Uploaded April 2026 | Updated September 2026, 6 hours ago
In his more than six–decade career, architect Bruce Goff designed over 500 projects and completed about 150 buildings. His creative life and daring body of work continue to inspire contemporary architects.
In this conversation, "Bruce Goff: Material Worlds" co-curators Alison Fisher and Craig Lee join leading architects from the firms New Affiliates and Norman Kelley to explore how Goff’s life and work informs their practice today.
This discussion features two architects from each firm—Ivi Diamantopoulou and Jaffer Kolb of New York-based New Affiliates, who designed the Goff exhibition, and Thomas Kelley and Carrie Norman of Norman Kelley, based in Chicago and Cambridge, Massachusetts. Both firms have launched their own explorations of Bruce Goff’s work in recent years to produce new projects and pedagogical ideas.
This program is made possible by the R. Solomon Lectureship Fund.
In his more than six–decade career, architect Bruce Goff designed over 500 projects and completed about 150 buildings. His creative life and daring body of work continue to inspire contemporary architects.
In this conversation, "Bruce Goff: Material Worlds" co-curators Alison Fisher and Craig Lee join leading architects from the firms New Affiliates and Norman Kelley to explore how Goff’s life and work informs their practice today.
This discussion features two architects from each firm—Ivi Diamantopoulou and Jaffer Kolb of New York-based New Affiliates, who designed the Goff exhibition, and Thomas Kelley and Carrie Norman of Norman Kelley, based in Chicago and Cambridge, Massachusetts. Both firms have launched their own explorations of Bruce Goff’s work in recent years to produce new projects and pedagogical ideas.
This program is made possible by the R. Solomon Lectureship Fund.


![Georgia OKeeffe: My New Yorks | Exhibition Stories
Hear the story of Georgia OKeeffes New Yorks from curators Sarah Kelly Oehler and Annelise K. Madsen—these early career paintings reveal the artists perspective on the citys rapidly changing landscape through the 1920s and are essential to the ambitious and wide-ranging aesthetic for which shes remembered. As OKeeffe herself put it, “One can’t paint New York as it is, but rather as it is felt.”
Learn more about Georgia OKeeffe: My New Yorks on our website:
https://www.artic.edu/exhibitions/9539/georgia-o-keeffe-my-new-yorks
Thumbnail Credit: Alfred Stieglitz. Georgia OKeeffe, 1930. copy print. Georgia OKeeffe Museum. Gift of The Georgia OKeeffe Foundation. [2006.6.934] Georgia OKeeffe: My New Yorks | Exhibition Stories](https://i.ytimg.com/vi/cM3amfiuTts/mqdefault.jpg)







