Uploaded May 2022 | Updated September 2026, 5 days ago
Randolph Pitts’ composition “Concerto per pianoforte ad orchestra dedicato ad Anita DeFrancesco), or which this is the third movement, is based on a musical cryptogram (Arthur Honegger system) of the name “Anita DeFrancesco” (pictured here with the composer). This musical cryptogram was then used as the basis for two twelve-tone rows, which the composer then subjected to the usual dodecaphonic transformations (Inversion, Retrograde, Retrograde Inversion). He also made derived rows from these employing the approach used by Anton von Webern in his Concerto (Op. 24) and elsewhere, as well as using pitch set class multiplication as used by Milton Babbitt and others. Randolph Pitts holds Summa Cum Laude degrees in Social Psychology and Egyptology from the University of California Berkeley, and a Masters Degree in Motion Picture Production and Entertainment Law from UCLA. He has also done advanced research for the Department of Psychology at UCLA, concentrating on couples and relationships dynamics. He is a member of Phi Beta Kappa and the American Philosophical Association, the organization of university professors of Philosophy. He is also an associate member of the Los Angeles County Bar Association. Randolph has been a top executive at several entertainment companies, including a ten year stint as Chief Executive Officer of the company that produced Leaving Las Vegas for which Nicolas Cage won the Academy Award as best actor. The first volume of his eagerly anticipated tetralogy of novels will be published during 2022. Pitts' spellbinding novels deal at an unrelenting fever pitch with eroticism, mysticism, terrorism and crime on a global scale. And also… with women and men falling in love. Randolph Pitts has a lifelong interest in the relationship between philosophy, psychology and history. He is the founder and host of the Explore Ecstatic Sensuality podcast, the number one sex and sensuality podcast in the world. Randolph Pitts’ composition “Concerto per pianoforte ad orchestra dedicato ad Anita DeFrancesco), or which this is the third movement, is based on a musical cryptogram (Arthur Honegger system) of the name “Anita DeFrancesco” (pictured here with the composer). This musical cryptogram was then used as the basis for two twelve-tone rows, which the composer then subjected to the usual dodecaphonic transformations (Inversion, Retrograde, Retrograde Inversion). He also made derived rows from these employing the approach used by Anton von Webern in his Concerto (Op. 24) and elsewhere, as well as using pitch set class multiplication as used by Milton Babbitt and others. Randolph Pitts holds Summa Cum Laude degrees in Social Psychology and Egyptology from the University of California Berkeley, and a Masters Degree in Motion Picture Production and Entertainment Law from UCLA. He has also done advanced research for the Department of Psychology at UCLA, concentrating on couples and relationships dynamics. He is a member of Phi Beta Kappa and the American Philosophical Association, the organization of university professors of Philosophy. He is also an associate member of the Los Angeles County Bar Association. Randolph has been a top executive at several entertainment companies, including a ten year stint as Chief Executive Officer of the company that produced Leaving Las Vegas for which Nicolas Cage won the Academy Award as best actor. The first volume of his eagerly anticipated tetralogy of novels will be published during 2022. Pitts' spellbinding novels deal at an unrelenting fever pitch with eroticism, mysticism, terrorism and crime on a global scale. And also… with women and men falling in love. Randolph Pitts has a lifelong interest in the relationship between philosophy, psychology and history. He is the founder and host of the Explore Ecstatic Sensuality podcast, the number one sex and sensuality podcast in the world. As a composer he has written pieces in all genres, including works for vocal orchestra and soloists ("A Cabaret for Cesare Pavese," "Der Schatten eines Traumes," "Das Buch der Blauen Rose"), chamber music (strings quartets and a sextet), concertos ("Concerto for String Orchestra," the large orchestral piece "Love-- for Three Orchestras and Large Organ"), and chamber works for vocalist and small ensemble ("Le sang des rêves.")
Randolph Pitts’ composition “Concerto per pianoforte ad orchestra dedicato ad Anita DeFrancesco), or which this is the third movement, is based on a musical cryptogram (Arthur Honegger system) of the name “Anita DeFrancesco” (pictured here with the composer). This musical cryptogram was then used as the basis for two twelve-tone rows, which the composer then subjected to the usual dodecaphonic transformations (Inversion, Retrograde, Retrograde Inversion). He also made derived rows from these employing the approach used by Anton von Webern in his Concerto (Op. 24) and elsewhere, as well as using pitch set class multiplication as used by Milton Babbitt and others. Randolph Pitts holds Summa Cum Laude degrees in Social Psychology and Egyptology from the University of California Berkeley, and a Masters Degree in Motion Picture Production and Entertainment Law from UCLA. He has also done advanced research for the Department of Psychology at UCLA, concentrating on couples and relationships dynamics. He is a member of Phi Beta Kappa and the American Philosophical Association, the organization of university professors of Philosophy. He is also an associate member of the Los Angeles County Bar Association. Randolph has been a top executive at several entertainment companies, including a ten year stint as Chief Executive Officer of the company that produced Leaving Las Vegas for which Nicolas Cage won the Academy Award as best actor. The first volume of his eagerly anticipated tetralogy of novels will be published during 2022. Pitts' spellbinding novels deal at an unrelenting fever pitch with eroticism, mysticism, terrorism and crime on a global scale. And also… with women and men falling in love. Randolph Pitts has a lifelong interest in the relationship between philosophy, psychology and history. He is the founder and host of the Explore Ecstatic Sensuality podcast, the number one sex and sensuality podcast in the world. Randolph Pitts’ composition “Concerto per pianoforte ad orchestra dedicato ad Anita DeFrancesco), or which this is the third movement, is based on a musical cryptogram (Arthur Honegger system) of the name “Anita DeFrancesco” (pictured here with the composer). This musical cryptogram was then used as the basis for two twelve-tone rows, which the composer then subjected to the usual dodecaphonic transformations (Inversion, Retrograde, Retrograde Inversion). He also made derived rows from these employing the approach used by Anton von Webern in his Concerto (Op. 24) and elsewhere, as well as using pitch set class multiplication as used by Milton Babbitt and others. Randolph Pitts holds Summa Cum Laude degrees in Social Psychology and Egyptology from the University of California Berkeley, and a Masters Degree in Motion Picture Production and Entertainment Law from UCLA. He has also done advanced research for the Department of Psychology at UCLA, concentrating on couples and relationships dynamics. He is a member of Phi Beta Kappa and the American Philosophical Association, the organization of university professors of Philosophy. He is also an associate member of the Los Angeles County Bar Association. Randolph has been a top executive at several entertainment companies, including a ten year stint as Chief Executive Officer of the company that produced Leaving Las Vegas for which Nicolas Cage won the Academy Award as best actor. The first volume of his eagerly anticipated tetralogy of novels will be published during 2022. Pitts' spellbinding novels deal at an unrelenting fever pitch with eroticism, mysticism, terrorism and crime on a global scale. And also… with women and men falling in love. Randolph Pitts has a lifelong interest in the relationship between philosophy, psychology and history. He is the founder and host of the Explore Ecstatic Sensuality podcast, the number one sex and sensuality podcast in the world. As a composer he has written pieces in all genres, including works for vocal orchestra and soloists ("A Cabaret for Cesare Pavese," "Der Schatten eines Traumes," "Das Buch der Blauen Rose"), chamber music (strings quartets and a sextet), concertos ("Concerto for String Orchestra," the large orchestral piece "Love-- for Three Orchestras and Large Organ"), and chamber works for vocalist and small ensemble ("Le sang des rêves.")


![Andrew Imbrie, Violin Concerto i. Allegro - Part 1 of 2
The concerto is the largest instrumental work I have completed to date. It was commissioned by the Serge Koussevitsky Music Foundation inte Library congress, dedicated to the memory or Serge and Natalie Koussevitsky. Its composition occupied me during the period between 1950 and 1954. The work was done in Berkeley and Princeton, and finished in Rome, January 5, 1954, during my stay at the American Academy while on a Guggenheim Fellowship.
The first movement is characterized by the alternation of two tempi: allegro and andante. The first appearance of the allegro is only two measures long, and furnishes an orchestral upbeat to the first violin solo. Near the end of the passage, a bell-like sound is heard, which appears at other key points throughout the concerto. A brief cadenza ushers in the allegro proper, which begins with an orchestral tutti. The entrance of the violin carries this section toward its climax, whose dissolution is accompanied again by the bell-like motive. The more lyric andante returns, and is then followed y an extensive development, allegro. Tension toward the climax is built by having the figuration of the solo violin imitated by groups of orchestral instruments at closer and closer time intervals. The climax brings the return of the lyric andante, a more elaborate solo cadenza, and a culminating coda in a faster tempo.
Andrew Imbrie
In 1959 Andrew Imbrie was awarded the Walter W. Naumburg Recording Prize for his Concerto for Violin and Orchestra. That work was spontaneously acclaimed by the critics at its premiere performance during a festival dedicating the University of Californias new music center at Berkeley. In covering the event, Alfred Frankenstein of the San Francisco Chronicle remarked, It [Imbries concerto] impressed me as being the most important composition of its kind since the violin concerto of Alban Berg.
FOR THE SECORD PART OF THIS MOVEMENT, SEARCH ON YouTube FOR:
Andrew Imbrie, Violin Concerto i. Allegro - Part 2 of 2
The other two movements will be forthcoming. Andrew Imbrie, Violin Concerto i. Allegro - Part 1 of 2](https://i.ytimg.com/vi/qF76OfrdVRg/mqdefault.jpg)



![Randolph Pitts, Sonata for Cello & Piano [2/3]
The Sonata for Cello & Piano was composed in 2010 and was dedicated to the composers fiancée. The work is in one movement. This is the second of three parts. Randolph Pitts, Sonata for Cello & Piano [2/3]](https://i.ytimg.com/vi/rJ97n5aUMQw/mqdefault.jpg)



