Uploaded May 2026 | Updated September 2026, 2 weeks ago
This new recording presents works written between 1937 and 1945: the famous Flute Sonata, Sonata for Flute, Violin & Piano, the Madrigal Sonata for the same instruments, and the Violin Sonata No.3, music of vibrant vitality and rich emotions.
Composer: Bohuslav Martinů
Artists: Ambroise Aubrun (violin), Jocelyn Aubrun (flute), Steven Vanhauwaert (piano)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/MartinuChamberMusicID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Alongside Smetana, Dvořák, and Janáček, Bohuslav Martinů stands as one of the great pillars of Czech music. Born in Polička in 1890, he revealed his precocious talent early on, composing his first string quartet at just ten years old. His interest in France and its music, particularly that of Debussy, developed quickly. As a second violinist of the Czech Philharmonic, Martinů also became well acquainted with the works of Ravel and Dukas. In 1923, he moved to Paris, where he studied under Albert Roussel. He would spend the next seventeen years in France, fleeing the German occupation in 1941 to take refuge in the United States. In 1953, he returned to Europe, dividing his time between Nice, Rome, and Switzerland, where he died in 1959.
A composer of vast cultural horizons and innate cosmopolitanism, Martinů’s music reveals a ceaseless curiosity for diverse styles. Though his early work is steeped in Czech folk traditions, his voice soon broadened to incorporate French clarity, the Renaissance English madrigal, and the baroque concerto grosso. Within his vast output, chamber music holds a central place. In 1946, while composing his Sixth String Quartet, Martinů wrote: “In pure chamber music, I always feel most myself.”
Played with strong commitment by Ambroise Aubrun (violin), Jocelyn Aubrun (flute) andSteven Vanhauwaert (piano).
Tracklist:
Sonata for Flute, Violin and Piano, H.254 (1937):
00:00:00 I. Allegro poco moderato
00:03:44 II. Adagio
00:07:27 III. Allegretto
00:10:59 IV. Moderato (poco Allegro)
Sonata for Flute and Piano, H.306 (1945):
00:15:58 I. Allegro moderato
00:23:11 II. Adagio
00:29:22 III. Allegro poco moderato
Madrigal Sonata for Flute, Violin and Piano, H.291 (1942):
00:34:29 I. Poco allegro
00:37:44 II. Moderato – Allegro
Sonata No. 3 for Violin and Piano, H.303 (1944):
00:43:19 I. Poco allegro
00:49:05 II. Adagio
00:55:32 III. Scherzo
01:02:57 IV. Lento - Moderato – Allegro
#Chamber #Martinu #Music #Piano #Flute #Violin #Czech #String #Quartet #Classical #BrilliantClassics #Classics #Classic #Violinist #Ravel #Dukas #C
This new recording presents works written between 1937 and 1945: the famous Flute Sonata, Sonata for Flute, Violin & Piano, the Madrigal Sonata for the same instruments, and the Violin Sonata No.3, music of vibrant vitality and rich emotions.
Composer: Bohuslav Martinů
Artists: Ambroise Aubrun (violin), Jocelyn Aubrun (flute), Steven Vanhauwaert (piano)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/MartinuChamberMusicID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Alongside Smetana, Dvořák, and Janáček, Bohuslav Martinů stands as one of the great pillars of Czech music. Born in Polička in 1890, he revealed his precocious talent early on, composing his first string quartet at just ten years old. His interest in France and its music, particularly that of Debussy, developed quickly. As a second violinist of the Czech Philharmonic, Martinů also became well acquainted with the works of Ravel and Dukas. In 1923, he moved to Paris, where he studied under Albert Roussel. He would spend the next seventeen years in France, fleeing the German occupation in 1941 to take refuge in the United States. In 1953, he returned to Europe, dividing his time between Nice, Rome, and Switzerland, where he died in 1959.
A composer of vast cultural horizons and innate cosmopolitanism, Martinů’s music reveals a ceaseless curiosity for diverse styles. Though his early work is steeped in Czech folk traditions, his voice soon broadened to incorporate French clarity, the Renaissance English madrigal, and the baroque concerto grosso. Within his vast output, chamber music holds a central place. In 1946, while composing his Sixth String Quartet, Martinů wrote: “In pure chamber music, I always feel most myself.”
Played with strong commitment by Ambroise Aubrun (violin), Jocelyn Aubrun (flute) andSteven Vanhauwaert (piano).
Tracklist:
Sonata for Flute, Violin and Piano, H.254 (1937):
00:00:00 I. Allegro poco moderato
00:03:44 II. Adagio
00:07:27 III. Allegretto
00:10:59 IV. Moderato (poco Allegro)
Sonata for Flute and Piano, H.306 (1945):
00:15:58 I. Allegro moderato
00:23:11 II. Adagio
00:29:22 III. Allegro poco moderato
Madrigal Sonata for Flute, Violin and Piano, H.291 (1942):
00:34:29 I. Poco allegro
00:37:44 II. Moderato – Allegro
Sonata No. 3 for Violin and Piano, H.303 (1944):
00:43:19 I. Poco allegro
00:49:05 II. Adagio
00:55:32 III. Scherzo
01:02:57 IV. Lento - Moderato – Allegro
#Chamber #Martinu #Music #Piano #Flute #Violin #Czech #String #Quartet #Classical #BrilliantClassics #Classics #Classic #Violinist #Ravel #Dukas #C



![Visnoviz: Violin Sonata, Klavierstücke
Eugenio Visnoviz (1906–1931) belongs to the poignant group of early twentieth-century composers whose promise was cut short by an untimely death.
Composer: Eugenio Visnoviz
Artists: Valentina Danelon (violin), Cristina Santin (piano)
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/VisnovizViolinKlavierID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Born in Italy at a moment of intense cultural transformation, Visnoviz grew up in an environment shaped by the late Romantic legacy and the emerging modernist currents that were redefining European music. Although his surviving output is small, it reveals a composer of striking sensitivity and technical awareness.
Written at the age of only 17 by Visnoviz, a fragile and tormented musician whose life would end just eight years later, probably by his own hand, the Sonata contains the seeds of genius. Large in scale, in four movements, permeated with a late Romantic spirit but with stylistic features reminiscent of Beethoven, Mendelssohn and especially Brahms (with some harmonic exploration, a legacy of the post-war period), the Sonata presents a language that is both lyrical and dramatic.
The program pairs the Sonata, with its vast proportions, with the light piano aphorisms of the Klavierstücke. Despite his pianistic expertise, Visnoviz the composer did not leave any large-scale works for his instrument, preferring to focus on its intimate and lyrical dimension. He condenses musical ideas into concise gestures, exploring contrasting moods, textures, and colors. The pieces frequently juxtapose delicate, introspective passages with more rhythmically driven or harmonically bold sections.
This new recording is a labor of love by the two musicians Valentina Danelon (violin) and Cristina Santin (piano) who, during their study time, discovered Visnoviz works in the Visnoviz Collection, held by the Tartini Conservatory in Trieste.
Tracklist:
Violin Sonata in E-Flat Major, PVH 1309:
00:00:00 I. Allegro moderato
00:11:10 II. Lento assai
00:18:36 III. Moderato assai
00:22:00 IV. Rondò – Allegro
Klavierstücke, PVH 1308:
00:29:09 1.a. Tranquillo
00:31:34 1.b. Allegretto
00:33:12 2. Tempo di valzer lento
00:38:55 3a. Mesto
00:41:57 3b. [Nessuna indicazione]
00:44:32 4. Moderato mosso
00:46:32 5. Calmo
00:48:47 6. Moderato mosso
00:51:44 7. Calmo
00:54:41 8. Tempo di mazurka
00:56:42 9a. Moderato mosso
00:59:19 9b. Calmo
01:01:11 9c. Lento
01:03:09 10a. Leggermente mosso
01:05:19 10b. Sostenuto
01:07:53 10c. Allegretto
#Visnoviz #Violin #Piano #Sonata #20thcentury #Romantic #Italian #BrilliantClassics #Classical #Music #Classics #Klavierstücke Visnoviz: Violin Sonata, Klavierstücke](https://i.ytimg.com/vi/ZlwVisyETwY/mqdefault.jpg)






![J.S. Bach: Inventions & Sinfonias
Experience J.S. Bach’s complete Inventions & Sinfonias in a stunning new recording by acclaimed Bach specialist Yuan Sheng, whose crystal-clear modern-piano artistry has captivated listeners worldwide. Perfect for fans searching for Bach piano masterpieces, Baroque essentials, or high-definition classical recordings, this album brings fresh brilliance and expressive depth to some of Bach’s most iconic teaching works.
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://pianoclassics.lnk.to/BachInventionsSinfoniasID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)
The latest volume in an ongoing series by an acclaimed Bach specialist on the modern piano.
With recordings of the French Suites, Partitas and Goldberg Variations on Piano Classics, the Chinese pianist Yuan Sheng has placed himself among the most searching of present-day Bach pianists. As Jed Distler remarked in Gramophone, reviewing the Goldbergs, ‘Yuan Sheng’s disciplined, scrupulously terraced style often reflects his mentor Rosalyn Tureck.’
In a new and illuminating booklet essay for this album, the musicologist and pianist Raymond Erickson remarks that the 15 two-part Inventions and the 15 three-part Sinfonias played an important role in Bachs teaching. These pieces, although today mainly associated with basic piano training, are not at all easy and in fact are sophisticated, small-scale masterpieces. ‘They were not composed simply to provide technical training in keyboard playing but, perhaps more important, to teach keyboard players how to compose.’
In 1720 Bachs oldest son Wilhelm Friedemann (1710-84) was already of an age appropriate for introducing him into the family trade of musician. So Bach started for him a music notebook: a Clavierbüchlein which included these Inventions and Sinfonias. Bach revised them shortly before moving to Leipzig in the spring of 1720, to take up his new post as Thomaskantor, and copied them out with a preface.
In learning and playing these works, Bach affirmed, a diligent student would be taught ‘a clear manner for playing not only in two voices but also in three obbligato parts and, furthermore, not only how to invent good musical ideas [inventiones] but also how to develop these well. And above all, how to achieve a cantabile manner of playing, and additionally to obtain a strong foretaste of Composition.’
So it is that the Inventions and Sinfonias have given much pleasure to both performers and listeners throughout the subsequent two centuries. Brief as they are, each one of these 30 works elegantly outlines a distinct and often playful world of its own. They reward intensive listening both on their own and in sequence. And Yuan Sheng’s performances draw on all the coloristic possibilities and varieties of articulation available on the modern piano, without seeking to exceed the bounds of style which the works themselves inhabit.
Tracklist:
0:00:00 Invention 1 in C Major, BWV 772
0:01:26 Invention 2 in C Minor, BWV 773
0:03:40 Invention 3 in D Major, BWV 774
0:04:50 Invention 4 in D Minor, BWV 775
0:05:51 Invention 5 in E-Flat Major, BWV 776
0:07:45 Invention 6 in E Major, BWV 777
0:10:32 Invention 7 in E Minor, BWV 778
0:12:23 Invention 8 in F Major, BWV 779
0:13:21 Invention 9 in F Minor, BWV 780
0:15:31 Invention 10 in G Major, BWV 781
0:16:27 Invention 11 in G Minor, BWV 782
0:18:23 Invention 12 in A Major, BWV 783
0:19:35 Invention 13 in A Minor, BWV 784
0:20:55 Invention 14 in B-Flat Major, BWV 785
0:22:24 Invention 15 in B Minor, BWV 786
0:23:56 Sinfonia 1 in C Major, BWV 787
0:25:21 Sinfonia 2 in C Minor, BWV 788
0:27:34 Sinfonia 3 in D Major, BWV 789
0:28:58 Sinfonia 4 in D Minor, BWV 790
0:31:08 Sinfonia 5 in E-Flat Major, BWV 791
0:33:54 Sinfonia 6 in E Major, BWV 792
0:35:08 Sinfonia 7 in E Minor, BWV 793
0:37:30 Sinfonia 8 in F Major, BWV 794
0:38:45 Sinfonia 9 in F Minor, BWV 795
0:42:16 Sinfonia 10 in G Major, BWV 796
0:43:19 Sinfonia 11 in G Minor, BWV 797
0:45:53 Sinfonia 12 in A Major, BWV 798
0:47:14 Sinfonia 13 in A Minor, BWV 799
0:49:05 Sinfonia 14 in B-Flat Major, BWV 800
0:50:57 Sinfonia 15 in B Minor, BWV 801
0:52:47 Invention 1 in C Major, BWV 772a
0:54:22 Sinfonia 3 in D Major, BWV 789, Embellished Version
0:55:50 Sinfonia 4 in D Minor, BWV 790, Embellished Version
0:58:07 Sinfonia 7 in E Minor, BWV 793, Embellished Version
1:00:41 Sinfonia 9 in F Minor, BWV 795, Embellished Version
1:04:00 Sinfonia 11 in G Minor, BWV 797, Embellished Version
1:06:26 Sinfonia 13 in A Minor, BWV 799, Embellished Version
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#Bach #Baroque #Inventions #Sinfonias #YuanSheng #BachPiano #BaroqueMusic #ClassicalPiano #ClassicalPiano #PianoClassics #BrilliantClassics J.S. Bach: Inventions & Sinfonias](https://i.ytimg.com/vi/bLef505GQm8/mqdefault.jpg)