Uploaded April 2026 | Updated September 2026, 2 weeks ago
Volume 1 of Rodolfo Ritter’s survey contains all these and many more exciting discoveries. As a Mexican pianist, teacher and scholar of German heritage, Rodolfo Ritter is ideally placed to guide us through such unfamiliar territory.
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): piano-classics.com/articles/m/manuel-ponce-piano-music-vol1
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Composers: Manuel María Ponce
Artist: Rodolfo Ritter (piano)
While Rodolfo Ritter’s repertoire encompasses many well-known and unfamiliar composers, he has made a speciality of Ponce’s piano music. He recorded the two piano concertos (for Sterling) in 2013, as well as several solo pieces. Now, for Piano Classics, he embarks on a new adventure, which should win new friends everywhere for an idiom full of charm and optimism, essentially Romantic in spirit and piquantly coloured by the composer’s Mexican heritage.
A social and cultural revolution followed on the heels of Mexico's political revolution of 1910-1917, as a once largely rural nation became, within a matter of years, predominantly urban. Born in 1882, Manuel Ponce in some ways embodied the outward-facing spirit of that revolution, as the country’s first internationally renowned composer of European-style art music (‘classical’), and yet in the nostalgia-soaked language of that music evoked a romanticized past. This is the tension explored by Rodolfo Ritter as he begins a multi-volume journey through Ponce’s piano output – only the second pianist to do so on record.
Ponce was something of a child prodigy, already accomplished and cultivated as both a pianist and composer before he entered the national conservatoire in 1901. Take the dance for the left hand titled Malgré tout, which Ponce was inspired to write in 1900 as a homage to the sculpture of the same name by Jesús F. Contreras – a resonant depiction of a chained and defenceless woman who, “despite everything”, looks up with hope (not so oblique as a politically charged metaphor). Earlier still is the bel-canto style lyricism of the Misterio doloroso (1899).
Another pivotal work for the left hand dates from a full quarter-century later, the Prelude and Fugue which Ponce wrote in Paris while under the tutelage of Paul Dukas. No less schooled by an earlier period of study in Europe, as a pupil of Martin Krause in Berlin, comes the Variations on a Theme by Handel (1906). In the interim, Ponce channelled this classical technique through the melodies and rhythms of his home country in pieces such as the Rapsodia Mexicana No. 1 of 1911.
Tracklist:
00:00 Rapsodia Mexicana No. 1
07:04 Preludio y fuga sobre un tema de Handel
12:44 Tema Mexicano variado
15:54 Gavota y museta
19:32 Preludios encadenados
26:08 Scherzino a Debussy
29:11 Scherzino Mexicano
31:08 Scherzino Maya
32:00 Canto Maya
33:01 Preludio y fuga para la mano izquierda sola
37:25 Gavota
41:14 Misterio doloroso
42:08 Malgré tout (Danza para la mano izquierda)
45:31 Vals lento "pasionadamente"
48:52 Marcha fúnebre
49:55 Momento doloroso
51:48 Arrulladora Mexicana (La rancherita)
54:28 Leyenda
📲 Follow us on Social media: @BrilliantClassics & @PianoClassics
#Ponce #PianoMusic #Vol1 #PianoWorks #Piano #ClassicalPiano #ClassicalMusic #PianoClassics #BrilliantClassics
Volume 1 of Rodolfo Ritter’s survey contains all these and many more exciting discoveries. As a Mexican pianist, teacher and scholar of German heritage, Rodolfo Ritter is ideally placed to guide us through such unfamiliar territory.
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): piano-classics.com/articles/m/manuel-ponce-piano-music-vol1
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Composers: Manuel María Ponce
Artist: Rodolfo Ritter (piano)
While Rodolfo Ritter’s repertoire encompasses many well-known and unfamiliar composers, he has made a speciality of Ponce’s piano music. He recorded the two piano concertos (for Sterling) in 2013, as well as several solo pieces. Now, for Piano Classics, he embarks on a new adventure, which should win new friends everywhere for an idiom full of charm and optimism, essentially Romantic in spirit and piquantly coloured by the composer’s Mexican heritage.
A social and cultural revolution followed on the heels of Mexico's political revolution of 1910-1917, as a once largely rural nation became, within a matter of years, predominantly urban. Born in 1882, Manuel Ponce in some ways embodied the outward-facing spirit of that revolution, as the country’s first internationally renowned composer of European-style art music (‘classical’), and yet in the nostalgia-soaked language of that music evoked a romanticized past. This is the tension explored by Rodolfo Ritter as he begins a multi-volume journey through Ponce’s piano output – only the second pianist to do so on record.
Ponce was something of a child prodigy, already accomplished and cultivated as both a pianist and composer before he entered the national conservatoire in 1901. Take the dance for the left hand titled Malgré tout, which Ponce was inspired to write in 1900 as a homage to the sculpture of the same name by Jesús F. Contreras – a resonant depiction of a chained and defenceless woman who, “despite everything”, looks up with hope (not so oblique as a politically charged metaphor). Earlier still is the bel-canto style lyricism of the Misterio doloroso (1899).
Another pivotal work for the left hand dates from a full quarter-century later, the Prelude and Fugue which Ponce wrote in Paris while under the tutelage of Paul Dukas. No less schooled by an earlier period of study in Europe, as a pupil of Martin Krause in Berlin, comes the Variations on a Theme by Handel (1906). In the interim, Ponce channelled this classical technique through the melodies and rhythms of his home country in pieces such as the Rapsodia Mexicana No. 1 of 1911.
Tracklist:
00:00 Rapsodia Mexicana No. 1
07:04 Preludio y fuga sobre un tema de Handel
12:44 Tema Mexicano variado
15:54 Gavota y museta
19:32 Preludios encadenados
26:08 Scherzino a Debussy
29:11 Scherzino Mexicano
31:08 Scherzino Maya
32:00 Canto Maya
33:01 Preludio y fuga para la mano izquierda sola
37:25 Gavota
41:14 Misterio doloroso
42:08 Malgré tout (Danza para la mano izquierda)
45:31 Vals lento "pasionadamente"
48:52 Marcha fúnebre
49:55 Momento doloroso
51:48 Arrulladora Mexicana (La rancherita)
54:28 Leyenda
📲 Follow us on Social media: @BrilliantClassics & @PianoClassics
#Ponce #PianoMusic #Vol1 #PianoWorks #Piano #ClassicalPiano #ClassicalMusic #PianoClassics #BrilliantClassics
![Respighi - Stunning Violin Sonatas
Ottorino Respighi, gone into music history as a sorcerer of colourful orchestration, wrote a substantial oeuvre of chamber music works. A virtuoso violinist himself, he wrote two violin sonatas, which offer vintage Respighi: an eclectic use of various styles, from modal early music, through romantic pathos, to impressionistic colour experiments. These works are performed by award-winning violinist Fabio Paggioro and acclaimed pianist Massimiliano Ferrati, who has been praised by the Corriere della Sera for his “highly refined sound [that] turns to magic”.
Composer: Ottorino Respighi
Artist: Fabio Paggioro & Massimiliano Ferrati
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/RespighiViolinSonatas/ID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Ottorino Respighi is best known for his exuberant and expansive orchestral works, such as the Roman Trilogy, but he was also an important composer of chamber and salon music. His musical education began with him learning violin and piano as a child, and for the first 20 years of his career as a composer he only wrote for these instruments. He was an accomplished violinist, and his mastery of the instrument manifests itself in the idiomatic violin-writing heard in the works on this album.
Tracklist:
00:00:00 Violin Sonata in B Minor, P. 110 I. Moderato
00:09:09 Violin Sonata in B Minor, P. 110 II. Andante espressivo
00:17:19 Violin Sonata in B Minor, P. 110 III. Allegro moderato ma energico
00:25:10 Violin Sonata in D Minor, P. 15 I. Lento - Allegro - Lento - Assai animato
00:33:45 Violin Sonata in D Minor, P. 15 II. Adagio
00:40:27 Violin Sonata in D Minor, P. 15 III. Scherzo. Allegretto
00:45:19 Six Pieces for Violin and Piano, P. 31 I. Berceuse
00:48:56 Six Pieces for Violin and Piano, P. 31 II. Melodia
00:51:54 Six Pieces for Violin and Piano, P. 31 III. Leggenda
00:56:56 Six Pieces for Violin and Piano, P. 31 IV. Valse caressante
01:01:09 Six Pieces for Violin and Piano, P. 31 V. Serenata
01:03:39 Six Pieces for Violin and Piano, P. 31 VI. Aria
📲 Follow us on Social media: @BrilliantClassics
#violin #classicalmusic #respighi Respighi - Stunning Violin Sonatas](https://i.ytimg.com/vi/RPDKe305DLA/mqdefault.jpg)




![Mannelli: Trio Sonatas Op.2
Carlo Mannelli (Rome, 1640-1697) spent the major part of his life in Rome where he also worked during the opera performances and religious events.
Composer: Carlo Mannelli
Artists: Ewa Anna Augustynowicz (Artist director), Ensemble Giardino di Delizie
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/MannelliTrioSonatas2ID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
As a violinist nicknamed Carlo del Violino and Carluccio di Pamfili, he played the first violin in the most famous Roman musical ensembles of the period. Arcangelo Corelli, who often played under Mannelli, described him as one of his most influential teachers. For several years, Mannelli was leader of the famous Congregetione di S. Cecilia.
The Trio Sonatas Op.2 consists of 14 Sonatas. They are in 4, 5 or 6 movements. They display a freshness of melodic invention and sometimes daring harmonic surprises, a great tonal richness and unexpected, highly expressive chromatic phrases.
The ensemble Giardino di Delizie is a Roman female Baroque group, founded in 2014 by the violinist Ewa Anna Augustynowicz, researching and performing forgotten treasures from the Italian and Polish Baroque. They played in such ensembles as Europa Galante, Les Eléments, Quatuor Mosaïques and others.
Tracklist:
Sonata I. “La Foggia” in D Minor, Op. 2
00:00:00 I. Adagio – Allegro
00:01:18 II. Canzona
00:03:13 III. ¾
00:05:20 IV. Adagio
00:07:00 V. 6/8
Sonata III. “La Stamegna” in D Major, Op. 2
00:08:34 4/4
00:10:33 II. Canzona allegro
00:12:31 III. Adagio
00:13:12 IV. 3/4 – Adagio
00:15:06 IV. Adagio
00:15:50 VI. Allegro
Sonata VIII. “La Giannelli” in G Minor
00:17:07 I. Adagio assai
00:19:41 II. Adagio
00:21:42 III. Adagio
00:22:25 IV. Adagio
Sonata II. “La Fede” in B‑Flat Major, Op. 2
00:24:37 I. Allegro – Adagio – Allegro – Adagio – Allegro – Adagio
00:25:57 II. [veloce]
00:26:54 III. Canzone allegra
00:27:48 IV. Adagio
00:29:04 V. Ballo grave
Sonata VII. “La Melani” in G Major, Op. 2
00:31:00 I. 4/4 – Adagio – Tempo I
00:32:28 II. Canzone
00:34:04 III. 3/4
00:35:33 IV. Adagio
00:36:45 V. Allegro
Sonata XIII. “La De Santis” in F Major, Op. 2
00:37:57 I. 4/4
00:40:06 II. Allegro
00:41:34 III. Canzone
00:43:03 IV. Adagio
00:44:05 V. 6/8
Sonata VI. “La Verdoni” in C Major, Op. 2
00:45:12 I. Allegro
00:46:04 II. Canzone
00:47:15 III. 3/4
00:49:02 IV. Adagio
00:50:32 V. 6/8
Sonata XIV. “La Stradella” in G Minor, Op. 2
00:52:03 I. 4/4
00:53:15 II. Adagio
00:53:43 III. Allegro
00:54:26 IV. Canzone
00:56:15 V. Adagio
00:56:59 VI. 6/8
Sonata IX. “La Panuzzi” in C Minor, Op. 2
00:58:32 I. Adagio
01:00:08 II. 3/4
01:01:30 III. Canzone
01:02:52 IV. Adagio
01:03:57 V. 6/8
Sonata IV. “La Vecchi” in A Minor, Op. 2
01:05:42 I. Allegro – Adagio – Allegro
01:06:54 II. 3/4
01:08:06 III. Canzone
01:10:02 IV. Adagio
01:11:53 V. 6/8
Sonata X. “La Pasquini” in D Minor, Op. 2
01:13:14 I. Allegro – Adagio – Allegro
01:14:25 II. Adagio
01:15:55 III. Canzone
01:17:23 IV. Canzone allegra
01:17:51 V. Adagio – Adagio
01:20:10 VI. Allegro
Sonata V. “La Giansetti” in E Major, Op. 2
01:21:27 I. Adagio–Allegro
01:23:28 II. Adagio
01:24:10 III. 3/4
01:25:11 IV. Canzone
01:27:18 V. Adagio assai
01:28:47 VI. 6/8
Sonata XII. “La Piccini” in E Minor, Op. 2
01:30:04 I. [Allegro] – Adagio – Allegro – Adagio
01:33:00 II. 3/4
01:34:54 III. Canzone
01:36:27 IV. Adagio
01:37:33 V. 12/8
Sonata XI. “La Ponselli” in D Major, Op. 2
01:38:48 I. 4/4
01:39:23 II. Allegro assai
01:40:06 III. Adagio
01:42:03 IV. Canzone
01:43:37 V. Adagio
01:44:13 VI. 12/8
#Mannelli #Esemble #Sonata #Italian #Rome #Opera #Violin #Baroque #Classical #Classics #BrilliantClassics Mannelli: Trio Sonatas Op.2](https://i.ytimg.com/vi/SxY2zREB6ZQ/mqdefault.jpg)




