Uploaded February 2026 | Updated September 2026, 2 weeks ago
Including many world-premiere recordings, the first-ever album dedicated to the music of a 16th-century lutenist-composer from Padova: a sequence of virtuosic, restlessly inventive fantasias and dances.
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/BarbettaLuteMusicID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Composer: Giulio Cesare Barbetta
Artist: Mikiya Kaisho (Lute)
The music on this album is drawn from a 1582 collection, Novae tabulae musicae testudinariae hexachordae et heptachordae. The frontispiece shows a figure, likely Barbetta himself, casting a broken lute into the fire, beneath which reads a defiant inscription: ‘I shall never willingly entrust the lute to the ignorant or the envious, but to one born of flame shall I commit it - for neither ignorance nor envy shall ever be able to achieve what he can.’
Beyond the collection itself, little is known about its author, Cecilio Cesare Barbetta (c.1540-c.1623). Living and working in the university city of Padova, Barbetta was evidently exposed to German cultural models through the members of the German nobility who passed through the city. Many of his 14 Fantasias are intricate four-part contrapuntal works, requiring both technical mastery and a deep understanding of musical structure from the performer. By contrast, Barbetta also wrote (or elaborated) not only traditional Italian dances like the Saltarello, but also pieces with exotic character, such as the Moresca, a traditional Moorish dance from North Africa.
This album has been a labour of love for the Japanese lutenist Mikiya Kaisho, whose booklet essay details his work in transcribing Barbetta’s music from facsimiles of the original tablatures. ‘My hope was to craft a musical narrative,’ he writes, ‘carefully designed to allow anyone to enjoy the lute’s delicate and intimate resonance in daily life, on a journey through a vibrant and multifaceted sound world.’
Born in 1991 in Osaka, Mikiya Kaisho studied in Vienna and Frankfurt, before taking first prize at the Maurizio Pratola International Early Music Competition in Italy. A tour of Japan in 2024 centred on the life and music of John Dowland, and he is now numbered among the most prominent early-music performers in his native country.
Tracklist:
00:00:00 Preambulo primo
00:01:09 Fantasia prima (1569)
00:03:39 Fantasia seconda (1569)
00:06:14 Moresca detta le canarie
00:07:17 Fantasia ottava (1582)
00:11:25 Fantasia quinta (1582)
00:14:00 Saltarello detto ravanello
00:16:10 Fantasia terza (1569)
00:19:30 Fantasia quinta (1569)
00:24:04 Balletto de’ contradini lombardi
00:25:47 Fantasia seconda (1582)
00:29:22 Fantasia sexta (1582)
00:34:50 Luiquide perle (Intabulation of the madrigal by Luca Marenzio)
00:37:09 Fantasia sexta (1569)
00:41:41 Fantasia quarta (1569)
00:46:05 Saltarello detto o la val cerca
00:47:24 Fantasia quarta (1582)
00:50:39 Fantasia prima (1582)
00:53:45 Moresca detta il mattaccino
00:55:07 Fantasia septima (1582)
00:59:23 Fantasia terza (1582)
01:02:01 Moresca detta la bergamasca
#Barbetta #Lute #Music #Guitar #Classical #Classics #BrilliantClassics #German #Fantasias #Japan #Osaka
Including many world-premiere recordings, the first-ever album dedicated to the music of a 16th-century lutenist-composer from Padova: a sequence of virtuosic, restlessly inventive fantasias and dances.
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/BarbettaLuteMusicID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Composer: Giulio Cesare Barbetta
Artist: Mikiya Kaisho (Lute)
The music on this album is drawn from a 1582 collection, Novae tabulae musicae testudinariae hexachordae et heptachordae. The frontispiece shows a figure, likely Barbetta himself, casting a broken lute into the fire, beneath which reads a defiant inscription: ‘I shall never willingly entrust the lute to the ignorant or the envious, but to one born of flame shall I commit it - for neither ignorance nor envy shall ever be able to achieve what he can.’
Beyond the collection itself, little is known about its author, Cecilio Cesare Barbetta (c.1540-c.1623). Living and working in the university city of Padova, Barbetta was evidently exposed to German cultural models through the members of the German nobility who passed through the city. Many of his 14 Fantasias are intricate four-part contrapuntal works, requiring both technical mastery and a deep understanding of musical structure from the performer. By contrast, Barbetta also wrote (or elaborated) not only traditional Italian dances like the Saltarello, but also pieces with exotic character, such as the Moresca, a traditional Moorish dance from North Africa.
This album has been a labour of love for the Japanese lutenist Mikiya Kaisho, whose booklet essay details his work in transcribing Barbetta’s music from facsimiles of the original tablatures. ‘My hope was to craft a musical narrative,’ he writes, ‘carefully designed to allow anyone to enjoy the lute’s delicate and intimate resonance in daily life, on a journey through a vibrant and multifaceted sound world.’
Born in 1991 in Osaka, Mikiya Kaisho studied in Vienna and Frankfurt, before taking first prize at the Maurizio Pratola International Early Music Competition in Italy. A tour of Japan in 2024 centred on the life and music of John Dowland, and he is now numbered among the most prominent early-music performers in his native country.
Tracklist:
00:00:00 Preambulo primo
00:01:09 Fantasia prima (1569)
00:03:39 Fantasia seconda (1569)
00:06:14 Moresca detta le canarie
00:07:17 Fantasia ottava (1582)
00:11:25 Fantasia quinta (1582)
00:14:00 Saltarello detto ravanello
00:16:10 Fantasia terza (1569)
00:19:30 Fantasia quinta (1569)
00:24:04 Balletto de’ contradini lombardi
00:25:47 Fantasia seconda (1582)
00:29:22 Fantasia sexta (1582)
00:34:50 Luiquide perle (Intabulation of the madrigal by Luca Marenzio)
00:37:09 Fantasia sexta (1569)
00:41:41 Fantasia quarta (1569)
00:46:05 Saltarello detto o la val cerca
00:47:24 Fantasia quarta (1582)
00:50:39 Fantasia prima (1582)
00:53:45 Moresca detta il mattaccino
00:55:07 Fantasia septima (1582)
00:59:23 Fantasia terza (1582)
01:02:01 Moresca detta la bergamasca
#Barbetta #Lute #Music #Guitar #Classical #Classics #BrilliantClassics #German #Fantasias #Japan #Osaka



![The Legacy of Telemann | Early Works & Scherzi Melodichi
Dive into the rich and inventive world of Georg Philipp Telemann (1681–1767), one of the most prolific and versatile composers of the Baroque era. Known for his melodic brilliance, inventive counterpoint, and mastery of both orchestral and chamber music, Telemann’s works span from lively concertos to intimate sonatas and whimsical “Scherzi Melodichi.” This collection showcases the breadth of his creativity, from vibrant trumpet and horn concertos to intricate string sonatas, capturing the elegance and energy of early 18th-century music.
Telemann left behind an endless treasury of music to explore. This video offers a gateway into his early works and the delightful Scherzi Melodichi — inviting you to discover the charm, brilliance, originality, and the unmistakable genius of Telemann himself. Enjoy the music and let us know which works are your favorite!
🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto, Youtube Music):
- Telemann, Early Works: https://brilliant-classics.lnk.to/EarlyConcertos
- Telemann Scherzi Melodichi: https://brilliant-classics.lnk.to/TelemannScherzi
*Background Image: A post coach resting at dusk. By: Ignaz Raffalt (Austrian, 1800–1857)
💎 Tracklist:
Composer: Georg Philipp Telemann
Artists: Ensemble Cordia, Stefano Veggetti (conductor)
00:00:00 Concerto in D, TWV 51:D8: I. Vivace
00:01:59 Concerto in D, TWV 51:D8: II. Largo
00:05:00 Concerto in D, TWV 51:D8: III. Allegro
00:08:51 Concerto in D, TWV 53:D3: I. Vivace
00:12:37 Concerto in D, TWV 53:D3: II. Adagio
00:17:20 Concerto in D, TWV 53:D3: III. Allegro
00:23:03 Concerto in D Minor, TWV 43:d2, à 4: I. Largo
00:25:11 Concerto in D Minor, TWV 43:d2, à 4: II. Allegro
00:27:34 Concerto in D Minor, TWV 43:d2, à 4: III. Andante
00:29:20 Concerto in D Minor : IV. Presto
00:32:32 Concerto in D, TWV 43:D4: I. Largo
00:35:39 Concerto in D, TWV 43:D4: II. Allegro
00:38:16 Concerto in D, TWV 43:D4: III. Andante
00:41:44 Concerto in D, TWV 43:D4: IV. Presto
00:45:16 Sonata in E Minor, TWV 44:e5: I. Adagio
00:47:40 Sonata in E Minor, TWV 44:e5: II. Allegro
00:50:03 Sonata in E Minor, TWV 44:e5: III. Grave
00:52:00 Sonata in E Minor, TWV 44:e5: IV. Allegro
00:53:45 Concerto in D, TWV 43:D4, à 4: I.
00:55:39 Concerto in D, TWV 43:D4, à 4: II.
00:57:43 Concerto in D, TWV 43:D4, à 4, per 2: III. Adagio
00:58:56 Concerto in D, TWV 43:D4, à 4, per 2: IV.
Artists: Ensemble Symposium, Eva Saladin (violin), Simone Laghi (viola), Marco Lo Cicero (violone) & Federica Bianchi (harpsichord)
01:01:11 Monday, TWV42: A4: Introduzione prima. Vivace
01:02:47 Monday, TWV42: A4: I. Moderato
01:04:28 Monday, TWV42: A4: II. Allegro
01:05:16 Monday, TWV42: A4: III. Tempo giusto
01:06:52 Monday, TWV42: A4: IV. Allegro
01:07:55 Monday, TWV42: A4: V. Largo
01:09:39 Monday, TWV42: A4: VI. Presto
01:10:50 Tuesday, TWV42: B3: Introduzione seconda. Allegro
01:11:57 Tuesday, TWV42: B3: I. Vivace
01:13:55 Tuesday, TWV42: B3: II. Presto
01:15:10 Tuesday, TWV42: B3: III. Allegro
01:16:18 Tuesday, TWV42: B3: IV. Largo
01:17:41 Tuesday, TWV42: B3: V. Vivace
01:19:09 Tuesday, TWV42: B3: VI. Allegro
01:20:24 Wednesday, TWV42: G5: Introduzione terza: Vivace
01:22:09 Wednesday, TWV42: G5: I. Vivace
01:23:20 Wednesday, TWV42: G5: II. Presto
01:23:46 Wednesday, TWV42: G5: III. Moderato
01:25:30 Wednesday, TWV42: G5: IV. Presto
01:26:25 Wednesday, TWV42: G5: V. Vivace
01:27:52 Wednesday, TWV42: G5: VI. Allegro
01:29:05 Thursday, TWV42: Es2: Introduzione quarta. Allegro
01:30:30 Thursday, TWV42: Es2: I. Spirituoso
01:31:33 Thursday, TWV42: Es2: II. Presto
01:32:21 Thursday, TWV42: Es2: III. Vivace
01:33:29 Thursday, TWV42: Es2: IV. Gratioso
01:34:25 Thursday, TWV42: Es2: V. Allegro
01:36:00 Thursday, TWV42: Es2: VI. Vivace
01:37:30 Friday, TWV42: e4: Introduzione quinta. Allegro
01:38:59 Friday, TWV42: e4: I. Allegro
01:40:06 Friday, TWV42: e4: II. Vivace
01:41:14 Friday, TWV42: e4: III. Spirituoso
01:42:22 Friday, TWV42: e4: IV. Largo
01:43:38 Friday, TWV42: e4: V. Presto
01:44:37 Friday, TWV42: e4: VI. All.° all.° [Allegro Allegro]
01:45:31 Saturday, TWV42: g3: Introduzione sesta. Vivace
01:46:49 Saturday, TWV42: g3: I. Presto
01:47:40 Saturday, TWV42: g3: II. Dolce
01:50:09 Saturday, TWV42: g3: III. Allegro
01:51:04 Saturday, TWV42: g3: IV. Vivace
01:52:21 Saturday, TWV42: g3: V. Allegro
01:53:07 Saturday, TWV42: g3: VI. Vivace
01:54:26 Sunday, TWV42: D7: Introduzione settima. Largo – Presto – Largo
01:56:10 Sunday, TWV42: D7: I. Andante
01:57:42 Sunday, TWV42: D7: II. Moderato
01:59:03 Sunday, TWV42: D7: III. Vivace
02:00:11 Sunday, TWV42: D7: IV. Dolce
02:02:10 Sunday, TWV42: D7: V. Vivace
02:03:34 Sunday, TWV42: D7: VI. Allegro
Artist: Ensemble Symposium, Eva Saladin violin, Simone Laghi viola, Marco Lo Cicero violone, Federica Bianchi harpsichord
📲 Follow us on Social media: @BrilliantClassics
#brilliantclassics #telemann #baroque The Legacy of Telemann | Early Works & Scherzi Melodichi](https://i.ytimg.com/vi/YoHkyFxoHEI/mqdefault.jpg)





![Visnoviz: Violin Sonata, Klavierstücke
Eugenio Visnoviz (1906–1931) belongs to the poignant group of early twentieth-century composers whose promise was cut short by an untimely death.
Composer: Eugenio Visnoviz
Artists: Valentina Danelon (violin), Cristina Santin (piano)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/VisnovizViolinKlavierID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Born in Italy at a moment of intense cultural transformation, Visnoviz grew up in an environment shaped by the late Romantic legacy and the emerging modernist currents that were redefining European music. Although his surviving output is small, it reveals a composer of striking sensitivity and technical awareness.
Written at the age of only 17 by Visnoviz, a fragile and tormented musician whose life would end just eight years later, probably by his own hand, the Sonata contains the seeds of genius. Large in scale, in four movements, permeated with a late Romantic spirit but with stylistic features reminiscent of Beethoven, Mendelssohn and especially Brahms (with some harmonic exploration, a legacy of the post-war period), the Sonata presents a language that is both lyrical and dramatic.
The program pairs the Sonata, with its vast proportions, with the light piano aphorisms of the Klavierstücke. Despite his pianistic expertise, Visnoviz the composer did not leave any large-scale works for his instrument, preferring to focus on its intimate and lyrical dimension. He condenses musical ideas into concise gestures, exploring contrasting moods, textures, and colors. The pieces frequently juxtapose delicate, introspective passages with more rhythmically driven or harmonically bold sections.
This new recording is a labor of love by the two musicians Valentina Danelon (violin) and Cristina Santin (piano) who, during their study time, discovered Visnoviz works in the Visnoviz Collection, held by the Tartini Conservatory in Trieste.
Tracklist:
Violin Sonata in E-Flat Major, PVH 1309:
00:00:00 I. Allegro moderato
00:11:10 II. Lento assai
00:18:36 III. Moderato assai
00:22:00 IV. Rondò – Allegro
Klavierstücke, PVH 1308:
00:29:09 1.a. Tranquillo
00:31:34 1.b. Allegretto
00:33:12 2. Tempo di valzer lento
00:38:55 3a. Mesto
00:41:57 3b. [Nessuna indicazione]
00:44:32 4. Moderato mosso
00:46:32 5. Calmo
00:48:47 6. Moderato mosso
00:51:44 7. Calmo
00:54:41 8. Tempo di mazurka
00:56:42 9a. Moderato mosso
00:59:19 9b. Calmo
01:01:11 9c. Lento
01:03:09 10a. Leggermente mosso
01:05:19 10b. Sostenuto
01:07:53 10c. Allegretto
#Visnoviz #Violin #Piano #Sonata #20thcentury #Romantic #Italian #BrilliantClassics #Classical #Music #Classics #Klavierstücke Visnoviz: Violin Sonata, Klavierstücke](https://i.ytimg.com/vi/ZlwVisyETwY/mqdefault.jpg)
