Uploaded September 2026 | Updated September 2026, 54 minutes ago
A tour of the Argument Library: eighty-two objections raised against antinatalism, and their rebuttals, each one graded, mapped to the mechanism it runs on, and answered at three depths.
Read it yourself: https://library.wuld.ink/combined
The interface is the argument. The library is not a rebuttal engine — it records which objections are strong, which are weak and why, and where its own foundations rest on axioms rather than derivations. The coda says so plainly.
CHAPTERS
0:00 The library
0:24 The tier ladder
0:39 Three depths
0:49 Plain language
1:04 The mechanism web
1:23 Provenance
1:37 The dependency graph
2:40 Grading
3:10 Real-world examples
4:03 The coda
4:15 The pin
LINKS
All six Refusal Libraries — this one and five siblings: https://library.wuld.ink/libraries/
The coda on its own: https://library.wuld.ink/combined#/coda
Real-world examples: https://library.wuld.ink/combined#/rwe
Front page: https://wuld.ink/argument-library/
About — version, counts, provenance: https://wuld.ink/library-about/
Source: github.com/alisendjsc-crypto/efilist-argument-library
THE PIN
Every frame of interface in this film is a pinned snapshot of the library as it stood at capture — md5 9d13359e305c6caa3ae64759f3dcc0e6, 2,963,789 bytes — not the live site. The live file has moved on since; the about page above always carries the current pin. The film stays checkable either way.
THE APPARATUS
Endnotes, method, and every figure in this film with the measurement it came from: https://wuld.ink/argument-library/apparatus/
PHOTOSENSITIVITY
No strobe, and measured rather than asserted on the delivered file: across 16,510 frames the largest single-frame change in field luminance is 18.3 of 255, zero steps exceed 40, and against WCAG 2.3.1 / the ITC general flash threshold there are zero general flashes. Every figure, and the render it was taken from, is in the Apparatus.
CONTENT
The subject is antinatalism and the objections raised against it. One catalogued objection names suicide, because it is one of the eighty-two; one wing of the suite concerns a right to die. Nothing is advocated.
METHOD
Captured in headless Chromium on a virtual clock — every frame advances the page's own timers by exactly 1001/60 ms, so nothing is dropped and the same page makes the same frames. The monitor around the interface is drawn, not filmed. Sound is synthesised, cut to the interface's own click log rather than by ear.
#antinatalism #philosophy #pessimism
#efilism #DavidBenatar #procreativeethics #negativeutilitarianism
#philosophyofsuffering #argumentmapping #rightttodie #videoessay
A tour of the Argument Library: eighty-two objections raised against antinatalism, and their rebuttals, each one graded, mapped to the mechanism it runs on, and answered at three depths.
Read it yourself: https://library.wuld.ink/combined
The interface is the argument. The library is not a rebuttal engine — it records which objections are strong, which are weak and why, and where its own foundations rest on axioms rather than derivations. The coda says so plainly.
CHAPTERS
0:00 The library
0:24 The tier ladder
0:39 Three depths
0:49 Plain language
1:04 The mechanism web
1:23 Provenance
1:37 The dependency graph
2:40 Grading
3:10 Real-world examples
4:03 The coda
4:15 The pin
LINKS
All six Refusal Libraries — this one and five siblings: https://library.wuld.ink/libraries/
The coda on its own: https://library.wuld.ink/combined#/coda
Real-world examples: https://library.wuld.ink/combined#/rwe
Front page: https://wuld.ink/argument-library/
About — version, counts, provenance: https://wuld.ink/library-about/
Source: github.com/alisendjsc-crypto/efilist-argument-library
THE PIN
Every frame of interface in this film is a pinned snapshot of the library as it stood at capture — md5 9d13359e305c6caa3ae64759f3dcc0e6, 2,963,789 bytes — not the live site. The live file has moved on since; the about page above always carries the current pin. The film stays checkable either way.
THE APPARATUS
Endnotes, method, and every figure in this film with the measurement it came from: https://wuld.ink/argument-library/apparatus/
PHOTOSENSITIVITY
No strobe, and measured rather than asserted on the delivered file: across 16,510 frames the largest single-frame change in field luminance is 18.3 of 255, zero steps exceed 40, and against WCAG 2.3.1 / the ITC general flash threshold there are zero general flashes. Every figure, and the render it was taken from, is in the Apparatus.
CONTENT
The subject is antinatalism and the objections raised against it. One catalogued objection names suicide, because it is one of the eighty-two; one wing of the suite concerns a right to die. Nothing is advocated.
METHOD
Captured in headless Chromium on a virtual clock — every frame advances the page's own timers by exactly 1001/60 ms, so nothing is dropped and the same page makes the same frames. The monitor around the interface is drawn, not filmed. Sound is synthesised, cut to the interface's own click log rather than by ear.
#antinatalism #philosophy #pessimism
#efilism #DavidBenatar #procreativeethics #negativeutilitarianism
#philosophyofsuffering #argumentmapping #rightttodie #videoessay
![The Case Against Life & Humanity (What a Miserable World)
What would a trial on life and humanity look like?
[ . . . ] hour-long suffer-fest, on the multitude of suffering and horrors and banalities, of humanity and life [ . . . ]
This is just an infinitesimally brief look on some of the grotesque abjections, that can be found, if you do a _little_ digging.
*CREDITS*:
Disturbed Realitys, 5 Gruesome & Sadistic Torture Methods Used By Mexican Drug Cartels | Shockingly Evil & Cruel
Emma Kennys, Australia’s WORST paedophile - Peter Scully
Children of Leningradsky (documentary)
Shrouded Hands, The Slow Death of Sylvia Likens
Hailey Elizabeths, The Most Horrific Case Ive Ever Covered: Junko Furuta
Danielle Kirstys, Most Sadistic Murder in UK History - The PURE EVIL Group Who Tortured Suzanne Capper
George Carlins, Life is Worth Losing - particularly - Extreme Human Behavior
Pix 11s (News Channel), ‘Tranq’ users talk about skin-eating drug that can lead to amputation
Vice News, Inside The Fight Against Online Child Sex Abuse and, Vices, The Cannibal Warlords of Liberia and Living in the Sewers of Colombia
Graytaich0s, CrownJules, InMendhams, Unintelligent Design and Gladiator War
Juliana Chahayeds, cover of No Surprises, originally by, Radiohead
Various, unknown gore clips, from, GoreDatabases, website - particularly - from (WARNING: extreme, explicit, graphic content, for which, I take no liability, if you view the link provided): https://goredb.com/my-library/video-playlists/35d6de68-5484-4973-a3f9-ec345f6b388b
Klaus Langs, The Thin Tree (for orchestra) (2013/14) and Schwarzes Licht (for zither and orchestra) (2013)
*NOTE*: These people and organizations have nothing to do with me, personally. I simply watched and edited their footage, without explicit permission, for educational, fair-use purposes. If you have a problem with any of the content being displayed, please contact me at alisend@protonmail.com, if youd like it removed and / or changed or for any, formal comments.
#suffering #antinatalism #nihilism #doomerism #pessimism #documentary #montage #supercut #edit The Case Against Life & Humanity (What a Miserable World)](https://i.ytimg.com/vi/K5sj18h8EuY/mqdefault.jpg)
![The Advantage of Non-existence
Enlightenment is hanging the noose on your ego (god complex; you are not in control), taking the bottle of pills to kill your bias of emotions (namely hope and optimism), and pulling the trigger on your instinct (the insatiable animal who eats its prey alive).
InMendham: (D02.17 DNG Debates Put LIFE out of its misery [17])
https://www.youtube.com/watch?v=RLKYw7lxawE
Music: The Body - Darkness Surrounds Us The Advantage of Non-existence](https://i.ytimg.com/vi/NC0yC3MqFnA/mqdefault.jpg)





![Life in a Box of Self-reflection and Social Isolation
[ . . . ] , an incubation chamber for festering loneliness and mental illness [ . . . ]
Credits:
Written, by, J. S. C.
Music (Solitude, for solo cello), composed, by, Rebecca Saunders, performed by, Séverine Ballon
Voices produced, through Eleven Labs A.I., voice, emulation service
Visuals, found on YouTube and recorded, via OBS (Open Broadcast Software)
Edited on Sony Vegas Pro 14 (mostly, because I am familiar with it) Life in a Box of Self-reflection and Social Isolation](https://i.ytimg.com/vi/QZ5qInpc12s/mqdefault.jpg)


