Fulya Ucanok — Electroacoustic Composition Process as a Process of Com-position @HuddCeReNeM
Fulya Ucanok — Electroacoustic Composition Process as a Process of Com-position  @HuddCeReNeM
Uploaded July 2022 | Updated September 2026, 1 week ago
Fulya Ucanok
Electroacoustic Composition Process as a Process of Com-position

DOI:10.5920/ElectroacousticComposition

Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022

research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
Fulya Ucanok — Electroacoustic Composition Process as a Process of Com-positionMarcel Zaes Sagesser — Rethinking Time Keeping HistoriesJeffrey Gavett: Singing in Just Intonation [20.11.2015]Andrew Knight-Hill — Convergence in Parallel Praxis: Electroacoustic Music and Sound DesignFluCoMa Plenary: Jacob Hart, Fluid Corpus Manipulation for Musicological AnalysisLeafcutter John: improvisations & selected worksJoseph Hyde — Tracing Music Technology to its Interdisciplinary RootsFluCoMa Plenary: Sam Pluta, artist presentationÁngela Hoyos Gómez and Juan Hernández: TambambientCeReNeMs 10th Anniversary Celebrations at hcmf// 2016Setup of The HISS, Electric Spring Festival 2018Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in Museums
CeReNeM | Centre for Research in New Music |

Fulya Ucanok — Electroacoustic Composition Process as a Process of Com-position

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