Uploaded August 2014 | Updated September 2026, 1 hour ago
1, 2, 3 ... for french-swiss director Ursula Meier the aspect of speed and timing is very significant during shooting a film. She likes to conduct her actors as if they were dancers. In her first feature film HOME Meier searched for the slowliness of an interstate. In L'ENFANT D'EN Haut, her second feature film, she tries to find the perfect timing of her story between ski tourism and rough social realism. In our interview Ursula Meier spoke about her understanding of speed and timing.
Interview by: Felix von Boehm
Berlin, February 2012
Sign up for free: cine-fils.com
1, 2, 3 ... for french-swiss director Ursula Meier the aspect of speed and timing is very significant during shooting a film. She likes to conduct her actors as if they were dancers. In her first feature film HOME Meier searched for the slowliness of an interstate. In L'ENFANT D'EN Haut, her second feature film, she tries to find the perfect timing of her story between ski tourism and rough social realism. In our interview Ursula Meier spoke about her understanding of speed and timing.
Interview by: Felix von Boehm
Berlin, February 2012
Sign up for free: cine-fils.com
