Uploaded November 2011 | Updated September 2026, 3 days ago
Cluster is a lesser known exponent of the early '70's progressive electronic scene from Germany. But when comparing their debut to other electronic pioneering albums, it is not only one of the most impressive ones, it was also far ahead of the better known early works from Tangerine Dream, Schulze and Ash Ra Tempel.
The innovative lead does not come from the way the composed the pieces but from the astonishing electronic sounds that they managed to create. This album sounds like nothing else around that time and like little else since. Only Schulze's Cyborg and TD's Zeit come to mind. Cluster 71 a very dark and haunting work, with subtle layers of sound that weave evocative abstract cosmic patterns. Really, this music sounds as weird as my description is inadequate.
Three experimental electronic pieces made after the departure of Conrad Schnitzler (Kluster). The principles of composition prefigure what we can hear on Cluster II: long abstract & "visceral" soundscapes using echo-machines, microphones, and aleatoric electronic "collages". The music is constantly impressive, giving a certain "claustrophobic" atmosphere. Track 1 starts with electronic noises and repetitive, obsessional electronic patterns. After 5 minutes of tormenting effects, the music includes different primitive synth sounds and cyclical, electronic rotations. No melody here but a very evocative mental picture, maybe the sound of nightmare or bad dreams. The tension goes higher during the last minutes. The pulsation is changing, exploring the place of emotional "trance". Track 2 begins with some vibrant, linear, oppressive industrial sounds, floating into the room. The orchestration features "fuzzy" accentuations, sustained synth chords and some noisy arrangements. As in the previous compositions, the last track contains some minimalist, "hypnotic", circular motifs in the background. A "monochord" surrounds the deep spheric place. We can hear similar materials in Cluster II. Without any doubts the best Cluster with the following one: psycho-electronic works focused on mechanical and organic "assaults".
(www.progarchives.com)
Cluster is a lesser known exponent of the early '70's progressive electronic scene from Germany. But when comparing their debut to other electronic pioneering albums, it is not only one of the most impressive ones, it was also far ahead of the better known early works from Tangerine Dream, Schulze and Ash Ra Tempel.
The innovative lead does not come from the way the composed the pieces but from the astonishing electronic sounds that they managed to create. This album sounds like nothing else around that time and like little else since. Only Schulze's Cyborg and TD's Zeit come to mind. Cluster 71 a very dark and haunting work, with subtle layers of sound that weave evocative abstract cosmic patterns. Really, this music sounds as weird as my description is inadequate.
Three experimental electronic pieces made after the departure of Conrad Schnitzler (Kluster). The principles of composition prefigure what we can hear on Cluster II: long abstract & "visceral" soundscapes using echo-machines, microphones, and aleatoric electronic "collages". The music is constantly impressive, giving a certain "claustrophobic" atmosphere. Track 1 starts with electronic noises and repetitive, obsessional electronic patterns. After 5 minutes of tormenting effects, the music includes different primitive synth sounds and cyclical, electronic rotations. No melody here but a very evocative mental picture, maybe the sound of nightmare or bad dreams. The tension goes higher during the last minutes. The pulsation is changing, exploring the place of emotional "trance". Track 2 begins with some vibrant, linear, oppressive industrial sounds, floating into the room. The orchestration features "fuzzy" accentuations, sustained synth chords and some noisy arrangements. As in the previous compositions, the last track contains some minimalist, "hypnotic", circular motifs in the background. A "monochord" surrounds the deep spheric place. We can hear similar materials in Cluster II. Without any doubts the best Cluster with the following one: psycho-electronic works focused on mechanical and organic "assaults".
(www.progarchives.com)



![WDR3 Studio Elektronische Musik: Julia Mihály
WDR 3 open: Studio Elektronische Musik - 28.10.2015: point of view [59]: Julia Mihály
Die Vokalistin Julia Mihály (*1984) ist spezialisiert auf die Interpretation zeitgenössischer Musik. Ein Schwerpunkt ihrer Arbeit liegt auf Performances mit Stimme und Live-Elektronik.
Daneben betätigt sie sich auch als Programmiererin und entwickelt interaktive Software, die mit unterschiedlichsten Arten von Interfaces, Controllern und Sensoren gesteuert werden kann. Für Point of View hat Julia Mihály eine ganz persönliche Auswahl von elektronischen Stücken getroffen.
Mit Werken von:
Beatriz Ferreyra, Ryoji Ikeda, DJ Sniff, CLUBbleu, Karlheinz Stockhausen und Ron Geesin
Moderation: Michael Rebhahn
Redaktion: Frank Hilberg WDR3 Studio Elektronische Musik: Julia Mihály](https://i.ytimg.com/vi/xxDP8BMFAeM/mqdefault.jpg)

![Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]
PLEASE SUPPORT THE ARTIST. If youre interested in this music, buy the cds. music piracy is hurting the artist who created the cds. Check out this site to recieve legal music:
http://www.metamkine.com (worldwide)
http://www.dronerecords.de (Germany)
Jean-Claude Eloy
Chants pour lautre moitié du ciel / Songs for the Other Half of the Sky.
Sappho Hiketis (1989) - (“The Imploring Sappho” / Sappho Implorante)
For two female vocalists, using extended vocal technics, percussion instruments and electro-acoustic.
Electro-acoustic productions:
Electronic Music Studio from the Sweelinck Conservatory, Amsterdam
With contributions and help from the following institutions
- INA-GRM, Paris
- Technische Universität (TU), Berlin
- Studio ART, Genève
Texts from Sappho (in modern Greek).
First Voice – Fatima Miranda
Second Voice, Percussion – Yumi NaraVoice
Electroacoustics - Jean Claude Eloy
Warsaw Autumn Festival 1994
Recorded during a public concert, Polish Radio, Warsaw, September 17, 1994
video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on an openSUSE 13.2 Linux System. Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]](https://i.ytimg.com/vi/zOtGrTHGPGc/mqdefault.jpg)