Uploaded January 2014 | Updated September 2026, 3 days ago
PLEASE SUPPORT THE ARTIST. If you're interested in this music, buy the cds. music piracy is hurting the artist who created the cds. Check out this site to recieve legal music:
metamkine.com
YO-IN (1980)
"Reverberations" / "Réverbérations"
Sound theater for an imaginary ritual, in four acts
Electro-acoustic production: Institut of Sonology, Utrecht
Version for "Asian sound" (Cologne)
Performed by Michael W. Ranta (percussions) and JeanClaude Eloy (électro-acoustic)
Live recording from the "Warsaw Autumn" festival 1994 (Polish-Radio)
Act I : Dawn. Morning call. Ritual of imploring
Scene 2: 16x Kwong-Wong-Lek (small gongs - Thai scale). 6x Tsching-ba; 3x Shr-ba; Shuang-gwang-Iwo (with downward glissando - assorted cymbals - China)
Scene 3: "Imploring song" (developed after ship siren sounds) with calls of Chings (Keisus).
-Conclusion. Very large Ching (Keisu) and ship sirens.
PLEASE SUPPORT THE ARTIST. If you're interested in this music, buy the cds. music piracy is hurting the artist who created the cds. Check out this site to recieve legal music:
metamkine.com
YO-IN (1980)
"Reverberations" / "Réverbérations"
Sound theater for an imaginary ritual, in four acts
Electro-acoustic production: Institut of Sonology, Utrecht
Version for "Asian sound" (Cologne)
Performed by Michael W. Ranta (percussions) and JeanClaude Eloy (électro-acoustic)
Live recording from the "Warsaw Autumn" festival 1994 (Polish-Radio)
Act I : Dawn. Morning call. Ritual of imploring
Scene 2: 16x Kwong-Wong-Lek (small gongs - Thai scale). 6x Tsching-ba; 3x Shr-ba; Shuang-gwang-Iwo (with downward glissando - assorted cymbals - China)
Scene 3: "Imploring song" (developed after ship siren sounds) with calls of Chings (Keisus).
-Conclusion. Very large Ching (Keisu) and ship sirens.
![WDR3 Studio Elektronische Musik: Julia Mihály
WDR 3 open: Studio Elektronische Musik - 28.10.2015: point of view [59]: Julia Mihály
Die Vokalistin Julia Mihály (*1984) ist spezialisiert auf die Interpretation zeitgenössischer Musik. Ein Schwerpunkt ihrer Arbeit liegt auf Performances mit Stimme und Live-Elektronik.
Daneben betätigt sie sich auch als Programmiererin und entwickelt interaktive Software, die mit unterschiedlichsten Arten von Interfaces, Controllern und Sensoren gesteuert werden kann. Für Point of View hat Julia Mihály eine ganz persönliche Auswahl von elektronischen Stücken getroffen.
Mit Werken von:
Beatriz Ferreyra, Ryoji Ikeda, DJ Sniff, CLUBbleu, Karlheinz Stockhausen und Ron Geesin
Moderation: Michael Rebhahn
Redaktion: Frank Hilberg WDR3 Studio Elektronische Musik: Julia Mihály](https://i.ytimg.com/vi/xxDP8BMFAeM/mqdefault.jpg)

![Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]
PLEASE SUPPORT THE ARTIST. If youre interested in this music, buy the cds. music piracy is hurting the artist who created the cds. Check out this site to recieve legal music:
http://www.metamkine.com (worldwide)
http://www.dronerecords.de (Germany)
Jean-Claude Eloy
Chants pour lautre moitié du ciel / Songs for the Other Half of the Sky.
Sappho Hiketis (1989) - (“The Imploring Sappho” / Sappho Implorante)
For two female vocalists, using extended vocal technics, percussion instruments and electro-acoustic.
Electro-acoustic productions:
Electronic Music Studio from the Sweelinck Conservatory, Amsterdam
With contributions and help from the following institutions
- INA-GRM, Paris
- Technische Universität (TU), Berlin
- Studio ART, Genève
Texts from Sappho (in modern Greek).
First Voice – Fatima Miranda
Second Voice, Percussion – Yumi NaraVoice
Electroacoustics - Jean Claude Eloy
Warsaw Autumn Festival 1994
Recorded during a public concert, Polish Radio, Warsaw, September 17, 1994
video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on an openSUSE 13.2 Linux System. Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]](https://i.ytimg.com/vi/zOtGrTHGPGc/mqdefault.jpg)