Uploaded August 2025 | Updated September 2026, 3 hours ago
The exhibition "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection" features many superb representations of gods and goddesses from the Greco-Roman pantheon. In this discussion, exhibition co-curators Lisa A. Çakmak and Katharine Raff explore themes of classical mythology in artworks from the show and the Art Institute’s collection.
Their discussion moves across time, considering the era when these deities were worshipped as part of a living religious tradition as well as the centuries long after, when artists of a different age were inspired by the power and poetry of ancient myth.
Whether you’re a lifelong fan of Greek and Roman mythology or looking for a refresher on the subject, this program will present new perspectives on these perennially fascinating stories.
This program is generously supported by the Mary Soleiman Lecture Fund.
The exhibition "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection" features many superb representations of gods and goddesses from the Greco-Roman pantheon. In this discussion, exhibition co-curators Lisa A. Çakmak and Katharine Raff explore themes of classical mythology in artworks from the show and the Art Institute’s collection.
Their discussion moves across time, considering the era when these deities were worshipped as part of a living religious tradition as well as the centuries long after, when artists of a different age were inspired by the power and poetry of ancient myth.
Whether you’re a lifelong fan of Greek and Roman mythology or looking for a refresher on the subject, this program will present new perspectives on these perennially fascinating stories.
This program is generously supported by the Mary Soleiman Lecture Fund.




![Georgia OKeeffe: My New Yorks | Exhibition Stories
Hear the story of Georgia OKeeffes New Yorks from curators Sarah Kelly Oehler and Annelise K. Madsen—these early career paintings reveal the artists perspective on the citys rapidly changing landscape through the 1920s and are essential to the ambitious and wide-ranging aesthetic for which shes remembered. As OKeeffe herself put it, “One can’t paint New York as it is, but rather as it is felt.”
Learn more about Georgia OKeeffe: My New Yorks on our website:
https://www.artic.edu/exhibitions/9539/georgia-o-keeffe-my-new-yorks
Thumbnail Credit: Alfred Stieglitz. Georgia OKeeffe, 1930. copy print. Georgia OKeeffe Museum. Gift of The Georgia OKeeffe Foundation. [2006.6.934] Georgia OKeeffe: My New Yorks | Exhibition Stories](https://i.ytimg.com/vi/cM3amfiuTts/mqdefault.jpg)





