Debussy - Étude 3, Pour les quartes @allarmunumralla

Uploaded June 2014 | Updated September 2026, 2 days ago

written in 1914, Debussy (mostly) avoids the "land of sky blue waters" effect. Note that he keeps us hanging at the end, expecting a final F natural. Perverse!

Created, edited and mastered in Digital Performer 5.13, using Ivory (Synthogy) sound banks.

$Xenakis evryali Iannis Xenakis, the master of pre-composition, wrote everyali, his second (mature) work for solo piano in 1973 and dedicated it to pianist Marie-Francoise Bucquet. The material is laid out on a grid of 16th notes (except for the 32nd note episodes near the beginning). The Wikipedia article describes the compositional techniques in terms of generative contour, stochastic clouds, and polyphonic arborescences. This may well be, but to my eyes it looks very much like a kind of fractal called a Bifurcation Plot (Pickover), the generating equation being x = Lambda*x*(1+x)**(-beta), highly magnified. This is made clear in the two graphic examples Ive appended to the performance. Many of Xenakiss works may only be approached by a human performer, impossible to completely master (I know, Ive tried). This is where midi shows its real strengths. That being said, you cannot simply enter the notes and set the clock ticking; the results would be highly unsatisfactory, like monkeys on a keyboard. Much balancing, de-quantizing and tempo fluctuations later and we have our realization. This was one of my first projects in midi, and all these years later, I have something Im satisfied to share with you. I found the score (which is still under copyright) at http://classicscore.hut2.ru/ Created, edited and mastered in Digital Performer 5.13 originally in DP 2.x (MOTU) using Ivory Italian Grand sound banks (Synthogy)$

Anton Webern Four Pieces for violin and piano, op. 7

Debussy - Les fées sont dexquises danseuses

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Debussy - Étude 3, Pour les quartes