Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in Museums @HuddCeReNeM
Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in Museums  @HuddCeReNeM
Uploaded July 2022 | Updated September 2026, 1 week ago
Annie Jamieson
What Are We Conserving? Functional Conservation for Music Technology in Museums

DOI:10.5920/FunctionalConservation

Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022

research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in MuseumsPerMagnus Lindborg — Re-scaling Beethoven: Very Long, Very ShortWeston Olencki: chime arraySylvain Pohu: About composing and playing feedbackLeila Adu-Gilmore — Intersectional approaches to music tech, improvisation, theory & compositionAmbrose Field: Space in the ambience - is ambient music socially relevant?Manuel Contreras Vázquez, Taiken (2021)FluCoMa Plenary: Hans Tutschku, artist presentationPam Hulme: S_a_ _ / _y / _ _ (part II)ELISION Ensemble: Improvisation (2019)Weston Olencki: ADC/DAC: On meeting points between instrumental performance and compositional codingFluCoMa Plenary: James Bradbury, Finding Things In Stuff
CeReNeM | Centre for Research in New Music |

Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in Museums

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