Uploaded January 2016 | Updated September 2026, 3 weeks ago
Shrek: A Symphonic Fairytale
Scores by Harry Gregson-Williams and John Powell
Songs by Smashmouth and Leonard Cohen (John Cale)
Arranged and Conducted by Michael Wang, JE'17
Friends, Lovers, then Nothing
After overcoming pride and prejudice, Shrek and Fiona befriend each other and even develop feelings (while Donkey gleefully third wheels), but the three’s relationship derails after a misunderstanding about Fiona’s nighttime secret. Also a bird explodes.
Program Notes:
The most successful movie scored by the collaborating duo of Harry Gregson-Williams (Prince of Persia: The Sands of Time) and John Powell (How to Train Your Dragon), Shrek, which is approaching its fifteenth anniversary, captured the fascination of ‘90s kids and adults alike, inspiring everything from video games and movie shorts to NSFW parodies. Featuring incredibly diverse styles and
colors and never taking itself too seriously, the orchestral score and soundtrack are essential to the experience of Shrek, Donkey, and Fiona’s quest. Tonight, we present to you in four movements nearly every major musical cue in the movie, weaving its narrative through each lush melody, dragon roar and bird explosion, and reliving the magic of one of the greatest animated films of our generation.
Shrek: A Symphonic Fairytale
Scores by Harry Gregson-Williams and John Powell
Songs by Smashmouth and Leonard Cohen (John Cale)
Arranged and Conducted by Michael Wang, JE'17
Friends, Lovers, then Nothing
After overcoming pride and prejudice, Shrek and Fiona befriend each other and even develop feelings (while Donkey gleefully third wheels), but the three’s relationship derails after a misunderstanding about Fiona’s nighttime secret. Also a bird explodes.
Program Notes:
The most successful movie scored by the collaborating duo of Harry Gregson-Williams (Prince of Persia: The Sands of Time) and John Powell (How to Train Your Dragon), Shrek, which is approaching its fifteenth anniversary, captured the fascination of ‘90s kids and adults alike, inspiring everything from video games and movie shorts to NSFW parodies. Featuring incredibly diverse styles and
colors and never taking itself too seriously, the orchestral score and soundtrack are essential to the experience of Shrek, Donkey, and Fiona’s quest. Tonight, we present to you in four movements nearly every major musical cue in the movie, weaving its narrative through each lush melody, dragon roar and bird explosion, and reliving the magic of one of the greatest animated films of our generation.





![Hans Zimmer Medley (ft. Interstellar, Inception, Dark Knight) - DPops
BRAAAWWWMMM: A HANS ZIMMER MEDLEY
Arranged by Bettina Cheung SM16, Kevin Nguyen ES16, Linus Lu DC19
Conducted by Harry Kane, BR18
Performed at DPops Finds Love in Battell Chapel on March 4, 2017
0:00 Flying Drone - Interstellar
0:42 No Time for Caution - Interstellar
1:19 Is She With You? - Batman v Superman
2:35 Like a Dog Chasing Cars - The Dark Knight
3:53 Im Not a Hero - The Dark Knight
4:46 Mombasa - Inception
6:39 Dream is Collapsing - Inception
8:20 Escape - The Little Prince
10:45 Time - Inception
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This medley is affectionately named for the heavy brass blasts featured in the score for Inception which became ubiquitous across movie trailers as well as subsequently earning an iconic place in DPops YouTube history. Alongside this intense drama, we sought to exhibit the vast emotional range of Hans Zimmer’s work, from the brooding undercurrents of The Dark Knight to the childlike innocence of The Little Prince.
We begin with the ethereal and delicate theme “Flying Drone” from Interstellar representing the wonder of space exploration and Cooper’s love for his daughter, Murph. However, as our intrepid travelers journey on to distant stars, they encounter the mounting urgency and larger-than-life organ line of “No Time for Caution.” The drama continues to build in Wonder Woman’s percussive theme “Is She With You?” from Batman v Superman: Dawn of Justice, slipping into Batman’s appropriately dark and moody strains of “I’m Not a Hero” from The Dark Knight. From there, we crash headlong into the high-energy percussion of the Inception chase scene “Mombasa” before slipping into the dreamy-turned-dramatic world of “Dream is Collapsing.” An interlude into the triumphantly playful “Escape” of The Little Prince is closed out by an encore from Inception. “Time” with its lush and emotional waves of melody fades to a quietly reflective duet between piano and strings.
In Hans Zimmer’s words, “I do films because I like big speakers. I like hearing things on big speakers. I’m not that interested in hearing anything on my laptop speakers. [...] I’m not saying this won’t work on little speakers. But this, you know. Go big or go home.”
Program notes by Bettina Cheung Hans Zimmer Medley (ft. Interstellar, Inception, Dark Knight) - DPops](https://i.ytimg.com/vi/VqtCbZxDxs4/mqdefault.jpg)




