Uploaded February 2026 | Updated September 2026, 2 weeks ago
Antonio Vivaldi (1678–1741), one of the most influential composers of the Baroque era.
Composer: Antonio Vivaldi
Artists: Francesco Guggiola (piccolo), Ensemble dell’Orchestra Farnesiana
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/VivaldiPiccoloConcertosID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
A Venetian priest and violinist, Vivaldi composed hundreds of concertos that pushed the boundaries of instrumental technique and showcased his inventive use of color and rhythm. Among his many works, the three Piccolo Concertos -RV443, RV444, and RV445- stand out as rare and remarkable contributions to the repertoire of this small but expressive instrument.
Written most likely in the late 1720s or early 1730s, these concertos were not originally scored for the modern piccolo but for the flautino, a high-pitched recorder or transverse flute. Today, they are most often performed on the piccolo, whose piercing timbre and agility make the works especially dazzling. Each concerto follows Vivaldi’s typical three-movement fast–slow–fast structure, but within this framework he explores both technical brilliance and lyrical expression.
RV443, perhaps the most famous of the three, opens with a lively Allegro that brims with virtuosic passagework, followed by a tender Largo in which the piccolo’s sweet tone contrasts with the orchestral accompaniment, and concludes with a spirited Allegro full of rhythmic drive. RV444 displays a more dramatic character, with bold orchestral writing and challenging solo lines that demand precision and breath control. RV445, meanwhile, is admired for its lyrical central movement and its sparkling finale, which showcases rapid scales and arpeggios that highlight the piccolo’s agility.
Francesco Guggiola plays Solo Piccolo at Teatro alla Scala and Filarmonica della Scala in Milano and is professor at Accademia della Scala.
Tracklist:
Concerto in C Major, RV 444:
00:00:00 I. Allegro molto
00:04:58 II. Largo
00:06:59 III. Allegro molto
Concerto in A Minor, RV 445:
00:09:55 I. Allegro
00:14:54 II. Larghetto
00:17:40 III. Allegro
Concerto in D Major, RV 428 “Il gardellino”:
00:21:08 I. Allegro
00:24:50 II. Cantabile
00:27:54 III. Allegro
Concerto in G Minor, RV 439 “La notte”:
00:30:53 I. Largo
00:32:44 II. Fantasmi presto e largo
00:34:45 III. Presto
00:35:50 IV. Il sonno largo
00:37:13 VI. Allegro
Concerto in G Major, RV 435:
00:39:20 I. Allegro
00:41:47 II. Largo
00:43:59 III. Allegro
Concerto in C Major, RV 443:
00:46:17 I. Allegro
00:50:09 II. Largo
00:55:08 III. Allegro molto
#Vivaldi #Baroque #Piccolo #Flute #Music #Classical #Classics #BrilliantClassics #Concert #Concerto #Ensemble
Antonio Vivaldi (1678–1741), one of the most influential composers of the Baroque era.
Composer: Antonio Vivaldi
Artists: Francesco Guggiola (piccolo), Ensemble dell’Orchestra Farnesiana
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/VivaldiPiccoloConcertosID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
A Venetian priest and violinist, Vivaldi composed hundreds of concertos that pushed the boundaries of instrumental technique and showcased his inventive use of color and rhythm. Among his many works, the three Piccolo Concertos -RV443, RV444, and RV445- stand out as rare and remarkable contributions to the repertoire of this small but expressive instrument.
Written most likely in the late 1720s or early 1730s, these concertos were not originally scored for the modern piccolo but for the flautino, a high-pitched recorder or transverse flute. Today, they are most often performed on the piccolo, whose piercing timbre and agility make the works especially dazzling. Each concerto follows Vivaldi’s typical three-movement fast–slow–fast structure, but within this framework he explores both technical brilliance and lyrical expression.
RV443, perhaps the most famous of the three, opens with a lively Allegro that brims with virtuosic passagework, followed by a tender Largo in which the piccolo’s sweet tone contrasts with the orchestral accompaniment, and concludes with a spirited Allegro full of rhythmic drive. RV444 displays a more dramatic character, with bold orchestral writing and challenging solo lines that demand precision and breath control. RV445, meanwhile, is admired for its lyrical central movement and its sparkling finale, which showcases rapid scales and arpeggios that highlight the piccolo’s agility.
Francesco Guggiola plays Solo Piccolo at Teatro alla Scala and Filarmonica della Scala in Milano and is professor at Accademia della Scala.
Tracklist:
Concerto in C Major, RV 444:
00:00:00 I. Allegro molto
00:04:58 II. Largo
00:06:59 III. Allegro molto
Concerto in A Minor, RV 445:
00:09:55 I. Allegro
00:14:54 II. Larghetto
00:17:40 III. Allegro
Concerto in D Major, RV 428 “Il gardellino”:
00:21:08 I. Allegro
00:24:50 II. Cantabile
00:27:54 III. Allegro
Concerto in G Minor, RV 439 “La notte”:
00:30:53 I. Largo
00:32:44 II. Fantasmi presto e largo
00:34:45 III. Presto
00:35:50 IV. Il sonno largo
00:37:13 VI. Allegro
Concerto in G Major, RV 435:
00:39:20 I. Allegro
00:41:47 II. Largo
00:43:59 III. Allegro
Concerto in C Major, RV 443:
00:46:17 I. Allegro
00:50:09 II. Largo
00:55:08 III. Allegro molto
#Vivaldi #Baroque #Piccolo #Flute #Music #Classical #Classics #BrilliantClassics #Concert #Concerto #Ensemble
![Dandrieu: Complete Violin & Trio Sonatas, Les Trois Livres de Clavecin de Jeunesse
World-premiere recordings of chamber-music collections by an overlooked master of the French Baroque.
Composer: Jean-François Dandrieu
Artists: Rie (Kimura violin), Pieter-Jan Belder (harpsichord), Musica Amphion
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): coming soon!
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
With two previous collections for Brilliant Classics – the Premier livre de pièces d’orgue on 2CDs and Trois Livres de Pieces de Clavecin on 4CDs – Pieter-Jan Belder has become the pre-eminent modern exponent of Jean-François Dandrieu, as reflected by the enthusiastic welcome in Fanfare for the organ volume: ‘The playing here... is simply terrific. [Belder] has completely absorbed the French Baroque idiom as a native musical tongue and speaks it with absolute fluency... For anyone who loves the organ repertoire of the French Baroque, this is an essential purchase; highly recommended.’
In this latest collection, Belder invites the listener to delve further into the output of this Parisian musician, who left behind precious few examples of his art on his death in 1739, but who won the admiration of both fellow musicians and royal patrons, most notably Louis XV. Published as Opus 1 in 1705 and Opus 2 around five years later, these collections of trio sonatas and violin sonatas represent a thorough and skilful assimilation of ‘modern’ Italian grammar – and most notably the influence of Corelli – into French gesture and style.
Opus 1 represents a remarkably mature and purposeful integration of styles: at just 23, Dandrieu confidently asserts a distinct voice by seamlessly integrating the expressive nuances of the French harpsichord school into this Italian framework. Dandrieu’s Op.2 sonatas do not merely reflect Italian influence; they actively transform it: in their formal clarity and expressive depth they embody both the elegance of Versailles and the vitality of Rome.
To complete this volume, Pieter-Jan Belder plays three books of harpsichord pieces from Dandrieu’s accomplished youth: most of them very brief dances, no more than a minute long, deftly sketching an idea for the equal enjoyment of performer and listener. Like the chamber music sets, these have never been recorded complete before, and the set as a whole advances our appreciation for Dandrieu as a major figure of the French Baroque.
Tracklist (complete tracklist can be found in the comment section):
00:00:00 Violin Sonata No. 1, Op. 2
00:05:44 Violin Sonata No. 2, Op. 2
00:10:50 Violin Sonata No. 3, Op. 2
00:17:11 Violin Sonata No. 4, Op. 2
00:22:26 Violin Sonata No. 5, Op. 2
00:28:32 Violin Sonata No. 6, Op. 2
00:36:53 Trio Sonata No. 1, Op. 1
00:46:48 Trio Sonata No. 2, Op. 1:
00:55:54 Trio Sonata No. 3, Op. 1
01:04:10 Trio Sonata No. 4, Op. 1
01:14:44 Trio Sonata No. 5, Op. 1
01:23:10 Trio Sonata No. 6, Op. 1
01:34:50 Livre de clavecin, premier livre
01:56:24 Livre de clavecin, deuxième livre
02:16:02 Livre de clavecin, troisième livre, suite No. 1
02:25:34 Livre de clavecin, troisième livre, suite No. 2
02:30:34 Suite menuet
02:31:59 Livre de clavecin, troisième livre, suite No. 3
02:40:08 Livre de clavecin, troisième livre, suite No. 4
#Dandrieu #Violin #Harpsichord #French #Composer #Baroque #Classical #Classics #BrilliantClassics #Music #Dances #Chamber Dandrieu: Complete Violin & Trio Sonatas, Les Trois Livres de Clavecin de Jeunesse](https://i.ytimg.com/vi/W6KRnG-aRBk/mqdefault.jpg)




![Schumann - Das Paradies und die Peri
Experience one of Schumann’s most radiant and imaginative works: the oratorio Das Paradies und die Peri, Op. 50. Inspired by Thomas Moore’s poem Lalla Rookh, this masterpiece tells the story of a Peri on her quest for redemption and entry into Paradise.
Composer: Robert Schumann
Artist: Rundfunk-Sinfonie Orchester Leipzig, Wolf-Dieter Hauschild, Magdaléna Hajóssyová, Rosemarie Lang, Christian Vogel, Marga Schiml, Eberhard Büchner, Carola Nossek, Hermann Christian Polster, Klaus König & Siegfried Lorenz.
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): https://brilliant-classics.lnk.to/DasParadiesUndDiePeri/ID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
Album information
Schumann’s Das Paradies und die Peri is a highly original form of a dramatic cantata for soloists, choir and orchestra, based on a tale from Lalla Rookh by Thomas Moore. The Peri is a creature from Persian Mythology. Expelled from Paradise the Peri tries to regain entrance by giving the gift that is most dear to heaven, the tear from the cheek of a repentant old sinner who has seen a child crying. Schumann had great success with this large scale dramatic work, which has a continuous flow of music, without recitatives and arias. No wonder Wagner liked it greatly.
This recording from 1981 features the best vocal soloists of the former DDR, the Leipzig Rundfunk-Sinfonie-Orchester and conductor Wolf-Dieter Hauschild: another treasure from the archives of Berlin Classics!
Tracklist:
Das Paradies und die Peri, Op. 50, Pt. 1:
00:00:00 Vor Edens Tor im Morgenprangen (Alto)
00:04:44 Wie glücklich sie wandeln, die selgen Geister (Peri)
00:07:28 Der hehre Engel, der die Pforte des Lichts bewacht (Tenor) - Dir, Kind des Stamms, schön, doch voll Sünden [Angel]
00:09:24 Wo find ich sie? Wo blüht, wo liegt die Gabe (Peri)
00:11:50 So sann sie nach und schwang die Flügel (Tenor) - O süßes Land! O Götterpracht! [Quartet]
00:13:06 Doch seine Ströme sind jetzt rot (Chorus)
00:16:17 Und einsam steht ein Jüngling noch (Tenor/Chorus) - Du schlugst des Landes Bürger [Young Man]
00:18:34 Weh, weh, weh, er fehlte das Ziel (Chorus)
00:21:10 Die Peri sah das Mal der Wunde (Tenor) - Sei dies, mein Geschenk, willkommen dorten [Peri/Quartet]
Das Paradies und die Peri, Op. 50, Pt. 2:
00:28:50 Die Peri tritt mit schüchterner Gebärde vor Edens Tor (Tenor) - Gern grüßen wir, die so gegangen [Angel/Chorus]
00:31:59 Ihr erstes Himmelshoffen schwand (Tenor) - Hervor aus den Wässern geschwind [Chorus] - Ach Eden, ach Eden [Peri]
00:35:24 Fort streift von hier das Kind der Lüfte (Tenor) - Für euren ersten Fall [Peri]
00:38:19 Die Peri weint (Tenor) - Denn in der Trän ist Zaubermacht [Quartet]
00:41:06 Im Waldesgrün am stillen See (Alto) - Ach, einen Tropfen nur aus der See [Young Man]
00:44:04 Verlassener Jüngling (Mezzo-Soprano) - Doch sieh, wer naht dort leise schleichend [Tenor] - Du hier? [Young Man]
00:48:28 O lass mich von der Luft durchdringen (Maiden) - Sie wankt - Sie sinkt [Tenor]
00:52:47 Schlaf nun und ruhe in Träumen voll Duft (Peri/Chorus)
Das Paradies und die Peri, Op. 50, Pt. 3:
00:57:24 Schmücket die Stufen zu Allahs Thron (Chorus)
01:00:42 Dem Sang von ferne lauschend (Tenor) - Noch nicht! Treu war die Maid [Angel]
01:03:40 Verstoßen! Verschlossen aufs neu das Goldportal! (Peri)
01:08:07 Jetzt sank des Abends goldner Schein (Bass)
01:11:21 Und wie sie niederwärts sich schwingt (Tenor) - Peri, ists wahr, dass du in den Himmel willst? [Quartet] - Mit ihrer Schwestern Worten wächst ihr Schmerz [Baritone]
01:14:55 Hinab zu jenem Sonnentempel! (Peri) - Sie schwebt herab im frohen Hoffen [Tenor] - Doch horch, wie Versperruf zum Beten [Mezzo-Soprano] - Und was fühlt er, der sündge Mann [Tenor]
01:21:41 O heilge Tränen innger Reue (Quartet/Chorus)
01:24:54 Es fällt ein Tropfen aufs Land Ägypten (Peri) - Und sieh, demütig betend kniet der Mann [Tenor/Chorus]
01:30:19 Freud, ewge Freude, mein Werk ist getan (Peri) - Willkommen, willkommen unter den Frommen! [Chorus]
🎧 Explore more:
👉 Schumann: Novelletten Op 21 & Nachtstücke Op 23: https://youtu.be/vD5eDgQ38rI
👉Romantic Music Playlist: https://www.youtube.com/playlist?list=PL_qM1lclHDwVx3sZb_3pOswA_MX42QtsJ
📲 Follow us on Social media: @BrilliantClassics
#brilliantclassics #schumann Schumann - Das Paradies und die Peri](https://i.ytimg.com/vi/XeWd7i7fqNs/mqdefault.jpg)




![The Legacy of Telemann | Early Works & Scherzi Melodichi
Dive into the rich and inventive world of Georg Philipp Telemann (1681–1767), one of the most prolific and versatile composers of the Baroque era. Known for his melodic brilliance, inventive counterpoint, and mastery of both orchestral and chamber music, Telemann’s works span from lively concertos to intimate sonatas and whimsical “Scherzi Melodichi.” This collection showcases the breadth of his creativity, from vibrant trumpet and horn concertos to intricate string sonatas, capturing the elegance and energy of early 18th-century music.
Telemann left behind an endless treasury of music to explore. This video offers a gateway into his early works and the delightful Scherzi Melodichi — inviting you to discover the charm, brilliance, originality, and the unmistakable genius of Telemann himself. Enjoy the music and let us know which works are your favorite!
🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto, Youtube Music):
- Telemann, Early Works: https://brilliant-classics.lnk.to/EarlyConcertos
- Telemann Scherzi Melodichi: https://brilliant-classics.lnk.to/TelemannScherzi
*Background Image: A post coach resting at dusk. By: Ignaz Raffalt (Austrian, 1800–1857)
💎 Tracklist:
Composer: Georg Philipp Telemann
Artists: Ensemble Cordia, Stefano Veggetti (conductor)
00:00:00 Concerto in D, TWV 51:D8: I. Vivace
00:01:59 Concerto in D, TWV 51:D8: II. Largo
00:05:00 Concerto in D, TWV 51:D8: III. Allegro
00:08:51 Concerto in D, TWV 53:D3: I. Vivace
00:12:37 Concerto in D, TWV 53:D3: II. Adagio
00:17:20 Concerto in D, TWV 53:D3: III. Allegro
00:23:03 Concerto in D Minor, TWV 43:d2, à 4: I. Largo
00:25:11 Concerto in D Minor, TWV 43:d2, à 4: II. Allegro
00:27:34 Concerto in D Minor, TWV 43:d2, à 4: III. Andante
00:29:20 Concerto in D Minor : IV. Presto
00:32:32 Concerto in D, TWV 43:D4: I. Largo
00:35:39 Concerto in D, TWV 43:D4: II. Allegro
00:38:16 Concerto in D, TWV 43:D4: III. Andante
00:41:44 Concerto in D, TWV 43:D4: IV. Presto
00:45:16 Sonata in E Minor, TWV 44:e5: I. Adagio
00:47:40 Sonata in E Minor, TWV 44:e5: II. Allegro
00:50:03 Sonata in E Minor, TWV 44:e5: III. Grave
00:52:00 Sonata in E Minor, TWV 44:e5: IV. Allegro
00:53:45 Concerto in D, TWV 43:D4, à 4: I.
00:55:39 Concerto in D, TWV 43:D4, à 4: II.
00:57:43 Concerto in D, TWV 43:D4, à 4, per 2: III. Adagio
00:58:56 Concerto in D, TWV 43:D4, à 4, per 2: IV.
Artists: Ensemble Symposium, Eva Saladin (violin), Simone Laghi (viola), Marco Lo Cicero (violone) & Federica Bianchi (harpsichord)
01:01:11 Monday, TWV42: A4: Introduzione prima. Vivace
01:02:47 Monday, TWV42: A4: I. Moderato
01:04:28 Monday, TWV42: A4: II. Allegro
01:05:16 Monday, TWV42: A4: III. Tempo giusto
01:06:52 Monday, TWV42: A4: IV. Allegro
01:07:55 Monday, TWV42: A4: V. Largo
01:09:39 Monday, TWV42: A4: VI. Presto
01:10:50 Tuesday, TWV42: B3: Introduzione seconda. Allegro
01:11:57 Tuesday, TWV42: B3: I. Vivace
01:13:55 Tuesday, TWV42: B3: II. Presto
01:15:10 Tuesday, TWV42: B3: III. Allegro
01:16:18 Tuesday, TWV42: B3: IV. Largo
01:17:41 Tuesday, TWV42: B3: V. Vivace
01:19:09 Tuesday, TWV42: B3: VI. Allegro
01:20:24 Wednesday, TWV42: G5: Introduzione terza: Vivace
01:22:09 Wednesday, TWV42: G5: I. Vivace
01:23:20 Wednesday, TWV42: G5: II. Presto
01:23:46 Wednesday, TWV42: G5: III. Moderato
01:25:30 Wednesday, TWV42: G5: IV. Presto
01:26:25 Wednesday, TWV42: G5: V. Vivace
01:27:52 Wednesday, TWV42: G5: VI. Allegro
01:29:05 Thursday, TWV42: Es2: Introduzione quarta. Allegro
01:30:30 Thursday, TWV42: Es2: I. Spirituoso
01:31:33 Thursday, TWV42: Es2: II. Presto
01:32:21 Thursday, TWV42: Es2: III. Vivace
01:33:29 Thursday, TWV42: Es2: IV. Gratioso
01:34:25 Thursday, TWV42: Es2: V. Allegro
01:36:00 Thursday, TWV42: Es2: VI. Vivace
01:37:30 Friday, TWV42: e4: Introduzione quinta. Allegro
01:38:59 Friday, TWV42: e4: I. Allegro
01:40:06 Friday, TWV42: e4: II. Vivace
01:41:14 Friday, TWV42: e4: III. Spirituoso
01:42:22 Friday, TWV42: e4: IV. Largo
01:43:38 Friday, TWV42: e4: V. Presto
01:44:37 Friday, TWV42: e4: VI. All.° all.° [Allegro Allegro]
01:45:31 Saturday, TWV42: g3: Introduzione sesta. Vivace
01:46:49 Saturday, TWV42: g3: I. Presto
01:47:40 Saturday, TWV42: g3: II. Dolce
01:50:09 Saturday, TWV42: g3: III. Allegro
01:51:04 Saturday, TWV42: g3: IV. Vivace
01:52:21 Saturday, TWV42: g3: V. Allegro
01:53:07 Saturday, TWV42: g3: VI. Vivace
01:54:26 Sunday, TWV42: D7: Introduzione settima. Largo – Presto – Largo
01:56:10 Sunday, TWV42: D7: I. Andante
01:57:42 Sunday, TWV42: D7: II. Moderato
01:59:03 Sunday, TWV42: D7: III. Vivace
02:00:11 Sunday, TWV42: D7: IV. Dolce
02:02:10 Sunday, TWV42: D7: V. Vivace
02:03:34 Sunday, TWV42: D7: VI. Allegro
Artist: Ensemble Symposium, Eva Saladin violin, Simone Laghi viola, Marco Lo Cicero violone, Federica Bianchi harpsichord
📲 Follow us on Social media: @BrilliantClassics
#brilliantclassics #telemann #baroque The Legacy of Telemann | Early Works & Scherzi Melodichi](https://i.ytimg.com/vi/YoHkyFxoHEI/mqdefault.jpg)