Tadej Droljc: Using Max and LIVE as an Environment for Audiovisual Composition @HuddCeReNeM
Tadej Droljc: Using Max and LIVE as an Environment for Audiovisual Composition  @HuddCeReNeM
Uploaded June 2018 | Updated September 2026, 2 weeks ago
Tadej Droljc discusses his system for realtime audiovisual composition as part of the Max Power Users Symposium at the 2017 Electric Spring festival of electronic music, held at the University of Huddersfield.

tadej-droljc.org
research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab
electricspring.co.uk

Presented as part of the Electric Spring, Max/MSP Power Users Symposium 2017
Tadej Droljc: Using Max and LIVE as an Environment for Audiovisual CompositionIrine Røsnes — Tracing Ecosystemic Virtuosity in Performance of Simon Emmerson’s StringscapeColin Frank, EXPERIENCE NOW EXCITEMENT THRILLS (2021)Hans Kretz — Networked Performance as a Space for Collective Creation and Student EngagementTraces of Fluid Decomposition: John Burton (aka Leafcutter John), Line CrossingChristopher Trapani: Convergence Lines, Guest Lecture [17.11.2017]Pierre Alexandre Tremblay: FTM-based concatenative synthesis in the design of Sandbox#3Noisebringers: The abusers of power united will never be defeatedMichael Young: Computer as Partner - Live Algorithms in PerformanceTraces of Fluid Decomposition: Rodrigo Constanzo, For When The Bell TollsLisa Colton: Ambient @ 840 - Channelling the Ecstasy of Hildegard von Bingen in Ambient HouseTraces of Fluid Decomposition: Lauren Hayes, Moon via Spirit
CeReNeM | Centre for Research in New Music |

Tadej Droljc: Using Max and LIVE as an Environment for Audiovisual Composition

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