Uploaded June 2026 | Updated September 2026, 2 weeks ago
Johannes Brahms’s journey as a composer for solo piano, from the heroic Ballades, Op. 10 to the profound late masterpieces Opp. 116–119, in this captivating recital by acclaimed pianist Vincenzo Maltempo. Renowned for his commanding technique and expressive depth, Maltempo reveals the genius, innovation, and emotional power that make Brahms’s piano music among the greatest ever written.
💎 🎵 Purchase, stream or download: pianoclassics.lnk.to/BrahmsID
🎬🎮 These tracks are available for sync licensing. For licensing inquiries: info@brilliantclassicslicensing.com
Composer: Johannes Brahms
Artist: Vincenzo Maltempo (piano)
Vincenzo Maltempo’s considerable catalogue of recordings for Piano Classics includes a much-admired set of the two concertos by Brahms. According to Fanfare, ‘Maltempo… plays with commanding technique, grand gestural sweep throughout, and real tonal bloom.’
For this second volume of the composer’s solo output for the piano, Maltempo has devised a compelling journey for the listener, from the noble and often heroic profile of the Ballades Op.10 to the late and distilled collections Opp. 116-119, taking in en route the Variations on an Original Theme Op.21 No.1 and the eight Klavierstücke Op.76.
In his performances, Maltempo brings out this stylistic evolution of both piano-writing and harmony, enabling us to appreciate for ourselves the degree to which Brahms continually challenged himself to enrich and experiment with his style as well as ruthlessly exercising on himself the red pen and the sharp ear which made him so shrewd a critic of fellow composers.
The scholar Denis Matthews identified three phases, or styles, in Brahms, not necessarily equating to the conventional division of early, middle and late: the architectural, contrapuntal and lyrical. On the surface, beyond a more intense chromaticism and openness to dissonance, there is relatively little to separate the Ballades from the late works.
Much the least-often heard piece in this collection is the Variations Op.21, and the teasing ingenuity of Brahms’s treatment of his theme – initially quiet and introspective – is based on a rigorous exploration of contrapuntal possibilities. The Variations date from a period immediately after his fateful meeting with Robert and Clara Schumann in Dusseldorf, when he found himself stretched to live up to the Schumann’s’ extravagant praise of him as the pre-eminent successor to Beethoven. They and others were captivated by the composer’s own mastery of his instrument as a performer, too, and The Op.21 Variations show Brahms moving on from the extrovert keyboard lionism of works such as the First Concerto while still using the variation principle to celebrate virtuosity as both a composer and a pianist.
Tracklist:
4 Ballades, Op. 10:
0:00:00 I. Andante in D Minor [after the Scottish Ballad “Edward”]
0:04:14 II. Andante in D Major
0:09:59 III. Intermezzo. Allegro in B Minor
0:14:06 IV. Andante con moto in B Major
8 Klavierstücke, Op. 76 (1871 No. 1, 1878 Nos. 2 to 8):
0:21:37 I. Capriccio. Un poco agitato in F-Sharp Minor
0:25:02 II. Capriccio. Allegretto non troppo in B Minor
0:28:33 III. Intermezzo. Grazioso in A-Flat Major
0:30:37 IV. Intermezzo. Allegretto grazioso in B-Flat Major
0:33:04 V. Capriccio. Agitato, ma non troppo presto in C-Sharp Minor
0:36:05 VI. Intermezzo. Andante con moto in A Major
0:39:35 VII. Intermezzo. Moderato semplice in A Minor
0:42:23 VIII. Capriccio. Grazioso ed un poco vivace in C Major
7 Fantasien, Op. 116 (1892):
0:45:47 I. Capriccio. Presto energico in D Minor
0:48:01 II. Intermezzo. Andante in A Minor
0:51:29 III. Capriccio. Allegro passionato in G Minor
0:54:51 IV. Intermezzo. Adagio in E Major
0:59:26 V. Intermezzo. Andante con grazia ed intimissimo sentimento in E Minor
1:02:17 VI. Intermezzo. Andantino teneramente in E Major
1:05:39 VII. Capriccio. Allegro agitato in D Minor
1:07:56 Variations on an Original Theme, Op. 21 No. 1
3 Intermezzi, Op. 117 (1892):
1:23:38 I. Andante moderato in E-Flat Major
1:28:34 II. Andante non troppo e con molto espressione in B-Flat Minor
1:33:43 III. Andante con moto in C-Sharp Minor
6 Klavierstücke, Op. 118 (1893):
1:39:17 I. Intermezzo. Allegro non assai, ma molto appassionato in A Minor
1:41:16 II. Intermezzo. Andante teneramente in A Major
1:46:57 III. Ballade. Allegro energico in G Minor
1:50:26 IV. Intermezzo. Allegretto un poco agitato in F Minor
1:53:27 V. Romance. Andante—Allegretto grazioso in F Major
1:57:17 VI. Intermezzo. Andante, largo e mesto E-Flat Minor
4 Klavierstücke, Op. 119 (1893):
2:02:26 I. Intermezzo. Adagio in B Minor
2:06:22 II. Intermezzo. Andantino un poco agitato in E Minor
2:10:31 III. Intermezzo. Grazioso e giocoso in C Major
2:12:13 IV. Rhapsody. Allegro risoluto in E-Flat Major
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Johannes Brahms’s journey as a composer for solo piano, from the heroic Ballades, Op. 10 to the profound late masterpieces Opp. 116–119, in this captivating recital by acclaimed pianist Vincenzo Maltempo. Renowned for his commanding technique and expressive depth, Maltempo reveals the genius, innovation, and emotional power that make Brahms’s piano music among the greatest ever written.
💎 🎵 Purchase, stream or download: pianoclassics.lnk.to/BrahmsID
🎬🎮 These tracks are available for sync licensing. For licensing inquiries: info@brilliantclassicslicensing.com
Composer: Johannes Brahms
Artist: Vincenzo Maltempo (piano)
Vincenzo Maltempo’s considerable catalogue of recordings for Piano Classics includes a much-admired set of the two concertos by Brahms. According to Fanfare, ‘Maltempo… plays with commanding technique, grand gestural sweep throughout, and real tonal bloom.’
For this second volume of the composer’s solo output for the piano, Maltempo has devised a compelling journey for the listener, from the noble and often heroic profile of the Ballades Op.10 to the late and distilled collections Opp. 116-119, taking in en route the Variations on an Original Theme Op.21 No.1 and the eight Klavierstücke Op.76.
In his performances, Maltempo brings out this stylistic evolution of both piano-writing and harmony, enabling us to appreciate for ourselves the degree to which Brahms continually challenged himself to enrich and experiment with his style as well as ruthlessly exercising on himself the red pen and the sharp ear which made him so shrewd a critic of fellow composers.
The scholar Denis Matthews identified three phases, or styles, in Brahms, not necessarily equating to the conventional division of early, middle and late: the architectural, contrapuntal and lyrical. On the surface, beyond a more intense chromaticism and openness to dissonance, there is relatively little to separate the Ballades from the late works.
Much the least-often heard piece in this collection is the Variations Op.21, and the teasing ingenuity of Brahms’s treatment of his theme – initially quiet and introspective – is based on a rigorous exploration of contrapuntal possibilities. The Variations date from a period immediately after his fateful meeting with Robert and Clara Schumann in Dusseldorf, when he found himself stretched to live up to the Schumann’s’ extravagant praise of him as the pre-eminent successor to Beethoven. They and others were captivated by the composer’s own mastery of his instrument as a performer, too, and The Op.21 Variations show Brahms moving on from the extrovert keyboard lionism of works such as the First Concerto while still using the variation principle to celebrate virtuosity as both a composer and a pianist.
Tracklist:
4 Ballades, Op. 10:
0:00:00 I. Andante in D Minor [after the Scottish Ballad “Edward”]
0:04:14 II. Andante in D Major
0:09:59 III. Intermezzo. Allegro in B Minor
0:14:06 IV. Andante con moto in B Major
8 Klavierstücke, Op. 76 (1871 No. 1, 1878 Nos. 2 to 8):
0:21:37 I. Capriccio. Un poco agitato in F-Sharp Minor
0:25:02 II. Capriccio. Allegretto non troppo in B Minor
0:28:33 III. Intermezzo. Grazioso in A-Flat Major
0:30:37 IV. Intermezzo. Allegretto grazioso in B-Flat Major
0:33:04 V. Capriccio. Agitato, ma non troppo presto in C-Sharp Minor
0:36:05 VI. Intermezzo. Andante con moto in A Major
0:39:35 VII. Intermezzo. Moderato semplice in A Minor
0:42:23 VIII. Capriccio. Grazioso ed un poco vivace in C Major
7 Fantasien, Op. 116 (1892):
0:45:47 I. Capriccio. Presto energico in D Minor
0:48:01 II. Intermezzo. Andante in A Minor
0:51:29 III. Capriccio. Allegro passionato in G Minor
0:54:51 IV. Intermezzo. Adagio in E Major
0:59:26 V. Intermezzo. Andante con grazia ed intimissimo sentimento in E Minor
1:02:17 VI. Intermezzo. Andantino teneramente in E Major
1:05:39 VII. Capriccio. Allegro agitato in D Minor
1:07:56 Variations on an Original Theme, Op. 21 No. 1
3 Intermezzi, Op. 117 (1892):
1:23:38 I. Andante moderato in E-Flat Major
1:28:34 II. Andante non troppo e con molto espressione in B-Flat Minor
1:33:43 III. Andante con moto in C-Sharp Minor
6 Klavierstücke, Op. 118 (1893):
1:39:17 I. Intermezzo. Allegro non assai, ma molto appassionato in A Minor
1:41:16 II. Intermezzo. Andante teneramente in A Major
1:46:57 III. Ballade. Allegro energico in G Minor
1:50:26 IV. Intermezzo. Allegretto un poco agitato in F Minor
1:53:27 V. Romance. Andante—Allegretto grazioso in F Major
1:57:17 VI. Intermezzo. Andante, largo e mesto E-Flat Minor
4 Klavierstücke, Op. 119 (1893):
2:02:26 I. Intermezzo. Adagio in B Minor
2:06:22 II. Intermezzo. Andantino un poco agitato in E Minor
2:10:31 III. Intermezzo. Grazioso e giocoso in C Major
2:12:13 IV. Rhapsody. Allegro risoluto in E-Flat Major
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