Uploaded May 2011 | Updated September 2026, 2 days ago
Written in 1916, this collection of miniatures is from Szymanowski's middle period. The musical idiom is a synthesis of late Scriabin, Debussy and orientalism.
1. Presto
2. Andante soave 1:17
3. Vivace assai 2:25
4. Presto 3:11
5. Andante espressivo 4:17
6. Vivace 5:35
7. Allegro molto 6:12
8. Lento assai mesto 6:59
9. Animato 8:23
10. Presto Tempestoso 9:28
11. Andante soave 10:44
12. Presto 12:23
The real gems in the set imho are #9 at the 8:23 mark, and #12 at 12:23. The ending is truly electrifying. Sadly, Szymanowski's music has never really caught on with the general public, but has always fascinated pianists who like a challenge, Richter for one. Boulez has recently (as of 2016) recorded the violin concerto and 3rd symphony, highly recommended!
This performance was created, edited and mastered in Digital Performer (MOTU) using Ivory (Synthogy) sound banks.
john casten I am
Written in 1916, this collection of miniatures is from Szymanowski's middle period. The musical idiom is a synthesis of late Scriabin, Debussy and orientalism.
1. Presto
2. Andante soave 1:17
3. Vivace assai 2:25
4. Presto 3:11
5. Andante espressivo 4:17
6. Vivace 5:35
7. Allegro molto 6:12
8. Lento assai mesto 6:59
9. Animato 8:23
10. Presto Tempestoso 9:28
11. Andante soave 10:44
12. Presto 12:23
The real gems in the set imho are #9 at the 8:23 mark, and #12 at 12:23. The ending is truly electrifying. Sadly, Szymanowski's music has never really caught on with the general public, but has always fascinated pianists who like a challenge, Richter for one. Boulez has recently (as of 2016) recorded the violin concerto and 3rd symphony, highly recommended!
This performance was created, edited and mastered in Digital Performer (MOTU) using Ivory (Synthogy) sound banks.
john casten I am


![Stravinsky Concerto for 2 pianos
written between 1931 and 1935. Performed with his son Soulima in Europe and South America.
I. Con moto
II.Notturno 7.33
III. Quattro variazioni 13:24
IV. Preludio e Fuga 18:40
From Wikipedia: In 1963, Stravinsky stated in a conversation with American conductor Robert Craft in their book Dialogues and a Diary (1963) that the Concerto is perhaps my Favorite among my purely instrumental pieces.[1] Stravinsky claimed to have been inspired by variations by Brahms and Beethoven and, especially, by Beethovens fugues.
Academics like to point to the first movement as an early use of metric modulation; yeah, big deal. Stravinsky Concerto for 2 pianos](https://i.ytimg.com/vi/UEkhOUKXR9I/mqdefault.jpg)







