Leila Adu-Gilmore — Intersectional approaches to music tech, improvisation, theory & composition @HuddCeReNeM
Leila Adu-Gilmore — Intersectional approaches to music tech, improvisation, theory & composition  @HuddCeReNeM
Uploaded July 2022 | Updated September 2026, 1 week ago
Leila Adu-Gilmore
Critical Sonic Practice: Intersectional approaches to music technology, improvisation, theory and composition

DOI:10.5920/CriticalSonicPractice

Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022

research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
Leila Adu-Gilmore — Intersectional approaches to music tech, improvisation, theory & compositionAmbrose Field: Space in the ambience - is ambient music socially relevant?Manuel Contreras Vázquez, Taiken (2021)FluCoMa Plenary: Hans Tutschku, artist presentationPam Hulme: S_a_ _ / _y / _ _ (part II)ELISION Ensemble: Improvisation (2019)Weston Olencki: ADC/DAC: On meeting points between instrumental performance and compositional codingFluCoMa Plenary: James Bradbury, Finding Things In StuffTim Howle: Avoidance StrategiesGiovanni Onorato & Riccardo Ancona — A Critical Perspective on the Idea of Post-AcousmaticBryn Harrison: Dead Time (2019)FluCoMa Plenary: John Burton (aka Leafcutter John), artist presentation
CeReNeM | Centre for Research in New Music |

Leila Adu-Gilmore — Intersectional approaches to music tech, improvisation, theory & composition

SHARE TO X SHARE TO REDDIT SHARE TO FACEBOOK WALLPAPER