Uploaded April 2026 | Updated September 2026, 2 weeks ago
An illuminating juxtaposition of keyboard giants bookending the Romantic age, by a pianist with a growing international reputation.
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Composers: Frédéric Chopin & Sergei Rachmaninoff
Artist: Georgijs Osokins (piano)
The Latvian pianist Georgijs Osokins made these recordings for Piano Classics between 2016 and 2018, and they attracted an enthusiastic critical response on their first issue. In Gramophone, Jeremy Nicholas welcomed a âpowerful and cleanly articulated readingâ of Rachmaninoffâs Variations on a Theme of Chopin, while the paired transcriptions âprovide further evidence of Osokinsâs stylistic identification with Rachmaninoffâs idiom.â
The Chopin album was made shortly after Osokins placed himself among the medal winners at the 2015 Chopin competition in Warsaw, where he divided opinion with interpretations which many found radical. Yet the coherence of his thinking is powerfully evident from the sequence which charts the âlateâ thinking and keyboard writing of Chopin, as it ventures into poetic territories hitherto unexplored even by him, from the Third Piano Sonata through to the visionary Polonaise-Fantaisie. These are works that will perennially challenge and reward the most adventurous minds and musicians in any generation, and with this album Osokins placed himself among their number.
In the following decade, Osokins has gone on to win first prize at the 2018 Manhattan International Music Competition in New York, and make an acclaimed debut at the Salzburg Festival, as well as several other recordings. He has also become the youngest-ever recipient of the Latvian Grand Music Award, the highest honour in the Latvian music industry. Such awards are recognition of the artistry which illuminates this album: a piercing musicianship which places itself at the service of the composer.
Tracklist:
Frédéric Chopin:
0:00:00 Berceuse in D-Flat Major, Op. 57
Piano Sonata No. 3 in B Minor, Op. 58:
0:04:30 I. Allegro maestoso
0:14:05 II. Scherzo, molto vivace
0:16:51 III. Largo
0:26:36 IV. Finale, presto non tanto
0:31:56 Mazurkas, Op. 59: No. 1 in A Minor
0:35:50 Mazurkas, Op. 59: No. 2 in A-Flat Major
0:38:31 Mazurkas, Op. 59: No. 3 in F-Sharp Minor
0:42:06 Barcarolle in F-Sharp Major, Op. 60
0:51:56 Polonaise-fantaisie in A-Flat Major, Op. 61
1:06:29 Souvenir de Paganini in A Major, Op. Posth.
Sergei Rachmaninoff:
Variations on a Theme of Chopin in C Minor, Op. 22:
1:10:07 I. Theme. Largo
1:11:32 II. Variation 1. Moderato
1:12:12 III. Variation 2. Allegro
1:12:28 IV. Variation 3. Lâistesso tempo
1:12:43 V. Variation 4. Lâistesso tempo
1:13:29 VI. Variation 5. Meno mosso
1:13:56 VII. Variation 6. Meno mosso
1:15:19 VIII. Variation 7. Allegro
1:15:36 IX. Variation 8. Lâistesso tempo
1:15:53 X. Variation 9. Lâistesso tempo
1:16:19 XI. Variation 10. PiĂč vivo
1:16:53 XII. Variation 11. Lento
1:18:04 XIII. Variation 12. Moderato
1:21:14 XIV. Variation 13. Largo
1:22:55 XV. Variation 14. Moderato
1:24:45 XVI. Variation 15. Allegro scherzando
1:26:14 XVII. Variation 16. Lento
1:27:31 XVIII. Variation 17. Grave
1:29:07 XIX. Variarion 19. Allegro vivace
1:30:28 XX. Variation 20. Presto
1:31:37 XXI. Variation 21. Andante
1:34:10 XXII. Variation 22. Maestoso-Meno mosso-Presto
1:39:45 XXIII. Largo theme
1:41:33 6 Romances, Op. 4: III. In the Silence of the Secret Night
1:44:42 12 Romances, Op. 21: VII. How Fair this Spot
1:47:16 Morceaux de fantaisie, Op. 3: III. Mélodie
1:51:34 7 Morceaux de salon, Op. 10: III. Barcarolle
1:55:51 Fragments, Op. posth.
1:58:04 14 Romances, Op. 34: XIV. Vocalize
2:04:23 All-Night Vigil, Op. 37: V. Now Lettest Thou Depart
2:08:49 6 Romances, Op. 38: V. The Dream
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An illuminating juxtaposition of keyboard giants bookending the Romantic age, by a pianist with a growing international reputation.
đ đ” Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): pianoclassics.lnk.to/ChopinRachmaninoffID
đŹđź These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Composers: Frédéric Chopin & Sergei Rachmaninoff
Artist: Georgijs Osokins (piano)
The Latvian pianist Georgijs Osokins made these recordings for Piano Classics between 2016 and 2018, and they attracted an enthusiastic critical response on their first issue. In Gramophone, Jeremy Nicholas welcomed a âpowerful and cleanly articulated readingâ of Rachmaninoffâs Variations on a Theme of Chopin, while the paired transcriptions âprovide further evidence of Osokinsâs stylistic identification with Rachmaninoffâs idiom.â
The Chopin album was made shortly after Osokins placed himself among the medal winners at the 2015 Chopin competition in Warsaw, where he divided opinion with interpretations which many found radical. Yet the coherence of his thinking is powerfully evident from the sequence which charts the âlateâ thinking and keyboard writing of Chopin, as it ventures into poetic territories hitherto unexplored even by him, from the Third Piano Sonata through to the visionary Polonaise-Fantaisie. These are works that will perennially challenge and reward the most adventurous minds and musicians in any generation, and with this album Osokins placed himself among their number.
In the following decade, Osokins has gone on to win first prize at the 2018 Manhattan International Music Competition in New York, and make an acclaimed debut at the Salzburg Festival, as well as several other recordings. He has also become the youngest-ever recipient of the Latvian Grand Music Award, the highest honour in the Latvian music industry. Such awards are recognition of the artistry which illuminates this album: a piercing musicianship which places itself at the service of the composer.
Tracklist:
Frédéric Chopin:
0:00:00 Berceuse in D-Flat Major, Op. 57
Piano Sonata No. 3 in B Minor, Op. 58:
0:04:30 I. Allegro maestoso
0:14:05 II. Scherzo, molto vivace
0:16:51 III. Largo
0:26:36 IV. Finale, presto non tanto
0:31:56 Mazurkas, Op. 59: No. 1 in A Minor
0:35:50 Mazurkas, Op. 59: No. 2 in A-Flat Major
0:38:31 Mazurkas, Op. 59: No. 3 in F-Sharp Minor
0:42:06 Barcarolle in F-Sharp Major, Op. 60
0:51:56 Polonaise-fantaisie in A-Flat Major, Op. 61
1:06:29 Souvenir de Paganini in A Major, Op. Posth.
Sergei Rachmaninoff:
Variations on a Theme of Chopin in C Minor, Op. 22:
1:10:07 I. Theme. Largo
1:11:32 II. Variation 1. Moderato
1:12:12 III. Variation 2. Allegro
1:12:28 IV. Variation 3. Lâistesso tempo
1:12:43 V. Variation 4. Lâistesso tempo
1:13:29 VI. Variation 5. Meno mosso
1:13:56 VII. Variation 6. Meno mosso
1:15:19 VIII. Variation 7. Allegro
1:15:36 IX. Variation 8. Lâistesso tempo
1:15:53 X. Variation 9. Lâistesso tempo
1:16:19 XI. Variation 10. PiĂč vivo
1:16:53 XII. Variation 11. Lento
1:18:04 XIII. Variation 12. Moderato
1:21:14 XIV. Variation 13. Largo
1:22:55 XV. Variation 14. Moderato
1:24:45 XVI. Variation 15. Allegro scherzando
1:26:14 XVII. Variation 16. Lento
1:27:31 XVIII. Variation 17. Grave
1:29:07 XIX. Variarion 19. Allegro vivace
1:30:28 XX. Variation 20. Presto
1:31:37 XXI. Variation 21. Andante
1:34:10 XXII. Variation 22. Maestoso-Meno mosso-Presto
1:39:45 XXIII. Largo theme
1:41:33 6 Romances, Op. 4: III. In the Silence of the Secret Night
1:44:42 12 Romances, Op. 21: VII. How Fair this Spot
1:47:16 Morceaux de fantaisie, Op. 3: III. Mélodie
1:51:34 7 Morceaux de salon, Op. 10: III. Barcarolle
1:55:51 Fragments, Op. posth.
1:58:04 14 Romances, Op. 34: XIV. Vocalize
2:04:23 All-Night Vigil, Op. 37: V. Now Lettest Thou Depart
2:08:49 6 Romances, Op. 38: V. The Dream
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![Brahms
Johannes Brahmsâs journey as a composer for solo piano, from the heroic Ballades, Op. 10 to the profound late masterpieces Opp. 116â119, in this captivating recital by acclaimed pianist Vincenzo Maltempo. Renowned for his commanding technique and expressive depth, Maltempo reveals the genius, innovation, and emotional power that make Brahmsâs piano music among the greatest ever written.
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Composer: Johannes Brahms
Artist: Vincenzo Maltempo (piano)
Vincenzo Maltempoâs considerable catalogue of recordings for Piano Classics includes a much-admired set of the two concertos by Brahms. According to Fanfare, âMaltempo⊠plays with commanding technique, grand gestural sweep throughout, and real tonal bloom.â
For this second volume of the composerâs solo output for the piano, Maltempo has devised a compelling journey for the listener, from the noble and often heroic profile of the Ballades Op.10 to the late and distilled collections Opp. 116-119, taking in en route the Variations on an Original Theme Op.21 No.1 and the eight KlavierstĂŒcke Op.76.
In his performances, Maltempo brings out this stylistic evolution of both piano-writing and harmony, enabling us to appreciate for ourselves the degree to which Brahms continually challenged himself to enrich and experiment with his style as well as ruthlessly exercising on himself the red pen and the sharp ear which made him so shrewd a critic of fellow composers.
The scholar Denis Matthews identified three phases, or styles, in Brahms, not necessarily equating to the conventional division of early, middle and late: the architectural, contrapuntal and lyrical. On the surface, beyond a more intense chromaticism and openness to dissonance, there is relatively little to separate the Ballades from the late works.
Much the least-often heard piece in this collection is the Variations Op.21, and the teasing ingenuity of Brahmsâs treatment of his theme â initially quiet and introspective â is based on a rigorous exploration of contrapuntal possibilities. The Variations date from a period immediately after his fateful meeting with Robert and Clara Schumann in Dusseldorf, when he found himself stretched to live up to the Schumannâsâ extravagant praise of him as the pre-eminent successor to Beethoven. They and others were captivated by the composerâs own mastery of his instrument as a performer, too, and The Op.21 Variations show Brahms moving on from the extrovert keyboard lionism of works such as the First Concerto while still using the variation principle to celebrate virtuosity as both a composer and a pianist.
Tracklist:
4 Ballades, Op. 10:
0:00:00 I. Andante in D Minor [after the Scottish Ballad âEdwardâ]
0:04:14 II. Andante in D Major
0:09:59 III. Intermezzo. Allegro in B Minor
0:14:06 IV. Andante con moto in B Major
8 KlavierstĂŒcke, Op. 76 (1871 No. 1, 1878 Nos. 2 to 8):
0:21:37 I. Capriccio. Un poco agitato in F-Sharp Minor
0:25:02 II. Capriccio. Allegretto non troppo in B Minor
0:28:33 III. Intermezzo. Grazioso in A-Flat Major
0:30:37 IV. Intermezzo. Allegretto grazioso in B-Flat Major
0:33:04 V. Capriccio. Agitato, ma non troppo presto in C-Sharp Minor
0:36:05 VI. Intermezzo. Andante con moto in A Major
0:39:35 VII. Intermezzo. Moderato semplice in A Minor
0:42:23 VIII. Capriccio. Grazioso ed un poco vivace in C Major
7 Fantasien, Op. 116 (1892):
0:45:47 I. Capriccio. Presto energico in D Minor
0:48:01 II. Intermezzo. Andante in A Minor
0:51:29 III. Capriccio. Allegro passionato in G Minor
0:54:51 IV. Intermezzo. Adagio in E Major
0:59:26 V. Intermezzo. Andante con grazia ed intimissimo sentimento in E Minor
1:02:17 VI. Intermezzo. Andantino teneramente in E Major
1:05:39 VII. Capriccio. Allegro agitato in D Minor
1:07:56 Variations on an Original Theme, Op. 21 No. 1
3 Intermezzi, Op. 117 (1892):
1:23:38 I. Andante moderato in E-Flat Major
1:28:34 II. Andante non troppo e con molto espressione in B-Flat Minor
1:33:43 III. Andante con moto in C-Sharp Minor
6 KlavierstĂŒcke, Op. 118 (1893):
1:39:17 I. Intermezzo. Allegro non assai, ma molto appassionato in A Minor
1:41:16 II. Intermezzo. Andante teneramente in A Major
1:46:57 III. Ballade. Allegro energico in G Minor
1:50:26 IV. Intermezzo. Allegretto un poco agitato in F Minor
1:53:27 V. Romance. AndanteâAllegretto grazioso in F Major
1:57:17 VI. Intermezzo. Andante, largo e mesto E-Flat Minor
4 KlavierstĂŒcke, Op. 119 (1893):
2:02:26 I. Intermezzo. Adagio in B Minor
2:06:22 II. Intermezzo. Andantino un poco agitato in E Minor
2:10:31 III. Intermezzo. Grazioso e giocoso in C Major
2:12:13 IV. Rhapsody. Allegro risoluto in E-Flat Major
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#Brahms #PianoPieces #ClassicalMusic #PianoMusic #VincenzoMaltempo #ClassicalPiano #PianoClassics #BrillianClassics Brahms](https://i.ytimg.com/vi/VR_ZXbbkp_8/mqdefault.jpg)


