Andrew Knight-Hill — Convergence in Parallel Praxis: Electroacoustic Music and Sound Design @HuddCeReNeM
Andrew Knight-Hill — Convergence in Parallel Praxis: Electroacoustic Music and Sound Design  @HuddCeReNeM
Uploaded July 2022 | Updated September 2026, 2 weeks ago
Andrew Knight-Hill
Convergence in Parallel Praxis: Electroacoustic Music and Sound Design

DOI:10.5920/ParallelPraxis

Rethinking the History of Technology-based Music
Centre for Research in New Music, University of Huddersfield
University of Huddersfield 9-11 June 2022

research.hud.ac.uk/music/conferences/technologybasedmusic
research.hud.ac.uk/institutes-centres/cerenem

/// ABOUT THE PRESENTATION
Andrew Knight-Hill discusses the parallel praxises in sound design and electroacoustic composition at the conference Rethinking the History of Technology-based Music in June, 2022, and questions the separation between the two with basis in a series of interviews with composers and sound designers.
Andrew Knight-Hill — Convergence in Parallel Praxis: Electroacoustic Music and Sound DesignFluCoMa Plenary: Jacob Hart, Fluid Corpus Manipulation for Musicological AnalysisLeafcutter John: improvisations & selected worksJoseph Hyde — Tracing Music Technology to its Interdisciplinary RootsFluCoMa Plenary: Sam Pluta, artist presentationÁngela Hoyos Gómez and Juan Hernández: TambambientCeReNeMs 10th Anniversary Celebrations at hcmf// 2016Setup of The HISS, Electric Spring Festival 2018Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in MuseumsPerMagnus Lindborg — Re-scaling Beethoven: Very Long, Very ShortWeston Olencki: chime arraySylvain Pohu: About composing and playing feedback
CeReNeM | Centre for Research in New Music |

Andrew Knight-Hill — Convergence in Parallel Praxis: Electroacoustic Music and Sound Design

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