Uploaded July 2022 | Updated September 2026, 2 weeks ago
Irine Røsnes
Tracing Ecosystemic Virtuosity in Performance of Simon Emmerson’s Stringscape (2010) for Violin and Electronics
DOI:10.5920/TracingEcosystemic
Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022
research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
Irine Røsnes
Tracing Ecosystemic Virtuosity in Performance of Simon Emmerson’s Stringscape (2010) for Violin and Electronics
DOI:10.5920/TracingEcosystemic
Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022
research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
![Christopher Trapani: Convergence Lines, Guest Lecture [17.11.2017]](https://i.ytimg.com/vi/rDkmf-k8zMQ/mqdefault.jpg "Christopher Trapani: Convergence Lines, Guest Lecture [17.11.2017]
American composer Christopher Trapani discusses his work Convergence Lines as part of the guest lecture series of Huddersfield’s Centre for Research in New Music (CeReNeM) as part of hcmf// 2017
http://christophertrapani.com/wordpresssite/")
![Sam Pluta: Information as beauty in musical software design [25.11.2016]](https://i.ytimg.com/vi/tweKuk6HZVg/mqdefault.jpg "Sam Pluta: Information as beauty in musical software design [25.11.2016]
Dr Sam Pluta discusses the design of his live electronics performance environment in SuperCollider, in his lecture Information as beauty in musical software design at CeReNeMs Creative Coding Lab
http://www.sampluta.com/
https://research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab/
http://www.cerenem.org/")
