Uploaded December 2023 | Updated September 2026, 11 hours ago
Welcome back to the program! I like to feature the single movements of Debussy‘s Suite Bergamasque as they are stunning and unique pieces by their own.
See the whole performance of Suite Bergamasque: youtu.be/2EXwDCIluBs
More music by Debussy:
Doctor Gradus ad Parnassum: youtu.be/VsYRNkO6MAE
Arabesque nr.1: youtu.be/77hQ2DF6KlE
Claude Debussy ( 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.
Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include sets of 24 Préludes and 12 Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.
With early influences including Russian and Far Eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.
#debussy #piano #passepied
Welcome back to the program! I like to feature the single movements of Debussy‘s Suite Bergamasque as they are stunning and unique pieces by their own.
See the whole performance of Suite Bergamasque: youtu.be/2EXwDCIluBs
More music by Debussy:
Doctor Gradus ad Parnassum: youtu.be/VsYRNkO6MAE
Arabesque nr.1: youtu.be/77hQ2DF6KlE
Claude Debussy ( 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.
Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include sets of 24 Préludes and 12 Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.
With early influences including Russian and Far Eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.
#debussy #piano #passepied


![Jean Phillipe Rameau: Menuet er Rondeau (Minuet in Rondo Form)
I am playing a late beginner‘s classic: ”Menuet en Rondeau“ by Jean Phillippe Rameau.
The late beginner Playlist: https://www.youtube.com/playlist?list=PL6vPJToPyAlbd16xnQYaB2Lm2e-cESwS8
Jean-Philippe Rameau (/rɑːˈmoʊ/; French: [ʒɑ̃filip ʁamo]; 25 September 1683 – 12 September 1764) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Little is known about Rameaus early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lullys style of music for its revolutionary use of harmony.
Nevertheless, Rameaus pre-eminence in the field of French opera was soon acknowledged, and he was later attacked as an establishment composer by those who favoured Italian opera during the controversy known as the Querelle des Bouffons in the 1750s. Rameaus music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent. Jean Phillipe Rameau: Menuet er Rondeau (Minuet in Rondo Form)](https://i.ytimg.com/vi/cjmuONjbWX0/mqdefault.jpg)


![J.S. Bach: Minuet in d-minor BWV Anh. 132 (Notebook for Anna Magdalena Bach)
Hey Guys! This time I am playing the famous Minuet d-minor collected by J.S. Bach. The composer of this piece is unknown and Bach noted this composition in his Second Notebook for his wife Anna Magdalena Bach in 1725 where he collected typical dances of the era. While the first Notebook from 1722 contain a lot of own compositions by Bach such as his French Suites nr. 4 and 5, the 1725 notebook contains compositions that where the composer is unknown. Both notebooks represent the musical taste of the Bach family.
More Classical Performances:
Beethoven: Sonata c-Minor op.10 nr.1 https://youtu.be/u2HMg6SeXmc
Haydn: Sonata D Major: https://youtu.be/yXQZMX4A-HE
Schubert Impromptu op.142 nr.2: https://youtu.be/FxfStd_lSSo
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St Thomass) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its universitys student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III, Elector of Saxony and King of Poland, in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.
Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bachs compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and Jesu, Joy of Mans Desiring, and of recordings, such as three different box sets with complete performances of the composers oeuvre marking the 250th anniversary of his death. J.S. Bach: Minuet in d-minor BWV Anh. 132 (Notebook for Anna Magdalena Bach)](https://i.ytimg.com/vi/dMm8NkW4g0Q/mqdefault.jpg)



![[Chillout Jazz] Gumdrops“ Piano Solo by Herman Beeftink (Jazzy Friday #8)
Jazzy Friday is my 10 part series where I present the piano pieces of the Junior Jazz 1 Series by Herman Beeftink. This is a great book to start in Jazz Piano. The melodies are catchy, the chords pretty cool. On the left page there are always exercises for rhythmic patterns and on the right is the piece. Gumdrops“ is written in Chillout Jazz Piano Solo Style.
For a relaxing weekend check out my 80 minutes Ghibli Playlist:
https://youtu.be/PzUiA9mNVNk
I didn‘t know Herman Beeftink before. He is a composer who dares to write modern instrumental music beautifully especially for flute and piano: https://www.youtube.com/user/EliteSourceMusic
Have nice weekend!
#HermanBeeftink #ChilloutJazz #piano [Chillout Jazz] Gumdrops“ Piano Solo by Herman Beeftink (Jazzy Friday #8)](https://i.ytimg.com/vi/e106Qt7_hUQ/mqdefault.jpg)
