Uploaded September 2016 | Updated September 2026, 4 days ago
"I wanted to oppose the affirmative and energetic conception of the musical discourse which emerges from Ondes / Arborescences with a sinuous and obsessive sound world, interrupted by silence and by the sporadic appearance of menacing events, such as the numerous minute interior interruptions which bombard the spirit, taut with anguish.
In these landscapes, where the unspoken reigns, a thousand fears suddenly emerge under the pressure of an interior murmur. The mysteries of our spirit open up ancient, fratricidal debates, nourished by our entire existence. Certain among these reveal themselves to our consciousness in order to better continue their muted struggle; nothing is resolved. There are intimate landscapes on the condemned horizons, in the delicate, feverish atmospheres, landscapes consisting of sinuous shadows, even tremulous among a few fleeting glimmers.
Paysages intérieurs [Interior Landscapes] was produced in 1988 in the studios of the Faculty of Music of the Université de Montréal and premiered in May 1988 during a public concert at the Université de Montréal. Paysages intérieurs was awarded Second Prize at the 8th CBC National Competition for Young Composers (Ottawa, 1988), Second Prize at the 1989 International Newcomp Computer Music Competition (Boston, USA), and an Honorable Mention at the 11th Luigi Russolo International Competition (Varese, Italy, 1989)." (Stephane Roy)
Instrumentation: stereo tape
Composer(s): Stéphane Roy
Year composed: 1988
Premiere: May 1, 1988, Concert, Faculté de musique — Université de Montréal, Montréal (Québec)
Video created with Sonic Visualizer, vokoscreen and Open Shot on an openSUSE 13.2 Linux System.
"I wanted to oppose the affirmative and energetic conception of the musical discourse which emerges from Ondes / Arborescences with a sinuous and obsessive sound world, interrupted by silence and by the sporadic appearance of menacing events, such as the numerous minute interior interruptions which bombard the spirit, taut with anguish.
In these landscapes, where the unspoken reigns, a thousand fears suddenly emerge under the pressure of an interior murmur. The mysteries of our spirit open up ancient, fratricidal debates, nourished by our entire existence. Certain among these reveal themselves to our consciousness in order to better continue their muted struggle; nothing is resolved. There are intimate landscapes on the condemned horizons, in the delicate, feverish atmospheres, landscapes consisting of sinuous shadows, even tremulous among a few fleeting glimmers.
Paysages intérieurs [Interior Landscapes] was produced in 1988 in the studios of the Faculty of Music of the Université de Montréal and premiered in May 1988 during a public concert at the Université de Montréal. Paysages intérieurs was awarded Second Prize at the 8th CBC National Competition for Young Composers (Ottawa, 1988), Second Prize at the 1989 International Newcomp Computer Music Competition (Boston, USA), and an Honorable Mention at the 11th Luigi Russolo International Competition (Varese, Italy, 1989)." (Stephane Roy)
Instrumentation: stereo tape
Composer(s): Stéphane Roy
Year composed: 1988
Premiere: May 1, 1988, Concert, Faculté de musique — Université de Montréal, Montréal (Québec)
Video created with Sonic Visualizer, vokoscreen and Open Shot on an openSUSE 13.2 Linux System.



![Steve Roach – Artifacts (1993)
from the Album „Origins“
Composed By, Performer, Producer – Steve Roach
Didgeridoo, Flute [Native American], Kalimba, Noises [Bullroarer, Stones], Ocarina, Percussion [Oaxaca Water Pots], Sampler, Shaker, Synthesizer [Analog, Digital], Voice [Chant, Gravel] – Steve Roach
Drums [Aztec Long], Flute [Prehispanic], Percussion [Oaxaca Water Pots], Trumpet [Mayan], Voice
Guitar [Hypnotics] – Suso Sáiz
ORIGINS may be the pinnacle of an ascent into the mystic and primordial places Roach began to visit on DREAMTIME RETURN,the Suspended Memories project and WORLDS EDGE. The circulating didjeridu patterns that fully imbibe this record are not only its tonal centre, but the electro-acoustic nature that is the heart of its sound, and Roach meticulously, passionately utilizes its earthy ferocity and multi-timbral frequencies to its fullest. This is a recording that immerses the participant in daunting, expansive landscapes and deeply entrenched cultures permeated throughout by a darker, ominous resonance. Never before has Roachs electronic surface felt so earthen and weathered; all of the assertive ambience and environmental dissonance hes pressurized up to now reaches critical mass in ORIGINS molten core.
Video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on a Debian 8 Jessie Linux System. Steve Roach – Artifacts (1993)](https://i.ytimg.com/vi/wMkmAQR2ck4/mqdefault.jpg)




![WDR3 Studio Elektronische Musik: Julia Mihály
WDR 3 open: Studio Elektronische Musik - 28.10.2015: point of view [59]: Julia Mihály
Die Vokalistin Julia Mihály (*1984) ist spezialisiert auf die Interpretation zeitgenössischer Musik. Ein Schwerpunkt ihrer Arbeit liegt auf Performances mit Stimme und Live-Elektronik.
Daneben betätigt sie sich auch als Programmiererin und entwickelt interaktive Software, die mit unterschiedlichsten Arten von Interfaces, Controllern und Sensoren gesteuert werden kann. Für Point of View hat Julia Mihály eine ganz persönliche Auswahl von elektronischen Stücken getroffen.
Mit Werken von:
Beatriz Ferreyra, Ryoji Ikeda, DJ Sniff, CLUBbleu, Karlheinz Stockhausen und Ron Geesin
Moderation: Michael Rebhahn
Redaktion: Frank Hilberg WDR3 Studio Elektronische Musik: Julia Mihály](https://i.ytimg.com/vi/xxDP8BMFAeM/mqdefault.jpg)

![Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]
PLEASE SUPPORT THE ARTIST. If youre interested in this music, buy the cds. music piracy is hurting the artist who created the cds. Check out this site to recieve legal music:
http://www.metamkine.com (worldwide)
http://www.dronerecords.de (Germany)
Jean-Claude Eloy
Chants pour lautre moitié du ciel / Songs for the Other Half of the Sky.
Sappho Hiketis (1989) - (“The Imploring Sappho” / Sappho Implorante)
For two female vocalists, using extended vocal technics, percussion instruments and electro-acoustic.
Electro-acoustic productions:
Electronic Music Studio from the Sweelinck Conservatory, Amsterdam
With contributions and help from the following institutions
- INA-GRM, Paris
- Technische Universität (TU), Berlin
- Studio ART, Genève
Texts from Sappho (in modern Greek).
First Voice – Fatima Miranda
Second Voice, Percussion – Yumi NaraVoice
Electroacoustics - Jean Claude Eloy
Warsaw Autumn Festival 1994
Recorded during a public concert, Polish Radio, Warsaw, September 17, 1994
video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on an openSUSE 13.2 Linux System. Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]](https://i.ytimg.com/vi/zOtGrTHGPGc/mqdefault.jpg)