Uploaded September 2018 | Updated September 2026, 3 days ago
from the Album „Origins“
Composed By, Performer, Producer – Steve Roach
Didgeridoo, Flute [Native American], Kalimba, Noises [Bullroarer, Stones], Ocarina, Percussion [Oaxaca Water Pots], Sampler, Shaker, Synthesizer [Analog, Digital], Voice [Chant, Gravel] – Steve Roach
Drums [Aztec Long], Flute [Prehispanic], Percussion [Oaxaca Water Pots], Trumpet [Mayan], Voice
Guitar [Hypnotics] – Suso Sáiz
ORIGINS may be the pinnacle of an ascent into the mystic and primordial places Roach began to visit on DREAMTIME RETURN,the Suspended Memories project and WORLD'S EDGE. The circulating didjeridu patterns that fully imbibe this record are not only its' tonal centre, but the electro-acoustic nature that is the heart of its sound, and Roach meticulously, passionately utilizes its earthy ferocity and multi-timbral frequencies to its fullest. This is a recording that immerses the participant in daunting, expansive landscapes and deeply entrenched cultures permeated throughout by a darker, ominous resonance. Never before has Roach's electronic surface felt so earthen and weathered; all of the assertive ambience and environmental dissonance he's pressurized up to now reaches critical mass in ORIGINS molten core.
Video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on a Debian 8 Jessie Linux System.
from the Album „Origins“
Composed By, Performer, Producer – Steve Roach
Didgeridoo, Flute [Native American], Kalimba, Noises [Bullroarer, Stones], Ocarina, Percussion [Oaxaca Water Pots], Sampler, Shaker, Synthesizer [Analog, Digital], Voice [Chant, Gravel] – Steve Roach
Drums [Aztec Long], Flute [Prehispanic], Percussion [Oaxaca Water Pots], Trumpet [Mayan], Voice
Guitar [Hypnotics] – Suso Sáiz
ORIGINS may be the pinnacle of an ascent into the mystic and primordial places Roach began to visit on DREAMTIME RETURN,the Suspended Memories project and WORLD'S EDGE. The circulating didjeridu patterns that fully imbibe this record are not only its' tonal centre, but the electro-acoustic nature that is the heart of its sound, and Roach meticulously, passionately utilizes its earthy ferocity and multi-timbral frequencies to its fullest. This is a recording that immerses the participant in daunting, expansive landscapes and deeply entrenched cultures permeated throughout by a darker, ominous resonance. Never before has Roach's electronic surface felt so earthen and weathered; all of the assertive ambience and environmental dissonance he's pressurized up to now reaches critical mass in ORIGINS molten core.
Video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on a Debian 8 Jessie Linux System.




![WDR3 Studio Elektronische Musik: Julia Mihály
WDR 3 open: Studio Elektronische Musik - 28.10.2015: point of view [59]: Julia Mihály
Die Vokalistin Julia Mihály (*1984) ist spezialisiert auf die Interpretation zeitgenössischer Musik. Ein Schwerpunkt ihrer Arbeit liegt auf Performances mit Stimme und Live-Elektronik.
Daneben betätigt sie sich auch als Programmiererin und entwickelt interaktive Software, die mit unterschiedlichsten Arten von Interfaces, Controllern und Sensoren gesteuert werden kann. Für Point of View hat Julia Mihály eine ganz persönliche Auswahl von elektronischen Stücken getroffen.
Mit Werken von:
Beatriz Ferreyra, Ryoji Ikeda, DJ Sniff, CLUBbleu, Karlheinz Stockhausen und Ron Geesin
Moderation: Michael Rebhahn
Redaktion: Frank Hilberg WDR3 Studio Elektronische Musik: Julia Mihály](https://i.ytimg.com/vi/xxDP8BMFAeM/mqdefault.jpg)

![Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]
PLEASE SUPPORT THE ARTIST. If youre interested in this music, buy the cds. music piracy is hurting the artist who created the cds. Check out this site to recieve legal music:
http://www.metamkine.com (worldwide)
http://www.dronerecords.de (Germany)
Jean-Claude Eloy
Chants pour lautre moitié du ciel / Songs for the Other Half of the Sky.
Sappho Hiketis (1989) - (“The Imploring Sappho” / Sappho Implorante)
For two female vocalists, using extended vocal technics, percussion instruments and electro-acoustic.
Electro-acoustic productions:
Electronic Music Studio from the Sweelinck Conservatory, Amsterdam
With contributions and help from the following institutions
- INA-GRM, Paris
- Technische Universität (TU), Berlin
- Studio ART, Genève
Texts from Sappho (in modern Greek).
First Voice – Fatima Miranda
Second Voice, Percussion – Yumi NaraVoice
Electroacoustics - Jean Claude Eloy
Warsaw Autumn Festival 1994
Recorded during a public concert, Polish Radio, Warsaw, September 17, 1994
video created with Audacity, Sonic Visualizer, vokoscreen and OpenShot on an openSUSE 13.2 Linux System. Jean-Claude Eloy - Sappho Hiketis (1989) [excerpt]](https://i.ytimg.com/vi/zOtGrTHGPGc/mqdefault.jpg)