaimers
Stoney LaRue
David Gray
Chip Taylor & Carrie Rodriguez
Professor Louis and the Crowmatix
Matt Andersen
Diamanda Galás
Aunt Martha
Jamey Johnson
Razzy Bailey
Caroline Herring
Gregg Allman & The All Star Band
Iron & Wine
Sarah Jackson
Black Rebel Motorcycle Club
Carter Hulsey
We Banjo 3
Dale Watson
The Black Crowes
Phil Lesh
Jenny Owen Youngs
Lee Ann Womack
Southbound Pilot, Monterrey Court
The Stanley Brothers
Bobby Bare
Chris Ledoux
Banks & Shane
#rockabilly
#rockabillycover
#rockandroll Carlos Mejuto - Long Black Veil (Rockabilly, Lefty Frizzell Cover)](https://i.ytimg.com/vi/TrauUBX0mZk/mqdefault.jpg)
![Whiskey Daredevils - A Forest (Rockabilly, The Cure Cover)
From Fast And Furious
Label: Drink N Drive Records – DND080
Format: CD, Album
Country: US
Released: 2025
Tracklist
01. (Didnt Get) High With Willie Nelson
02. Die In That Trailer
03. A Forest
04. Detroit Over Houston
05. Runs Dry
06. Further Down The Line
07. California
08. Hey Bartender
09. On the Rocks
10. Nicky Done Got A Secret
11. Slip Into Heaven
12. Polaroid
13. Down In The Dust
℗ 2025 Whiskey Daredevils
💿 [SONG INFO]
A Forest is a song by the English rock band the Cure.
Co-produced by Mike Hedges and the bands Robert Smith, it was released as a single from the bands second album Seventeen Seconds on 8 April 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBCs Top of the Pops programme on 24 April 1980.
Recorded and mixed over seven days, along with the rest of the songs from the album, A Forest is representative of The Cures 1980s gothic rock phase. The song has featured on the bands set lists for many years. Several versions have appeared on concert albums, and it was re-recorded, then subsequently remixed and released as a single from Mixed Up in 1990.
Background and recording
Mike Hedges co-produced the album Seventeen Seconds as well as A Forest with The Cures Robert Smith. Hedges had first worked with the band on the track Killing an Arab. Interviewed in 2004, he did not recall any demos existing for Seventeen Seconds; the band generally played the track in the studio before laying down a backing track to which overdubs were added. At the time of the recording of the album, bass guitarist Simon Gallup and keyboardist Matthieu Hartley had been added to the bands lineup. Gallup had replaced Michael Dempsey, who had departed to join The Associates. Gallup and Hartley joined remaining Cure members Smith (vocals, guitar) and Lol Tolhurst (drums) in late 1979 during the groups Future Pastimes tour, on which A Forest was one of the new songs added to their set list.
Due to budgetary restraints, Seventeen Seconds was recorded and mixed in seven days on a budget of between £2,000 and £3,000, which resulted in the band working 16 or 17 hours a day to complete the album. Hedges and Robert Smith knew the song would take more work to complete than other songs on the album, and would require more overdubs. The song was one of the last tracks recorded; the backing tracks were recorded first, followed by touch-ups to the individual parts, then Smiths vocals.
Fiction Records owner Chris Parry told Smith that the song had the potential to be a hit if they made it sound radio-friendly, but Smith refused, stating the way the track sounded was the sound he envisioned in his head. Work on mixing A Forest took up much of the final day of sessions for the album.
Release and promotion
A Forest was released as a single on 8 April 1980. Its B-side was Another Journey by Train, an instrumental remake of The Cures Jumping Someone Elses Train. The single received a mixed critical reception, though commercially its sales were an improvement for the band.
Entering the chart on 12 April, it spent eight weeks in the UK Singles Chart, peaking at No. 31 on 17 May.
It was the highest they had placed on the chart by that point in their career.
In the United States, the song reached No. 47 on the Billboard Dance Music/Club Play Singles chart.
The version included on 1986 compilation Standing on a Beach/Staring at the Sea is neither the album version (which was also on the 12 single) nor the 7 single edit (which removes a few bars between verses and fades out part-way through the guitar solo ending).
Legacy
A Forest has become the song most performed by the Cure, with over 1,000 live appearances.
The song was featured in the 2006 Rockstar Games video game Grand Theft Auto: Vice City Stories, which is set in 1984 and is a prequel to 2002s Grand Theft Auto: Vice City, set in 1986; in Vice City Stories, the song can be heard on the in-game new wave radio station The Wave 103.
🔗 [LINKS]
Whiskey Daredevils Official Page:
https://www.whiskeydaredevils.com/news/
bandcamp:
https://whiskeydaredevils.bandcamp.com/music
and Facebook:
https://www.facebook.com/profile.php?id=100050469905436
Available on bandcamp:
https://whiskeydaredevils.bandcamp.com/album/fast-and-furious
#rockabilly
#rockabillycover Whiskey Daredevils - A Forest (Rockabilly, The Cure Cover)](https://i.ytimg.com/vi/UB7R3kq4QB4/mqdefault.jpg)
![Cowtown - Mr. Tambourine Man (Bob Dylan Cover)
From Swamp Land In Heaven
Label: Cowtown – none
Format: Cassette, C62
Country: US
Released: 1988
Tracklist
This Side
A1 Can You Please Lend Me Your Crystal Ball?
A2 Everything Goes
A3 Swamp Land In Heaven
A4 I Want To Be A Yuppie
A5 Wholl Stop The Rain?
Featuring [With] – Walls Of Genius
Written-By – John Fogerty
Udder Side
B1 Denver (Deffer n Duller)
B2 The Stone Woman
B3 Tribute To Led Zeppelin
B4 Spank!
Featuring [With] – Walls Of Genius
B5 Mr. Tambourine Man
Featuring [With] – Walls Of Genius
Written-By – Bob Dylan
Notes
Recorded in Boulder, Colorado Feb-March, 1988 except A5 and B4, B5 with W.O.G. summer 1985.
Although this contains only approx. 40 minutes of music it was copied on a C62 white body cassette with hand-painted and -written stickers.
Released in a double-sided photocopied (on yellow paper) j-card with inner flap.
All compositions © 1988 Peter Tonks except where noted.
Copyright © – Peter Tonks
Mr. Tambourine Man is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home.
The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their first album, Mr. Tambourine Man.
The Byrds recording of the song was influential in initiating the musical subgenre of folk rock, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the singles success.
This song has been covered by many artists, including Judy Collins, Odetta, Melanie, and William Shatner.
The songs popularity led to Dylan recording it live many times, and it has been included in multiple Dylan and Byrds compilation albums.
It has been translated into other languages, and has been used or referenced in television shows, films and books.
The song has a bright, expansive melody and has become famous in particular for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini.
The lyrics call on the title character to play a song and the narrator will follow.
Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singers muse, a reflection of the audiences demands on the singer, and religious interpretations.
Dylan sings the song in four verses, of which The Byrds used only the second for their recording.
Dylans and The Byrds versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stones list of the 500 best songs ever. Both versions also received Grammy Hall of Fame Awards.
Legacy
The Byrds version of Mr. Tambourine Man was listed as the number 79 song on Rolling Stones list of the 500 Greatest Songs of All Time, and Dylans version was ranked number 106.
It is one of three songs to place twice, along with Walk This Way by both Aerosmith and Run-DMC with Perry and Tyler, and Blue Suede Shoes by both Carl Perkins and Elvis Presley.
The Byrds version was honored with a Grammy Hall of Fame Award in 1998, and Dylans version was honored with the same award in 2002.
In 1989 Rolling Stone ranked The Byrds version of Mr. Tambourine Man as the number 86 single of the prior 25 years.
That same year, music critic Dave Marsh listed it as number 207 in his list of the top 1001 singles ever made.
In 1999, National Public Radio in the United States listed this version as one of the 300 most important American records of the 20th century.
In the UK, music critic Colin Larkin listed The Byrds version as the number 1 single of all time.
Other UK publishers that have listed this song as one of the top songs or singles include Mojo, New Musical Express, and Sounds.
Australian music critic Toby Creswell included the song in his book 1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them.
In a 2005 readers poll reported in Mojo, Dylans version of Mr. Tambourine Man was listed as the number 4 all-time greatest Bob Dylan song, and a similar poll of artists ranked the song number 14.
In 2002, Uncut listed it as the number 15 all-time Dylan song.
More info about the song on wikipedia ~
http://en.wikipedia.org/wiki/Mr._Tambourine_Man
#experimentalmusic
#folkrock
#psychedelicrock
#indierock
📜 [PUBLISHING & PERMISSIONS]
Copyright music and lyrics reproduced by kind permission of Special Rider – for original, exclusive performances by Bob Dylan, check-out the official channel at https://www.youtube.com/BobDylan Cowtown - Mr. Tambourine Man (Bob Dylan Cover)](https://i.ytimg.com/vi/UFuxumjnV3A/mqdefault.jpg)
![Detroit Featuring Mitch Ryder - Rock N Roll (The Velvet Underground Cover)
From Rock N Roll / Box Of Old Roses
Label: Paramount Records – PAA-0133
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: Dec 1971
Tracklist
A Rock N Roll
Written-By – Lou Reed
B Box Of Old Roses
Written-By – W. R. Cooke
Producer – Bob Ezrin
© 2005 Warner Strategic Marketing
℗ 2005 Warner Strategic Marketing
💿 [SONG INFO]
Rock & Roll (sometimes spelled Rock n Roll) is a song by the Velvet Underground, originally appearing on their 1970 album Loaded.
The song was written by the Velvets leader Lou Reed, who continued to incorporate the song into his own live performances years later as a solo artist.
The song recounts the advent of rock and roll music, telling the story of a girl named Jenny whose ...life was saved by rock n roll.
In the liner notes to the Velvet Undergrounds box set Peel Slowly and See, Lou Reed wrote, Rock and Roll is about me. If I hadnt heard rock and roll on the radio, I would have had no idea there was life on this planet. Which would have been devastating - to think that everything, everywhere was like it was where I come from. That would have been profoundly discouraging. Movies didnt do it for me. TV didnt do it for me. It was the radio that did it.
The song also appears on the albums 1969: The Velvet Underground Live; Live MCMXCIII; Loaded: Fully Loaded Edition; American Poet; Another View; Rock n Roll Animal; Live in Italy; Rock and Roll: an Introduction to The Velvet Underground.; Rock and Roll Diary: 1967–1980.
Notable covers and pop culture uses
Rock & Roll has appeared in a number of films, including A Guide to Recognizing Your Saints, Rock n Roll High School and SLC Punk!
A clip of the Velvet Underground performing the song is played on completion of the Rock & Roll wonder in Civilization IV.
In addition, the quote about researching the technology Radio, read by Leonard Nimoy, is ...then one fine morning she puts on a New York station.... You know, her life was saved by rock & roll. The quote is credited to Lou Reed.
Mitch Ryders band Detroit, which featured Lou Reeds future guitarist Steve Hunter, performed one of the first cover versions of the song in 1971, changing the lyric New York station to Detroit station.
Other artists to cover the song include The Runaways, changing the aforementioned lyric to L.A. station.
The band Janes Addiction, though also from Los Angeles, uses Reeds original New York station in its cover version of the song.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/2xwmCqhDRnKs6V0RA6jJ3l
and Apple Music:
https://music.apple.com/gb/song/rock-n-roll/972728020 Detroit Featuring Mitch Ryder - Rock N Roll (The Velvet Underground Cover)](https://i.ytimg.com/vi/UHrG1WL04qI/mqdefault.jpg)
![Jeddah - Eleanor Rigby (NWOBHM/Metal, The Beatles Cover)
From Eleanor Rigby / Ghosts
Label: Death Records – RIP 2001
Format: Vinyl, 7, 45 RPM, Single
Country: UK
Released: 1983
Tracklist
A Eleanor Rigby
Written-By – Lennon-McCartney
B Ghosts (Never Leave You Behind)
Written-By – Jeddah
Lead Vocals [Lead Screamer] – Dean Salonga
Lead Guitar – Dave Cooke, Quirk
Drums – Paul Cooke, Ron Emms
Bass – El Sid
Engineer – Bill Buchanan, Brian Pugsley
Engineered At – Wave Studios
Notes
A NWOBHM (New Wave of British Heavy Metal) version!
🎵 [SONG INFO]
Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver.
It was also issued on a double A-side single, paired with Yellow Submarine.
Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship.
Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartneys claim to authorship.
Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band, with a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness.
It broke sharply with popular music conventions, both musically and lyrically.
The song topped singles charts in Australia, Belgium, Canada, and New Zealand.
Background and inspiration
Paul McCartney came up with the melody for Eleanor Rigby as he experimented on his piano.
Donovan recalled hearing McCartney play an early version of the song on guitar, where the character was named Ola Na Tungee. At this point, the song reflected an Indian musical influence and its lyrics alluded to drug use, with references to blowing his mind in the dark and a pipe full of clay.
The name of the protagonist that McCartney initially chose was not Eleanor Rigby, but Miss Daisy Hawkins.
In 1966, McCartney told Sunday Times journalist Hunter Davies how he got the idea for his song:
The first few bars just came to me. And I got this name in my head – Daisy Hawkins picks up the rice in the church where a wedding has been. I dont know why ... I couldnt think of much more so I put it away for a day. Then the name Father McCartney came to me – and all the lonely people. But I thought people would think it was supposed to be my dad, sitting knitting his socks. Dads a happy lad. So I went through the telephone book and I got the name McKenzie.
McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vics production of The Happiest Days of Your Life in January 1966.
He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. Eleanor Rigby sounded natural.
In an October 2021 article in The New Yorker, McCartney wrote that his inspiration for Eleanor Rigby was an old lady who lived alone and whom he got to know very well. He would go shopping for her and sit in her kitchen listening to stories and her crystal radio set. McCartney said, just hearing her stories enriched my soul and influenced the songs I would later write.
more info here:https://en.wikipedia.org/wiki/Eleanor_Rigby
#jeddah
#eleanorrigby
#nwobhm
#metal
#thebeatlescover Jeddah - Eleanor Rigby (NWOBHM/Metal, The Beatles Cover)](https://i.ytimg.com/vi/UnlGzmY80zk/mqdefault.jpg)
![Graham James - Malagueña (Folk, Ernesto Lecuona)
From What Is Me
Label: Rene Records – R-1141
Format: Vinyl, LP
Country: US
Released: 1974
Tracklist
A1 What Is Me
A2 The Superlative Life Is Free
A3 Lamora
A4 Unknown/Unnamed
A5 Love Is The Answer
B1 Obese Mama
B2 Take Me Home Little Mama
B3 Because Its Not An Easy Thing
B4 It Takes A Lot To Laugh, It Takes A Train To Cry
B5 Malaquena
Notes
Artists real name was James (Jim) Graham. He flipped it for a stage name.
🎵 [SONG INFO]
Malagueña is a song by Cuban composer Ernesto Lecuona.
It was originally the sixth movement of Lecuonas Suite Andalucía (1933), to which he added lyrics in Spanish.
The song has since become a popular, jazz, marching band, and drum and bugle corps standard and has been provided with lyrics in several languages. In general terms, malagueñas are flamenco dance styles with pasodoble elements from Málaga, in the southeast of Spain.
Origins
The melodic themes which form the basis of Malagueña were not of Ernesto Lecuonas invention, having been prominent in Spanish folk songs named malagueñas for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition Souvenirs dAndalousie (English: Memories of Andalusia).
The malagueña originates in the fandango style of Málaga, hence its name. It was also exported to the Canary Islands around the 18th century by Spanish mariners, where it has developed its own separate identity as the malagueña canaria, with a distinct style for different islands ranging from variations similar to the original fandango, to slower and more lamenting melodies such as those from the island of Tenerife. On the island of Fuerteventura the malagueña de los novios (English: of the bride and groom) is played at weddings in honour of the nuptials, and is much more elegant.
Notable vocal performances
A German-language version, sung by Caterina Valente, with Werner Müllers orchestra, was very popular in the United States (not making the Billboard chart, but charting on Cashbox, peaking at No. 42) in February 1955. Valente also sang Malagueña in Spanish.
English lyrics were written by Marian Banks and a later charting version was recorded by Connie Francis in 1960 that reached No. 42 on Billboards chart as the flip-side of her No. 1 pop hit My Heart Has a Mind of Its Own, which were included on her 1961 compilation album More Greatest Hits.
In 1962, Violetta Villas recorded Malagueña in German- and Polish-language versions. Singers Vigen Derderian and Googoosh adapted the song for Iranian pop.
Notable instrumental performances
Lecuonas Malagueña was recorded by the composer as a piano solo on the 1955 RCA Victor LP Lecuona Plays Lecuona. The recording is available on RCA/BMG CD compilations and reissues.
As a pianist, Stan Kenton first had the piece arranged for the Sketches on Standards LP in 1956, which mostly went unnoticed at that time. After the 1960 Connie Francis version, Bill Holmans 1961 arrangement for the Stan Kenton Orchestra re-imagined the song again as a fiery big band showpiece, with an even larger orchestra. Performances of this arrangement appeared on Kentons 1962 Grammy Award-winning album Adventures In Jazz and on the 1962 American TV show Jazz Scene USA.
Marco Rizos solo piano performance of Malagueña can be found in Lecuona, a Musical Legacy. Rizo, who in 1938 became the official pianist of the Havana Philharmonic, performed under the direction of Maestro Ernesto Lecuona and gave duo piano recitals with Lecuona in 1939.
Sabicas adapted it for flamenco-style guitar, and it was included on his 1957 album, Sabicas Vol. 2, on Elektra Records. This recording was influential in the piece becoming a guitar standard, even though it was originally written for piano.
An acoustic instrumental demo of Malagueña was performed by Ritchie Valens and recorded in early 1959 at his manager Bob Keanes home studio. It was to have been worked on and completed later that year, but Valens died in a plane crash on February 3 before anything further could be done. About two years later, Keane chose Valens demo as one of several unfinished tracks featured on the album Ritchie Valens in Concert at Pacoima Jr. High. Other artists as varied as Chet Atkins, Count Basie, Roy Clark, Ray Conniff, Xavier Cugat, Esquivel, Connie Francis, Ted Heath and Chico OFarrill have also performed the piece.
#acoustic
#acousticguitar
#acousticcover
#acousticmusic Graham James - Malagueña (Folk, Ernesto Lecuona)](https://i.ytimg.com/vi/Uz3iSr59NNc/mqdefault.jpg)
![گروه تکخالها - Play with Fire (The Rolling Stones Cover)
From باران بارانه - Play With Fire - مستوم مستوم - دختر دریا
Label: Ahang Rooz – AR-2094
Format: Vinyl, 7
Country: Iran
A1 باران بارانه
A2 Play With Fire
B1 دختر دریا
B2 مستوم مستوم
Arranged By – گروه تکخالها
Vocals – بهرام
Notes
Takhala ha Band (Takkhalha) was a 1960s Iranian garage band.
© 2024 Saeed
℗ 2024 Saeed
💿 [SONG INFO]
Play with Fire is a song by English rock and roll band The Rolling Stones, originally released as B-side to the song The Last Time.
It was later included on the American release of their 1965 album Out of Our Heads.
Play with Fire is credited to Nanker Phelge, a pseudonym used when tracks were composed by the entire band, even though lead singer Mick Jagger and guitarist Keith Richards are the only Rolling Stones to appear on the track.
The song was recorded late one night in January 1965 while the Stones were in Los Angeles recording with Phil Spector at the RCA Studios.
Richards performed the songs acoustic guitar opening while Jagger handled vocals and tambourine (enhanced using an echo chamber).
Spector played bass (actually a tuned-down electric guitar), and Jack Nitzsche provided the songs distinctive harpsichord arrangement and tamtams. The Stones left for a tour of Australia the following day.
The songs lyrics talk of the singers relationship with a high society girl, disparaging the lifestyle much in the same way that 19th Nervous Breakdown would in a more up-tempo feel.
In a 1995 interview with Jann Wenner for Rolling Stone entitled Jagger Remembers, Jagger said, Play with Fire sounds amazing—when I heard it last.
I mean, its a very in-your-face kind of sound and very clearly done.
You can hear all the vocal stuff on it.
And Im playing the tambourines, the vocal line. You know, its very pretty.
An unreleased version of the song, entitled Mess with Fire, was also recorded.
It featured a much more upbeat, soul-oriented feel.
Play with Fire was the b-side to The Last Time and went to no.96 on the US chart.
It was also featured on the US version of Big Hits (High Tide and Green Grass) (1966), Hot Rocks (1971) and Singles Collection: The London Years.
The song was performed in concert during the Rolling Stones tours of 1965 and 1966, and was revived on their 1989-1990 Steel Wheels/Urban Jungle Tour.
An extended live version can be found on the 1974 release Live n Kickin by West, Bruce and Laing.
Play with Fire was featured in the 2007 film The Darjeeling Limited, directed by Wes Anderson; it also appears on the soundtrack album.
In July 2008, Play with Fire became the subject of a lawsuit when ABKCO Music Inc., which owns the rights to the Rolling Stones early catalogue, filed a suit against Lil Wayne, asserting that the rappers song Playing With Fire is based on the Rolling Stones song.
In May 2011, Play with Fire was featured prominently in the season 6 finale of the show Supernatural.
Legacy
Dick Taylor, an early bass guitarist for the Stones, covered Play with Fire as a member of The Pretty Things on their 1999 album, Rage...Before Beauty.
Govt Mule covered Play with Fire in a reggae style on their 2007 album Mighty High and directly reference the Rolling Stones 1965 version in the intro.
Play with Fire was covered by Dum Dum Girls in 2009 as a B-Side to the Jail La La single and as a Japanese bonus track for their debut album I Will Be.
Jonee Earthquake Band have made this a regular part of their act, usually closing with it. They play it in a much faster punk rock style.
Tír na nÓg conceived an acoustic folk version of the song with a guitar/violin arrangement that they played live on their 2010 album Live at Sirius.
🔗 [LINKS]
Available on Deezer:
https://www.deezer.com/en/album/641192641 گروه تکخالها - Play with Fire (The Rolling Stones Cover)](https://i.ytimg.com/vi/V792RakK95A/mqdefault.jpg)