Uploaded October 2024 | Updated September 2026, 1 hour ago
Hello guys! This is the famous Ecossaise in G major WoO 23 by Ludwig van Beethoven.
More late beginner repertoire:
youtube.com/playlist?list=PL6vPJToPyAlbd16xnQYaB2Lm2e-cESwS8&si=PHxk3Gje-qRIuakk
The Écossaise (in French, "Scottish") is a musical form and a type of contradanse in a Scottish style – a Scottish country dance at least in name – that was popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. Despite the Écossaise mimicking a Scottish country dance, it is actually French in origin. The écossaise was usually danced in 2/4 time in two lines, with men facing the women. As the dance is executed, couples progress to the head of the line.
Écossaise compositions were mainly written for solo piano, so that couples could dance to it. The musical form was also adopted by some classical composers, including Ludwig van Beethoven, (WoO 83 and WoO 86 for piano and WoO 22 and WoO 23, now lost, for military band);Franz Schubert, (D.145, 158, 299, 421, 511, 529, 643, 697, 734, 735, 781, 782, 783, 816, and 977); Frédéric Chopin (Op. 72 number 3) and Cécile Chaminade's Écossaise, Op. 151.
Hello guys! This is the famous Ecossaise in G major WoO 23 by Ludwig van Beethoven.
More late beginner repertoire:
youtube.com/playlist?list=PL6vPJToPyAlbd16xnQYaB2Lm2e-cESwS8&si=PHxk3Gje-qRIuakk
The Écossaise (in French, "Scottish") is a musical form and a type of contradanse in a Scottish style – a Scottish country dance at least in name – that was popular in France and Great Britain at the end of the 18th century and at the beginning of the 19th. Despite the Écossaise mimicking a Scottish country dance, it is actually French in origin. The écossaise was usually danced in 2/4 time in two lines, with men facing the women. As the dance is executed, couples progress to the head of the line.
Écossaise compositions were mainly written for solo piano, so that couples could dance to it. The musical form was also adopted by some classical composers, including Ludwig van Beethoven, (WoO 83 and WoO 86 for piano and WoO 22 and WoO 23, now lost, for military band);Franz Schubert, (D.145, 158, 299, 421, 511, 529, 643, 697, 734, 735, 781, 782, 783, 816, and 977); Frédéric Chopin (Op. 72 number 3) and Cécile Chaminade's Écossaise, Op. 151.


![[Improvisation] Jazzy Friday #2: Silence by Herman Beeftink (Junior Jazz 1) Solo Piano
Jazzy Friday is my 10 part series where I present the pieces of the Junior Jazz 1 Series by Herman Beeftink. This is a great book to start in Jazz Piano. The melodies are catchy, the chords pretty cool. On the left page there are always exercises for rhythmic patterns and on the right is the piece.
My improvisation starts at 0:36.
For a relaxing weekend check out my 80 minutes Ghibli Playlist:
https://youtu.be/PzUiA9mNVNk
I didn‘t know Beeftink before. He is a composer who dares to write modern music beautifully especially for flute and piano: https://www.youtube.com/user/EliteSourceMusic
Have nice weekend!
#HermanBeeftink #SoloPiano #jazz [Improvisation] Jazzy Friday #2: Silence by Herman Beeftink (Junior Jazz 1) Solo Piano](https://i.ytimg.com/vi/aIbmgyWiaQk/mqdefault.jpg)







![Jean Phillipe Rameau: Menuet er Rondeau (Minuet in Rondo Form)
I am playing a late beginner‘s classic: ”Menuet en Rondeau“ by Jean Phillippe Rameau.
The late beginner Playlist: https://www.youtube.com/playlist?list=PL6vPJToPyAlbd16xnQYaB2Lm2e-cESwS8
Jean-Philippe Rameau (/rɑːˈmoʊ/; French: [ʒɑ̃filip ʁamo]; 25 September 1683 – 12 September 1764) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Little is known about Rameaus early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lullys style of music for its revolutionary use of harmony.
Nevertheless, Rameaus pre-eminence in the field of French opera was soon acknowledged, and he was later attacked as an establishment composer by those who favoured Italian opera during the controversy known as the Querelle des Bouffons in the 1750s. Rameaus music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent. Jean Phillipe Rameau: Menuet er Rondeau (Minuet in Rondo Form)](https://i.ytimg.com/vi/cjmuONjbWX0/mqdefault.jpg)