Uploaded January 2014 | Updated September 2026, 2 weeks ago
A Pretty Girl Is Like A Melody
Words and music by Irving Berlin
Red Nichols And His Five Pennies
Recorded October 2, 1928
Brunswick 01854
Red Nichols, t, a / Manny Klein, t / Miff Mile, tb / Dudley Fosdick, mel / Fud Livingston, cl /Jimmy Dorsey, as / Arthur Schutt, p / Carl, Kress, g / Vic Berton, d
This Irving Berlin melody was written in 1919 and was used as a theme song for the Ziegfeld Follies. The verse has long been forgotten but the chorus has become a standard both as a vocal and as a jazz arrangement. The song was used again in 1936 film "The Great Ziegfeld" in a spectacular musical number which can been seen in this clip: youtube.com/watch?v=-RvGd2S3I8M
A Pretty Girl Is Like A Melody
Words and music by Irving Berlin
Red Nichols And His Five Pennies
Recorded October 2, 1928
Brunswick 01854
Red Nichols, t, a / Manny Klein, t / Miff Mile, tb / Dudley Fosdick, mel / Fud Livingston, cl /Jimmy Dorsey, as / Arthur Schutt, p / Carl, Kress, g / Vic Berton, d
This Irving Berlin melody was written in 1919 and was used as a theme song for the Ziegfeld Follies. The verse has long been forgotten but the chorus has become a standard both as a vocal and as a jazz arrangement. The song was used again in 1936 film "The Great Ziegfeld" in a spectacular musical number which can been seen in this clip: youtube.com/watch?v=-RvGd2S3I8M




![Rosa Henderson - So Long to You And The Blues (1923)
Rosa Henderson sings:
So Long to You and the Blues
Words and Music by Lemuel Fowler
Piano Accompaniment Fletcher Henderson (no relation)
Recorded Aug. 1, 1923
Vocalion 14652B
Born in 1896, Rosa Henderson was one of the most outstanding of the many early women vaudeville-blues singers to record for the race record companies in the early Twenties. Her recording career covered the span of nine years, from the first for Victor in 1923 to the last for Columbia in 1931. During these years her name appeared on a variety of record labels including Vocalion, Paramount, Ajax and Edison. Also nearly a hundred titles appeared under her name and such pseudonyms as Josephine Thomas, Sarah Johnson and Mamie Harris. Her voice was strong, but at the same time possessed a sweet tone. The material she recorded were typical vaudeville numbers. Also many of her accompanists were of no mean status, including the complete Fletcher Henderson band, and such names as Coleman Hawkins, Charlie Green, Louis Metcalf, James P. Johnson, and countless others. Proof of her popularity with the record buying public was made clear by the number of titles released.
Fletcher Henderson (not related to Rosa) (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Hendersons influence was vast. He helped bridge the gap between the Dixieland and the swing eras. [Wikipedia] Rosa Henderson - So Long to You And The Blues (1923)](https://i.ytimg.com/vi/_H2p7sCFS4E/mqdefault.jpg)





